PLAYLIST: Pride 2020

With no marching, no gatherings and no physical prides this year, it’s more important than ever to remember why Pride started. Remember the lengths the LGBTQIA+ communities have come, but more importantly, how far we still have to go. The LGBTQIA+ communities and their allies need to stand strong and united with each other, but especially the black and transgender and gender non-conforming communities.

This period of lockdown has been, and is an incredibly difficult time for everyone, with increasing levels of anxiety, isolation and loneliness. Switchboard LGBT+ Helpline, where I am Co-Chair, has seen a 40% increase in contacts to their services, and a 42% increase in people who are transgender and gender-non conforming getting in touch. People have been reaching out for support all across the LGTBQIA+ communities, from young people feeling the pressures of the closure of schools, to trans people self-isolating within transphobic families, to the elderly – an already isolated group – who felt they may not see a friendly face for a very long time.

The lockdown has had an unimaginable impact on all of us, especially folx from marginalised communities – magnifying any existing situation people may be in from domestic violence to transphobia, biphobia, homophobia but especially loneliness and isolation. Something members of the LGBTQIA+ communities have been battling heavily against for a while now.

What Pride means to everyone within the LGBTQIA+ communities will be different, but as a queer person I stand and I protest for every single one of those people’s rights. For LGBTQIA+ rights, for anti-racism, for black people, for people of colour, for transgender and gender non-conforming people and every intersectionality in-between. We have to learn from our history and we have to work together where we support the human rights of each and every one of us. People should be free to live without fear of judgement or discrimination. People should not have to fear for their lives because of their sexuality, gender identity, race, socio-economic class, disability or religion.

If your pride flag doesn’t include black and brown stripes, it’s outdated. If your pride flag doesn’t include the transgender flag, it’s outdated. So wherever you are, at whatever Pride you are supporting, spread the word and make it known – equality is for everyone, but most importantly, black lives matter, trans lives matter, black trans lives matter.
Tash Walker (Co-Founder of GIHE & Co-Chair of Switchboard)

 

The GIHE grrrls have put together a playlist full of their favourite LGBTQIA+ artists to help celebrate Pride 2020. Read about their choices below and scroll down to the end of the post to listen to the playlist on Spotify

Janelle Monae – ‘Pynk’
A brash celebration of creation. Self love. Sexuality. And p-ssy power! Need I say more. (Tash Walker)

Amaroun – ‘Perish’ 
Amaroun talks about the themes she evokes in her music which consistently touch on her journey of being a black queer woman, overcoming struggles with sexuality, and the importance of emotional honesty in music. In Amaroun’s words, “this track is an autobiographical reintroduction of myself”. It’s one of my faves. (TW)

Foxgluvv – ‘Desperately Seeking Susan’
A sparkling, sultry tune inspired by the 1985 film of the same name, ‘Desperately Seeking Susan’ is another example of Foxgluvv’s natural ability to create “hungover pop” tracks that celebrate her queer identity. We’re big fans here at GIHE. (Kate Crudgington)

TABS – ‘Love Like This’
We had the pleasure of having TABS on our radio show back in 2019, where she sang the original of ‘Love Like This’ and we savoured every moment. Whilst signed to major labels (Polydor, BMG) TABS felt misunderstood. As a club promoter of Butch, Please! – an amazing lesbian club night which we love – she connected with butch lesbians all over the world and began the journey of making her EP of the same name. Seeking authenticity, she self-released this EP with the support of her queer community, and we are so glad she did. (TW) 

Lido Pimienta – ‘Eso Que Tu Haces’
When I interviewed Lido Pimienta earlier this year, she described herself as “the grey area” in Colombian culture – “but very gay, very queer, very feminist.” I’ve been captivated by her music and her artistic vision since listening to her second album Miss Colombia, and feel that no-one else makes electronic music sound as warm and meaningful as she does. (KC)

Arlo Parks –  ‘Black Dog’ 
I cannot get enough of Arlo Parks and her mesmerising music, so full of emotion I get lost in every second. Her latest release ‘Black Dog’ is no different, a frank, heartbreaking insight into the the darkness of depression. Mental health awareness within the LGTBQIA+ communities is so important, especially with rising levels of isolation and loneliness. From talking, to supporting, to asking and reaching out for help is so important and totally OK to do. The more we can look out for each other, the more we can encourage and show people that asking for help is a sign of strength not weakness, the more we can combat these rising numbers. (TW)

Brown Belt – ‘Lamplight’
Brown Belt self-described as the non-binary boi band of your dreams, and we couldn’t agree more. I’ve only just come across them with their latest release ‘Lamplight’ a super catchy number, with a rad video to accompany it. Looking forward to hearing more from this trio, certainly ones to watch. (TW)

Personal Best – ‘This Is What We Look Like’
Headliners at one of our last Finsbury gigs, Personal Best perfectly brand themselves as “classic rock for tragic lesbians”. Closing their set for us in December, front person Katie dedicated this track to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see /’cause this is what we look like”, the poignancy of the lyrics in these uncertain times was overwhelming, and an empowering sense of unity took hold as the crowd danced and sang in solidarity. A perfect anthem for love between anyone and everyone. (Mari Lane)

Bitch Hunt – ‘Spaceman’
Since first meeting at Roller Derby, London based all queer/non-binary band Bitch Hunt formed at First Timers Fest, and have been going from strength to strength ever since. Filled with catchy, scuzzy hooks, a subtle tongue-in-cheek wit and the gritty deadpan vocals of front person Sian, ‘Spaceman’ is an observational and relatable slice of punk-pop. A spot-on reflection on the sickening arrogance of all those cis male ‘splainers and ‘spreaders we so often have to endure in our day to day lives. An uplifting raging anthem inspiring us all to take those men down a peg (or four). (ML)

Kermes – ‘Time To Shut Him Up’
Self proclaimed “anxious rock for the gay agenda”, Leicester band Kermes were due to headline for us at The Finsbury in August, and I’m desperately hoping we can get this rescheduled for as soon as it is safe to do so! Addressing issues such as gender dysphoria, sexism and dysfunctional relationships, their infectious emotion-strewn punk-pop oozes a raw, angst-driven energy and scuzzy shimmering power. ‘Time to Shut Him Up’ is taken from Kermes’ 2018 album, We Choose Pretty Names. (ML)

Ms Mohammed – ‘Pandora’
‘Pandora’ and its rolling, rumbling drums – such a tune by Ms Mohammed who we had a total blast with in the Get In Her Ears studio last year. As well as being an artist in her own right, Ms Mohammed founded the Clit Rock movement in 2013 as a way of speaking out against female genital mutilation. As a champion of cross-cultural tolerance and an out queer artist who advocates for LGBTQIA+ rights and visibility, Ms Mohammed is challenging prejudice through her music and we stand by her every step of the way! (TW)

Le Tigre – ‘Hot Topic’
Pioneers of queer culture and ultimate faves, Le Tigre’s ‘Hot Topic’ is a celebratory ode to those who’ve inspired us. Paying homage to some queer feminist champions of the ‘90s and earlier, it’s an empowering and joy-filled protest in the face of adversity. (ML)

Planningtorock – ‘Non Binary Femme’
This track is take from one of my favourite albums of all time, Planningtorock’s Powerhouse. Unarguably paving the way for not only a better understanding of what those words mean, but also leading in acceptance for transgender and gender non-conforming people. Planningtorock and their music, has unquestionably helped me on my own gender identity journey and I’m sure many others. (TW)

Bishi – ‘Who Has Seen the Wind’
Last year as part of the Southbank Centre’s 2019 Meltdown Festival, Kate and I had the privilege of meeting Bishi. An incredibly talented singer, electronic rock-sitarist, producer and performer born in London of Bengali heritage. She is also the co-founder of WITCiH: The Women in Technology Creative Industries Hub, a platform elevating Women & Non-Binary in tech through commissions, performances & panels. (TW)

Blonde Maze – ‘Hold On To Me’
NY based GIHE fave Blonde Maze consistently writes heartfelt shimmering electro-pop reflecting on life and love. Taken from last year’s EP Hold On, ‘Hold On To Me’ is an example of the utterly enchanting euphoric soundscapes Blonde Maze is capable of creating. I listen to Blonde Maze whenever I need to feel calm; I just can’t get enough of the iridescent hooks and blissful, emotion-filled romanticism. The perfect soundtrack if you need to take a break this Pride to stop and refuel before continuing to protest, organise and celebrate. (ML)

Husk – ‘Below The Neck’
“I would never change being trans. I would never change being a trans musician. And the industry should support us. Book us. Play us. Listen to us. We have so much to offer.” A poignant sentiment this Pride from Trans, Non-Binary artist Husk, who combines ’80s synth-pop nostalgia with fresh leftfield pop to create their signature sound. A colourful, high-energy offering, recent single ‘Below The Neck’ is the perfect danceable anthem for any Pride party – though, for now, sadly, dancing around your bedroom/living room to it will have to do. (ML)

Bronski Beat – ‘Smalltown Boy’
This track was released in 1984 at the beginning of the AIDS crisis by openly gay Bronski Beat, ‘Smalltown Boy’ is a heartbreaking story given an empowering beat. In 2020 it may feel like we have come so far from the height of the AIDS epidemic in the 80s and 90s but those lost will never be forgotten, and we, the LGBTQIA+ communities still live with the impact today. (TW)

Lady Gaga – ‘Born This Way’
I know I add this Gaga track to our GIHE Pride playlist every year, but it’s such a BANGER and so fun to dance to. She’s always celebrating being the best version of yourself, and for that reason, I can’t leave Gaga out! (KC)

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008, the same year I attended London Pride for the first time, this is without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life. (TW)

Princess Nokia – ‘Sugar Honey Iced Tea’
Openly queer rapper and all round inspiration, Destiny Nicole Frasqueri – aka Princess Nokia – writes powerful, feminist anthems promoting self love and body positivity. A strong advocate of intersectional feminism, having founded the Smart Girl Club with Milah Libin, a podcast where she discusses healthy living and urban feminism, Princess Nokia offers a hopeful and empowering presence in these times when pushing for change is so important. (ML)

Lotic – ‘Burn A Print’
Born in Houston USA but now a familiar face on the Berlin underground club and electronic music scene, Lotic (aka J’Kerian Morgan) shared her debut album, Power, in 2018. The record showcased her vocal and songwriting abilities for the first time, consolidating her skills into a coherent message about transforming fear in to fierce autonomy. ‘Burn a Print’ continues this narrative, as Lotic explains: “to burn your print into this Earth, because when you go, you need to remind the future bitches that you was here.” (KC)

Mykki Blanco (feat. Devendra Banhart) – ‘You Will Find It’
Queer pioneer and musician/rapper extraordinaire, Mykki Blanco has been an inspiration for the GIHE team for quite some time, and their voice is more poignant now than ever. ‘You Will Find It’, their latest offering, oozes a glistening, soulful splendour as shimmering hooks and swirling atmospherics provide the backdrop for Blanco’s trademark gritty power. Replacing their usual glitchy energy with a soothing aura, they have created a perfect tranquil interlude; an alluring soundscape to immerse yourself in and find blissful cathartic release. (ML)

kate can wait – ‘to be alone with you’
Molly Kate Rodriguez – aka kate can wait – is a collective member of Grimalkin Records, a US-based benefit label and queer artist collective. Rodriguez lives in Guayanilla, Puerto Rico and she crafts dark, haunting folk sounds. She’s not on Spotify, but you can listen to ‘to be alone with you’ via bandcamp. (KC)

Phantómódel – ‘Passing Through’
Another band on Grimalkin Records‘ roster, Phantómódel are a post-punk three-piece who explore the internal struggles of gender dysphoria and body image, systemic oppression and mental health through their dark sounds. Phantómódel describe themselves as a “TRANS GOTH POWERHOUSE of darkness dismantling white supremacy at every turn. We are phantoms of the night, goblins who lurk in the shadows, and demons of chaos and magic, here to enchant everyone we meet.” (KC)

Gordian Stimm – ‘Miscellaneous Body Parts’
The solo project of Maeve Westall of itoldyouiwouldeatyou, Gordian Stimm’s sound is visceral, distorted, yet at times totally dance-able. They remind me a little of early Passion Pit or Crystal Castles, and I recommend listening to their debut album, Your Body In On Itself, released via Amateur Pop earlier this year. (KC)

Perfume Genius – ‘Jason’
Having been a huge fan of Perfume Genius for many years now, it’s been wonderful immersing myself in his poignant latest album, Set My Heart On Fire Immediately. Reflecting on a one night stand he had with a straight man over fifteen years ago, ‘Jason’ resonates with its twinkling musicality, nostalgic lyrical story-telling and the raw emotion of Hadreas’ trademark heartstring-tugging vocals. Throughout changes in his musical style over the years, Perfume Genius never fails to captivate and inspire. (ML)

Antony & The Johnsons – ‘My Lady Story’
A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice that we need now more than ever. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Jackie Shane – ‘Any Other Way’
We’ve played Canadian soul-singer Jackie Shane multiple times on the GIHE radio show, and included her on many a playlist and we’re certainly not stopping now. Jackie was a pioneer for transgender rights in the 60s & 70s, a time when being your true self was not always welcomed, or accepted. (TW)

 

PLAYLIST: Galentine’s Day 2020

Grrrls, it’s the best day of the year: GALENTINE’S DAY! Coined by Parks and Recreation character Leslie Knope (played by Amy Poehler) back in 2010, Galentine’s has since been recognised by girls across the globe, and used as a light-hearted platform to celebrate the girls and women who enrich our lives.

We’ve selected tracks from some of our favourite female artists and put them all together in one big celebratory playlist. We’re all about self-love & sisterly support today; so scroll down, press play, and share the Galentines love.

 

Robyn – ‘Dancing On My Own’
‘Dancing On My Own’, and what’s wrong with that!? Often I prefer to dance on my own. More space. Robyn is also an outspoken ally for LGBTQ+ rights, and we all know romance isn’t just for the heterosexuals out there! So whether you honour Galentine’s, Valentine’s, or even Palentine’s Day; make sure you have a good old dance. (Tash Walker)

Le Tigre – ‘Hot Topic’
Pioneers of queer culture and ultimate faves, Le Tigre’s ‘Hot Topic’ is a celebratory ode to those who’ve inspired us. Paying homage to some queer feminist champions of the ‘90s and earlier, it’s an empowering and joy-filled protest in the face of adversity. This one’s dedicated to my GIHE gals this Galentine’s; Tash and Kate – you’re two of the most fantastic women I’ve ever met, and continue to inspire me every day! (Mari Lane)

Gold Baby – ‘What Party?’
We’re all big fans of Gold Baby here at GIHE, and I have to admit I’m a big fan of their vocalist & guitarist Sian. Not only is she a great songwriter, she’s as enthusiastic as we are about new music, and supporting other women in the industry. Keep your eyes peeled for Gold Baby’s new single ‘Japanese Racehorse’, set for release on 17th Feb. (Kate Crudgington)

ARXX – ‘Moments At A Time’
Is it even a GIHE playlist if I don’t include an ARXX track? The Brighton duo have truly taken off since Mari introduced me to them a few years ago, and us GIHE girls couldn’t be happier for them. Hannah & Clara also happen to be two of the loveliest people we’ve met in the DIY music scene. Absolute babes. (KC)

Alanis Morissette – ‘You Oughta Know’
I’m forever grateful to Alanis Morissette for showing 24-year-old me that being angry after heartbreak is totally normal. Even when I’m not in the midst of heartbreak though, this song makes me feel truly empowered. Taken from her iconic album Jagged Little Pill, which turns 25 this year, I am desperate to get my hands on a pair of tickets to Alanis’ anniversary gig at Shepherd’s Bush Empire on 4th March. I’ll be singing this at the top of my lungs. (KC)

Personal Best – ‘This Is What We Look Like’
Headliners at our last Finsbury gig, Personal Best perfectly brand themselves as “classic rock for tragic lesbians”, and their frenetic riffs and pure-pop harmonies fill me with joy every time. Closing their set for us last month, front person Katie dedicated this track to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see /’cause this is what we look like”, the poignancy of the lyrics in these uncertain times was overwhelming, and an empowering sense of unity took hold as the crowd danced and sang in solidarity. A perfect anthem for love between anyone and everyone. (ML)

Chastity Belt – ‘Joke’
This was one of the bands I discovered at the start of GIHE, all those years ago, and it just reminds me so much of what it was like at the start of it all. All these years on here’s to my two GIHE gals Mari & Kate, and all of the jokes we’ve had along the way. (TW)

Taylor Swift – ‘Out Of The Woods’
Did anyone else cry multiple times watching Taylor Swift’s Netflix documentary Miss Americana? (Just me? Cool.) Even if you’re not a big Swift fan, I recommend watching the film. It impressively highlights how badly the media treats young women in the spotlight, and how empowering it is when they decide to take back their own narratives. (KC)

Lizzo – ‘Like A Girl’
Turning the common derogatory phrase ‘Like A Girl’ on its head to create something wonderfully empowering, this is another ferociously fun offering from GIHE fave, Lizzo. With references to other powerful women of colour, including Lauryn Hill and Serena Williams, it’s the perfect ode to the power of being female and the power felt when women unite. So, this Galentine’s Day, I’ll leave you with the Lizzo’s words of wisdom: “If you fight like a girl, cry like a girl, do your thing, run the whole damn world”. An ultimate feel-good anthem for women everywhere. (ML)

God Colony (feat. Samirah Raheem) – ‘Girls’
You might recognise Samira Raheem from her 2 minute interview at Amber Rose’s Slutwalk in 2018. This video caught the attention of UK Producers God Colony, who approached Raheem to collaborate. The result is ‘Girls’; an encouraging call-to-arms laced with defiant lyrics, and industrial-tinged beats. I never get sick of listening to this. Shout out to my fellow ‘Girls’ Mari & Tash. I’d be lost without you. (KC)

TLC – ‘Unpretty’
Having had my love of TLC revived through watching Netflix’s brilliant Hip Hop Evolution documentary lately, I feel this ‘90s classic is the perfect Galentine’s anthem. Although it’s primarily about a guy making you feel shit, the message of getting past this and looking inside yourself to see your inner beauty is a perfect sentiment for any of your loved ones. And, set to that oh-so-catchy groove, it never fails to uplift and leave me feeling ready to face the world. (ML)

Ji Nilsson & Marlene – ‘Love You Anyway’
Released back in 2014 this was the first song that jumped to mind for this Galentine’s Day playlist, as ‘Love You Anyway’ is all about female friendship. The lyrics speak of solidarity, but with a slight note of sadness, combined with the enchanting quality to the music the whole thing intertwined together is mesmerising. (TW)

Chromatics – ‘Girls Just Wanna Have Fun’
A great cover of a great track. ‘Girls Just Wanna Have Fun’ always reminds me of a story about this 60 year old Italian woman who walked into her local fire station as she was having trouble with her lock. When the firemen asked the woman where she lived, thinking she’d locked herself out of her house, she lifted her sweater and showed them her chastity belt. (TW)

Wolf Alice – ‘White Leather’
Despite being a huge Wolf Alice fan, I only heard this track for the first time last year when my sister Holly sent it to me when I was having a tough time. She told me to listen carefully to the lyrics, because they reminded her of me. I had to bite back tears after hearing it; I felt loved, acknowledged, and genuinely hopeful. (Also, shout out to my other sister Sarah, who always holds my hand during ‘Bros’ when we see Wolf Alice live. God love ya both.) (KC)

Kate Bush – ‘This Woman’s Work’
I recently found out Kate Bush wrote this song specifically for John Hughes’ 1988 film She’s Having A Baby from the lead male character’s perspective, but I think her lyrics transcend the film’s premise. When I hear this track, I think of my Mum, and how hard she works to keep everyone in my family safe, healthy, and happy. Then I think about how mad it makes me that men and boys aren’t expected to perform the same kind of emotional labour. Then I worry that patriarchy dictates that men aren’t allowed to show emotion, so that must be a burden in itself. Basically, I spend a lot of time thinking about ‘women’s work’, and what that means to me, and this song helps relieve some of the tensions surrounding those thoughts. (Love you Mum. You too Dad x) (KC)

Bikini Kill – ‘Double Dare Ya’
This is the first Bikini Kill track I ever heard, and it still fills me with hope and defiance every time I listen to it. My cousin Rebecca (an original 90s Riot Grrrl) introduced me to the band, and along with the GIHE crew, we both went to see Bikini Kill live at Brixton Academy when they reunited last year. Words escape me when I try to sum up how much that night meant to me. Women are the fucking best. (KC)

LibraLibra – Skin And Bone 
Having recently blown me away at our December Finsbury gig, Brighton’s LibraLibra are one of my ‘Ones To Watch’ for this year. Listening to the incredible brutal power of Beth Cannon’s immense vocal delivery motivates me with each listen, the empowering force of this inspirationally strong and charismatic front woman makes me feel like we can conquer the world. But I’ve added this one to our Galentine’s list not only for LibraLibra’s mind-blowing sound, but because since they played for us, I’ve been speaking to Beth quite a lot, and feel that we’ve both been able to provide a bit of a virtual sounding board for each other when we’ve needed picking up, or just to have a good old rant about society’s inherent sexism! Just one example of the wonderful gals I’ve been lucky enough to meet putting on our Get In Her Ears events. (ML)

Chorusgirl – ‘Stuck’
You probably all know by now how much this song means to me. It will never fail to bring me cathartic comfort. Its poignant emotive power, and the way it builds alongside the shimmering hooks, gets me every time. Listening to its heartfelt sentiment, and knowing that there’s other ‘gals’ in the world feeling similar anxieties as I do, helps me feel a little less alone. Chorusgirl’s Silvi is not only a heartbreakingly magnificent songwriter, she’s a wonderful person, and I’m so grateful our paths crossed. (ML)

Kate Tempest – ‘People’s Faces’
There is so much that is so perfectly poignant in this song; the glaringly honest and completely relevant social commentary showcases Tempest’s unique poetic skill at creating relevant and hugely emotive social narratives. But a subtle glimmer of hope also shines through; the comfort we gain from those we love, and the comfort we can offer them just by being there. So, even when it feels like the world is ending, we can still find happiness in each other: “… then we smile at all our friends… Even when I’m weak and I’m breaking… I can see your faces. There is so much peace to be found in people’s faces.”
Also, as a belated Galentine’s treat, I’ll be seeing Kate Tempest live at the 6Music Festival on 8th March, as part of an incredible International Women’s Day line-up of her, Kim Gordon, Jehnny Beth and Nadine Shah at The Roundhouse. I cannot wait to catch some of the most incredible gals all in one place! (ML)

Shirley Ellis – ‘Soul Time’
I love this song, it’s just so much fun and completely infectious. Shirley Ellis often unfairly categorised as a novelty act by many music historians has a well earned place in the history of American soul. Funky, sophisticated and sassy. All the sisterly love for her! (TW)

Jackie Shane – ‘Any Other Way’
I include this song on lots of our GIHE playlists, but that’s because it makes for such a smooth, upbeat listen. Canadian soul singer Jackie Shane was not only a talented vocalist, she was also a pioneer for trans rights in the 60s. Any chance I get to play her music, I’ll happily take. (KC)

Get In Her Ears Live @ The Finsbury w/ Personal Best, 10.01.20

Following a host of amazing bands playing for us throughout 2019, including Screaming Toenail, Salad, GENN, Chorusgirl, Witching Waves and CLT DRP, we were back at The Finsbury on Friday for our first gig of the year, with another dream of a line-up, for a jam-packed night of the best live music.

Kicking things off is the dreamily delightful ‘heartland rock’ of newly formed Athabaska. Alternating between the impassioned, crystalline vocals of Faith Taylor (Suggested Friends) and the delicate emotion of those of bassist Roxy, they treat us to a heart-warming shimmering folk-strewn musicality and luscious sweeping harmonies.

Next up Nun Habit deliver their fuzzy, infectious garage pop with a unique, quirky energy. With shades of the jangly synth-driven soul of the likes of Young Fathers, whether guitarist Gregory or bassist Kate is leading the vocals, they ooze a vibrant spirit and immersive, sparkling charisma.

One of my ‘Ones To Watch’ for 2020, London trio Hurtling are third band of the night. With their sun-drenched whirring hooks and the swirling subtle power of Jen Macro’s (My Bloody Valentine) distinctive effervescent vocals, they deliver their fuzz-filled noise-pop anthems with a captivating, psychedelic haze.

I’ve been keen to see headliners Personal Best for a while now, and they definitely don’t disappoint. With a joyous punk-rock energy, their “classic rock for tragic lesbians” fills the venue with adoring fans as immense, frenetic riffs are blasted out alongside pure pop harmonies and a sparkling energy. Drawing the night to a memorable close, front person Katie Gatt dedicates their set closer to the queer community. As a sea of buoyant voices joins in with “I wanna kiss you in the street, where everyone can see… ’cause this is what we look like”, the poignancy of the lyrics in these uncertain times is overwhelming, and an empowering sense of unity takes hold as the crowd heaves with bodies dancing and singing in solidarity. A really special end to what’s been a night filled with the most life-affirming vibes.

Massive thanks to the four incredible bands who played for us on Friday, and to all who came down and completely packed out the venue! Be sure to join us next month on 14th February, with Piney Gir, Grawl!x, Captain Handsome and I Am Her.

 

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

 

FIVE FAVOURITES: Leggy

Having recently shared stages with The Spook School, Personal Best and Pile, angular punks Leggy  have been functioning at full speed. Formed of Véronique (lead vocals/guitar), Kerstin Bladh (bass) and Chris (drummer), the band released their album ‘Let Me Know Your Moon’ via Sheer Luck Records this year, as well as playing a run of shows at SXSW and completing a successful US tour.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Véronique & Chris to ask about their “Five Favourites” – five albums that have influenced their songwriting techniques. Check out their choices below, and make sure you listen to Leggy’s track ‘Taffy’ at the end of this post.

 

1. Eisley – Marvelous Things
Veronique: Discovering this EP while watching some type of late night Subterranean MTV channel changed my life. I remember it was right before Christmas 2013, and I put this on my Christmas list and my cool Dad, who loves music, got it for me. The vocal melody in Marvelous Things is true art and hearing it the first time ran shivers down my spine! It’s so simple and yet so unique, brilliant and dark . Also, discovering this band which was being led by young womxn, MY AGE (13!!!!) was inspiring. I felt like I could picture myself doing it too. Some of the first tabs I ever learned were super early Eisley songs . I named this EP because it was the first one I discovered, but I delved deep into the back catalogue after that, and all of it was highly influential in my first several years of songwriting.

2. Kesha – Cannibal
Veronique: This album was the anthem of my 21st year. I have so many fun feelings associated with it. I also have a lot of depressing memories tied to it (21, amiright??) The album is amazing – the lyrics were extremely relatable to me at that point in my life, and still continue to be relevant. Kesha is a damn boss bitch. I love pop music and simple but super dope beats, and I especially think it can be super beautiful when a rock band incorporates that sound a bit. I have certainly been influenced by her songwriting style.

I’m also 10000% over “music people” or “punks” or “intellectuals” hating on pop stars. I know it hasn’t been the case recently (thank you LIZZO, Carly Rae, Lana Del Rey) but Kesha was underrated in her first years. Fight me.

3. Joanna Newsom – Milk Eyed Mender
Veronique: Milk Eyed Mender made me feel knock kneed and tongue tied. The fact that she was singing in such a bare bones and peculiar way felt like complete anarchy to me. It kinda felt like she had declared “anything goes” – you didn’t have to be the standard to make music. That mindset totally inspired me to start writing a bunch of weirdo songs when I was in high school. Some of them evolved and eventually made it onto our first two EPs. Her whimsical and narrative heavy style of lyrics (similar to Eisley’s in this way) was really wonderful for someone like me, who was obsessed with fantasy at the time and spent a good deal of my waking day dreaming about random mystical shit (Lord of The Rings, anyone?) Also, Joanna Newsom was definitely a crush of mine before I knew what it meant. That’s just a bonus though.

4. Mika Miko – C.Y.S.L.A.B.F
Chris: True concrete floor dance party anthems. Big rowdy punk heavy hitters with a relentlessly dancey rhythm section, shout along until your out of breath. It has on point bopping guitar, and swing from the chandeliers energy. Still slams in 2019. Remember getting this the day my suburban record shop got it in stock and it’s been on rotation ever since. Soundtrack to a lot of fun times and long late drives. Wall to wall banging fun with undeniable hooks. Fuckin sick. KRS classic imo. Not sure if this has been long enough of a review so I’d also like to add The Blow’s “Paper Television” to this favorite album. Similar reasons I guess, same kinda era etc. Way different but y’know both are influential, make me happy and totally rock!

5. Best Coast – Crazy For You
Chris: Front to back contemporary classic. Every song is a hit. Love everything about it. The guitars and vocals and lyrics and drums and videos and everything. One time like years ago, my roommate and I were tripping in different parts of our place down on 12th Street and when I went to her room to see what was up, she was wearing shades, drinking a cocktail, blasting this record and lounging on her bed under a heat lamp because it was like 4am in the dead of winter. This album is like that y’know, a warm sunny day in summer, or a stoned heat lamp on a cold winter night, whatever you need it to be. Still really heavy hitting emotionally though, not just all fun in the sun. But also yeah. Just great. Love this album!

Thanks to Véronique and Chris for sharing their favourites with us. Follow Leggy on Facebook for more updates.