New Track: CHROMA – ‘Don’t Wanna Go Out’

Having just announced the release of their debut album, out via Alcopop! next month, and with news of an exciting support slot with (my most watched band in the world) Foo Fighters next year, Welsh band CHROMA are definite ones to watch right now. And, with acclaim from the likes of John Kennedy at Radio X and BBC Radio 1’s Alyx Holcombe, their instantly catchy new single showcases all there is to love about Pontypridd’s band on the rise.

Propelled by the band’s distinctive relentless energy, ‘Don’t Wanna Go Out‘ reflects on feelings of FOMO and the pressure to go out and socialise. Raging with seething hooks and front woman Katie Hall’s fiercely raw vocals, it offers a compelling slice of biting garage-rock; a relatable and dance-able anthem that’ll cement itself in the ears on first listen, demanding multiple plays immediately.

Currently in Korea, playing DMZ Peace Train Festival, CHROMA are excited to share their debut album with the world. Entitled Ask For Angela, it shares its name with the UK wide campaign to prevent sexual assault in the UK, and showcases the band’s knack for creating empowering, inclusive offerings covering poignant topics ranging from trans rights and violence against women, to their experiences of growing up in the Welsh countryside. Of the album, they add:

This album takes us in a direction that we as a band feel as if it affirms the sound that we’ve always wanted to create, and with thanks to Steffan Pringle and Tom E1 Mastering and Duplication, they’ve helped bring these songs to life. ‘Ask For Angela’ is no longer just ours, but it’s yours, now and forever. We hope you find as much joy in this record as it was for us to create.”

And, on their return from Korea, they’re heading straight up to London next Friday 8th September to headline for us at Shacklewell Arms – we couldn’t be more excited. It seems to be their only London show for a while, so do come and join us in moshing along to their gritty energy in a fairly intimate venue, before they hit the stadium next year!


Ask For Angela, the debut album from CHROMA, is set for release on 20th October via Alcopop! Records. Pre-order here. And make sure you don’t miss them live at Shacklewell Arms on 8th September, with support from Leeds band wormboys and Brighton’s UrgentSea – nab tickets here!

Mari Lane
@marimindles

WATCH: English Teacher – ‘The World’s Biggest Paving Slab’

After a summer of smashing it at festivals, Leeds’ English Teacher continue to remind us why they’re everyone’s favourite new band with ‘The World’s Biggest Paving Slab’. The new single – the band’s first since signing to legendary label, Island Records – brims with confidence, wit and originality, but who would expect anything less?  

Despite the song’s novelty title, front-person Lily Fontaine’s lyrics are pure poetry. Written while living in Pendle, Lancashire, they’re an ode to northern grit, strength and notoriety. Fontaine likens herself to the area’s raw, wild landscape, the legendary Pendle witches, and Charlotte Bronte; like these, she is both everywhere and nowhere in the town. 

And you can hear this contradiction in the song’s instrumentation. The band’s angular, post-punk guitars collide beautifully with soaring shoegaze-infused harmonies, before crashing back down to earth once with snippets of arresting spoken word. Of her inspiration behind the track, Fontaine expands:

“...growing up in and around Pendle, how witnessing the social, economic and political issues that exist around there in juxtaposition with the beauty of the landscape and the characters that live within in it, has shaped me into the artist and person that I am. These semi-rural stories leak into most of my writing; in particular, this song tackles delusions of grandeur and inferiority from the perspective of a small town’s local celebrities. It’s split into two halves.

The song is so special, so original, and, like the world’s biggest paving slab, it really sticks out! Nobody is making records like English Teacher right now. Bring on the album!

Produced by Marta Salgoni (Bjork, Animal Collective), English Teacher’s ‘The World’s Biggest Paving Slab’ is out now via Island Records. Watch the new video (directed by Claryn Chong) here:

Vic Conway
@thepicsofvic

Photo Credit: Tatiana Pozuelo

INTERVIEW: ALT BLK ERA

Formed of sisters Nyrobi and Chaya, genre-defying duo ALT BLK ERA create tenacious alternative tunes designed to showcase their vivid personalities. Inspired by the likes of Ashnikko, Hacktivist, The Prodigy and Billie Eilish, they blur the boundaries of pop punk, nu-metal, rap and electronic music to form their riotous sounds.

By combining jagged electronics, heavy riffs and racing beats with raging lyrics, the pair have created an alternative statement of self autonomy on their debut EP, Freak Show, which perfectly showcases their antagonistic, youthful spirit. We caught up with Nyrobi and Chaya to talk about their new release (out on 1st September), their recent performances at Reading & Leeds and Glastonbury, and the love they’ve received from fans who have discovered their music…

 

For anyone who doesn’t already know, can you explain how you came to be ALT BLK ERA?

We’re sisters from Nottingham and we have been singing together for as long as I (Nyrobi) can remember. It became a regular daily feature when we would do our chores, washing up, with music blasting from our Apple iPod. This is where we learnt how to harmonise so easily with one another.

I’m the chief song-writer (Nyrobi) however, I work best with my sister Chaya by my side. She’ll add key parts, change things or say a straight no – so it’s a dual process. We sound so different, and we have such different personalities that we have to work closely together throughout the creative process.

Your own music is a blend of lots of different genres (nu-metal, rap, pop punk, electronic/rave) – talk us through your process of combining these styles and merging them into your songs…

We grew up on Reggae, Soul and R&B – so these elements are at our core. However, we stumbled upon the world of Metal and DnB when we were trying to express something harder and edgier than what we knew.

We haven’t got a step-by-step process. We sit with a beat. We have a song title and theme and then we ride the creativity wave. If we hit a wall – we write something else and then come back to it later down the line. There’s no pressure. We have fun making our music and if we want to throw in a bit of opera – we do exactly that. If we want to throw in a few bars of rap, we do that. There are no rules. This works for and against us because the industry wants to give a title to what we do. At one point we felt pressured to label our music genre – but it isn’t one thing so we generally call it ‘Alternative’.

You’re gearing up to release your debut EP, Freak Show, on the 1st September. What are you most proud of about this release?

We love that the EP is a story of where we started from. Our feelings of sitting outside of the mainstream. It feels like we’re getting a lot off our chest and we’ve found that so many others relate to what we’re singing about. We’re still really young, so the school experience has been a major area of our lives. What’s amazing is how many older listeners share with us that they wish they had us around when they were growing up. This is what we are most proud of – being able to connect with a range of people who identify themselves in our music. All the songs have a slightly different twist on them, and there are a range of energies that we share – from defiance to empowerment, to encouragement and love of yourself and others.

Do you have a favourite track on the EP? If so, why?

We of course love every track on the EP, but Chaya holds a special place in her heart for the title track, ‘Freak Show’ and I am loving ‘I’m Normally Like This’ – but this could change. It depends where we’re at emotionally as each track can speak strongly to you at different times.

Your music and your aesthetic both make a strong statement about individuality and not being afraid to express yourself. How has this message impacted your listeners? Have people reached out to talk to you about these things?

It’s been so wonderful to see the reaction. Our music is about celebrating who we all are which we especially see when we perform live. We’re tired of the pressures to conform. There have been a few haters that can’t help but share their thoughts about us and what we stand for – but we forgive them because they maybe haven’t heard our lyrics where we say “We don’t give a damn if you like it!”

People are always reaching out to us. We talk about some deep issues in our music, including violence against women. We get so many comments and private messages from people who have or who are struggling with their mental health and self-love – who say our music is helping them. Parents and grandparents introduce our music to their children and grandchildren. People from marginalised communities reach out to us and thank us for making them feel safe and heard.

Older true Metal Heads tell us how much they love our music. Rap artists tell us that they love the music we are making. What’s also beautiful is how many people from the Black community reach out to us too. Either they’ve never liked Rock/Metal music before or they have not seen enough representation. This is clear in our live shows when there are so many people from different walks of life join us in one room.

You performed at Glastonbury and Reading & Leeds Festival this year! Talk to us about these sets… 

OMGosh! Glastonbury was a dream. We have so much love for Earache Records for taking a risk on two teenage girls and putting us on their Takeover of the Truth Stage at Shangri-la. The highlight was when we looked over at each other in the middle of our set and we both knew what the other was thinking… “It’s really happening!” We were so happy.

We headlined the BBC Introducing stages at Reading & Leeds Festival. Again, another dream come true. We just wanted the audience to enjoy themselves and feel part of something new. We had people screaming back at us and joining in the chants it was spectacular. We’re still processing the experience.

You played live for Get In Her Ears supporting STRAIGHT GIRL in July and we loved your set. What do you enjoy most about playing live?

We love seeing the energy of the crowd. We love how we take them through different mood states and how we all experience it together. From soft, weird, to full out moshing. Live is the most wonderful thing! Thank you for having us! (see pics of the night here)

What does the rest of 2023 hold for ALT BLK ERA?

We have a few things lined up. We will be supporting Lord Of The Lost at the O2 Shepherd’s Bush Empire – this is another massive step for us and we’re so excited for this. On the 3rd November we have our headline show in Nottingham, where we will also be sharing music that we plan to release in 2024. It’s going to be a full on party!

Finally, as we’re a new music blog, we always ask for new music recommendations. Is there a band or artist who you’ve been listening to lately that you’d like to give a shout out to?

We have three we’d like to mention: PleasePretty Lea, Gender Crisis and Ruena. Do not sleep on these artists!!!

Follow ALT BLK ERA on bandcampSpotifyTik TokTwitter (X)Instagram & Facebook

Photo Credit: Fabrice Gagos

Kate Crudgington
@KCBobCut

NEW TRACK: Coolgirl – ‘High Altar’

Following on from her previous single ‘Silverlight‘ – a synth-soaked exploration of the intense, transitory nature of infatuation – Dublin-based artist and producer Lizzie Fitzpatrick aka Coolgirl has shared her latest single ‘High Altar’. Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records (HAVVK, Sive, DYVR, Maria Kelly, St. Bishop), the track is a hypnotic blend of magnetic synths, intriguing samples and atmospheric beats.

GIHE fans will recognise Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her new solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. After releasing a handful of singles over the past few years and performing live alongside the likes of HAVVK, Alyxis and Plus One, Coolgirl is preparing to share her new EP, with ‘High Altar’ offering further insight into what listeners can expect from the upcoming release.

Created in her bedroom studio, on ‘High Altar’ Coolgirl creates a mesmeric blend of analogue synths, modellers and samples – including the sound of knocking on a radiator – to showcase the “emotional aspect of dance music”. By using an upturned bass melody and rolling cutoffs to evoke an “intense sadness”, Fitzpatrick takes listeners on a bittersweet, euphoric journey into her thrilling, experimental world.

Coolgirl’s upcoming EP Failed Reboot will be released on digital platforms and on cassette tape too.

Watch the visualiser for ‘High Altar’ below.

 

Follow Coolgirl on bandcampSpotifyTwitter & Instagram

Follow VETA Records on bandcampTwitterInstagram & Facebook

Kate Crudgington
@KCBobCut