INTERVIEW: ALT BLK ERA

Formed of sisters Nyrobi and Chaya, genre-defying duo ALT BLK ERA create tenacious alternative tunes designed to showcase their vivid personalities. Inspired by the likes of Ashnikko, Hacktivist, The Prodigy and Billie Eilish, they blur the boundaries of pop punk, nu-metal, rap and electronic music to form their riotous sounds.

By combining jagged electronics, heavy riffs and racing beats with raging lyrics, the pair have created an alternative statement of self autonomy on their debut EP, Freak Show, which perfectly showcases their antagonistic, youthful spirit. We caught up with Nyrobi and Chaya to talk about their new release (out on 1st September), their recent performances at Reading & Leeds and Glastonbury, and the love they’ve received from fans who have discovered their music…

 

For anyone who doesn’t already know, can you explain how you came to be ALT BLK ERA?

We’re sisters from Nottingham and we have been singing together for as long as I (Nyrobi) can remember. It became a regular daily feature when we would do our chores, washing up, with music blasting from our Apple iPod. This is where we learnt how to harmonise so easily with one another.

I’m the chief song-writer (Nyrobi) however, I work best with my sister Chaya by my side. She’ll add key parts, change things or say a straight no – so it’s a dual process. We sound so different, and we have such different personalities that we have to work closely together throughout the creative process.

Your own music is a blend of lots of different genres (nu-metal, rap, pop punk, electronic/rave) – talk us through your process of combining these styles and merging them into your songs…

We grew up on Reggae, Soul and R&B – so these elements are at our core. However, we stumbled upon the world of Metal and DnB when we were trying to express something harder and edgier than what we knew.

We haven’t got a step-by-step process. We sit with a beat. We have a song title and theme and then we ride the creativity wave. If we hit a wall – we write something else and then come back to it later down the line. There’s no pressure. We have fun making our music and if we want to throw in a bit of opera – we do exactly that. If we want to throw in a few bars of rap, we do that. There are no rules. This works for and against us because the industry wants to give a title to what we do. At one point we felt pressured to label our music genre – but it isn’t one thing so we generally call it ‘Alternative’.

You’re gearing up to release your debut EP, Freak Show, on the 1st September. What are you most proud of about this release?

We love that the EP is a story of where we started from. Our feelings of sitting outside of the mainstream. It feels like we’re getting a lot off our chest and we’ve found that so many others relate to what we’re singing about. We’re still really young, so the school experience has been a major area of our lives. What’s amazing is how many older listeners share with us that they wish they had us around when they were growing up. This is what we are most proud of – being able to connect with a range of people who identify themselves in our music. All the songs have a slightly different twist on them, and there are a range of energies that we share – from defiance to empowerment, to encouragement and love of yourself and others.

Do you have a favourite track on the EP? If so, why?

We of course love every track on the EP, but Chaya holds a special place in her heart for the title track, ‘Freak Show’ and I am loving ‘I’m Normally Like This’ – but this could change. It depends where we’re at emotionally as each track can speak strongly to you at different times.

Your music and your aesthetic both make a strong statement about individuality and not being afraid to express yourself. How has this message impacted your listeners? Have people reached out to talk to you about these things?

It’s been so wonderful to see the reaction. Our music is about celebrating who we all are which we especially see when we perform live. We’re tired of the pressures to conform. There have been a few haters that can’t help but share their thoughts about us and what we stand for – but we forgive them because they maybe haven’t heard our lyrics where we say “We don’t give a damn if you like it!”

People are always reaching out to us. We talk about some deep issues in our music, including violence against women. We get so many comments and private messages from people who have or who are struggling with their mental health and self-love – who say our music is helping them. Parents and grandparents introduce our music to their children and grandchildren. People from marginalised communities reach out to us and thank us for making them feel safe and heard.

Older true Metal Heads tell us how much they love our music. Rap artists tell us that they love the music we are making. What’s also beautiful is how many people from the Black community reach out to us too. Either they’ve never liked Rock/Metal music before or they have not seen enough representation. This is clear in our live shows when there are so many people from different walks of life join us in one room.

You performed at Glastonbury and Reading & Leeds Festival this year! Talk to us about these sets… 

OMGosh! Glastonbury was a dream. We have so much love for Earache Records for taking a risk on two teenage girls and putting us on their Takeover of the Truth Stage at Shangri-la. The highlight was when we looked over at each other in the middle of our set and we both knew what the other was thinking… “It’s really happening!” We were so happy.

We headlined the BBC Introducing stages at Reading & Leeds Festival. Again, another dream come true. We just wanted the audience to enjoy themselves and feel part of something new. We had people screaming back at us and joining in the chants it was spectacular. We’re still processing the experience.

You played live for Get In Her Ears supporting STRAIGHT GIRL in July and we loved your set. What do you enjoy most about playing live?

We love seeing the energy of the crowd. We love how we take them through different mood states and how we all experience it together. From soft, weird, to full out moshing. Live is the most wonderful thing! Thank you for having us! (see pics of the night here)

What does the rest of 2023 hold for ALT BLK ERA?

We have a few things lined up. We will be supporting Lord Of The Lost at the O2 Shepherd’s Bush Empire – this is another massive step for us and we’re so excited for this. On the 3rd November we have our headline show in Nottingham, where we will also be sharing music that we plan to release in 2024. It’s going to be a full on party!

Finally, as we’re a new music blog, we always ask for new music recommendations. Is there a band or artist who you’ve been listening to lately that you’d like to give a shout out to?

We have three we’d like to mention: PleasePretty Lea, Gender Crisis and Ruena. Do not sleep on these artists!!!

Follow ALT BLK ERA on bandcampSpotifyTik TokTwitter (X)Instagram & Facebook

Photo Credit: Fabrice Gagos

Kate Crudgington
@KCBobCut

LISTEN: ALT BLK ERA – ‘I’m Normally Like This’

Embracing the power of their individuality and refusing to let the opinions of others impact the way they express themselves, genre-defying sister duo ALT BLK ERA have shared their latest single ‘I’m Normally Like This’. Fuelled by their antagonistic and joyful spirit, the track is a cathartic rage-dance anthem that celebrates the freedom that comes with championing your own creativity in alternative music scenes and beyond.

Formed of sisters Nyrobi and Chaya, ALT BLK ERA create tenacious alternative anthems designed to showcase their vivid personalities. Inspired by the likes of Ho99o9, Nova Twins, Hacktivist, The Prodigy and Billie Eilish, they blur the boundaries of pop punk, nu-metal, rap and electronic music to form their riotous sounds. Refusing to be pigeonholed, the pair splice these genres together to explore and vent their frustrations about life, and new single ‘I’m Normally Like This’ does exactly that. “I don’t give a damn if you like it / I’m normally like this!” they chant, over a backdrop of jagged electronics and dense dance-inspired beats. Their defiant vocals hammer home the message that being yourself is the best way to push back against the haters and the gatekeepers.

ALT BLK ERA have a busy summer of live performances ahead of them. They’ll be playing Glastonbury Festival on the Shangri-La Truth Stage on 23rd June, plus the band will be playing as main support for our GIHE summer gig with STRAIGHT GIRL at The Shacklewell Arms on Friday 7th July! Grab a ticket on DICE now.

The band have also announced two headline shows in September. Full details below.

Listen to ‘I’m Normally Like This’ here:

ALT BLK ERA UK Tour Dates 2023
Jun 23: Glastonbury Festival (Shangri-La Truth Stage)
July 07: London, The Shacklewell Arms (GIHE show, supporting STRAIGHT GIRL)
Sep 13: London The Grace (Headline Show)
Sep 16: Nottingham Beta (Headline Show)

Follow ALT BLK ERA on bandcampSpotifyTik TokTwitterInstagram & Facebook

Kate Crudgington
@KCBobCut

NEW TRACK: ALT BLK ERA – ‘Rockstar: LUNAR’

After sharing their blistering nu-metal inspired track ‘Rockstar’ at the end of last year, genre-defying sister duo ALT BLK ERA are showcasing their softer side on latest single ‘Rockstar: LUNAR’. Beautifully contrasting with the band’s usual visceral, heavy sound, ‘Rockstar: LUNAR’ is an earnest reflection on an unhealthy relationship, gently edging listeners towards acceptance and finding strength in their vulnerability.

Formed of sisters Nyrobi and Chaya, ALT BLK ERA create tenacious alternative anthems designed to express their vivid personalities. Inspired by the likes of Ho99o9, Nova Twins, Hacktivist and Billie Eilish, they blur the boundaries of punk, nu-metal and trap to form their riotous, anthemic sounds. Refusing to be pigeonholed, ALT BLK ERA enjoy exploring their musical dynamic further by releasing ‘SOLAR’ and ‘LUNAR’ versions of their songs. Nyrobi’s Solar energy represents her wild, raucous spirit, and Chaya’s calmer, more introverted energy is represented by Lunar.

Their original single ‘Rockstar’ was a volatile, all-consuming wall of noise, but on ‘Rockstar: LUNAR’, the duo filter the heaviness of romantic infatuation through a different lens. Full of tender vocals, evocative piano sounds and confessional lyrics, the track is a poignant rumination on an emotionally harmful relationship. The pair find solace in opening up about the difficult reality of loving someone who is bad for you, and have showcased their impressive, seamless ability to move between music genres in the process.

Listen to ‘Rockstar: LUNAR’ below:

ALT BLK ERA UK Live Dates 2023
Mar 18: CH Hirscheneck, Basel
Mar 31: UK Bodega, Nottingham
Apr 05: UK Hare & Hounds, Birmingham
May 25-28: UK Bearded Theory, Derbyshire

Follow ALT BLK ERA on bandcamp, Spotify, Tik Tok, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

PLAYLIST: January 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, guitar anthems and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Amaroun – ‘Just Be Good To Me’ (SOS Band Cover)
This is the latest release from London-based artist Amaroun, a firm favourite of ours here at GIHE! We are all loving this cover of ‘Just Be Good To Me’, originally by SOS Band.
(Tash Walker)

Ritual Forms – ‘Down’
A brooding, atmospheric soundscape that explores the way our moods fluctuate during uncertain times, I’m obsessed with this track from London-based trio Ritual Forms. Lifted from their upcoming debut album, Nighttime Economy, which is set for release on 2nd March, it’s a captivating blend of hypnotic loops, steady beats and intoxicating vocals.
(Kate Crudgington)

CIRCE – ‘Undone’
A sonic manifestation of power, I love this new tune from dark-pop artist Circe. I’ve been listening to her 2020 EP She’s Made Of Saints again recently, and I’m always so impressed by her ability to create such immersive, cinematic soundscapes that melt away the edges of reality. ‘Undone’ is no exception. I can’t wait to see her perform it live at The Shacklewell Arms on Monday 30th Jan. (KC)

Frankie Rose – ‘Anything’
Set to release her fifth studio album this Spring, New York based artist Frankie Rose has now shared her latest single ‘Anything’. Propelled by a whirring ‘80s-inspired drive with shades of the likes The Cure (you should also check out Rose’s Cure cover album Seventeen Seconds), a glistening soundscape flows with a stirring anthemic majesty, creating a blissful slice of electro-pop. Love As Projection, the upcoming new album from Frankie Rose, is set for release on 10th March via Night School Records. (Mari Lane)

ARXX – ‘Ride Or Die’
I challenge you to listen to this new one from absolute faves ARXX without hitting repeat at least 10 times… It’s just such a totally infectious anthem. All propelled by thrashing, impeccable time-keeping from Clara, ‘Ride Or Die’ showcases the gritty, emotion strewn vocals of Hanni, alongside sweeping catchy pop hooks and an empowering euphoria of unified voices singing along with the chorus. An utterly uplifting celebration of queer love and unwavering friendship, it’s the perfect sing-along anthem live. Being able to share a room full of adoring fans, all joining in joyously with “I would” at The Social a few months back was a blissfully memorable experience that I hope to re-live very soon. ‘Ride Or Die’ is out now via Submarine Cat Records, ahead of the release of ARXX’s upcoming album of the same name, which is set for release on 31st March. Pre-order here. (ML)

Grandmas House – ‘Desire’
GIHE fave Grandmas House are back with this gritty new single! Taken from the upcoming new EP, Who Am I, which is set for release on 3rd March via Brace Yourself Records, the track is inspired by the disorientating power of romantic infatuation, full of charged riffs and commanding beats. (KC)

Piss Kitti – ‘I’m Jammed’
This belter from Liverpool-based punks Piss Kitti was released at the end of 2022, but it’s a taste of what’s to come from the band later this year. Having previously supported Black Lips, Dream Wife and Amyl & The Sniffers, it looks like 2023 is set to be another big year for the band. I’m looking forward to hearing more tunes like this in the near future. (KC)

ALT BLK ERA – ‘Rockstar’
From the opening riff of ‘Rockstar’ to the track’s final lyric, I love this alternative anthem from Nu Metal sister duo ALT BLK ERA. It dropped into my inbox at the end of last year and it’s been ricocheting around my skull ever since. (KC)

Tokky Horror – ‘Hammer 2 The Face’
Rave-punk trio Tokky Horror will be unleashing this frenzied, excellently named anthem on their crowds at grassroots music venues across the UK for Independent Venue Week from the 1st of February! This track is described as “A sub 2-minute blast of urgency, taking aim at the casual sexual harassment that plagues femme’s in gig spaces.” I can’t wait to hear it live at The Black Heart in Camden. Full details & ticket links for the band’s upcoming IVW shows can be found here. (KC)

Alien Chicks – ‘Cowboy’
The new single from GIHE faves and Ones to Watch for this year, Alien Chicks’ ‘Cowboy’ offers an insight into the trio’s ability to create relentless funk-fuelled punk-rock with a truly unique edge. Building from a sultry rumination on anxieties to a frenzied blast of whirring, riotous emotion, it’s another wonderfully chaotic cacophony from the South London trio. Watch the new video for ‘Cowboy’ here. (ML)

About Bunny – ‘Teeth’
Taken from their recent EP Mixtape Vol.1, this single from London-based rock band About Bunny bites chunks out of its listeners. They’ll be playing at The Hope & Anchor in Islington on 16th February, so head down to see them live if you like what you hear. (KC)

Berries – ‘Spiral’
Following the release of their debut album, How We Function, last year, long term faves Berries have been going from strength to strength lately. Recent single ‘Spiral’ showcases all there is to love about the London trio; an instantly infectious slice of garage-rock, it hits you with its raw, scuzzy power and Holly’s distinctive sumptuous vocals and spiky guitar hooks. Driven by a frenetic energy, it perfectly captures the utterly compelling allure of the band’s live shows – witness this for yourself on their March headline tour – details here. (ML)

The Early Mornings – ‘Early-Modern Rain’
Having just released their second EP Ultra-Modern Rain, London trio The Early Mornings have been becoming known across the London scene for their energetic live sets, and wowed crowds at Left Of The Dial festival last year. Latest single ‘Early-Modern Rain’ fizzes with a jangly energy with shades of left-field legends The Raincoats, as angular hooks flow with a scuzzy allure. A perfectly playful slice of post-punk that will leave you eager to listen to the album in its entirety. (ML)

Softcult – ‘Dress’
Canadian twin siblings Softcult are back with this hazy new offering which tackles the issue of consent. Blending buoyant melodies with their candid lyrics – “It’s a dress, not a yes / Not a fucking invitation” – the band refuse to remain silent in the face of pervasive everyday sexism. The track is taken from their upcoming EP, see you in the dark, which is set for release on 24th March. (KC)

Death Valley Girls – ‘Sunday’
The latest single from LA psych-rockers Death Valley Girls, ‘Sunday’ oozes an enchanting other-worldly splendour. Building with a fizzing energy, it harks back to the psychedelic sounds of the ’70s California scene, whilst showcasing the band’s ability to create something that is utterly unique, reflecting on the process of addressing your pain and being honest with yourself. A beautifully immersive trip into the cosmic world of Death Valley Girls. Islands In The Sky, the upcoming new album from Death Valley Girls, is set for release on 24th February via Suicide Squeeze Records. (ML)

Mandy, Indiana – ‘Injury Detail’
Thumping beats and heavy, unpredictable rhythms permeate this track from experimental electronic outfit Mandy, Indiana. Influenced by the dystopian worlds of Blade Runner 2049 and video games like Bisoshock, vocalist Valentine Caulfield explains: “‘Injury Detail’ was inspired by the idea of being trapped in a liminal space, with the guitars creating a seemingly limitless and undefined landscape. The vocals act as a guide to possible salvation, or perhaps something of a more sinister intent.” (KC)

Lizzy Young – ‘Cigarettes Are Good For Pain’
Someone I’m very excited to hear more from over the next 12 months is Lizzy Young. This track is a love letter to everyone who identifies as a woman, a confrontational art-pop, electro and trap record! (TW)

Rumpistol x Kill J – ‘Walk On Home 2.0’
I was so excited to see Kill J pop up on track, and it’s one I’m going to let speak for itself. ‘Walk On Home 2.0’ is a sensationally layered soundscape. (TW)

Livia Rita – ‘FUGA FUTURA’
This sensational track is taken from Livia Rita’s album of the same name, and I can’t stop listening to it and leaning into the journey it takes me on. They will be releasing a music video for this track soon, where all the different creatures from their previous passages come together as a collective to create a portal into their queer mythologies. It is a mystical journey, a collection of possible future identities, inspired by our desires, dreams and fears for the future. It is a place of healing and fantasy, where nature rebels and magic abounds all in an attempt to unite otherworldly revolutionaries – to a swampy slow pop anthem. Are you ready? I am! (TW)

Nameless Twin – ‘Dead Roses’
I love everything about this haunting new single from industrial-electronic duo Alicia Rei Kim and Ryan Osterman aka NAMELESS TWIN. They’ve only released a handful of tracks so far, but all of them have been the perfect blend of dark, dreamy sounds. (KC)

Feral Five – ‘Truth Is The New Gold’
Ahead of the release of their new album next month, electro-punk duo Feral Five have shared the title track as a scintillating taste of what’s to come. Propelled by a fierce energy, ‘Truth Is The New Gold’ explores truth and trust between both people and information. Offering a glitchy soundscape fizzing with an ethereal whirr, Kat’s sweeping, rich vocals flow as a sparkling cinematic splendour immerses the listener. Truth Is The New Gold, the upcoming new album from Feral Five, is out on 10th February via Reckless Yes. (ML)

girl with dream – ‘HRT’ (Heart Replacement Theory)
I can’t get enough of this song by girl with dream, the newest project from trans singer-songwriter Chris Lawson alongside Rhy Climenhage. This track is all about the sacred power found in embracing yourself and participating in an act of healing, guided by self love and harnessing agency. Just beautiful. (TW)

Razor Braids – ‘Nashville, Again’
Brooklyn-based Razor Braids are a queer, all-female/non-binary rock band who combine the vulnerable self-awareness of indie rock with dynamic instrumentation, anchored in a 90s ethos – just like us here at GIHE! This track is a fresh look at an old fave of theirs, the first song they ever released as a band! (TW)

Frankie Morrow – ‘Sunflowers’
Having released their debut EP, Blue Parrot Backpackers Hotel in October, Scottish band Frankie Morrow finally formed their current fully-fledged outfit last year after initially playing together and separately in various musical projects across Scotland since their teens. Personally, I can’t get enough of their glistening, folk-strewn sounds and heartfelt lyricism, and love the lilting grace of this track ‘Sunflowers’. (ML)

‘LINN – Okay, Sister’
Copenhagen DIY avant-pop artist LINN has released this tune with all its soothing tones and acoustic pluckings, highlighting the vulnerability in the lyrics. It’s taken from her upcoming EP, Femte Dimension, which is out now. Don’t forget to check out the video which was filmed by her 4 year old – amazing! (TW)

Prima Hera – ‘Sidecar’
This is the debut release from Prima Hera, the solo project of musician Stef Williamson. A track all about self-doubt, told through the perception of an imagined other, it’s just beautiful. I’m looking forward to hearing more from Prima Hera in 2023. (TW)

Poolblood – ‘voyager’
This woozy guitar tune from Toronto-based musician poolblood is a tender reflection on the conflicting feelings that come with moving on at the end of a relationship. It’s taken from her recent album, mole, which explores the highs & lows of romantic and platonic love. The songs on the record were influenced by the dynamic between Keanu Reeves and River Phoenix’s characters in Gus Van Sant’s My Own Private Idaho, which is one of my favourite films! (KC)

Dog Park – ‘Sunny Decadence’
A bright, lo-fi indie pop tune, ‘Sunny Decadence’ is the debut single from Paris-based band Dog Park. Full of soft vocals and hazy guitar sounds, it’s a proper antidote to the January blues. (KC)

H.L Grail – ‘O.T.D’
Whilst you may be familiar with her from London icons Goat Girl, multi-instrumentalist, songwriter and producer Holly Mullineaux – aka H.L. Grail – has now announced the release of her debut EP. Taken from the EP, new single ‘OTD’ immerses the ears in a shimmering, celestial splendour as Mullineaux’s delicate vocals ripple beautifully with a whimsical allure. An exquisitely stirring lullaby. (ML)

Deerhoof – ‘Sit Down, Let Me Tell You A Story’
Having just announced the release of their upcoming 19th (!) album in March, math-rock alumni Deerhoof have now shared an enticing taster with their brand new single. Sung entirely in Satomi’s native Japanese (as is the whole album), ‘Sit Down, Let Me Tell You A Story’ offers a frenzied, colourful cacophony as quirky honey-sweet vocals twinkle throughout the fuzzy soundscape. I’m super excited about the return of Deerhoof and can’t wait to hear Miracle Level, the new album, released on 31st March via Joyful Noise. (ML)