Introducing Interview: SUN

Following their visceral single ‘Higher Fire’, Franco-German brutal-pop outfit SUN have now announced the release of their debut EP.

With an intense, brooding sound that is uniquely theirs, SUN is the embodiment of founder and sole member Karoline Rose’s brutal pop aesthetic, creating utterly captivating, atmospheric soundscapes.

We caught up with Karoline to find out more…

Hi Karoline, welcome to Get In Her Ears! Can you tell us a bit about SUN?
Hi Get In Her Ears! SUN is my music project. Live we play as a two-piece (I’m on guitar/bass and vocals and I have a mysterious drummer with me). Since I was a teenage metalhead in Germany I wanted to blend Pop and Metal with just a hint of Riot Grrrl. I came up with the term Brutal Pop. For years I was chasing after that Brutal Pop sound. I went from Church Choir to Death metal bands, then did Contemporary Theatre and Musicals as a performer. All in order to gain the skills to create the Sound and the Live show I had in mind since my childhood. SUN was born two years ago and SUN’s first EP Brutal Pop just came out in December. I feel so relieved that I finally have my very own musical language together and out in the world! 

How did you initially start creating music?
I would imitate my mom (who is a French chanson singer) as a toddler and go through some classical training on the piano as a child. When I was twelve I discovered Courtney Love and Tairrie B and from then on I knew I had to make heavy music. My American aunt would send me cool CD’s from oversees and I would analyse the song structure and the lyrics and create my own. I had my first band at 12 (they were between 18-25) and it all started then.

Your latest single ‘I Killed My Man’ is out now – can you tell us what it’s all about? Are there any themes running throughout the track?
‘I Killed My Man’ is a goodbye to a toxic relationship/ toxic relationships in general. Sometimes we mistake admiration for love and lose ourselves in the process. It can make us accept the unacceptable and it is very hard to get out of that kind of situation without casualties. I wanted to say goodbye to that relationship but also to all the toxicity in my life. I also wanted to say goodbye to someone I lost a long time ago.

You’ve been compared to the likes of Chelsea Wolfe all the way to Pink, but who would you say are your main musical influences?
I think my top 3 would be Michael Jackson, Hole and Devin Townsend! It’s really representative of the mix I wanted to hear for so long: Groovy Pop, Indie Grunge (life through this era) and powerful yet original Metal.

How is your local music scene? Do you go to see lots of live music?
In Paris we have some really cool spots and cool bands. Local promoters like Hypergéante or Morsure organise great gigs at Olympic Café,  Espace B  or the amazing Bus Palladium. In my second hometown Karlsruhe (Germany) we have an amazing club called Substage. In both cases the local scene is very small and especially in France promoters and festivals prefer to welcome foreign bands than giving the locals a shot. That’s why I try to support locals as much as I can.

And what can fans expect from your live shows?
Our live performances are a Brutal Pop show. My background in Contemporary Theatre and Musicals helped us to make our shows more 360 degrees, not only – foot on wedge – rock n roll (even if there’s nothing wrong with that!). I wanted to be able to create a space in which I can let loose, run, jump, come from different angles without cables and surround my drummer like a wild lion playing with his prey. I would say that our live performances are pop shows but we headbang… a lot! 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
I recommend my Parisien friends Toybloid (female fronted riot grrrl) as well as one of the craziest french bands ever, Igorrr!

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
It is difficult to get past the algorithm. if you don’t want to force your music on an audience that you’ve targeted and paid for you have less chances to be heard. . Things are chaotic right now and no one really knows what to do (labels, press etc) no one can be certain of any strategy, but maybe that is a good thing! Great music might take root in chaos and take off out of nowhere.

Finally, what does 2020 have in store for you?
SUN’s first EP Brutal Pop just came out in December 2019 and the second EP is already finished. It will come out in April 2020. In the meanwhile we will be touring Europe from January until April in a theatre play (‘Nous l’Europe’) in which I am an actress and SUN is the play’s music (for real! We play ‘Higher Fire’ and ‘I killed My Man’ amongst others). We will then go back to touring normally, and get our debut album ready!

Massive thanks to Karoline for answering our questions!

Brutal Pop, the debut EP from SUN is out now. Watch the new video for ‘I Killed My Man’ here:

 

LISTEN: Jackie Lynn – ‘Casino Queen’

Grab your silver cowboy boots, put on your sequin dress, and prepare to strut your stuff to ‘Casino Queen’, the latest single from Jackie Lynn. Taken from the band’s sophomore album Jacqueline, (set for release on 10th April via Drag City), the song is a driving, disco-infused offering from the mysterious American group.

Jackie Lynn is the fictional alter ego of songwriter Haley Fohr, who is also known for her work with indie folk project Circuit des Yeux. Along with band members Cooper Crain, Rob Frye and Dan Quinlivan, Fohr has returned to continue Jackie’s ongoing narrative on her new album.

‘Casino Queen’ is a pulsing, 80s tinged electro-tune that brims with confidence and attitude. “Girl you’re on a roll / the whole room wants to know / how they didn’t notice you” sings Fohr, over hypnotic beats and buzzing synths. The song is also accompanied by a video directed by both Fohr and Krzys Piotrowski.

Fohr kindly elaborates on the track’s visuals: “‘Casino Queen’ showcases a night in the life of Jacqueline. The song and video follow the letting go of an individual’s underdog mentality, realigning it with the winner’s place. What does it take to refocus one’s internal mirror and become a ‘Casino Queen’? All in due time shall we each define ourselves prosperous by way of intuition, self belief, nearby shoulders, a bit of luck, and maybe a wig.”

Watch the video for ‘Casion Queen’ below, and follow Jackie Lynn on Facebook and Spotify for more updates.

Photo credit: Evan Jenkins

Kate Crudgington
@KCBobCut

LISTEN: Polly Money – ‘Roommate’

A sweeping, endearingly catchy ballad about falling head over heels in love; Polly Money‘s latest single ‘Roommate’ will make you go weak at the knees. Her lush vocals and hazy guitar sounds form the perfect backdrop for daydreaming about the one you love.

Polly explains the premise of the track further: “This song is the undeniable need to spend all of your hours lost in the person you love. Their place or yours it doesn’t matter as long as you are waking up next to them. It’s the surprise late night turn ups, it’s the falling head over and it’s wanting to build a home together. This song is for the hopeless romantics.”

Polly’s talent for turning universal feelings into shimmering guitar tunes has seen her support the likes of Muse and Gabrielle Aplin, as well as collaborating with new artists Denai Moore and Laurel. ‘Roommate’ is the aural equivalent of the lover’s body warmth she delights in singing about, and you can hear the track in all its live glory at Polly’s gig at Colours on 30th January (event info & tickets here).

Listen to ‘Roommate’ below, and follow Polly Money on Facebook & Spotify for more updates.

Kate Crudgington
@KCBobCut

LISTEN: Aunty Social – ‘Cortex’

Overcoming nasty memories with the help of an unlikely fictional character, Aunty Social‘s latest single ‘Cortex’ is a gentle, upbeat offering. The song is lifted from her upcoming debut EP, The Day My Brain Broke, which is set for release on 6th March.

The Toronto-based bedroom-pop artist chose to look to 90s game Crash Bandicoot to help work through her trauma. Aunty Social (aka Daniela Gitto) explains further: “I decided to imagine the person who caused a lot of trauma in my life as the fictional enemy of Crash Bandicoot, named Cortex. When I was a child, I was so encompassed by the game that I would imagine all my peers as characters from it. My best friend would be imagined as CoCo Bandicoot, and anyone that did me harm would be Cortex. The song is bright and uplifting, so I decided to challenge that by masking the negative subject matter with childlike innocence.”

Gitto’s dark context on ‘Cortex’ contrasts well with her buoyant beats and video game analogies, giving the track a nostalgic glow. It’s laced with her soft vocals and summery synth sounds, easing the complex feelings explored in her lyrics.

Listen to ‘Cortex’ below, and follow Aunty Social on Facebook and Spotify for more updates.

Kate Crudgington
@KCBobCut