Track Of The Day: Girls Rock School NI – ‘Wild & Free (Play It Loud)’

‘Wild & Free (Play It Loud!)’ makes me want to squeal with pure joy. A collaborative effort, written and recorded by campers and the team of the Girls Rock School Northern Ireland Online Rock Camp, the song is a raucous, rocking slice of riot grrrl that shares the frustrations of life in lockdown.

True to the spirit of Girls Rock School, which aims to empower female-identifying and non-binary youth, ‘Wild & Free’ is a proper stormer. You can’t help but feel uplifted by the big, bouncy guitars and toe-tapping melody, but it’s the lyrics that are most irresistible: “We come together on Zoom,” they sing, “It turns into one big music room!”

Recorded on mobile phones without any fancy equipment, this song is a true labour of love. And, as well as inspiring others through the music, Girls Rock School NI are putting all proceeds from ‘Wild & Free’ towards future GRSNI camps, workshops and classes so they can inspire even more young people. Amazing!

 

Listen to and download ‘Wild & Free (Play It Loud!)’ via Bandcamp now. 

Vic Conway
@thepicsofvic

Artwork by: Shimous

Track Of The Day: Byenary – ‘Princess Give A Fuck’

Set to release their self-titled debut album later this month, Byenary – Chuck SJ and Jodi Freer – are set on bringing trans experiences to the forefront.

Taken from the album, new single ‘Princess Give A Fuck’ races with a seething energy, as it rages against society’s preoccupation with gender norms and stereotypes. A formidable slice of queercore punk driven by an unrelenting angst-fuelled power and the fierce, visceral refrain “I’m not your fucking princess”. An absolutely essential listen right now, smashing through the confines of heteropatriarchal binaries and pushing for trans liberation, at a time when voices like these need to be heard more than ever.

Of the upcoming album, Chuck SJ asserts: I wanted to write a record that makes trans people feel empowered. When we talk about trans issues, we tend to talk about the violence that we experience. We spend more energy educating cis people than we do creating spaces to lift each other up. We’re an incredible community capable of extraordinary things, we need more spaces where we can celebrate each other.

 

Byenary, the new album, is out 28th August via Hell Hath No Fury. 

Mari Lane
@marimindles

Get In Her Ears x Summer Sounds 06.08.20

Tash & Kate were in the Hoxton Radio studio spinning some of their favourite summer sounds. Highlights include tracks by Kynsy, heka, Scuti, Evil House Party, Babehaven, Circe and bestfriend. They kicked off the show with Kate Bush and finished with Whitney. Enough said.

Listen back here:

Tracklist
Kate Bush – Running Up That Hill
Circe – Ten Girls
Ailbhe Reddy – Between Your Teeth
Cehryl – moon eyes
Bestfriend – last bus in the a.m.
Babeheaven – Cassette Beat
The Crayon Set – Summer Song
Mandi (m&i) – into my mind
Bethany Thomas – I’m Not Sorry and I’m Not Scared
Girlhood – sister
Julia Sophie – I Left You
Kynsy – Cold Blue Light
Deaf Surf – Strangers
Izzy Bizu – Tough Pill
Robin Kester – Cigarette Song
Fenne Lily – Three Oh Nine
Dream Nails – Vagina Police
ALYSS – CLUSTERFCK (MONO/POLY REMIX)
Scuti – Weekend
Evil House Party – Wicked
Heka – redwoods
Byenary – Princess Give A Fuck
The Muffin Heads – Snow White
Hannah Moule & The Moulettes – Idiolect Pt.1
Laura Guarch – Fleeting Light
HAAI – Head Above The Parakeets
Whitney Houston – It’s Not Right, But It’s Okay

Guest Blog: Lazy Queen

Having received acclaim from the likes of Wonderland and Nylon, Oslo-based Lazy Queen have recently caught our ears’ attention with the hooky surf-rock energy and jangly scuzz of latest single ‘Sober’. Reflecting on the complex nature of addition, it explores the ongoing struggle of sobriety in an addictive personality.

Having struggled with displacement throughout their life, Lazy Queen front-person Henrik has now moved from the US to Oslo, and is starting to feel in a better place. As a Non-Binary artist, they are a huge advocate of supporting the LGBTQ+ creative community and have performed at local Pride events a number of times.

Here, in our latest Guest Blog feature, Henrik reflects on their journey to self acceptance through music… 

I’ve been asked to write about my journey to self-acceptance through music, but I’m finding it increasingly hard to get anything down on this page. It feels similar to being at the hairdresser, having no choice but to stare at yourself in the mirror for an hour straight, and all of a sudden everything just looks.. odd, out of place and not like you. I honestly think it would be hard to write an article about how I achieved being comfortable with myself, because I still don’t know if that’s something I can claim to be. I don’t think I’d be far off in saying that I experience at least a moment of some shade of self hatred every day, but it’s got better, and along the way I’ve come to realise that for me it’s as much about the work as the end point. And obviously, writing and creating in Lazy Queen and other projects has been a major part of the process. 

Music has always been my form of expression in some way or another. My notebook is where I process my thoughts, feelings and impressions; in the rehearsal space, or in the tour van is where I get to be close, open and honest with my closest friends/family; and the stage is where I get to fully express myself in ways I’m not always able to in real life. For having been a fairly private and closed off person for most my life, I find it endlessly confusing and amusing that I now often end up airing out personal insights, struggles and developments in songs to be heard by, for the most part, strangers, before I actually open up about it to the people around me. My process has always been to internalise, but music showed me that there was an alternative, where the end-point isn’t necessarily completely closed off and isolated. 

Growing up, I used to envy people who could unashamed – confidently and eloquently expressing their inner thoughts and ideas at any given time, feeling like I would never be able to do that; I felt like I lacked something very integral to relationships. Now, with a bit more life experience, and a somewhat more nuanced view of people in general, I realise that I’ll probably never get to that same space, that that’s totally fine, and also that maybe those people weren’t quite as straightforward  as they might’ve seemed at the time. It doesn’t have to be all or nothing, in the way that I thought it did.

Writing and performing has given me a safe space to process, and a door to open when I was ready for it, and it’s a practice that has slowly followed me into my everyday life. I’ve always been an introspective and shielded person, and at the same time pretty invested in picking apart my own thoughts and patterns – though it took me hitting some major lows before I did anything about it. After a brush with death a couple of years ago I started to realise that I absolutely needed to open myself up more, also outside of the music. I think I’ve come a long way since then, but it’s still still far from easy. I feel like I fuck up every other day, and on those days I feel like a fucking hypocrite trying to write things like this.

I was talking to my friend Chloe (our tour manager) the other day, and she said something to the effect of: you’re at the same time one of the most open and closed off people I know. I’m not sure what to do with that, but it sure feels like the shoe fits. I don’t hold the answers, but if anything, I believe honesty, openness and an attitude of “fuck the taboos” have saved my life.

Massive thanks to Henrik for sharing his thoughts with us! 

Lazy Queen’s latest single ‘Sober‘ is out now.

Photo Credit: Lukka Fogie