FIVE FAVOURITES: Scrounge

Since we booked South London duo Lucy Alexander and Luke Cartledge aka Scrounge as support for our GIHE gig at The Windmill back in 2018, we have been avid fans of their vital, frenzied art-punk sounds. Featured on our ‘Albums of 2022‘ list, their debut mini-album, Sugar Daddy, is full of gritty, relatable anthems that hit a nerve and showcase the passion and determination that underscores all that they do. The duo have always remained loyal to their DIY roots, and their latest single ‘Corner Cutting Boredom’ is accompanied by a limited edition flexi-disc and a zine that “documents and celebrates what’s going on south of the river” in a thriving underground music scene.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with vocalist and guitarist Lucy to ask about her “Five Favourites” – five songs that have inspired Scrounge over the years. Check out her choices below and scroll down to listen to Scrounge’s single ‘Corner Cutting Boredom’.

 

1. Pavement – ‘Fame Throwa’
As soon as I met Luke at Goldsmiths, I knew that I wanted to be his mate. It might’ve been that he looked “dead indie” but I quickly found he is one of the most thoughtful and caring people in the world. Sometimes we’d swap song recommendations, other days we’d just have a few pints at the Marquis where we once talked about how South East London lacked a scene for guitar music, despite having so many amazing venues. At that moment, along with designer Amanda Tooke, we vowed to make our own collective to ‘Support South London and Support Your Mates’. We named it Fame Throwa after Pavement’s chaotic hit and that song inspired us to work together to run a night, radio show and record label. Although Fame Throwa is now dormant, it was our “in” to DIY activism and it introduced us to some truly outstanding human beings.

2. Italia 90 – ‘New Factory’
When we started Scrounge, we had no idea what we were doing; Luke didn’t know how to play drums and I played the acoustic guitar. We were constantly looking for nights – like Get In Her Ears – that we could perform at and bands we’d compliment on a bill. Italia 90 were recommended to us by our mate Ben so we booked them for a Fame Throwa night. We REALLY wanted to play a show with them and, as no one would book us, we decided to book them. ‘New Factory’ is a staple in their set and we’ve spent many nights shouting along to it in sweaty south London venues. This year, Italia 90 released their debut album, Living Human Treasure, and we were delighted to get a mention in the liner notes. As much as they like us, we can guarantee that we like them more and we’ll be forever grateful for their influence.

3. Piglet – ‘It Isn’t Fair’
Charlie Loane is one of South London’s most prolific performers. Over the years, we’ve watched him perform in loads of different bands but Piglet, Loane’s solo project, is utterly incredible. As an activist and beautiful songwriter, Piglet captures everyday life and the trans experience through his poignant lyrics. ‘It Isn’t Fair’ is not only anthemic but a real life representation of the awful standard of trans rights in the UK. Trans rights are human rights and as allies, we need to do better. This song is a call to action and a reminder that we can and must do more.

4. CHUNKY – ‘GNG’ (Guts N Grets)
When I first started performing at open mic nights as a teenager, I constantly sought new opportunities for young musicians. I quickly joined The Albany Theatre’s youth music group and was lucky enough to be mentored by some of the country’s most influential artists. Chunky, an MC from Manchester, mentored on the project and really believed in my music. He supported my early solo project, Fame Throwa and is equally supportive of Scrounge. Despite our genre differences, we’ve ended up working together on a few different projects and I’m in awe of his DIY attitude and work ethic. At the beginning of this year, Chunky released his long awaited debut album, Somebody’s Child, and ‘GNG’ is a standout single that really shows off the quick lyricism and sharp wit that inspired me as a young songwriter.

5. Kae Tempest – ‘Hold Your Own’
It feels like I’ve seen Kae Tempest perform a million times over the years and each performance is always as impactful as the last; it really doesn’t matter whether they’re performing poems, a play, or their music it’s always the same outcome. ‘Hold Your Own’ was a collection of poems by Tempest which I stumbled upon at university and the much needed catalyst I needed to truly accept myself for who I really am. The titular poem also features on Tempest’s album, The Book of Traps and Lessons, and is an aural reminder to persevere through adversity while remembering your own self worth. It’s a love letter to our shared community that I cherish.

Thanks to Lucy for sharing her Five Favourites with us!

Follow Scrounge on bandcamp, Spotify, Facebook, Twitter (X) and Instagram

Listen to Scrounge’s latest single ‘Corner Cutting Boredom’ below

LIVE: All Points East, Victoria Park, 25.08.2023

Arriving at Victoria Park to the sound of Le Tigre blasting from the sound system by Goddess, I have a feeling it’s going to be a good day… And I’m not wrong! 

Ensuring we arrive with plenty of time to nab a beer from one of the (very well staffed and efficiently run) bars before Hastings ones to watch HotWax take to the stage, I’m ready for a day of good vibes and fantastic music from predominantly female artists in the East London park. 

Starting bang on time at 3.35pm on the West stage, GIHE faves HotWax kick off their set with the sultry, seething tones of ‘Barbie (Not Yours)’. Looking out at an ever increasing crowd, seemingly consisting of both a large devoted existing fan-base and festival-goers coming across them for the first time, the young trio deliver each immense offering with a truly immersive stage presence – their sparkling, driving energy emanating throughout. As the rich, gravelly vocals of Tallulah flow effortlessly, bassist Lola darts across the stage with a fierce charisma, and drummer Alfie’s pummelling beats pound consistently, and I’m instantly captivated by their visceral power; I can certainly see why they’ve been garnering so much hype over the last few months. Treating us to songs from this year’s EP A Thousand Times, as well as newer songs such as latest single ‘Drop’, HotWax ripple with excitement whilst losing none of their polished-yet-gritty grunge-fuelled sound. “It’s such an honour to be on this stage with so many amazing artists”, Lola gushes at one point, and I can’t help but share their sense of excitement and pride at their recent success – it’s clearly so well-deserved, and I have every confidence that they’ll continuing wowing us with their blistering offerings for a long while yet. Whilst clearly not taking any of it for granted, they ooze a quiet sense of confidence and self assurance that makes it hard not to become utterly engrossed in all they’re creating. Even when they’re told they only have two minutes left, they make every second count; delivering a ferocious rendition of fan-favourite ‘Rip It Out’ to close the set. So, thank you HotWax for kicking off All Points East in style, and thank you to my GIHE team mate Kate for introducing me to this exciting new band… I can’t wait to see and hear more from them very soon!

After a little break with some cajun fries in the sunshine, we make our way to the East stage in time for Nashville’s Be Your Own Pet. Part of their first UK tour in over ten years (and their first time on a festival stage in fifteen), they prove themselves to have lost none of their immense punk-rock energy as front woman Jemima Pearl instantly immerses the crowd in her magnetising charisma, emanating a raw empowering presence throughout. Declaring it a good day – “Trump got arrested and our new album came out” – Pearl leads the way in delivering a gloriously raucous set filled with both classics like ‘Becky‘ and ‘Bicycle, Bicycle‘ and new, but no less exciting, offerings from said album (Mommy). A pretty magnificent return to form from a noughties favourite.

Staying put at the East stage to be spellbound by the beautiful emotion-rich splendour of Angel Olsen, we then head back West to witness the raging ferocity of Amyl and The Sniffers. Having been keen to catch them live for some time now, the Aussie punks exceed expectations. As front woman Amy Taylor’s playful allure and boundless seething energy race throughout each riotous offering, I don’t even mind getting completely soaked to the skin as the heavens open and the crowd – very fittingly – mosh along to ‘Monsoon Rock’. And it doesn’t seem to bother Taylor either – “I had a feeling you’d be getting a bit wet today…”, she jests cheekily, as she continues to swirl around the stage; charming us all with her quirky, effervescent spirit.

After indulging in some tasty vegan macaroni cheese to keep me going, I’m ready to live the dream of seeing total hero Karen O in real life for the first time. And calling the experience dreamy is no exaggeration. The minute the Yeah Yeah Yeahs take to the stage, an all-encompassing majestic splendour takes hold, and I’m left completely under their spell. Whilst they remain refreshingly nostalgic (so many memories of dancing to them at The Pad in Bedford throughout the early noughties), they seem to have mastered staying relevant and truly exciting; creating a live experience like no other. From the surreal, enchanting spectacle of giant eyeballs floating through the crowd, and the band’s refreshing tongue-in-cheek wit throughout (like when O stuffs the mic down her pants), to the heartrending grace and shimmering emotion of ‘Maps’, the “Yeah Yeah Yeahs’ love song” – which O movingly dedicates to the late Sinead O’Connor – it really is the perfect set; a sparkling balance of spine-tingling rippling emotion with fierce, chaotic energy. An experience I’ve been waiting on for twenty years, and won’t be forgetting for another few decades I’m sure.

Whilst The Strokes don’t really fit with our GIHE ethos, what I will say is that I really enjoyed their set. Despite the frustration of not being able to hear everything clearly because of sound issues which were out of the band’s hands, they delivered a fantastic array of favourites, with a joyous energy and slick musicianship. 

Mari Lane
@marimindles

New Track: CHROMA – ‘Don’t Wanna Go Out’

Having just announced the release of their debut album, out via Alcopop! next month, and with news of an exciting support slot with (my most watched band in the world) Foo Fighters next year, Welsh band CHROMA are definite ones to watch right now. And, with acclaim from the likes of John Kennedy at Radio X and BBC Radio 1’s Alyx Holcombe, their instantly catchy new single showcases all there is to love about Pontypridd’s band on the rise.

Propelled by the band’s distinctive relentless energy, ‘Don’t Wanna Go Out‘ reflects on feelings of FOMO and the pressure to go out and socialise. Raging with seething hooks and front woman Katie Hall’s fiercely raw vocals, it offers a compelling slice of biting garage-rock; a relatable and dance-able anthem that’ll cement itself in the ears on first listen, demanding multiple plays immediately.

Currently in Korea, playing DMZ Peace Train Festival, CHROMA are excited to share their debut album with the world. Entitled Ask For Angela, it shares its name with the UK wide campaign to prevent sexual assault in the UK, and showcases the band’s knack for creating empowering, inclusive offerings covering poignant topics ranging from trans rights and violence against women, to their experiences of growing up in the Welsh countryside. Of the album, they add:

This album takes us in a direction that we as a band feel as if it affirms the sound that we’ve always wanted to create, and with thanks to Steffan Pringle and Tom E1 Mastering and Duplication, they’ve helped bring these songs to life. ‘Ask For Angela’ is no longer just ours, but it’s yours, now and forever. We hope you find as much joy in this record as it was for us to create.”

And, on their return from Korea, they’re heading straight up to London next Friday 8th September to headline for us at Shacklewell Arms – we couldn’t be more excited. It seems to be their only London show for a while, so do come and join us in moshing along to their gritty energy in a fairly intimate venue, before they hit the stadium next year!


Ask For Angela, the debut album from CHROMA, is set for release on 20th October via Alcopop! Records. Pre-order here. And make sure you don’t miss them live at Shacklewell Arms on 8th September, with support from Leeds band wormboys and Brighton’s UrgentSea – nab tickets here!

Mari Lane
@marimindles

WATCH: English Teacher – ‘The World’s Biggest Paving Slab’

After a summer of smashing it at festivals, Leeds’ English Teacher continue to remind us why they’re everyone’s favourite new band with ‘The World’s Biggest Paving Slab’. The new single – the band’s first since signing to legendary label, Island Records – brims with confidence, wit and originality, but who would expect anything less?  

Despite the song’s novelty title, front-person Lily Fontaine’s lyrics are pure poetry. Written while living in Pendle, Lancashire, they’re an ode to northern grit, strength and notoriety. Fontaine likens herself to the area’s raw, wild landscape, the legendary Pendle witches, and Charlotte Bronte; like these, she is both everywhere and nowhere in the town. 

And you can hear this contradiction in the song’s instrumentation. The band’s angular, post-punk guitars collide beautifully with soaring shoegaze-infused harmonies, before crashing back down to earth once with snippets of arresting spoken word. Of her inspiration behind the track, Fontaine expands:

“...growing up in and around Pendle, how witnessing the social, economic and political issues that exist around there in juxtaposition with the beauty of the landscape and the characters that live within in it, has shaped me into the artist and person that I am. These semi-rural stories leak into most of my writing; in particular, this song tackles delusions of grandeur and inferiority from the perspective of a small town’s local celebrities. It’s split into two halves.

The song is so special, so original, and, like the world’s biggest paving slab, it really sticks out! Nobody is making records like English Teacher right now. Bring on the album!

Produced by Marta Salgoni (Bjork, Animal Collective), English Teacher’s ‘The World’s Biggest Paving Slab’ is out now via Island Records. Watch the new video (directed by Claryn Chong) here:

Vic Conway
@thepicsofvic

Photo Credit: Tatiana Pozuelo