PLAYLIST: Galentine’s Day 2020

Grrrls, it’s the best day of the year: GALENTINE’S DAY! Coined by Parks and Recreation character Leslie Knope (played by Amy Poehler) back in 2010, Galentine’s has since been recognised by girls across the globe, and used as a light-hearted platform to celebrate the girls and women who enrich our lives.

We’ve selected tracks from some of our favourite female artists and put them all together in one big celebratory playlist. We’re all about self-love & sisterly support today; so scroll down, press play, and share the Galentines love.

 

Robyn – ‘Dancing On My Own’
‘Dancing On My Own’, and what’s wrong with that!? Often I prefer to dance on my own. More space. Robyn is also an outspoken ally for LGBTQ+ rights, and we all know romance isn’t just for the heterosexuals out there! So whether you honour Galentine’s, Valentine’s, or even Palentine’s Day; make sure you have a good old dance. (Tash Walker)

Le Tigre – ‘Hot Topic’
Pioneers of queer culture and ultimate faves, Le Tigre’s ‘Hot Topic’ is a celebratory ode to those who’ve inspired us. Paying homage to some queer feminist champions of the ‘90s and earlier, it’s an empowering and joy-filled protest in the face of adversity. This one’s dedicated to my GIHE gals this Galentine’s; Tash and Kate – you’re two of the most fantastic women I’ve ever met, and continue to inspire me every day! (Mari Lane)

Gold Baby – ‘What Party?’
We’re all big fans of Gold Baby here at GIHE, and I have to admit I’m a big fan of their vocalist & guitarist Sian. Not only is she a great songwriter, she’s as enthusiastic as we are about new music, and supporting other women in the industry. Keep your eyes peeled for Gold Baby’s new single ‘Japanese Racehorse’, set for release on 17th Feb. (Kate Crudgington)

ARXX – ‘Moments At A Time’
Is it even a GIHE playlist if I don’t include an ARXX track? The Brighton duo have truly taken off since Mari introduced me to them a few years ago, and us GIHE girls couldn’t be happier for them. Hannah & Clara also happen to be two of the loveliest people we’ve met in the DIY music scene. Absolute babes. (KC)

Alanis Morissette – ‘You Oughta Know’
I’m forever grateful to Alanis Morissette for showing 24-year-old me that being angry after heartbreak is totally normal. Even when I’m not in the midst of heartbreak though, this song makes me feel truly empowered. Taken from her iconic album Jagged Little Pill, which turns 25 this year, I am desperate to get my hands on a pair of tickets to Alanis’ anniversary gig at Shepherd’s Bush Empire on 4th March. I’ll be singing this at the top of my lungs. (KC)

Personal Best – ‘This Is What We Look Like’
Headliners at our last Finsbury gig, Personal Best perfectly brand themselves as “classic rock for tragic lesbians”, and their frenetic riffs and pure-pop harmonies fill me with joy every time. Closing their set for us last month, front person Katie dedicated this track to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see /’cause this is what we look like”, the poignancy of the lyrics in these uncertain times was overwhelming, and an empowering sense of unity took hold as the crowd danced and sang in solidarity. A perfect anthem for love between anyone and everyone. (ML)

Chastity Belt – ‘Joke’
This was one of the bands I discovered at the start of GIHE, all those years ago, and it just reminds me so much of what it was like at the start of it all. All these years on here’s to my two GIHE gals Mari & Kate, and all of the jokes we’ve had along the way. (TW)

Taylor Swift – ‘Out Of The Woods’
Did anyone else cry multiple times watching Taylor Swift’s Netflix documentary Miss Americana? (Just me? Cool.) Even if you’re not a big Swift fan, I recommend watching the film. It impressively highlights how badly the media treats young women in the spotlight, and how empowering it is when they decide to take back their own narratives. (KC)

Lizzo – ‘Like A Girl’
Turning the common derogatory phrase ‘Like A Girl’ on its head to create something wonderfully empowering, this is another ferociously fun offering from GIHE fave, Lizzo. With references to other powerful women of colour, including Lauryn Hill and Serena Williams, it’s the perfect ode to the power of being female and the power felt when women unite. So, this Galentine’s Day, I’ll leave you with the Lizzo’s words of wisdom: “If you fight like a girl, cry like a girl, do your thing, run the whole damn world”. An ultimate feel-good anthem for women everywhere. (ML)

God Colony (feat. Samirah Raheem) – ‘Girls’
You might recognise Samira Raheem from her 2 minute interview at Amber Rose’s Slutwalk in 2018. This video caught the attention of UK Producers God Colony, who approached Raheem to collaborate. The result is ‘Girls’; an encouraging call-to-arms laced with defiant lyrics, and industrial-tinged beats. I never get sick of listening to this. Shout out to my fellow ‘Girls’ Mari & Tash. I’d be lost without you. (KC)

TLC – ‘Unpretty’
Having had my love of TLC revived through watching Netflix’s brilliant Hip Hop Evolution documentary lately, I feel this ‘90s classic is the perfect Galentine’s anthem. Although it’s primarily about a guy making you feel shit, the message of getting past this and looking inside yourself to see your inner beauty is a perfect sentiment for any of your loved ones. And, set to that oh-so-catchy groove, it never fails to uplift and leave me feeling ready to face the world. (ML)

Ji Nilsson & Marlene – ‘Love You Anyway’
Released back in 2014 this was the first song that jumped to mind for this Galentine’s Day playlist, as ‘Love You Anyway’ is all about female friendship. The lyrics speak of solidarity, but with a slight note of sadness, combined with the enchanting quality to the music the whole thing intertwined together is mesmerising. (TW)

Chromatics – ‘Girls Just Wanna Have Fun’
A great cover of a great track. ‘Girls Just Wanna Have Fun’ always reminds me of a story about this 60 year old Italian woman who walked into her local fire station as she was having trouble with her lock. When the firemen asked the woman where she lived, thinking she’d locked herself out of her house, she lifted her sweater and showed them her chastity belt. (TW)

Wolf Alice – ‘White Leather’
Despite being a huge Wolf Alice fan, I only heard this track for the first time last year when my sister Holly sent it to me when I was having a tough time. She told me to listen carefully to the lyrics, because they reminded her of me. I had to bite back tears after hearing it; I felt loved, acknowledged, and genuinely hopeful. (Also, shout out to my other sister Sarah, who always holds my hand during ‘Bros’ when we see Wolf Alice live. God love ya both.) (KC)

Kate Bush – ‘This Woman’s Work’
I recently found out Kate Bush wrote this song specifically for John Hughes’ 1988 film She’s Having A Baby from the lead male character’s perspective, but I think her lyrics transcend the film’s premise. When I hear this track, I think of my Mum, and how hard she works to keep everyone in my family safe, healthy, and happy. Then I think about how mad it makes me that men and boys aren’t expected to perform the same kind of emotional labour. Then I worry that patriarchy dictates that men aren’t allowed to show emotion, so that must be a burden in itself. Basically, I spend a lot of time thinking about ‘women’s work’, and what that means to me, and this song helps relieve some of the tensions surrounding those thoughts. (Love you Mum. You too Dad x) (KC)

Bikini Kill – ‘Double Dare Ya’
This is the first Bikini Kill track I ever heard, and it still fills me with hope and defiance every time I listen to it. My cousin Rebecca (an original 90s Riot Grrrl) introduced me to the band, and along with the GIHE crew, we both went to see Bikini Kill live at Brixton Academy when they reunited last year. Words escape me when I try to sum up how much that night meant to me. Women are the fucking best. (KC)

LibraLibra – Skin And Bone 
Having recently blown me away at our December Finsbury gig, Brighton’s LibraLibra are one of my ‘Ones To Watch’ for this year. Listening to the incredible brutal power of Beth Cannon’s immense vocal delivery motivates me with each listen, the empowering force of this inspirationally strong and charismatic front woman makes me feel like we can conquer the world. But I’ve added this one to our Galentine’s list not only for LibraLibra’s mind-blowing sound, but because since they played for us, I’ve been speaking to Beth quite a lot, and feel that we’ve both been able to provide a bit of a virtual sounding board for each other when we’ve needed picking up, or just to have a good old rant about society’s inherent sexism! Just one example of the wonderful gals I’ve been lucky enough to meet putting on our Get In Her Ears events. (ML)

Chorusgirl – ‘Stuck’
You probably all know by now how much this song means to me. It will never fail to bring me cathartic comfort. Its poignant emotive power, and the way it builds alongside the shimmering hooks, gets me every time. Listening to its heartfelt sentiment, and knowing that there’s other ‘gals’ in the world feeling similar anxieties as I do, helps me feel a little less alone. Chorusgirl’s Silvi is not only a heartbreakingly magnificent songwriter, she’s a wonderful person, and I’m so grateful our paths crossed. (ML)

Kate Tempest – ‘People’s Faces’
There is so much that is so perfectly poignant in this song; the glaringly honest and completely relevant social commentary showcases Tempest’s unique poetic skill at creating relevant and hugely emotive social narratives. But a subtle glimmer of hope also shines through; the comfort we gain from those we love, and the comfort we can offer them just by being there. So, even when it feels like the world is ending, we can still find happiness in each other: “… then we smile at all our friends… Even when I’m weak and I’m breaking… I can see your faces. There is so much peace to be found in people’s faces.”
Also, as a belated Galentine’s treat, I’ll be seeing Kate Tempest live at the 6Music Festival on 8th March, as part of an incredible International Women’s Day line-up of her, Kim Gordon, Jehnny Beth and Nadine Shah at The Roundhouse. I cannot wait to catch some of the most incredible gals all in one place! (ML)

Shirley Ellis – ‘Soul Time’
I love this song, it’s just so much fun and completely infectious. Shirley Ellis often unfairly categorised as a novelty act by many music historians has a well earned place in the history of American soul. Funky, sophisticated and sassy. All the sisterly love for her! (TW)

Jackie Shane – ‘Any Other Way’
I include this song on lots of our GIHE playlists, but that’s because it makes for such a smooth, upbeat listen. Canadian soul singer Jackie Shane was not only a talented vocalist, she was also a pioneer for trans rights in the 60s. Any chance I get to play her music, I’ll happily take. (KC)

Get In Her Ears Live @ The Finsbury w/ Personal Best, 10.01.20

Following a host of amazing bands playing for us throughout 2019, including Screaming Toenail, Salad, GENN, Chorusgirl, Witching Waves and CLT DRP, we were back at The Finsbury on Friday for our first gig of the year, with another dream of a line-up, for a jam-packed night of the best live music.

Kicking things off is the dreamily delightful ‘heartland rock’ of newly formed Athabaska. Alternating between the impassioned, crystalline vocals of Faith Taylor (Suggested Friends) and the delicate emotion of those of bassist Roxy, they treat us to a heart-warming shimmering folk-strewn musicality and luscious sweeping harmonies.

Next up Nun Habit deliver their fuzzy, infectious garage pop with a unique, quirky energy. With shades of the jangly synth-driven soul of the likes of Young Fathers, whether guitarist Gregory or bassist Kate is leading the vocals, they ooze a vibrant spirit and immersive, sparkling charisma.

One of my ‘Ones To Watch’ for 2020, London trio Hurtling are third band of the night. With their sun-drenched whirring hooks and the swirling subtle power of Jen Macro’s (My Bloody Valentine) distinctive effervescent vocals, they deliver their fuzz-filled noise-pop anthems with a captivating, psychedelic haze.

I’ve been keen to see headliners Personal Best for a while now, and they definitely don’t disappoint. With a joyous punk-rock energy, their “classic rock for tragic lesbians” fills the venue with adoring fans as immense, frenetic riffs are blasted out alongside pure pop harmonies and a sparkling energy. Drawing the night to a memorable close, front person Katie Gatt dedicates their set closer to the queer community. As a sea of buoyant voices joins in with “I wanna kiss you in the street, where everyone can see… ’cause this is what we look like”, the poignancy of the lyrics in these uncertain times is overwhelming, and an empowering sense of unity takes hold as the crowd heaves with bodies dancing and singing in solidarity. A really special end to what’s been a night filled with the most life-affirming vibes.

Massive thanks to the four incredible bands who played for us on Friday, and to all who came down and completely packed out the venue! Be sure to join us next month on 14th February, with Piney Gir, Grawl!x, Captain Handsome and I Am Her.

 

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

 

FIVE FAVOURITES: Leggy

Having recently shared stages with The Spook School, Personal Best and Pile, angular punks Leggy  have been functioning at full speed. Formed of Véronique (lead vocals/guitar), Kerstin Bladh (bass) and Chris (drummer), the band released their album ‘Let Me Know Your Moon’ via Sheer Luck Records this year, as well as playing a run of shows at SXSW and completing a successful US tour.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Véronique & Chris to ask about their “Five Favourites” – five albums that have influenced their songwriting techniques. Check out their choices below, and make sure you listen to Leggy’s track ‘Taffy’ at the end of this post.

 

1. Eisley – Marvelous Things
Veronique: Discovering this EP while watching some type of late night Subterranean MTV channel changed my life. I remember it was right before Christmas 2013, and I put this on my Christmas list and my cool Dad, who loves music, got it for me. The vocal melody in Marvelous Things is true art and hearing it the first time ran shivers down my spine! It’s so simple and yet so unique, brilliant and dark . Also, discovering this band which was being led by young womxn, MY AGE (13!!!!) was inspiring. I felt like I could picture myself doing it too. Some of the first tabs I ever learned were super early Eisley songs . I named this EP because it was the first one I discovered, but I delved deep into the back catalogue after that, and all of it was highly influential in my first several years of songwriting.

2. Kesha – Cannibal
Veronique: This album was the anthem of my 21st year. I have so many fun feelings associated with it. I also have a lot of depressing memories tied to it (21, amiright??) The album is amazing – the lyrics were extremely relatable to me at that point in my life, and still continue to be relevant. Kesha is a damn boss bitch. I love pop music and simple but super dope beats, and I especially think it can be super beautiful when a rock band incorporates that sound a bit. I have certainly been influenced by her songwriting style.

I’m also 10000% over “music people” or “punks” or “intellectuals” hating on pop stars. I know it hasn’t been the case recently (thank you LIZZO, Carly Rae, Lana Del Rey) but Kesha was underrated in her first years. Fight me.

3. Joanna Newsom – Milk Eyed Mender
Veronique: Milk Eyed Mender made me feel knock kneed and tongue tied. The fact that she was singing in such a bare bones and peculiar way felt like complete anarchy to me. It kinda felt like she had declared “anything goes” – you didn’t have to be the standard to make music. That mindset totally inspired me to start writing a bunch of weirdo songs when I was in high school. Some of them evolved and eventually made it onto our first two EPs. Her whimsical and narrative heavy style of lyrics (similar to Eisley’s in this way) was really wonderful for someone like me, who was obsessed with fantasy at the time and spent a good deal of my waking day dreaming about random mystical shit (Lord of The Rings, anyone?) Also, Joanna Newsom was definitely a crush of mine before I knew what it meant. That’s just a bonus though.

4. Mika Miko – C.Y.S.L.A.B.F
Chris: True concrete floor dance party anthems. Big rowdy punk heavy hitters with a relentlessly dancey rhythm section, shout along until your out of breath. It has on point bopping guitar, and swing from the chandeliers energy. Still slams in 2019. Remember getting this the day my suburban record shop got it in stock and it’s been on rotation ever since. Soundtrack to a lot of fun times and long late drives. Wall to wall banging fun with undeniable hooks. Fuckin sick. KRS classic imo. Not sure if this has been long enough of a review so I’d also like to add The Blow’s “Paper Television” to this favorite album. Similar reasons I guess, same kinda era etc. Way different but y’know both are influential, make me happy and totally rock!

5. Best Coast – Crazy For You
Chris: Front to back contemporary classic. Every song is a hit. Love everything about it. The guitars and vocals and lyrics and drums and videos and everything. One time like years ago, my roommate and I were tripping in different parts of our place down on 12th Street and when I went to her room to see what was up, she was wearing shades, drinking a cocktail, blasting this record and lounging on her bed under a heat lamp because it was like 4am in the dead of winter. This album is like that y’know, a warm sunny day in summer, or a stoned heat lamp on a cold winter night, whatever you need it to be. Still really heavy hitting emotionally though, not just all fun in the sun. But also yeah. Just great. Love this album!

Thanks to Véronique and Chris for sharing their favourites with us. Follow Leggy on Facebook for more updates.

Get In Her Ears w/ ARXX, 20.06.19

Kate, Mari & Tash were back in the studio this week with plenty of fresh new music from the likes of ANNAVR, Friedberg, Personal Best, Scrounge, CRONICLE & Witching Waves.

Hannah & Clara from ARXX joined them for an exclusive live acoustic session and a chat about their upcoming festival appearances.

Listen back:

ALBUM: Personal Best – ‘What You At’

The tagline (yep, it’s got a tagline!) of Personal Best’s second album, What You At, is “classic rock for tragic lesbians”. And I can’t think of a greater summary. It’s sweet and spiky, sad and uplifting. And it’s going to soundtrack a lot of break-ups.

Opener ‘Just Friends’ sets the tone. It starts out like a torch song – all acoustic guitar and raw emotion – but soon engulfs into crunchy rock riffs. The album has sadder, slower moments, like ‘Near To The Wildheart’ and closer ‘Salute’, but with front-person Katie Gatt’s powerful voice and lyrics, it remains an angry, empowering record.

Standout ‘Radio’ is a proper stomper, as is the single, ‘Baby’. When Gatt sings “I’m getting better”, backed by frenetic, punky guitars and pure pop harmonies, you really believe her. The album’s penultimate song, ‘One More Thing’, brings the record to a silly, splashy crescendo, which begs to be turned up to 11, Spinal Tap-style. I can almost picture the band playing it live, doing that classic rock, duelling guitars thing, and having an awesome time doing it.

It makes me so happy to see Personal Best stomping all over a traditionally male genre with their tongue firmly in their cheeks. As far as break-up albums go, What You At isn’t about feeling sorry for yourself. It’s the equivalent of a messy night out with the people you love. It’s sticky dancefloors and Strongbow; it’s crying on your best friend’s shoulder and putting the world to rights on the nightbus home.

A perfect fusion of wit, honest emotion and luscious harmonies, What You At will leave you elevated and ready to take on the world, break-up or no break-up.

What You At is out now via Sheer Luck Records/Dovetown Records. Order here.

Vic Conway

Photo Credit: Jennifer Doveton