PLAYLIST: November 2025

The Get In Her Ears team have put together another eclectic mix of indie gems, dream-pop and shoegaze tunes, punk bangers, electronic musings & idiosyncratic experimental soundscapes for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there. You’ll see that we’ve now added all of our previous playlists to our account too!

We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

The Baby Seals – ‘Tamoo Trance’
Having been super mega fans of Cambridgeshire feminist punks The Baby Seals since they first played live for us back in 2017, and having recently had them back to play at our joyous 10th birthday celebrations, we’re very excited to have new music from them. A fierce take-down of consumer capitalism, combining the band’s trademark playful tongue-in-cheek wit with a gritty raging energy, ‘Tamoo Trance’ offers a seething anthem about getting stuck in a trance-like state in an (obviously completely fictitious) online shop. So, this Black Friday, instead of spending money on stuff that “will go directly in the bin”, perhaps consider supporting your fave DIY artists on bandcamp, or going along to a nice local gig. (Mari Lane – Managing Editor)

VERO – ‘Calico’
Stockholm trio VERO are back with this cathartic guitar tune, their first piece of new music since they released their excellent debut album Unsoothing Interior back in 2022. The band say that ‘Calico’ is a song about “tiring of someone else’s shit” – which they explore through breathy vocals, brooding basslines and acerbic riffs. VERO are set to release their second album via PNKSLM Recordings in 2026, which I am eagerly anticipating. (Kate Crudgington – Features Editor)

GENN – ‘Reverberations’
Anglo-Maltese four piece GENN have returned with this intensely moody new offering. The band teamed up with producer Johnny Hostile – who has worked with Savages & Jehnny Beth – to bring ‘Reverberations’ to life, marking another development in their already dynamic sound. GENN’s talent is definitely best appreciated live. They’ll be touring the UK in early 2026, with a London headline date at The Shacklewell Arms in Dalston on 26th February. (KC)

nazire – ‘junebug’
When I discovered ‘junebug’ by Istanbul-based artist nazire in my GIHE inbox, I was immediately hooked on her shoegaze inspired sounds. We all know I love the Gloomy Grrrl songs and ‘junebug’ definitely falls into that category! She’s set to release her debut album, Glitchfolk, at some point in the near future. I’ll be keeping my eyes and ears peeled for that. (KC)

Whitelands – ‘Songbird (Forever)’
We are such big fans of London-based shoegazers Whitelands here at GIHE, and that fandom increases each time they share new music. ‘Songbird (Forever)’ is the third track from the band’s upcoming second album, Sunlight Echoes, which is due to be released on 30th January 2026 via Sonic Cathedral. Full of lush riffs, disarming melodies, earnest lyrics and emotive string work by Iskra Strings, the track is an ode to vocalist & guitarist Etienne’s enduring spirit and his appreciation for all those who loved and cared for him. “It’s about my friends, the important people in my life, and my spirit,” he shares. “I was going through a very dark time, but love is a great thing. I’m loved by many incredible people, so I pushed myself with everything I had. Every day was a fight, but I wanted to win.” His lyrics reference both the title of Whitelands’ new album and the Seven Sisters cliffs in East Sussex, where Etienne and bassist Vanessa shot the endearing accompanying video for the track. (KC)

Mannequin Flowers – ‘Collision Course’
Following dreamy last single ‘Six Words’, London’s Mannequin Flowers are back with another ethereal soundscape. Flowing with sparkling hooks and luscious crystalline vocals, ‘Collision Course’ offers a heartfelt confession about falling for your best friend but being too afraid to tell them. (ML)

Hater – ‘This Guy?’
I remember hearing Scandinavian indie band Hater’s single ‘Cry Later’ back in 2017 and thinking they had a great name and a great sound – 8 years and I still think the same! The band are gearing up to release their new album, Mosquito, on 6th January via Fire Records, with single ‘This Guy?’ offering listeners the first taste of what’s to come. A captivating slice of dream-pop, the track is fuelled by a mysterious lyrical narrative about a “confused interloper, unidentified and unidentifiable”. (KC)

The Empty Page – ‘When We Gonna Run?’
It’s great to have Manchester trio The Empty Page back in our ears after being mega fans for pretty much the entirety of Get In Her Ears’ decade long existence! A stirring reflection on preparing to escape an apocalyptic hellscape, ‘When We Gonna Run?’ offers all the gritty grunge-fuelled energy we’ve come to know and love from the band, with an added sparkling shoegaze-tinged allure. Propelled by an anxiety-ridden sense of urgency, its sentiment seems particularly poignant right now. (ML)

HAVVK – ‘Happening Again’
Having played our first ever GIHE gig back in 2016, we’ve been such huge fans of Irish duo HAVVK ever since and I’m so excited to have them back in our ears with this swirling new single. A gritty and cathartic reflection on destructive patterns of behaviour, ‘Happening Again’ showcases the band’s ability to combine a fierce seething energy with the soaring, captivating allure of Julie’s raw vocals. I can’t wait to hear more new music from them very soon. (ML)

Queen Of Nothing – ‘Heaven Is Hurting’
London-based musician Abi Crisp aka Queen Of Nothing has consistently impressed me with all of her offerings, and this track is no exception. ‘Heaven Is Hurting’ is lifted from her recent EP, All the Love That’s Left, a record that explores the complexities of love and grief, and Abi’s personal reflections on both. (KC)

Shy New World – ‘Bridget Jones’
Initially meeting at a séance when the spirit of a popular chocolate brand told them under no uncertain terms to work together, Yel and Ross – aka Shy New World – follow previous punk-pop singles with the release of a perfectly timed festive number. A gloriously fuzzy ode to friendship with a big sound and a big heart, ‘Bridget Jones’ offers a perfectly lo-fi, perfectly catchy and perfectly cute accompaniment to any December gathering. (ML)

Um, Jennifer? – ‘Stunning’
Having first won me over with the playful energy of 2023 single ‘Girl Class’, New York trans duo Um, Jennifer? continue to be total faves with their latest scuzzy punk-pop ode to lust and obsession in the form of new single ‘Stunning’. Their band bio says “Fig and Eli met at a party in Brooklyn. Eli wanted to hook up with Fig’s friend. Now they make music together for nobody except the vengeful god, Jennifer. Jennifer thinks their music sucks.” I’d have to disagree with Jennifer. (ML)

Twat Union – ‘Tiny Shorts’
The latest single from theatrical feminist six piece punk outfit Twat Union, ‘Tiny Shorts’ offers a fiercely empowering anthem, showcasing the band’s trademark ability to combine their playful witty charm with a raging angst-fuelled drive. The band explain: “(it’s a) middle finger to all the cat-calling and demeaning behaviour we receive… it’s a call to treat women with respect no matter what they are wearing.” (ML)

Softcult – ‘She Said, He Said’
Another vital anthem from Ontario-based alternative sibling duo Softcult here. ‘She Said, He Said’ is a seething guitar tune about believing survivors of sexual assault, fuelled by the pairs visceral riffs, propulsive beats and call-and-response vocals. The track will feature on the band’s debut album, When A Flower Doesn’t Grow, which is due on 30th January 2026 via Easy Life Records. Softcult are currently touring the UK, and will play a headline show at The Dome in North London on 2nd December! (KC)

DELILAH BON – ‘Evil, Hate Filled Female’
Seamlessly combining honey-sweet pop with relentless metal-inspired hooks and a raging energy, DELILAH BON has been building a devoted fanbase over the last few years with her relatable, empowering messages. Receiving acclaim for last year’s Evil, Hate Filled Female album, and selling out a UK tour earlier this month, I’m excited to hear more of her visceral, bold, anti-patriarchy anthems. (ML)

Yakkie – ‘Kill The Cop Inside Your Head’
Having been privileged enough to attend Yakkie’s first ever gig back in 2023, and since witnessing their immense live presence on more than one occasion, it feels like it’s been a long wait for this debut single from the incredible supergroup. Fronted by interminable force of nature Janey Starling (formerly of Dream Nails) and featuring Robin Gatt (Personal Best, Petrol Girls), Laura Ankles (Colour Me Wednesday, The Dumb Blondes) and Maeve Westall (Jasmine.4.t, itoldyouiwouldeatyou), it’s been amazing to see this absolute epic collective of faves come together in all their seething punk-rock glory, offering the rage, joy and unity we all so desperately need.

A fierce rallying cry against self-defeat, ‘Kill The Cop Inside Your Head’ is propelled by relentless riffs and a swirling empowering energy – in Janey’s words: “If we want a better world, we must first be able to imagine one. To do that, we have to kill the cop inside our head. Go to the protest! Join your union!” It’s more important than ever to have bands like Yakkie, not afraid to speak up for what’s right and use their platform as a real force for change, and I’m extremely grateful they exist. (ML)

Black Water County – ‘Wreckless’
The latest single from Dorset folk-punks Black Water County, ‘Wreckless’ offers a frenzied, empowering anthem exploring the tensions between self-consciousness and self-liberation. Showcasing the band’s ability to channel defiance, camaraderie and catharsis into a perfect fusion of punk passion and folk heart, it’s an instantly infectious ode to endurance and the resilience of everyday life. Having previously shared stages with the likes of Less Than Jake and Flogging Molly, Black Water County are currently out on tour – I can’t wait to catch their fierce energy live at The Grace tonight! (ML)

Annabelle Chairlegs – ‘Concrete Trees’
Based in Austin, Texas, Lindsey Mackin aka Annabelle Chairlegs is set to release her new, Ty Segall-produced, album in January next year. Ahead of the album’s release, latest single ‘Concrete Trees’ offers a poignant ode to a late friend, propelled by surf-tinged memories and a sparkling uplifting energy. Of the track, Mackin adds: “This song is for friends who have passed that you wish you could have one more hang with. I often find myself asking those who have passed if they are here with us now.” Waking Up, the new album from Annabelle Chairlegs, is due for release on 30th January 2026 via TODO. (ML)

Tanzana – ‘Covet’
A band I’m very excited to have only recently come across, Glasgow’s Tanzana blend elements of sultry trip-hop with a soaring rock energy to create a sound which is uniquely theirs. Debut single ‘Covet’ represents feelings of obsession, building to a sweeping climax as fierce swirling vocals are accompanied by slick riffs. Already selected as part of The Great Escape’s First Fifty, these Scottish newcomers are definite ones to watch in 2026. (ML)

The Dead Zoo – ‘In The End 2025’
Genre-defying post-punks The Dead Zoo return with an exhilarating and unrecognizable revision of their 2021 release ‘In the End’. Revamped and reimagined, it offers a shimmering and jubilant ode to transformation; a powerful validation of trans identity propelled by pulsating, multi-layered soundscapes. Kaoru from the band explains: “The lyrical theme is founded on my gender transition experience. The sense of keeping faith in an envisioned future and using that goal to overcome difficulties and stay on course; though I think it carries a more universal message of hope and optimism we all need in these dreadful times, where those commodities are scant for many minority voices.” (ML)

MIRI – ‘Freedom Is The Purpose’
The latest single from London-based innovative songwriter and longtime GIHE fave MIRI, ‘Freedom Is The Purpose’ offers a soulful call to unite, rally against those in power and support those communities who need us most. Interweaving the trademark gritty emotion of her vocals with uptempo reggae-inspired beats, the single is available to buy on bandcamp and encourages listeners to support fundraisers for four Palestinian families’ fundraisers. (ML)

Sheherazaad – ‘Gulukara’
A huge fan of Brooklyn-based artist Sheherazaad since first falling in love with 2023’s debut single ‘Mashoor’, I’ve been lucky enough to immerse myself in her captivating live presence twice and now find myself (unsurprisingly) utterly entranced by new single. Translating as ‘songstress’, ‘Gulukara’ features childhood friend and Kodaikanal-bred rapper Irfana and offers an exquisite nocturnal hymn, highlighting the historical confluence of sex work and female artistry. (ML)

Penelope Trappes – ‘Bleed’
Another shadowy, moving offering from GIHE favourite Penelope Trappes. After sharing her poignant album, A Requiem via One Little Independent Records earlier this year, the Brighton-based Australian artist has now shared a companion LP titled Æternum, featuring this track ‘Bleed’. Penelope has also shared a stunning accompanying video for the track, directed by her long-time visual partner Agnes Haus (who is also featured on this playlist), shot inside the walls of a mysterious cave. Penelope will be playing a headline show at St Matthias Church in East London on 29th November. (KC)

Agnes Haus – ‘Faust’
A spinetingling experimental soundscape from Brighton-based non-binary sound artist Agnes Haus here. ‘Faust’ is lifted from their upcoming album, Inexorable Ascent, set for release on 5th December via Penelope Trappes’ label Nite Hive. Described as “a hallucinatory polyphonic study of external perceptions of what it means to live in a perpetual liminal state,” Agnes locked themselves in an attic studio every night between the hours of 12 and 4am to create these idiosyncratic sounds. I am deeply intrigued by this artistic process and look forward to hearing Agnes’ new record in full. (KC)

PostLast – ‘Scavenge’ (Birthday Problem remix)
This is a superb collaboration between Irish alt-pop duo Post Last and Irish alternative electronic duo Birthday Problem. We’ve been following both bands for a while here at GIHE and we’re always excited when they share new music with us, and this remix of ‘Scavenge’ is certainly one of my favourites to date. (KC)

Twin Rains – ‘Creation’
Another iridescent, shape-shifting tune from Toronto dream-pop act Twin Rains here. Vocalist Christine Stoesser was inspired to write ‘Creation’ after reading J.R.R. Tolkien’s The Silmarilion. “I didn’t expect to be so moved by the creation myth of the Elves,” she shares, “It’s some of the most beautiful writing I’ve ever read”. The band have translated Christine’s reflections on the book into upbeat, shimmering electronic sounds. (KC)

Death Hags – ‘Space x Time’
It’s been a while since I’ve heard from independent LA musician and multimedia artist Death Hags, but I’m glad she’s back with this eclectic piece of electronica. Taken from her album Big Grey Sun #5 – the fifth volume of her ongoing seven album project! – ‘Space x Time’ enraptures with its seamless blend of atmospheric synths, dance-inspired beats and ethereal vocals. The whole album is a sonic TRIP. (KC)

Floralis – ‘black combat boots’
‘black combat boots’ is the opening track to British born, Indo-Trinidadian antifascist transfeminine artist Floralis’ superbly named album, Saboteur Club Anthems Vol. 1. With its stomping dance-inspired beats and chant-worthy lyrics, it’s an infectious slice of “anarchist electro punk” that kicks off a truly eccentric and essential record that aims to dismantle fascism in all its forms. (KC)

Kloyd ft. Circe – ‘Girl’
I’m already a big fan of dark-pop artist Circe, but Yorkshire-born, London-based producer Kloyd is new to me. I love this collaboration between the two of them, featuring Circe’s seraphic vocals and Kloyd’s lilting electronics. Speaking about the origins of the track, Kloyd explains: “I had a session with Alexa (Circe) and she came up with this really beautiful vocal line and I couldn’t stop listening to it. It channels the sentiment of this new work truly. I imagined when making the track someone seeing a woman they felt so beautiful they fall head over heals in love with her, before realising what they were getting themselves in for. A love so captivating it feels like magic and turmoil at the same time.” ‘Girl’ is taken for a larger project that Kloyd will be announcing soon. (KC)

SESTRICA – ‘Intuition’
“A Way to Ananda is my experience of coming back to life and bliss after going through divorce,” explains Barcelona-based artist SESTRICA about her upcoming EP release. Due on 5th December, her new EP features this single ‘Intuition’, which was inspired by her decision to trust her instincts and move to a new country to pursue her musical dreams. Propelled by intense beats and layers of eclectic synth sounds; the track provides listeners with a blissful, heady moment of electronic catharsis. (KC)

False Idah – ‘Gaslight’
Having been big fans of the sultry beats and genre-defying heartfelt offerings of London-based songwriter and producer Jay Brown, under her previous guise as Amaroun, we’re now excited to hear that she’s back with a new project. False Idah takes all that we loved about Amaroun, but develops it into something more as Brown immerses herself in the vulnerability of stripped-back songwriting and the inspiration that can come with the freedom to express yourself in a true and honest way. I was lucky enough to catch an intimate live performance at Servant Jazz Quarters back in September, ahead of the release of this beautifully raw new single. (ML)

Perfume Genius – ‘Me & Angel’
I first fell in love with Perfume Genius on hearing ‘Queen’ when it was released back in 2014 – it seemed to offer something completely unique, something beautifully queer that I sought a great deal of comfort in. Since then, I’ve followed his career with each new album, as well as becoming quite obsessed with the raw vulnerability of earlier releases Learning and Put Ur Back Into It, but every time he’s played in London something’s cropped up which has meant I’ve not been able to go. That was until earlier this month, when I finally got to immerse myself in the utterly compelling, truly cathartic experience of seeing him live at The Roundhouse. Treating us to older favourites, as well as the majestic grandeur of newer songs like this one from his recent album Glory, it was a memorable evening that left me feeling soothed and hopeful. (ML)

Lowli – ‘Window In The Woods’
‘Window In The Woods’ is the title track from Irish composer & songwriter Lowli’s debut album, which she released via VETA records in October. It’s a beautiful, introspective record which sees Lowli process unsettling memories and emotions through her tender keys, crystalline vocals and atmospheric electronics. (KC)

Ailbhe Reddy – ‘So Quickly, Baby’
This is the second single from Dublin-born songwriter Ailbhe Reddy’s upcoming second album, KISS BIG, which is set for release on 30th January 2026 via Don Giovanni Records. ‘So Quickly, Baby’ is described by the artist as “the meltdown song, the album’s neurotic heartbeat,” which is why it packs such an emotional punch. Inspired by the tumultuous aftermath of a big breakup, Ailbhe’s new record promises to be just as raw and relatable as her previous efforts. (KC)

Jasmine.4.t & Jacob Alon – ‘Find Ur Ppl’
A completely dream collaboration between two total faves, ‘Find Ur Ppl’ was written by Jasmine early in her transition and offers a truly beautiful ode to the queer community; a heartfelt message of hope about finding people you love who you can be yourself around. It’s taken from charity compilation, All Things Go: 10 Years, a collection featuring loads of other artists from ATG Records including Kesha and Joy Oladokun, with all proceeds going to The Ally Coalition. (ML)

Snocaps – ‘Coast’
Being a huge fan of both Waxahatchee and Swearin’, I’m pretty excited by new supergroup Snocaps; featuring Katie Crutchfield and her twin sister Allison, along with MJ Lenderman and Brad Cook. The stuff dreams are made of, basically. Taken from their recently released self-titled album, ‘Coast’ showcases the gorgeous, fuzzy allure of this new collaboration perfectly. (ML)

Tenderness – ‘Database Blues’
As someone who had Deep Throat Choir soundtrack me walking down the aisle, hearing the voice of anyone from that incredible collective always feels pretty special. And so the news that Katy Beth Young (also of Peggy Sue) is sharing more new music from her solo project Tenderness is very welcome to my ears. Following previous single ‘We’ll Always Have Paris 1919’ a recent tour with Willy Mason, latest offering ‘Database Blues’ offers a gorgeously country-tinged reflection on a world of streaming algorithms as Young’s rich vocals create a soothing, immersive warmth. Of the track, she explains: “Sending a song to a crush is obviously one of life’s purest joys but what does it mean when the algorithm plays it back to you later? Can you still call it a sign? I was an MSN Messenger teenager so there have always been screens in my romances – screens as a connector and amplifier as well as a barrier.” (ML)

SASAMI – ‘Just Be Friends’ (Soccer Mommy Version)
Genre-bending artist SASAMI has shared a collaborative version of her track ‘Just Be Friends’, featuring indie artist Soccer Mommy. Originally featuring on SASAMI’s album, Blood On The Silver Screen, this new version encapsulates the artist’s pure love for modern country music, as she explains further: “Country songs have to be some of the most effective and cutting examples of peak pop songwriting- wit, drama, humour, sadness, and the most human of all – horniness. My song ‘Just Be Friends,’ was definitely inspired by modern country, but I knew if I wanted it to be truly authentic I would need to enlist an actual southern princess. This new version featuring Soccer Mommy, pedal steel and all, delivers on the country magic that I had always wished could be in that song. That’s the best part about collaboration, all hat all cattle.” (KC)

Lucy Leave – ‘Go To The Show (I Just Wanna)’
Ahead of the release of their upcoming album, Feelings Explorer I & II, in spring next year, Oxford indie-pop trio Lucy Leave have now shared a new triple (!) A-side single. Accompanying the scuzzy hooks of ‘Steve Lamacq Wants To Know’ and ‘The Letter P and The Number 7’, ‘Go To The Show (I Just Wanna)’ reflects on singer Mike’s experience as someone with cerebral palsy, and the reality that attending and playing gigs post pandemic is pretty much impossible for the covid-vulnerable. (ML)

CLICK HERE TO LISTEN THE PLAYLIST ON TIDAL!

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GIHE Recommends: Deer Shed Festival 2025

Having been lucky enough to attend North Yorkshire’s Deer Shed Festival for the last three years, it’s become a complete highlight of my year; something I look forward to as each summer rolls around. Oozing the warmest of vibes and – being smaller in size than most other festivals – it creates a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres and ages. Whilst providing a child-friendly environment (with an array of activities organised specifically for them), this does not take away from the quality and array of performances on offer for everyone to enjoy. Although I’d say I’m in the minority of attendees who does not have children (or isn’t a child themselves!), I in no way feel this to be hindrance – it is still very much an ‘adult’ festival, just one that happens to also be a safe and fun environment for kids to be in too! And, amongst those performing, a fantastic amount of female, non-binary and queer performers are represented, which makes for the most dreamy time. If, for some reason, you’ve not yet got your tickets for next weekend, you can still nab them here.

So, ahead of this year’s festival, which all kicks off next Friday 25th July, we wanted to highlight some of the artists we’re most excited to be seeing over the weekend. Having caught faves like CMAT, Self Esteem, Sprints and Nadine Shah in previous years, below we’ve listed some of the female, non-binary and queer artists we’re looking forward to seeing this time around. Make sure you check them out and follow / watch / listen ahead of catching their sets next week!

Kae Tempest
I’ve had the privilege of seeing Kae Tempest live many times, and each time he delivers a fiercely moving, cathartic and joyous set; every single second pulsating with resonance and pride. And the most recent time I saw him earlier this year, it felt particularly special – a genuine sense of euphoria emanated from him: a proud trans person able to be their true selves and share this with us. Kae Tempest will be headlining the Main Stage on Saturday 26th July.

Ibibio Sound Machine
Afro-funk legends Ibibio Sound Machine deliver their wonderfully colourful cacophonies with a swirling joyous energy. Fronted by London-born Nigerian vocalist Eno Williams, they fuse African rhythms with a fierce punk attitude to create a sound which is truly their own. Ibibio Sound Machine play the Main Stage on Saturday 26th July, just before Kae. 

Moonchild Sanelly
Innovative South African artist Moonchild Sanelly has been making waves over the last couple of years with her empowering genre-defying creations and joyous live shows, as well as collaborations with the likes of Self Esteem, and Little Simz, and I just can’t get enough of her trailblazing, fearless attitude. So, I’m mega excited to finally be seeing her live – especially after speaking to her recently about all the effort she puts into her shows, choreographing everything herself and making all her own outfits. Moonchild Sanelly will be headlining the In The Dock stage on Saturday 26th July.

Cowboy Hunters
Having been building a reputation in the Glasgow scene for their memorable live shows, Scottish punks Cowboy Hunters create immense riotous anthems, combining their scathing dry humour with a ferocious seething energy and frenzied raw power. Cowboy Hunters open the In The Dock stage on Saturday 26th July. 

The None
With Kaila Whyte on vocals (Blue Ruth, Youth Man), Gordon Moakes on bass (Bloc Party, Young Legionnaire), Jim Beck on guitar (Cassels) and Chris Francombe on drums (Frauds), you could call THE NONE an experimental super-group. We’re big fans of their abrasive punk cacophonies delivered with a raw, tenacious spirit. The None play the In The Dock stage on Friday 25th July (shortly before my little Silent Disco DJ set!).

The Bug Club
Having been lucky enough to catch The Bug Club at Deer Shed a couple of years back, we’re big fans of their playful garage-rock and frenetic energy and can’t wait to dance along to their uplifting offerings again! The Bug Club play The Main Stage on Sunday 27th July.

The Pill
We caught The Pill playing alongside GIHE fave Jasmine.4T at The Old Blue Last a while back and were immediately drawn to their effervescent quirky humour and catchy tunes. The Pill play the Main Stage on Friday 25th July.

Divorce
Another band we’ve had the pleasure of seeing at Deer Shed in the past, two years ago I really loved their Americana-tinged indie-pop, as they kicked off the Sunday with their beautifully emotive lilting harmonies and scuzzy hooks. This year, Divorce play the Main Stage on Friday 25th July.

The Big Moon
Watching The Big Moon play the Main Stage at Deer Shed a couple of years back, as the rain lashed down along with my tears, is a memory that really sticks with me. As the searing twinkling emotion and evocative power of ‘Wide Eyes’ flowed from the stage, it all got too much, but in the most beautifully cathartic of ways. I can’t wait for plenty more crying at their set this year! The Big Moon are headlining the Main Stage on Sunday 27th July.

King Hannah
Having been big fans of Liverpool’s King Hannah here at GIHE since first hearing their debut single ‘Creme Brulee’ about five years ago, it’s been really lovely to see them go from strength to strength, gathering fans across the world with their spellbinding, iridescent splendour. King Hannah play the In The Dock stage on Sunday 27th July. 

Alice Boyd
Having collaborated with the likes of Adam Buxton and Hot Chip’s Alexis Taylor, musician, sound artist and composer Alice Boyd delivers beautifully enchanting soundscapes. Alice Boyd opens the Wilderwild stage on Saturday 26th July.

Neve Cariad 
A new discovery for me, Welsh-born Leeds-based alt-folk artist Neve Cariad is set to release her debut album this autumn, and I’ve been loving what I’ve heard of her beautifully lilting offerings so far. Neve Cariad opens the Lodge stage on Sunday 27th July.

Nadia Kadek
Another new one for me, British-Indonesian artist Nadia Kadek creates heartfelt indie-folk anthems, showcasing the rich tones of glistening vocals and emotional intimacy of her stirring lyricism. Nadia Kadek plays the Wilderwild stage on Sunday 27th July.

Jacob Alon
I’d been hearing Jacob Alon’s for a while, but recently listened to an episode of the ‘Sidetracked’ podcast with Annie Macmanus and Nick Grimshaw where they spoke to them, and Cob just seemed like such a thoughtful, sensitive soul and wonderful creator. So, I immediately listened to their album In Limerence and was completely spellbound. And since then I’ve not stopped listening, the whole collection is just exquisite – really beautiful. Jacob Alon plays the Main Stage on Saturday 26th July.

Sheherazaad
I’ve been a big fan of Sheherazaad since first being introduced to the immersive, captivating splendour of ‘Mashoor’ Since then, I’ve been lucky enough to see her live and just am in awe of her ability to blend a stirring alternative folk musicality with experimental techniques, exuding a contemporary, genre-defying spirit. Sheherazaad plays the Lodge stage on Sunday 27th July.


We can’t wait to catch all these incredible artists, and loads more, at Deer Shed Festival next weekend 25th – 27th July in Baldersby Park, North Yorkshire! If you’re still using Spotify (we’ll be coming off it soon), you can listen to tracks from everyone we’ve mentioned in a handy playlist here. And don’t forget to nab your tickets for the festival here! Andd, if you already planning on heading to the festival, you can catch a little Silent DJ set from yours truly at the In The Dock stage at 9.45pm – see you then!


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Introducing Interview: Lindsay Ell

Having been wowing crowds playing guitar live with the legendary Shania Twain in the UK over the last couple of months, singer-songwriter Lindsay Ell is also a renowned artist in her own right. Not only did she win ‘Single Of The Year’ at the Canadian Country Music Awards last year for the twinkling emotion of last year’s catchy ‘Right On Time’, but – following playing with Shania’s band at BST Hyde Park a couple of weeks ago – she also sold out Omeara in London the following day for her own show.

We caught up with Lindsay to find out more about the experience of playing with her hero, what inspires her, being a woman in the music industry today, and more. Have a read and then listen to the awesome playlist that Lindsay has put together for us, of some of her favourite contemporary country artists!

Are you able to tell us a little bit about what initially got you into music, and playing the guitar?
I grew up in a really musical family – my parents and grandparents all played instruments, and my brother and I started playing piano when we were six years old. By the time I was eight years old, I thought the guitar was a lot cooler, so I asked my dad to start showing me a few things on it. The first guitar riff he taught me was ‘Stairway to Heaven’. After that, I never looked back! 

I just saw you playing with the legendary Shania Twain at BST Hyde Park on Sunday – you were incredible! And it was so lovely to see all the band members so in sync with each other and having such a great time on stage! It must have been such an amazing experience – how was it for you?
BST Hyde Park was one of the most memorable shows I’ve ever played, and also my favourite with Shania so far; Hyde Park seemed like the perfect ending to such a legendary run (getting to play Glastonbury as well!). There is something about that stage that makes a show feel larger than life and the energy in the heart of London is something that’s hard to describe in words. Shania has been the most wonderful human, welcoming me so brilliantly on her stage each night. I’m honoured to have been a part of her world this year. 

And how did the opportunity to play with Shania come up for you? Had you previously been a fan?
To say I’ve been a fan of Shania would probably be the understatement of the century. Shania is the reason I started singing when I was a little girl. It’s crazy to think the song that made me fall in love with Shania, ‘No One Needs To Know’, is now a song I get to play on stage with her every night. Life is truly wild and surprising in those full circle moments. I toured with Shania last year on the Queen Of Me tour, which was so incredible! Then, at the beginning of this year, when I got the call to see if I wanted to come out and play guitar for her, the offer was one I couldn’t resist!

As well as playing with legends like Shania Twain and artists like Maren Morris, you’re also a solo artist in your own right and write fantastic country-pop anthems – I love the catchy hooks and emotion-strewn power of songs like ‘How Good’! What are the main things you tend to draw inspiration from when writing songs?
I want to write songs from an honest place, because I think the more honest a song is, the better chance it has to connecting with someone else. I feel that we’re all fighting similar battles on opposites sides of the same war sometimes, so usually I tend to pull inspiration from my own life, or from stories I’ve heard friends tell me. As long as I can connect to it in some way, I can write a song about it. 

And you’ve also just played a sold-out show at London’s Omeara, which I was sorry to miss! How was that for you? Was it the first time you’ve played in London?
My sold out show at the Omeara was so incredible. This is probably the tenth time I’ve played London, but I’m always so happy to be back and see the best fans on the planet! I felt so loved as they sang all the words to b-sides off my last couple records, and I was able to preview some brand new songs for them. Overall, it was such a great night. 

You won ‘single of the year’ at the CCMAs last year for your song ‘Right On Time’, which is so fantastic – big congratulations! How does it feel being classed as a ‘country’ artist, and how much would you say you’re influenced by and fit into the genre generally?
Winning ‘single of the year’ at the CCMAs for ‘Right On Time’ was such an incredible night. Most of the time I don’t really see myself as country, and to be honest have been told so many times that I’m “not country enough” for the genre. I grew up loving songwriters like Joni Mitchell, Carole King and Shania, and since I started writing music, my goal has been to create the most honest songs I can. When I moved to Nashville fifteen years ago, and got offered a deal from a country record label, I just figured that my music could cross over to many genres, and – because of the messages in my songs – I felt like country fans could relate. I’m so grateful for all of the amazing fans that I’ve met through country music, but if I were being honest, I don’t know if I’ve ever truly ‘fit’ into the genre. At the end of the day though, I don’t think fans care if they’re listening to a “country” song or a “pop” song, or a “rock” song, I think people just like to listen to the music they like to listen to. So at this point in my career, I see myself as more of a singer-songwriter than classified as a country artist, and truly, I just hope that I can keep making music that feels honest; that people want to listen to. 

Are there any other contemporary country artists that you’d recommend we check out?
I am very excited for the genre of country music, and the wider tent it’s casting with artists like Noah Kahan and Zach Bryan. It’s really inspiring to see artists like Kacey Musgraves being true to herself and her sound, and letting it evolve compared to letting a genre tell her where she needs to go. I’m a huge fan of her latest record, Deeper Well. 

As we’re an organisation that focuses on promoting women and queer folk in new music, how would you say the industry is for them at the moment? And how has your experience been in what can often seem like a male dominated environment?
Thank you so much for all you do for women and the queer community! I will say that I think the industry is better now than it’s ever been in supporting these minorities. However, we still have a long way to go. The ratios are still very uneven, and although there doesn’t seem to be a linear solution to the problem, I think the best thing that women and queer artists can do is keep releasing great music. 

And do you have any advice for young women who might want to get into making music right now?
If you’re wanting to make music right now, I think the most important thing to figure out is who you are and what you want to say: why now? Anyone can sit in their bedroom today, write a song, and release it hours later… But you have to think, why should anyone care? When you can distill what you want to do down to a few sentences, I think the path on what you need to do and where you need to focus becomes really clear. It should all revert back to your reasons why. 

Massive thanks to Lindsay for answering our questions! Have a listen the awesome playlist that she put together of some of her favourite contemporary country artists here.

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PLAYLIST: June 2024

The Get In Her Ears team have put together another mix of feminist punk, queer anthems, alternative & shoegaze sounds, eclectic electronic tracks, indie-folk musings, and alt-pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

ARXX – ‘Good Boy’
Wow, it seems like it’s impossible for total faves ARXX not to write a song that gets instantly lodged in your brain and demands listen upon listen; each listen making you feel more and more uplifted. I just can’t get enough of latest single ‘Good Boy’s thumping beats and anthemic energy. They describe this track as their “big gay anthem… A little bit saucy, a little bit cheeky and a lot of fun!” As well as listening to the track multiple times, you should also watch the video – the dogs are cute, Hanni and Clara are cute, it’s a whole lot of cute.
(Mari Lane – Managing Editor)

SASAMI – ‘Honeycrash’
I was late to the SASAMI party, first discovering her in 2022 when she released her genre-blending metal-folk album, SQUEEZE. ‘Honeycrash’ is her first piece of new music since then, and it’s a glorious, full-bodied, passionate anthem about the complexities of love and relationships. SASAMI explains: “I wanted to write a song with all the drama of a 19th century classical opera, but with the patience and understanding of someone in therapy in 2024,” and on ‘Honeycrash’ she has achieved exactly that.
(Kate Crudgington – Features Editor)

Seraphina Simone – ‘Wild’
This is the title track from Seraphina Simone’s shimmering new EP. ‘Wild’ is Seraphina’s statement of rage, shifting self-worth, grief and sadness; all beautifully polished into a bright collection of alt-pop gems. (KC)

Æ MAK – ‘Low Down’
Lifted from her new EP, ABC SIDE Baby, this single from Irish art-pop artist Æ MAK is about “hitting rock bottom after a break-up, almost basking in it, and finding your power again”. I love this phoenix-rising-from-the-ashes sentiment, set to an infectiously upbeat mix of heady synths and dancing beats. (KC)

SOPHIE – ‘Reason Why’ (ft. Kim Petras and BC Kingdom)
It’s fair to say I got a little emotional hearing that a new album from legendary producer and trans pioneer SOPHIE was being posthumously released. The first single to be shared from it, ‘Reason Why’ features Kim Petras and BC Kingdom and offers a euphoric slice of queer electro-pop. Of the decision to release her music now, SOPHIE’s family have shared a statement explaining: “It feels only right to share with the world the music she hoped to release, in the belief that we can all connect with her in this, the form she loved most… Sophie gave all of herself to her music. It’s here that she can always be found.” SOPHIE, the self-titled final album, is due for release on 27th September via Transgressive and Future Classic. Pre-order here. (ML)

Chelsea Wolfe – ‘House Of Self Undoing’ (Boy Harsher Remix)
I am obsessed with this Boy Harsher remix of one of my favourite Chelsea Wolfe tracks. They’ve kept the melancholy undertones of the original, but somehow managed to transform it into an hazy, uplifting rush of synths, beats and hushed vocals. (KC)

Roller Derby – ‘Silver Jet’
Following recent single ‘Dreams’, Hamburg duo Roller Derby are back to charm our ears with the immersive sounds of ‘Silver Jet’. As Philine Meyer’s distinctive celestial vocals soar throughout, the song sparkles with anticipation for the new beginning that we’ve been flying towards throughout the track. A stirring meditation on enduring challenges, both on a personal and collective level. (ML)

Midwife – ‘Killdozer’
Taken from her upcoming album, No Depression In Heaven, this beautiful single from Midwife is “an ode to a city lost in the aftermath of gentrification.” ‘Killdozer’ centers around the story of Marvin Heemeyer, a muffler repair shop owner who went on a demolition spree in a modified bulldozer, before taking his own life in a small Colorado town in 2004. It always impresses me how Midwife transforms the darkest of moments into beautiful, shoegazey lullabies like this. I’m looking forward to hearing her new album in full. (KC)

Julia-Sophie – ‘telephone’
Balancing all-encompassing romantic infatuation alongside her melancholic and lonely impulses, this vibrant track from Julia-Sophie is a total headrush. ‘telephone’ is taken from her upcoming debut solo album, forgive too slow, which is set for release on 26th July via Brooklyn label Ba Da Bing Records. Julia-Sophie offers this comment about her new record: “My journey with music has been weird and long. I think people assumed that the music I made was exactly what I intended to make, when it’s always just been me trying to figure it out. Being a solo artist has allowed me to really find myself and show who I am in all my messy states.” We fully support that! (KC)

mayday mae! – ‘girls into music’
California-based, queer alt-pop artist mayday mae! penned this fun track as an ode to all the queer films, music and art that came before her. ‘girls into music’ is taken from her excellently titled EP, my post-desert hearts renaissance. (KC)

Taylor Swift – ‘I Can Do It With a Broken Heart’
I will NEVER stop talking about Taylor Swift and The Eras Tour. I was lucky enough to see the show in both Lisbon and London and I am still in AWE of what she does. The atmosphere was electric and her fans were so fun, kind and willing to indulge in a level of shared euphoria that I have never seen or felt at a stadium gig before. What a privilege to be a part of that. Here’s to Rachel, Vicky and Mel who were screaming and crying the whole way through with me. (KC)

Beauty Sleep – ‘Big Sky’
The new single from Derry duo Beauty Sleep, ‘Big Sky’ is inspired by a fun weekend at Primavera festival. Oozing an infectious glistening energy and fizzing jangly hooks, it’s a perfectly danceable euphoric summer anthem. (ML)

Saint Sappho – ‘Glory Box’
With Portishead’s Dummy being my most favourite album of all time – having grown up listening to my dad’s cassette recording of the album on so many car journeys, and then later as a teen immersing myself in its dark cathartic splendour – I was excited to hear Saint Sappho’s rendition of seminal track ‘Glory Box’. Whilst maintaining the majestic allure of the original, it oozes an added musically rich sense of grandeur and raw energy. Of their decision to cover the track, the duo explain: “We both love the original song and thought it’d be an interesting one to cover and experiment with putting our own sound into it. We added some orchestral elements, which we thought would work well in this song and love to make a track really dramatic.” (ML)

Naomi in Blue – ‘Skin’
Taken from her recent EP, It Takes Time, this is a candid and poignant rumination from singer-songwriter Naomi in Blue. A considered exploration of emotion and identity, ‘Skin’ and the other tracks that form her new record are equally as raw and revealing. Definitely make the time to listen to it in full. (KC)

Hinako Omori – ‘stillness, softness’ (kloxii li remix)
Hinako Omori has shared this remix of her track ‘stillness, softness’ which is taken from the “extended dream transition” version of her album of the same name. It’s remixed by Kloxii Li, who is a friend and collaborator of Hinako. I love the way they’ve made this gentle track sound so shadowy. (KC)

Yaz Leon ft. BUKKY – ‘4th Wall’
A great collaboration here between experimental R&B artist Yaz Leon and genre-defying artist BUKKY – who was a guest on our Soho Radio show a few months back. ‘4th Wall’ is taken from Yaz’s upcoming EP, Bleach. Yaz describes this song as “kind of a ‘hater’ and a “help I’m spiralling” song” about the lack of solidarity she’s experienced in different social spaces. She also says “it’s a bit of a bummer, but at least we made the beat fun! – which I respect! (KC)

Fraulein – ‘In The Living Room’
This is my favourite track from Fraulein’s recent mini-album, Sink Or Swim. The perfect mix of loud and quiet; the skilled grunge duo consistently deliver swirling alternative anthems that command the senses. Definitely check their record out. It’s a GIHE team fave at the moment. (KC)

LIINES – ‘Holding On’
The new single from Manchester post-punks LIINES, ‘Holding On’ is the band’s first new music since 2021. Showcasing the band’s ability to create brooding sonic explosions, lyrically it draws on themes of hope and desperation, and I just love its frenetic sense of urgency and the raw passion of Zoe McVeigh’s soaring vocals. (ML)

Problem Patterns – ‘I Think You Should Leave’
An ode to their hometown of Belfast, this is the brand new single from GIHE faves and punk icons Problem Patterns. Inspired by a disparaging comment a journalist made to the band when speaking about Northern Ireland, the track is a riotous “love letter” to the place that raised them as individuals and as a band. “Everybody leaves and nothing changes / I’ll stay here and create the spaces” they chant in the chorus, which becomes more powerful each time it’s repeated. The GIHE team love everything that Problem Patterns stand for, and we were lucky enough to visit them in their hometown back in 2022 for the Women’s Work Showcase at the Oh Yeah Music Centre. The Belfast hospitality was beautiful – we think you should all go! (KC)

Belmondo – ‘Getting Closer’
Lifted from their excellently titled EP, The Blessed & The Evil, released via Silent Cult, I love this heavy, swirling anthem from Brighton-based alt-rock band Belmondo. The band will be playing live at venues in Glasgow, Manchester and Birmingham this September, and they’ll be performing at the Hope & Anchor in Islington, London on 5th September too. (KC)

Brat Coven – ‘Favourite Crime’
The latest single from Glasgow ‘doom-punk’ band Brat Coven , ‘Favourite Crime’ reflects on predatory age-gap relationships with a fierce, raging passion. Propelled by a seething energy, a captivating, haunting soundscape is created. Of the track, the band explain: “We wrote this song for ourselves, for our younger selves, for anyone whose story is told by this song. Sexual abuse and grooming is rampant, particularly in the music industry and we think it’s incredibly important to use our voices to speak out and condemn predatory men.” (ML)

SNM – ‘Borne Of My Rib’
Loving this angst-ridden single from London-based Grunge-rock newcomers SNM. They’ve only released a handful of tracks so far, but the band are gearing up for a busy year of live shows and writing together, so keep your eyes peeled for more from them soon. (KC)

Strange New Places – ‘Foreign Cities’
I really enjoyed reading the bio of Belfast-based band Strange New Places when their email dropped into my inbox earlier this month. They describe themselves as “right-on radicals with low self-esteem; a band where queerness and neurodivergence intersect, and intersect hard. Sometimes they intersect in fun and interesting ways and other times they intersect in strange and annoying ways. Each member looks like they’re in a different band, and sometimes they sound like it too. Regardless, they’ve stuck together, and they have some music to play for you.” This track ‘Foreign Cities’ is a perfect example of all these wonderful traits; playful, quirky and bittersweet. (KC)

Hot Wife – ‘Buffy Summers’
The debut single from South London band Hot Wife has dropped into my life at the perfect time! I am currently on my first ever watch of Buffy The Vampire Slayer – I’m on season 4 – and I am loving it. I’m thrilled that I can finally join in on all the fandom. Hot Wife describe this track as “a crunchy-grunge ballad, and a reminder that when relationships are disappointing, you can always go out there and seek revenge by kissing kick-ass people.” A sentiment we should all be living by. (KC)

Alien Chicks – ‘Qwerty’
Another unpredictable and infectious post-punk anthem from Brixton trio Alien Chicks, featured on their upcoming debut EP, Indulging The Mobs, set for release on 18th July via Hideous Mink Records. It’s cliché to say, but they truly are a band who are best appreciated live. They’ll be headlining Moth Club in East London on 5th July. Grab a ticket and go an experience their frenzied live set in the flesh. (KC)

Fightmilk – ‘Summer Bodies’
A perfectly raging summer anthem, ‘Summer Bodies’ – the new single from pop-punk faves Fightmilk – has been a live favourite for some time, so I’m very happy that it’s now properly out in the world. Raging against patriarchal society’s ridiculous and ever-changing expectations of women’s bodies and the futile quest to ‘be sexy’, it offers a fierce ode to self-love in the face of the onslaught of damaging beauty standards that we are constantly bombarded with. Angsty and uplifting in equal measure, it’s an instantly catchy singalong anthem, combining the band’s trademark tongue-in-cheek wit with a swirling energy and gritty raw emotion. So, this summer, wear whatever you makes you feel comfortable, pay no mind to the incessant Instagram ads about fad diets or corrective procedures, and know that you look great – whatever size, age or gender you may be. (ML)

Okay, Bye – ‘The Fun Is Over’
Pastel-punk duo Okay, Bye released their debut album earlier this month, and this is the excellently titled eponymous track. If you like the sound of ‘The Fun Is Over’, definitely give the whole record a spin. (KC)

Annie Taylor – ‘In Your Head’
Recorded during a break on their tour in Leipzig, Annie Taylor’s latest single ‘In Your Head’ is a swirling indie-grunge anthem. The band are set to tour Europe in December this year, and they’ll be stopping in London at The Shacklewell Arms in Dalston on 3rd December too. (KC)

PostLast – ‘Scavenge’
This is the brand new single from Irish indie-pop duo PostLast, out now via VETA Records. ‘Scavenge’ is all about that “unspoken connection” between two people that can “quieten all of the noise, anxiety and pressure you might be feeling internally” which is a sentiment I love. (KC)

Lunar Vacation – ‘Set The Stage’
Having just announced the upcoming release of a new album this autumn, following one of my most-listened to of the last few years – 2021’s Inside Every Fig is A Dead Wasp – Lunar Vacation have now shared this dreamy new single. The first and last song that vocalist and guitarist Gep Repasky has ever sent to the person that they’d written it about, ‘Set The Stage’ ripples with a swirling anthemic splendour as a glistening emotion oozes from the immersive shimmering soundscape. Everything Matter, Everything’s Fire, the new album from Lunar Vacation, is set for release on 13th September via Keeled Scales. (ML)

Sequela – ‘Zavander’
I’m glad that I found this track from Portland-based band Sequela in my inbox. Non-binary front person Sequela explains that ‘Zavander’ “is in part about my experience of navigating the isolation and dynamism of adolescence in the body of a teenage girl who was not made for her world.” Along with their bandmates, Sequela manages to transform these feelings of unease into a lush indie-shoegaze anthem. (KC)

Static Lives – ‘Social Anxiety’
Having been blown away by Sheffield’s self-proclaimed ‘dance-rock-alt-band’ Static Lives at Cro Cro Land earlier this year, I’ve been enjoying dancing and rocking to latest single ‘Social Anxiety’. Propelled by a fierce energy, it races with catchy hooks and front woman Lori’s impassioned vocal drive. (ML)

Th’Sheridans – ‘Dancing In The Dark’
A favourite band covering an absolute favourite by my absolute favourite; so many faves all in one. I just cannot stop listening to Th’ Sheridan’s rendition of Bruce Springsteen’s infamous anthem ‘Dancing In The Dark’ right now; I love the gritty emotion oozing from Adam’s vocals alongside the racing, fizzing hooks . Of the track, the band say of their choice to cover this song – “It carries a cavernous depth of sentiment: everyday monotony, feelings you just can’t seem to put anywhere, oppressive levels of aesthetic self-assessment, and most freeingly, the belief that other ways of being are possible.” Th’ Sheridans recorded this cover especially for a wonderful new podcast, Because The Boss Belongs To Us, which sees Holly Casio and Jesse Lawson put forward the case that Bruce Springsteen is in fact a queer icon. I wholeheartedly agree. Oh, and I just saw him in Madrid and he was as incredible as ever – played for 3 hours non-stop, and I was crying happy, overwhelmed tears pretty much the whole time. (ML)

Spring Major – ‘A Varsity Play For The Dock’
I’ve loved Spring Major a lot since first coming across them last year, but now – since seeing them play for us at our dreamy gig at The Finsbury last Friday, supporting Felicette with Schande and Caleb Nichols – I would consider myself a fully-fledged mega fan. Latest single ‘A Varsity Play For The Dock’ perfectly captures how the band’s swirling energy and jangly melodies come together to create impassioned and instantly uplifting emo-tinged anthems. (ML)

The Calamatix – ‘Love, Lies and Alibis’
California’s The Calamatix have just announced the release of their upcoming debut album, as they’ve shared a catchy new single. Combining elements of old school ska with Jamaican rock-steady, as well as a fresh contemporary edge, ‘Love, Lies and Alibis’ bounces with a vibrant energy as buoyant beats race alongside the smooth, soulful vocals. It took me back to being sixteen, skanking round the living room before heading out to see local ska-punk bands at Bedford’s Esquires; a perfectly nostalgic, joy-inducing accompaniment to heady summer evenings. The self-titled debut album from The Calamatix is set for release on 20th September via Hellcat Records. (ML)

Dolly Parton – ‘Dumb Blonde’
A bit of Dolly here to remind you that we’ll be hosting a night of queer country fun on 19th July at Sebright Arms. Headlining will be the world’s premiere Dolly Parton tribute band The Dumb Blondes, who are quite the super group – featuring members of Fightmilk, Panic Pocket, Yakkie and Charley Stone. Support comes from cowboi crushes Trouble Wanted and legendary Margate duo pink suits, in their country guise. It’s going to be epic – so, don your daisy dukes and come on down for a rootin’, tootin’ good time! Well over half the tickets have already been snapped up, so you better nab yours quick – on Dice now. (ML)

 

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