NEW TRACK: INDIGOS – ‘Hivemind’

A jaded, grungy anthem that tackles the grind of everyday existence under a capitalist society, alt-pop duo INDIGOS have shared their latest single ‘Hivemind’. Taken from the Bristol-based band’s upcoming EP, IN UTOPIA, which is set for release on 21st June, the track is an angst-ridden guitar tune inspired by the ‘Office Man’ scene in the documentary film Samsara, which highlights the despair lurking behind the modern 9-5 life.

Formed of Sophia Barnes (vocals and guitar) and Jack Croft (backing vocals and guitar), INDIGOS are inspired by the sounds of current alternative bands such as Wolf Alice and Sorry, as much as they are informed by the greats of the 90s grunge scene. They shared their debut self-titled album back in 2020, but were forced into hiatus due to founding member Jack falling ill with cancer. Now, after a successful remission period, INDIGOS are back and ready to share their new EP IN UTOPIA.

Described as a “sardonic take on modern Western life” that touches on themes of “media addiction, narcissism and depression,” the six track EP also taps into the personal hardships the band have faced in recent years. New single ‘Hivemind’ is the first offering from this not-so-rose-tinted vision. Through their swirling riffs, dual vocals and anxious lyrics, INDIGOS meander through an identity crisis, questioning how one can grasp a strong sense of self in a society that routinely places profit over people.

Watch the video for ‘Hivemind’ below.

Follow INDIGOS on Spotify, bandcamp, Twitter, Instagram and Facebook

Photo Credit: Ania Shrimpton

Kate Crudgington
@kcbobcut

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NEW TRACK: Mere Child – ‘Don’t Let Me Go’

A delicate rumination on grief and hope, independent artist Aimee Herbert aka Mere Child has shared their latest single ‘Don’t Let Me Go’. Written, recorded and produced in her “poorly soundproofed kitchen/conservatory”, Mere Child’s new track is a tender, atmospheric ode to persevering in the face of adversity.

Herbert started Mere Child as a solo project back in 2016, a few of years after her son was born and after the loss of her father prior to his birth. She felt the need to start writing and recording in a different way after these life events. Going solo seemed to fit with the content of her new songs, which were far more vulnerable and anxiety driven.

She released her first single ‘Not Good Enough‘ in 2016 and began playing live shows in London and Brighton, but the Covid-19 pandemic understandably put a stop to Herbert’s project for a while. Now, she’s back and ready to share her new music, with ‘Don’t Let Me Go’ being the first offering. Mixed and mastered by Julian Tardo at Church Road Studios in Brighton, the track is a poignant reflection on a difficult time. ‘Don’t Let Me Go’ shimmers with its melodic guitars, earnest lyrics and Herbert’s soft, clear vocals, which provide a lullaby-like comfort.

Speaking about her new single, the songwriter explains: “Battling depression and a creative lull, I wrote this song on an acoustic guitar late one evening. It sits somewhere between hope and trepidation. It’s the first new single in three years, with an EP to follow later in the year.”

Listen to ‘Don’t Let Me Go’ below.

Follow Mere Child on bandcamp, Spotify, Twitter, Facebook & Instagram

Kate Crudgington
@KCBobCut

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NEW TRACK: CLT DRP – ‘New Boy’

A visceral, incendiary anthem exploring the conflicting thoughts in the aftermath of a breakup, Brighton Feminist Electro-Punks CLT DRP have shared their latest single ‘New Boy’. Released via Gallows’ label Venn Records, who the band have recently singed to, the track is a rush of potent emotion, from it’s candid opening line about barely affording therapy, to its various cathartic, noisy breakdowns.

“‘New Boy’ reflects a very manic immediate post-break-up brain. As if I was sitting in therapy desperately trying to figure out why it didn’t work,” explains vocalist Annie Dorrett. “I was switching from hyper-independence to then trying to find love literally anywhere else around me. A lot of questioning my gender, sexuality, and past painful history. Hence ‘New Boy’ — hoping for a new love interest but also me coming out of the heartbreak era a ‘New Boy’.”

Dorrett’s ruminations have resulted in an urgent four minutes of genre-bending sound. Their crystalline vocals cut through the cacophony of knockout drumming and corrosive riffs that are doused in FX, providing listeners with a burst of intense, vital energy. ‘New Boy’ is lifted from CLT DRP’s upcoming album, which is set for release later this year. The single is accompanied by a video, directed by Harry Steel, which shows the band in their natural habitat: sweating it out under a spotlight.

“The three of us have never actually featured in a music video together so we thought it was time to get a high energy group music video to really show the force that is the three of us playing live,” says Dorrett. “The playfulness and energy that comes with the excitement of the recorded sound. Harry Steel did an incredible job of capturing our natural performances, both as a team and individually. The video beams personality and attitude—it’s a perfect insight of what to expect from our band live.”

CLT DRP are gearing up for an extensive run of UK and EU live dates and festival appearances this year, including a support slot with label-mates Tokky Horror alongside the iconic Alice Glass. Full details below.

Watch the video for ‘NEW BOY’ here:

CLT DRP UK Live Dates 2023
08th Apr – TakeDown Festival @ Portsmouth Guildhall (UK)
26th Apr – Belgrave Music Hall, Leeds (UK) *^
27th Apr – Hug and Pint, Glasgow (UK)
28th Apr – The Lodge, Manchester (UK)
02nd May – Concorde 2, Brighton (UK) ^
03rd May – Voodoo Daddy’s, Norwich (UK)
04th May – Shacklewell Arms, London (UK)
05th May – Exchange, Bristol (UK)
06th May – Zerox, Newcastle (UK)
11th May – The Great Escape Festival, Brighton (UK)

^ w/ Alice Glass
* w/ Tokky Horror

Follow CLT DRP on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: moralxdecay

Kate Crudgington
@KCBobCut

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NEW TRACK: Problem Patterns – ‘Who Do We Not Save?’

The first piece of new music since their visceral 2022 anthem ‘Y.A.W‘ (Yes All Women), Belfast-based DIY punks Problem Patterns have shared their latest single ‘Who Do We Not Save?’. Released via Alcopop! Records who the band have recently signed to, the track takes aim at the incompetent Tory government and their continued attempts to privatise the NHS, and it’s bursting with the group’s trademark empathy, rage and wit.

Giving their listeners a space to release their pent up frustrations, fears and disappointments is a core value of Problem Patterns’ music, and with ‘Who Do We Not Save?’ the band have provided another cathartic aural antidote that offsets the anxiety of the uncertain times we’re currently living through. “You and I are collateral damage” vocalist Alanah Smith states in the chant-worthy chorus, over Bethany Crooks’ commanding beats, the rumbling basslines of Ciara King and the corrosive riffs of guitarist Beverley Boal, who also sings dual vocals on the track.

“Our healthcare system has been falling apart for years due to cuts, and the pandemic only sped up the process,” the band comment about the context of their new single. “We constantly see campaigns telling people to ask for help, especially in regards to mental health, but the reality is that the services we need are under too much pressure. The line ‘We’re one or two paychecks away’ refers to the fact that many of us will be in a lot of trouble if privatisation becomes reality here. The title itself is lifted verbatim from Dominic Cumming’s photo of the white board used to plan the UK government’s early response to COVID. We thought it would be fitting to use it for the single’s cover art, too.”

‘Who Do We Not Save?’ is also accompanied by a video, directed by Smith and shot on location at the Oh Yeah Music Centre in Belfast. “I wanted the video to capture the chaotic energy of the song,” comments Smith. “I pictured the storyline as soon as we’d finished the song. In the first half, you have stressed out healthcare workers trying to save a life without the tools to be able to do so. Meanwhile, there’s a shady business deal to sell off what little is left of public healthcare, big menacing grins and all. I wanted to approach this with a bit of comedy, because if you don’t laugh, you’ll cry.”

“I made the medical supplies and instruments (except the toy drums) with things like cardboard and yarn, as I wanted everything to look extremely cheap and ultimately useless. The death scene in the ambulance was inspired by the film ‘Dave Made A Maze’, where they used things like confetti and glitter in place of standard fake blood.”

Recently name-checked as Riot Grrrl legend Kathleen Hanna’s new favourite group (and as GIHE favourites since the release of their 2020 single ‘Big Shouty‘), we can’t wait for Problem Patterns to release their highly anticipated debut album on Alcopop! Records later this year.

Watch the video for ‘Who Do We Not Save?’ below.

Follow Problem Patterns on bandcamp, Spotify, Twitter, Instagram & Facebook

Problem Patterns UK Live Dates 2023
15.03.23 – The Black Box, Belfast (Pink Pound)
17.03.23 – The Garage, London (w/ Fight Like Apes)
07.04.23 – Oh Yeah Music Centre, Belfast (Friday Fest w/ Axis Of, Mob Wife)
30.04.23 – Bollox, Manchester (Sound Of The Other City Festival)
15.07.23 – Ost Hafen, Berlin (My People Fest w/ FAIM, Dying For It)
22.07.23 – EBGBs, Liverpool (Crapfest w/ Crapsons, Piss Kitti)
19.08.23 – Glasgow (Core Festival)

Kate Crudgington
@KCBobCut

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