GIHE: Albums Of 2020

It feels strange to be celebrating anything in 2020, but the GIHE team want to shine a light on some of the brilliant music that’s been released against the odds during the last 12 months. If you, or your band managed to release a full length record, Congratulations! You should be super proud. If you didn’t manage to write anything new this year though, we fully understand and we’ll still be here to sing your praises when you feel ready to write again.

In the absence of live shows where we’d normally celebrate the release of an album, we’ve coped by dancing around our living rooms, miming underneath our face-masks and telling as many people as we can on our Zoom calls to listen to these records. So, in alphabetical order, here are ten albums that helped us get through 2020 (with some honorable mentions at the end because we’re a little bit fed up of restrictions this year…)

Bitch Falcon – Staring At Clocks
Released via Small Pond Records in November, Staring At Clocks is a blistering cacophony of grunge, post-punk and shoegaze inspired sounds from Dublin trio Bitch Falcon. Effortlessly switching from a savage scream to a sublime extended yearning, front woman Lizzie Fitzpatrick’s elastic vocal ability never fails to impress and my admiration for her natural talent swells with each listen. Her intuition is matched by Nigel Kenny’s razor sharp cymbal strikes and Barry O’Sullivan’s brooding bass hooks. Equal parts gritty and graceful, I’m properly in love with Bitch Falcon’s debut album and no, I will not stop talking about it. Listen to Staring At Clocks via bandcamp or Spotify.
(Kate Crudgington – Features Editor)

Bugeye – Ready Steady Bang
A long-standing fave of GIHE, Bugeye have previously wowed us with their vibrant live shows, including performing for us at The Finsbury and at Cro Cro Land, a festival put together by front person Angela Martin in my hometown of Croydon. They’ve also received plenty of acclaim from the likes of Radio X’s John Kennedy and BBC Introducing, and rightly so. Ready Steady Bang is like nothing you’ve heard before; a vibrant fusion of disco, punk and everything in-between, all fused together with magnificent energy into a relentlessly riotous and utterly uplifting collection. This explosive debut fizzles with a wonderfully unique colourful pizazz as the band reflect on the state of the world today. Raging with Angela’s gritty, snarling vocals and whirring electro hooks, alongside crunching riffs and poppy harmonies, each track is a total earworm. Reminiscent of nineties indie legends Elastica, with shades of the retro energy of Blondie, it’s an album oozing a sparkling majesty that’ll charge you up and leave you ready to face whatever 2021 has in store.
Ready Steady Bang is out via Reckless Yes Records, listen on bandcamp or Spotify.
(Mari Lane – Managing Editor)

Dream Wife – So When You Gonna… 
To be honest, I was a little apprehensive about the release of this year’s sophomore Dream Wife album. I had been so completely enamoured by their 2018 eponymous debut that it seemed impossible not to be disappointed, but how wrong I was. So When You Gonna… is both uplifting and poignant in equal measure. From the heartfelt and relatable stirring emotion of album closer and pro-choice anthem ‘After The Rain’ to the immersive inspirational power of ‘Validation’ and fun-filled playful energy and trademark charisma of ‘Hasta La Vista’ and the album’s title track, it proves that Dream Wife are here to stay. With this latest collection, they’ve come back more empowering, passionate and truly joyous than ever.
Listen to So When You Gonna… via bandcamp or Spotify.
(ML)

Gordian Stimm – Your Body In On Itself
I remember thinking “yessss this is a bit of me!” when Gordian Stimm’s (aka Maeve Westall of itoldyouiwouldeatyou) experimental gem of a record first dropped into my GIHE inbox in April. Released via independent Leicester-based label Amateur Pop, Stimm’s debut album is a vivid exploration of bodily autonomy. There’s an enjoyable violence underscoring their vision; a gleeful, sometimes painful dissecting of the self and the social cues that either help construct or dismantle it. At times reminiscent of early Passion Pit or Crystal Castles, Your Body In On Itself is a wonderful collection of distorted, dance-able beats that I continue to enjoy even after multiple listens. The cassette tape is cute af too.
Listen to Your Body In On Itself via bandcamp or Spotify. (KC)

Happy Accidents – Sprawling
Probably my most listened-to full album of 2020, Happy Accidents’ Sprawling follows 2018’s equally addictive Everything But The Here And Now. Since first falling in love with the band back at Indietracks of the same year, I’ve been continually seeking comfort in their sparkling creations. Now a duo made up of Phoebe Cross and Rich Mandell, Happy Accidents have showcased all there is to love about them in this latest collection. An album about “getting out of your head and allowing yourself to connect with others on a fundamental level”, it offers a perfect juxtaposition of honey-sweet vocals, swirling jangling melodies and luscious harmonies, all delivered alongside the heartfelt emotion of the reflective, relatable lyricism, making it impossible not to get utterly immersed in. With Rich and Phoebe taking turns with the lead, each track maintains the glistening warmth and twinkling uplifting charm that first drew me to the band. And now I can’t seem to stop listening; forever seeking soothing catharsis in Happy Accidents’ shimmering, Sprawling indie-pop.
Listen to Sprawling via bandcamp or Spotify.
(ML)

Hilary Woods – Birthmarks
Inspired by field recordings, images from post-war Japanese & wet-plate photography and the secret life of trees, Hilary Woods’ second album Birthmarks is a cohesive set of shadowy soundscapes that smolder with quiet intensity. Released in March via Sacred Bones, the Irish multi-instrumentalist collaborated with Norwegian experimental noise producer Lasse Marhaugher to create a record that was “of the body…a more physical record” than her previous work. She crafted eight fleshy, twisted, charged lullabies that are laced with a mix of hushed vocals, melancholy strings, saxophone sounds, distorted drone noises and Okkyung’s exquisite cello playing. Recorded over the course of two years between Galway and Oslo whilst Woods was heavily pregnant, Birthmarks feels like her most personal and powerful record to date and I’ve thoroughly enjoyed listening to it this year.
Listen to Birthmarks via bandcamp or Spotify. (KC)

Indian Queens – God Is A Woman
Described by lead vocalist & guitarist Jennifer O’Neill as “a late night record”, London trio Indian Queens’ debut album is a sublime offering, designed to dissolve uncertainty and soothe anxious minds. Released via Cool Thing Records in April, the band have written thirteen dizzying tracks that are as driving as they are delicate, providing a welcome rush of blood to the head every time they’re listened to. I love everything about this band and I’m so glad I got to hear them live again in March before the rest of 2020 got cancelled.
Listen to God Is A Woman via bandcamp or Spotify. (KC)

Nova Twins – Who Are The Girls?
Us GIHE grrrls collectively agreed that this is a stunning debut album. Nova Twins’ battle cry for equality and diversity on Who Are The Girls? resonates long after the record stops spinning. Amy Love & Georgia South are a force for fun, for fury and – most importantly – for change in an industry that still “struggles” to book women as headliners at major festivals. This album, released via 333 Wreckords in February, is a collection of thundering bass lines, uncompromising rhythms and wicked riffs. It’s an aural uppercut that proves the London-based duos talent and instinct for writing anarchic anthems. Nova Twins always have us riled, re-energised, and ready to ask for more.
Listen to Who Are The Girls? on Spotify. (KC)

Screaming Toenail – Growth
Having blown us away with the impassioned magnificence of their live show at The Finsbury last December, anti-colonial queer punks Screaming Toenail have become firm favourites here at GIHE, and their message is more resonant now than ever before. Opening with a jarring recording of reports of trafficking migrants and “swarms” of refugees coming across the Mediterranean seeking a better life, Growth starts as it means to go on: honest, politically charged and utterly necessary. Combining shades of ‘80s post-punk with the band’s raw magnetism and angst driven drive, the album covers poignant subject matter, ranging from institutionalised racism and damaging hetero-patriarchal norms, to “little old ladies shoplifting from Boots” and other inspiring female figures such as Diane Abbott and Reni Eddo-Lodge. Growth is truly a soundtrack to our times. Fuelled by a motivational cathartic rage, it starkly reminds us that on returning to “normality”, we need to create a new normal. One in which voices like Screaming Toenail’s can be amplified to the max; one in which we prioritise creating safe, queer, inter-sectional communities and spaces for people to share their art together.
Listen to Growth via bandcamp or Spotify.
(ML)

Sink Ya Teeth – Two
Long time GIHE faves who first completely took our breath away playing for us live at The Finsbury a few years back, Norwich duo Sink Ya Teeth brought some groove-laden joy to this nightmare year with their second album, appropriately titled Two. Having been booked to play our very first Get In Her Ears festival that would have taken place this summer, being able to listen to all the unique dance-punk soundscapes throughout this album offered a bit of consolation. Blowing us away with the soaring, sparkling majesty of each track, they continue to mark themselves out as truly innovative in their craft. From the synth driven glitchy hooks of ‘Somewhere Else’ to the immense funk-fuelled groove of ‘The Hot House’, everything the duo create oozes an infectious shimmering energy, showcasing Maria Uzor and Gemma Cullingford as the ultimate dream team in both songwriting and performing.
Listen to Two via bandcamp or Spotify.
(ML)

Honorable mentions:
A.A. Williams Forever Blue
Ailbhe ReddyPersonal History
ByenaryByenary
The Crystal FursBeautiful and True
Diet CigDo You Wonder About Me?
Dream NailsDream Nails
Lido PimientaMiss Colombia
MOURN – Self Worth
Nadine ShahKitchen Sink
No HomeFucking Hell
Phoebe BridgersPunisher
REWSWarriors
WaxahatcheeSaint Cloud
The Fight Is Not Over (Live album feat. Problem Patterns, Sister Ghost, Strange New Places, Gender Chores)

#ThrowbackThursday: GIHE w/ Nova Twins 05.07.18

Due to the current lockdown/coronavirus situation, we’re unable to make it in to the Hoxton Radio studio to broadcast our live new music show from 7-9pm for the foreseeable future. We have plenty of past shows to share with you though! We’re sharing previous recordings as #ThrowbackThursday sessions, so you can still enjoy 2 hours of new music, and chats with some of our favourite artists each week.

Today, we’ve picked our July 2018 show with Nova Twins. Georgia & Amy were due to headline Colours Hoxton tonight (23rd April) and we were meant to be in the crowd cheering them on, so we’re consoling ourselves by listening back to this interview. The girls talk about their experience of Festival Season 2018, and their unique outfits (spoiler: they went to Homebase for their ‘Lose Your Head’ boiler suits) Check out their debut album, Who Are The Girls, here.

Listen back to the show here:

Featured Artists
Hercules & The Love Affair
Foxtrott
Sara Wolf
Majken
TAYNE
Saint Sister
Ay Wing
Gaffa Tape Sandy
Ghost Of Christmas
Luna Neptune
Ms Mohammed
Skinny Girl Diet
Nova Twins
Calva Louise
Ohm Field
Handsome Eric
Eliza Shaddad
Chow Chow Mandy
Perfume Genius

PLAYLIST: International Women’s Day 2020

Happy International Women’s Day! It’s a day to highlight and bring awareness to the issues facing women around the globe, and it’s also a time to celebrate the women we love too. This year’s theme is #EachforEqual – encouraging all of us to collectively help create a gender equal world: because an equal world is an enabled world.

At Get In Her Ears, we have only one definition of a “woman”, and that is inclusive of ALL women. Inclusivity is at the core of what we do. It’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there.

We’ve created a playlist of all the wxmen artists that continue to inspire, entertain, and motivate us into action. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Eurythmics & Aretha Franklin – ‘Sisters Are Doin’ It For Themselves’
An obvious, but essential choice for any IWD Playlist. Annie Lennox & Aretha Franklin are a dream vocal team, and I never get tired of listening to this classic. (Kate Crudgington)

Planningtorock – ‘Beulah Loves Dancing’ 
I’m forever grateful to Tash for introducing me to the lush electronics of Planningtorock. This track is all about their sister, Beulah, and her love of house music. When Planningtorock played this live at their gig at Southbank Centre last year, Beulah was in the audience, and when the two siblings embraced each other after the song, I had a tear in my eye. (KC)

The Julie Ruin – ‘Girls Like Us’
It’s no secret by now that Kathleen Hanna is the woman who has inspired me the most and pretty much the reason we started GIHE, and so it seems only right to include a track of her’s on our playlist celebrating amazing women. And this track from The Julie Ruin is just a perfect ode for womxn of all kinds this IWD. A unifying anthem for all us misfit grrrls, with relatable empowering lyrics such as “… girls like us pick up the hot handles and burn our hands and we get over it”, it never fails to pick me up and leave me feeling ready to face the world. (ML)

Big Joanie – ‘Used To Be Friends’
I think all three of us would firmly place this band on any International Women’s Day Playlist. We could not be more behind everything Big Joanie are about, having seen them countless times over the last year – their headline gig at The Moth Club was an undoubted highlight, this band just keep the good music coming. Their politics and music are inseparable, using their platform to speak to their experiences as a black, queer, punk band and the importance of intersectional feminism, it is a privilege to have had them on our radio show. (TW)

Nova Twins – ‘Bullet’
Consistent GIHE favourites Nova Twins have released their breath-taking new album Who Are The Girls, and this track is lifted from it. It’s a powerful statement against street harassment, and the myth that women are “asking for it” if they dress or act in a certain way. Amy’s lyrics are the ultimate weapon against such insults, making it crystal clear that those who touch without permission are not fucking welcome. (KC)

Jehnny Beth – ‘I’m The Man’
Though Jehnny Beth has said that ‘I’m The Man’ is “a poetic work first and foremost. Its aim is to make you feel, not think”, for me it seems to address the anger and ruthlessness surrounding toxic masculinity and the damaging effects it can have. IWD, I feel, should not only be about celebrating the brilliant women in our lives, but informing our male allies so that they can support their female peers as much as possible, and also be reassured that to be a “man” does not mean having to be aggressive or physically powerful. A poignant and powerful offering from this immense force of womankind, who I cannot wait to see live today at The Roundhouse as part of BBC 6 Music’s Festival (along with other awesome women Kate Tempest, Kim Gordon and more). (ML)

Deux Furieuses – ‘Year Of Rage’
GIHE faves Deux Furieuses last year dropped their immense album My War Is Your War – a collection of poignant, impassioned and all-too-relevant rock anthems. Taken from the album, ‘Year Of Rage’ is a seething offering addressing the #MeToo movement and the anger felt by women everywhere trying to seek justice. Delivering a message of empowerment through the raging riffs and soaring vocals of Ros Cairney and frenzied pummelling beats from Vas Antoniadou, it’s a hugely powerful and distinctly necessary listen this IWD. (ML)

The Joy Formidable – ‘The Last Drop’
I’ve lost count of the amount of times I’ve told people how much I adore The Joy Formidable. I’ve been following them for a decade now, and I am still in awe of their ability to create heavy, magnetic, alternative tracks like this one. (KC)

ARXX – ‘Intervention’
Another playlist, another ARXX track. But we make no apologies about this. ARXX have been faves for a while now, and with their “unapologetically loud”, ferocious raw power, they continue to blow us away with their unrelenting raucous sounds. This track, ‘Intervention’, taken from 2018’s EP Daughters Of Daughters, talks of social injustices, giving a shout out to the LGBT charity Stonewall, exclaiming that “you don’t get to say who we fall in love with”. A perfect, raging anthem for equality. Two of the coolest women we know, ARXX also headlined our IWD gig last year at The Finsbury, and it really was the best way to celebrate. (ML)

Amaroun – ‘Perish’
Previous guest on our radio show Amaroun has recently jumped back into the limelight with several new tracks, inclusive of this one ‘Perish’. I’m loving this next step in Amaroun’s musical journey – the beats, the vocals, the stripped back simplicity, sublime. Drawing from her experiences as a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music, these themes stand strong throughout her songs. I can’t, and don’t want to stop listening. (TW)

Nayana Iz – ‘How We Do’
What a tune1 ‘How We Do’ is possibly one of the best debuts I have ever heard. Indian born, London raised Nayana Iz has arrived and she’s taking you with her. Eyes wide open people and get watching. (TW)

Missy Elliott – ‘She’s A Bitch’
One of the coolest, most inspiring women in the business, Missy Elliott delivers the most empowering and entertaining of offerings, just by being her incredible self. Proving that a woman can conquer a previously male-dominated genre, whilst consistently unashamedly oozing self confidence, she never fails to motivate me and put a smile on my face. Showing women that it’s ok to not fit the “feminine” stereotype that the industry so often seems to demand, and just be who you are and wear whatever the f*** you feel comfortable in (whether that’s an inflated bin bag or a scarecrow costume – check out last year’s performance at the VMAs to see this in action), she continues to push boundaries and remains a colossal force of nature. ,(ML)

Nilüfer Yanya – ‘Tears
One of my favourite tracks from Nilüfer Yanya, a slight move away from her guitar heavy tunes, ‘Tears’ released early last year captures and takes you along with its bouncing beats and sad reflective lyrics. It’s been great to watch this artist reach the acclaim she so rightly deserves, with my personal highlight seeing her play at Primavera 2019. It was the definition of sun-drenched guitars. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I wanted to include this track today, not only because I just love its poignant, soulful groove, but because Trans Women are of of course women too and should be celebrated on International Women’s Day (and every day)! (ML)

Lido Pimienta (feat. Li Saumet) – ‘Nada’
Inspired by the birth of her daughter, Canadian-Columbian musician Lido Pimienta has penned this beautiful song ‘Nada’. Taken from her upcoming album Miss Colombia, Pimienta ruminates on the pain women experience – from debilitating period pains to giving birth – and how strong we are despite being unfairly dubbed the “weaker sex”. Watch the accompanying video for the track here(KC)

FKA Twigs – ‘sad day’
The master and the muse; FKA Twigs continues to dazzle my eyes and ears with each new release. This track is taken from her second album, Magdalene, a record which blends vulnerability and raw power in equal measure. There aren’t enough adjectives to describe how much I love the music this woman makes. (KC)

Pumarosa – ‘Lose Control’
I interviewed Pumarosa’s front woman Isabel Munoz-Newsome last year for The Line Of Best Fit (read here), and she said this was her favourite track from their latest album Devastation. She spoke candidly about how she wanted to change the narrative around “love” or “breakup” songs, and her words have stayed with me ever since. This track is a slow-burning banger. (KC)

Arlo Parks – ‘Cola’
Watching Poet, rapper, singer & producer Arlo Parks grow over the last couple of years, receiving the absolutely deserve notoriety and success that an artist of her calibre should has been our pleasure. ‘Cola’ her debut single has kept a solid place on many of my playlists, a tender, confessional and mesmerising track. If you haven’t heard of Arlo Parks yet, go check her out now. You can thank me later. (TW)

Sleater Kinney – ‘Modern Girl’
Having been left completely speechless by seeing total heroes Sleater Kinney live last week, I couldn’t not include a track by this group of inspirational women. Seeing Carrie Brownstein perform this song, with all her infectious charisma and musical magnificence, was a definite highlight. And the lyrics “anger makes me a modern girl” seem particularly poignant this International Women’s Day. (ML)

Amahla – ‘Old Soul’
Hackney-Native Amahla blew us away with this song ‘Old Soul’ at the beginning of 2019 and has just kept getting better. An artist who uses their platform for greater good talking about women’s issues, race and current political climates, has an unquestionable place on our IWD2020 playlist. (TW)

Antony and the Johnsons – ‘My Lady Story’
“My womb’s an ocean full of grief and rage.” I can’t listen to that lyric without my heart breaking a little. A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice this International Women’s Day. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Dolly Parton – ‘Here You Come Again’
With the recent release of the Dolly Parton podcast and BBC documentary, I’ll take any chance I can to lap up any more content from this one. Dolly, what a woman. I don’t think I need to say anything more. (TW)

Merry Clayton – ‘Love or Let Me Be Lonely’
I recently watched 20 Feet From Stardom and to my shame learned so much about this amazing woman’s history that I did not know. A long established American soul and gospel singer, she provided backing vocal tracks to so many notable performing artists, the most famous being the Rolling Stones’ ‘Gimme Shelter’. Take her voice out of that and what are you left with? Here’s a shout out to the often forgotten or overlooked backing singers from some of the best hits out there. An established and amazing recording artist in her own right, it’s never too late to get into Merry Clayton. What a voice. (TW)

Jackie Shane – ‘Any Other Way’
A Get In Her Ears playlist would not be complete without Jackie Shane, I think this track ‘Any Other Way’ has featured on so many of our playlists and radio shows, but for good reason. Kate introduced me to this artist a couple of years ago and I was sold on first listen. Jackie Shane lived her life as a woman in the spotlight, during a time when compassion and acceptance were not always reciprocated to those who identified as trans. A pioneer for trans rights in the 60s, who very much lives on in our memories today. (TW)

Girl Ray – ‘Friend Like That’
GIHE faves Girl Ray have recently released their uplifting second album, Girl, and I cannot get enough. Taken from the album, ‘Friend Like That’ is an ode to friendship flowing with the trio’s colourful energy and funk-filled, pop-inspired hooks. Of the track, the band explain: “This is a friendship anthem. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” Basically a perfect, shimmering anthem to celebrate all your fantastic female peers this International Women’s Day. (ML)

Shari Vari – ‘New York City’
Since hearing their debut album, Now in 2019, I still cannot get enough of the Hamburg based alt-electro/punk/producers Shari Vari. Now out via Malka Tuti, it’s packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverb and cinematic crescendos. One of my albums of 2019, I consider myself still completely hooked. (TW)

Mentrix – ‘Nature’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture, along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. Her extensive travels and multiple influences – from Latin and French Literature, to The Qu’ran and traditional Persian poetry – give her music a diverse and fascinating edge. I can’t wait to hear her album My Enemy, My Love, which is set for release via her own (female-led) record label, House of Strength, on 3rd April. (KC)

Gazelle Twin – ‘Anti-body’
“I’m credibly unknown, and incredibly ok with that” wrote Elizabeth Bernholz – aka Gazelle Twin – in response to a fan who suggested she should be added to the Reading Festival lineup to fill the obvious void of female bands/artists on the bill. Bernholz’s pioneering sound and vision is best experienced elsewhere though, as her avant-garde, haunting electronic soundscapes demand your full attention. This track is lifted from her second album Unflesh, and although Bernholz has said she will never return to this material (having crafted her spectacular third album, Pastoral), I always come back to it when I’m feeling restless. (KC)

ALBUM: Nova Twins – ‘Who Are The Girls?’

Driven by devious bass lines and ferocious lyrics, Nova Twins‘s debut album Who Are The Girls? is an aural uppercut that proves the London-based duo’s furious instinct for writing anarchic anthems. Formed of Amy Love & Georgia South, the pair have been praised by Rage Against The Machine’s Tom Morello for their genre-defying tunes and their debut LP is bursting with their trademark heavy sound.

Released via 333 Wreckords on 28th February, Who Are The Girls? is a raw, abrasive collection of thundering bass lines, uncompromising rhythms and wicked riffs. Opener ‘Vortex’ – home to the lyric the album is named after – is the perfect introduction to their noise. Swirling, distorted bass and pounding beats permeate the track, as vocalist Amy rips through verses with enviable vocal power. She possesses a stunningly clear voice; it’s as if she needs no amplification when switching between shouts, snarls, and smoothly delivered lines with ease.

‘Play Fair’ and ‘Taxi’ are assaults on the senses, with more of Georgia’s mind-melting distortion blaring throughout. Armed with her instrument and her pedal board, she executes ear drums with lethal force on the pulverising ‘Devil’s Face’. Listeners should heed Amy’s warning to “get out my way” on following track ‘Not My Day’, after which the brilliant ‘Bullet’ kicks in. The track is a powerful statement against street harassment and the myth that women are “asking for it” if they dress in a certain way. Amy’s lyrics are the ultimate weapon against such insults, making it crystal clear that those who touch without permission are not fucking welcome.

You can take a walk on the “wild side” when the belting ‘Lose Your Head’ bursts through, before being schooled by more of Amy’s savage lyricism on the menacingly slow ‘Ivory Tower’. Hair-raising screams and ear-shredding riffs dominate penultimate track ‘Undertaker’, before ‘Athena’ closes the record. Named after the Greek Goddess associated with warfare, it’s an apt way to end a collection of genre-defying, lethal new tunes.

Nova Twins’ battle cry for equality and diversity on Who Are The Girls? resonates long after their record stops spinning. They are a force for fun, for fury, and – most importantly – for change in an industry that still can’t/won’t book a female-fronted band to headline a major festival. Nova Twins have us riled, re-energised, and ready to ask for more.

Pre-order your copy of Nova Twins’ debut album here.
Follow the band on Facebook and Spotify for more updates.

Kate Crudgington
@KCBobCut