GIHE Recommends: Deer Shed Festival 2025

Having been lucky enough to attend North Yorkshire’s Deer Shed Festival for the last three years, it’s become a complete highlight of my year; something I look forward to as each summer rolls around. Oozing the warmest of vibes and – being smaller in size than most other festivals – it creates a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres and ages. Whilst providing a child-friendly environment (with an array of activities organised specifically for them), this does not take away from the quality and array of performances on offer for everyone to enjoy. Although I’d say I’m in the minority of attendees who does not have children (or isn’t a child themselves!), I in no way feel this to be hindrance – it is still very much an ‘adult’ festival, just one that happens to also be a safe and fun environment for kids to be in too! And, amongst those performing, a fantastic amount of female, non-binary and queer performers are represented, which makes for the most dreamy time. If, for some reason, you’ve not yet got your tickets for next weekend, you can still nab them here.

So, ahead of this year’s festival, which all kicks off next Friday 25th July, we wanted to highlight some of the artists we’re most excited to be seeing over the weekend. Having caught faves like CMAT, Self Esteem, Sprints and Nadine Shah in previous years, below we’ve listed some of the female, non-binary and queer artists we’re looking forward to seeing this time around. Make sure you check them out and follow / watch / listen ahead of catching their sets next week!

Kae Tempest
I’ve had the privilege of seeing Kae Tempest live many times, and each time he delivers a fiercely moving, cathartic and joyous set; every single second pulsating with resonance and pride. And the most recent time I saw him earlier this year, it felt particularly special – a genuine sense of euphoria emanated from him: a proud trans person able to be their true selves and share this with us. Kae Tempest will be headlining the Main Stage on Saturday 26th July.

Ibibio Sound Machine
Afro-funk legends Ibibio Sound Machine deliver their wonderfully colourful cacophonies with a swirling joyous energy. Fronted by London-born Nigerian vocalist Eno Williams, they fuse African rhythms with a fierce punk attitude to create a sound which is truly their own. Ibibio Sound Machine play the Main Stage on Saturday 26th July, just before Kae. 

Moonchild Sanelly
Innovative South African artist Moonchild Sanelly has been making waves over the last couple of years with her empowering genre-defying creations and joyous live shows, as well as collaborations with the likes of Self Esteem, and Little Simz, and I just can’t get enough of her trailblazing, fearless attitude. So, I’m mega excited to finally be seeing her live – especially after speaking to her recently about all the effort she puts into her shows, choreographing everything herself and making all her own outfits. Moonchild Sanelly will be headlining the In The Dock stage on Saturday 26th July.

Cowboy Hunters
Having been building a reputation in the Glasgow scene for their memorable live shows, Scottish punks Cowboy Hunters create immense riotous anthems, combining their scathing dry humour with a ferocious seething energy and frenzied raw power. Cowboy Hunters open the In The Dock stage on Saturday 26th July. 

The None
With Kaila Whyte on vocals (Blue Ruth, Youth Man), Gordon Moakes on bass (Bloc Party, Young Legionnaire), Jim Beck on guitar (Cassels) and Chris Francombe on drums (Frauds), you could call THE NONE an experimental super-group. We’re big fans of their abrasive punk cacophonies delivered with a raw, tenacious spirit. The None play the In The Dock stage on Friday 25th July (shortly before my little Silent Disco DJ set!).

The Bug Club
Having been lucky enough to catch The Bug Club at Deer Shed a couple of years back, we’re big fans of their playful garage-rock and frenetic energy and can’t wait to dance along to their uplifting offerings again! The Bug Club play The Main Stage on Sunday 27th July.

The Pill
We caught The Pill playing alongside GIHE fave Jasmine.4T at The Old Blue Last a while back and were immediately drawn to their effervescent quirky humour and catchy tunes. The Pill play the Main Stage on Friday 25th July.

Divorce
Another band we’ve had the pleasure of seeing at Deer Shed in the past, two years ago I really loved their Americana-tinged indie-pop, as they kicked off the Sunday with their beautifully emotive lilting harmonies and scuzzy hooks. This year, Divorce play the Main Stage on Friday 25th July.

The Big Moon
Watching The Big Moon play the Main Stage at Deer Shed a couple of years back, as the rain lashed down along with my tears, is a memory that really sticks with me. As the searing twinkling emotion and evocative power of ‘Wide Eyes’ flowed from the stage, it all got too much, but in the most beautifully cathartic of ways. I can’t wait for plenty more crying at their set this year! The Big Moon are headlining the Main Stage on Sunday 27th July.

King Hannah
Having been big fans of Liverpool’s King Hannah here at GIHE since first hearing their debut single ‘Creme Brulee’ about five years ago, it’s been really lovely to see them go from strength to strength, gathering fans across the world with their spellbinding, iridescent splendour. King Hannah play the In The Dock stage on Sunday 27th July. 

Alice Boyd
Having collaborated with the likes of Adam Buxton and Hot Chip’s Alexis Taylor, musician, sound artist and composer Alice Boyd delivers beautifully enchanting soundscapes. Alice Boyd opens the Wilderwild stage on Saturday 26th July.

Neve Cariad 
A new discovery for me, Welsh-born Leeds-based alt-folk artist Neve Cariad is set to release her debut album this autumn, and I’ve been loving what I’ve heard of her beautifully lilting offerings so far. Neve Cariad opens the Lodge stage on Sunday 27th July.

Nadia Kadek
Another new one for me, British-Indonesian artist Nadia Kadek creates heartfelt indie-folk anthems, showcasing the rich tones of glistening vocals and emotional intimacy of her stirring lyricism. Nadia Kadek plays the Wilderwild stage on Sunday 27th July.

Jacob Alon
I’d been hearing Jacob Alon’s for a while, but recently listened to an episode of the ‘Sidetracked’ podcast with Annie Macmanus and Nick Grimshaw where they spoke to them, and Cob just seemed like such a thoughtful, sensitive soul and wonderful creator. So, I immediately listened to their album In Limerence and was completely spellbound. And since then I’ve not stopped listening, the whole collection is just exquisite – really beautiful. Jacob Alon plays the Main Stage on Saturday 26th July.

Sheherazaad
I’ve been a big fan of Sheherazaad since first being introduced to the immersive, captivating splendour of ‘Mashoor’ Since then, I’ve been lucky enough to see her live and just am in awe of her ability to blend a stirring alternative folk musicality with experimental techniques, exuding a contemporary, genre-defying spirit. Sheherazaad plays the Lodge stage on Sunday 27th July.


We can’t wait to catch all these incredible artists, and loads more, at Deer Shed Festival next weekend 25th – 27th July in Baldersby Park, North Yorkshire! If you’re still using Spotify (we’ll be coming off it soon), you can listen to tracks from everyone we’ve mentioned in a handy playlist here. And don’t forget to nab your tickets for the festival here! Andd, if you already planning on heading to the festival, you can catch a little Silent DJ set from yours truly at the In The Dock stage at 9.45pm – see you then!


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Introducing Interview: Lindsay Ell

Having been wowing crowds playing guitar live with the legendary Shania Twain in the UK over the last couple of months, singer-songwriter Lindsay Ell is also a renowned artist in her own right. Not only did she win ‘Single Of The Year’ at the Canadian Country Music Awards last year for the twinkling emotion of last year’s catchy ‘Right On Time’, but – following playing with Shania’s band at BST Hyde Park a couple of weeks ago – she also sold out Omeara in London the following day for her own show.

We caught up with Lindsay to find out more about the experience of playing with her hero, what inspires her, being a woman in the music industry today, and more. Have a read and then listen to the awesome playlist that Lindsay has put together for us, of some of her favourite contemporary country artists!

Are you able to tell us a little bit about what initially got you into music, and playing the guitar?
I grew up in a really musical family – my parents and grandparents all played instruments, and my brother and I started playing piano when we were six years old. By the time I was eight years old, I thought the guitar was a lot cooler, so I asked my dad to start showing me a few things on it. The first guitar riff he taught me was ‘Stairway to Heaven’. After that, I never looked back! 

I just saw you playing with the legendary Shania Twain at BST Hyde Park on Sunday – you were incredible! And it was so lovely to see all the band members so in sync with each other and having such a great time on stage! It must have been such an amazing experience – how was it for you?
BST Hyde Park was one of the most memorable shows I’ve ever played, and also my favourite with Shania so far; Hyde Park seemed like the perfect ending to such a legendary run (getting to play Glastonbury as well!). There is something about that stage that makes a show feel larger than life and the energy in the heart of London is something that’s hard to describe in words. Shania has been the most wonderful human, welcoming me so brilliantly on her stage each night. I’m honoured to have been a part of her world this year. 

And how did the opportunity to play with Shania come up for you? Had you previously been a fan?
To say I’ve been a fan of Shania would probably be the understatement of the century. Shania is the reason I started singing when I was a little girl. It’s crazy to think the song that made me fall in love with Shania, ‘No One Needs To Know’, is now a song I get to play on stage with her every night. Life is truly wild and surprising in those full circle moments. I toured with Shania last year on the Queen Of Me tour, which was so incredible! Then, at the beginning of this year, when I got the call to see if I wanted to come out and play guitar for her, the offer was one I couldn’t resist!

As well as playing with legends like Shania Twain and artists like Maren Morris, you’re also a solo artist in your own right and write fantastic country-pop anthems – I love the catchy hooks and emotion-strewn power of songs like ‘How Good’! What are the main things you tend to draw inspiration from when writing songs?
I want to write songs from an honest place, because I think the more honest a song is, the better chance it has to connecting with someone else. I feel that we’re all fighting similar battles on opposites sides of the same war sometimes, so usually I tend to pull inspiration from my own life, or from stories I’ve heard friends tell me. As long as I can connect to it in some way, I can write a song about it. 

And you’ve also just played a sold-out show at London’s Omeara, which I was sorry to miss! How was that for you? Was it the first time you’ve played in London?
My sold out show at the Omeara was so incredible. This is probably the tenth time I’ve played London, but I’m always so happy to be back and see the best fans on the planet! I felt so loved as they sang all the words to b-sides off my last couple records, and I was able to preview some brand new songs for them. Overall, it was such a great night. 

You won ‘single of the year’ at the CCMAs last year for your song ‘Right On Time’, which is so fantastic – big congratulations! How does it feel being classed as a ‘country’ artist, and how much would you say you’re influenced by and fit into the genre generally?
Winning ‘single of the year’ at the CCMAs for ‘Right On Time’ was such an incredible night. Most of the time I don’t really see myself as country, and to be honest have been told so many times that I’m “not country enough” for the genre. I grew up loving songwriters like Joni Mitchell, Carole King and Shania, and since I started writing music, my goal has been to create the most honest songs I can. When I moved to Nashville fifteen years ago, and got offered a deal from a country record label, I just figured that my music could cross over to many genres, and – because of the messages in my songs – I felt like country fans could relate. I’m so grateful for all of the amazing fans that I’ve met through country music, but if I were being honest, I don’t know if I’ve ever truly ‘fit’ into the genre. At the end of the day though, I don’t think fans care if they’re listening to a “country” song or a “pop” song, or a “rock” song, I think people just like to listen to the music they like to listen to. So at this point in my career, I see myself as more of a singer-songwriter than classified as a country artist, and truly, I just hope that I can keep making music that feels honest; that people want to listen to. 

Are there any other contemporary country artists that you’d recommend we check out?
I am very excited for the genre of country music, and the wider tent it’s casting with artists like Noah Kahan and Zach Bryan. It’s really inspiring to see artists like Kacey Musgraves being true to herself and her sound, and letting it evolve compared to letting a genre tell her where she needs to go. I’m a huge fan of her latest record, Deeper Well. 

As we’re an organisation that focuses on promoting women and queer folk in new music, how would you say the industry is for them at the moment? And how has your experience been in what can often seem like a male dominated environment?
Thank you so much for all you do for women and the queer community! I will say that I think the industry is better now than it’s ever been in supporting these minorities. However, we still have a long way to go. The ratios are still very uneven, and although there doesn’t seem to be a linear solution to the problem, I think the best thing that women and queer artists can do is keep releasing great music. 

And do you have any advice for young women who might want to get into making music right now?
If you’re wanting to make music right now, I think the most important thing to figure out is who you are and what you want to say: why now? Anyone can sit in their bedroom today, write a song, and release it hours later… But you have to think, why should anyone care? When you can distill what you want to do down to a few sentences, I think the path on what you need to do and where you need to focus becomes really clear. It should all revert back to your reasons why. 

Massive thanks to Lindsay for answering our questions! Have a listen the awesome playlist that she put together of some of her favourite contemporary country artists here.

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PLAYLIST: June 2024

The Get In Her Ears team have put together another mix of feminist punk, queer anthems, alternative & shoegaze sounds, eclectic electronic tracks, indie-folk musings, and alt-pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

ARXX – ‘Good Boy’
Wow, it seems like it’s impossible for total faves ARXX not to write a song that gets instantly lodged in your brain and demands listen upon listen; each listen making you feel more and more uplifted. I just can’t get enough of latest single ‘Good Boy’s thumping beats and anthemic energy. They describe this track as their “big gay anthem… A little bit saucy, a little bit cheeky and a lot of fun!” As well as listening to the track multiple times, you should also watch the video – the dogs are cute, Hanni and Clara are cute, it’s a whole lot of cute.
(Mari Lane – Managing Editor)

SASAMI – ‘Honeycrash’
I was late to the SASAMI party, first discovering her in 2022 when she released her genre-blending metal-folk album, SQUEEZE. ‘Honeycrash’ is her first piece of new music since then, and it’s a glorious, full-bodied, passionate anthem about the complexities of love and relationships. SASAMI explains: “I wanted to write a song with all the drama of a 19th century classical opera, but with the patience and understanding of someone in therapy in 2024,” and on ‘Honeycrash’ she has achieved exactly that.
(Kate Crudgington – Features Editor)

Seraphina Simone – ‘Wild’
This is the title track from Seraphina Simone’s shimmering new EP. ‘Wild’ is Seraphina’s statement of rage, shifting self-worth, grief and sadness; all beautifully polished into a bright collection of alt-pop gems. (KC)

Æ MAK – ‘Low Down’
Lifted from her new EP, ABC SIDE Baby, this single from Irish art-pop artist Æ MAK is about “hitting rock bottom after a break-up, almost basking in it, and finding your power again”. I love this phoenix-rising-from-the-ashes sentiment, set to an infectiously upbeat mix of heady synths and dancing beats. (KC)

SOPHIE – ‘Reason Why’ (ft. Kim Petras and BC Kingdom)
It’s fair to say I got a little emotional hearing that a new album from legendary producer and trans pioneer SOPHIE was being posthumously released. The first single to be shared from it, ‘Reason Why’ features Kim Petras and BC Kingdom and offers a euphoric slice of queer electro-pop. Of the decision to release her music now, SOPHIE’s family have shared a statement explaining: “It feels only right to share with the world the music she hoped to release, in the belief that we can all connect with her in this, the form she loved most… Sophie gave all of herself to her music. It’s here that she can always be found.” SOPHIE, the self-titled final album, is due for release on 27th September via Transgressive and Future Classic. Pre-order here. (ML)

Chelsea Wolfe – ‘House Of Self Undoing’ (Boy Harsher Remix)
I am obsessed with this Boy Harsher remix of one of my favourite Chelsea Wolfe tracks. They’ve kept the melancholy undertones of the original, but somehow managed to transform it into an hazy, uplifting rush of synths, beats and hushed vocals. (KC)

Roller Derby – ‘Silver Jet’
Following recent single ‘Dreams’, Hamburg duo Roller Derby are back to charm our ears with the immersive sounds of ‘Silver Jet’. As Philine Meyer’s distinctive celestial vocals soar throughout, the song sparkles with anticipation for the new beginning that we’ve been flying towards throughout the track. A stirring meditation on enduring challenges, both on a personal and collective level. (ML)

Midwife – ‘Killdozer’
Taken from her upcoming album, No Depression In Heaven, this beautiful single from Midwife is “an ode to a city lost in the aftermath of gentrification.” ‘Killdozer’ centers around the story of Marvin Heemeyer, a muffler repair shop owner who went on a demolition spree in a modified bulldozer, before taking his own life in a small Colorado town in 2004. It always impresses me how Midwife transforms the darkest of moments into beautiful, shoegazey lullabies like this. I’m looking forward to hearing her new album in full. (KC)

Julia-Sophie – ‘telephone’
Balancing all-encompassing romantic infatuation alongside her melancholic and lonely impulses, this vibrant track from Julia-Sophie is a total headrush. ‘telephone’ is taken from her upcoming debut solo album, forgive too slow, which is set for release on 26th July via Brooklyn label Ba Da Bing Records. Julia-Sophie offers this comment about her new record: “My journey with music has been weird and long. I think people assumed that the music I made was exactly what I intended to make, when it’s always just been me trying to figure it out. Being a solo artist has allowed me to really find myself and show who I am in all my messy states.” We fully support that! (KC)

mayday mae! – ‘girls into music’
California-based, queer alt-pop artist mayday mae! penned this fun track as an ode to all the queer films, music and art that came before her. ‘girls into music’ is taken from her excellently titled EP, my post-desert hearts renaissance. (KC)

Taylor Swift – ‘I Can Do It With a Broken Heart’
I will NEVER stop talking about Taylor Swift and The Eras Tour. I was lucky enough to see the show in both Lisbon and London and I am still in AWE of what she does. The atmosphere was electric and her fans were so fun, kind and willing to indulge in a level of shared euphoria that I have never seen or felt at a stadium gig before. What a privilege to be a part of that. Here’s to Rachel, Vicky and Mel who were screaming and crying the whole way through with me. (KC)

Beauty Sleep – ‘Big Sky’
The new single from Derry duo Beauty Sleep, ‘Big Sky’ is inspired by a fun weekend at Primavera festival. Oozing an infectious glistening energy and fizzing jangly hooks, it’s a perfectly danceable euphoric summer anthem. (ML)

Saint Sappho – ‘Glory Box’
With Portishead’s Dummy being my most favourite album of all time – having grown up listening to my dad’s cassette recording of the album on so many car journeys, and then later as a teen immersing myself in its dark cathartic splendour – I was excited to hear Saint Sappho’s rendition of seminal track ‘Glory Box’. Whilst maintaining the majestic allure of the original, it oozes an added musically rich sense of grandeur and raw energy. Of their decision to cover the track, the duo explain: “We both love the original song and thought it’d be an interesting one to cover and experiment with putting our own sound into it. We added some orchestral elements, which we thought would work well in this song and love to make a track really dramatic.” (ML)

Naomi in Blue – ‘Skin’
Taken from her recent EP, It Takes Time, this is a candid and poignant rumination from singer-songwriter Naomi in Blue. A considered exploration of emotion and identity, ‘Skin’ and the other tracks that form her new record are equally as raw and revealing. Definitely make the time to listen to it in full. (KC)

Hinako Omori – ‘stillness, softness’ (kloxii li remix)
Hinako Omori has shared this remix of her track ‘stillness, softness’ which is taken from the “extended dream transition” version of her album of the same name. It’s remixed by Kloxii Li, who is a friend and collaborator of Hinako. I love the way they’ve made this gentle track sound so shadowy. (KC)

Yaz Leon ft. BUKKY – ‘4th Wall’
A great collaboration here between experimental R&B artist Yaz Leon and genre-defying artist BUKKY – who was a guest on our Soho Radio show a few months back. ‘4th Wall’ is taken from Yaz’s upcoming EP, Bleach. Yaz describes this song as “kind of a ‘hater’ and a “help I’m spiralling” song” about the lack of solidarity she’s experienced in different social spaces. She also says “it’s a bit of a bummer, but at least we made the beat fun! – which I respect! (KC)

Fraulein – ‘In The Living Room’
This is my favourite track from Fraulein’s recent mini-album, Sink Or Swim. The perfect mix of loud and quiet; the skilled grunge duo consistently deliver swirling alternative anthems that command the senses. Definitely check their record out. It’s a GIHE team fave at the moment. (KC)

LIINES – ‘Holding On’
The new single from Manchester post-punks LIINES, ‘Holding On’ is the band’s first new music since 2021. Showcasing the band’s ability to create brooding sonic explosions, lyrically it draws on themes of hope and desperation, and I just love its frenetic sense of urgency and the raw passion of Zoe McVeigh’s soaring vocals. (ML)

Problem Patterns – ‘I Think You Should Leave’
An ode to their hometown of Belfast, this is the brand new single from GIHE faves and punk icons Problem Patterns. Inspired by a disparaging comment a journalist made to the band when speaking about Northern Ireland, the track is a riotous “love letter” to the place that raised them as individuals and as a band. “Everybody leaves and nothing changes / I’ll stay here and create the spaces” they chant in the chorus, which becomes more powerful each time it’s repeated. The GIHE team love everything that Problem Patterns stand for, and we were lucky enough to visit them in their hometown back in 2022 for the Women’s Work Showcase at the Oh Yeah Music Centre. The Belfast hospitality was beautiful – we think you should all go! (KC)

Belmondo – ‘Getting Closer’
Lifted from their excellently titled EP, The Blessed & The Evil, released via Silent Cult, I love this heavy, swirling anthem from Brighton-based alt-rock band Belmondo. The band will be playing live at venues in Glasgow, Manchester and Birmingham this September, and they’ll be performing at the Hope & Anchor in Islington, London on 5th September too. (KC)

Brat Coven – ‘Favourite Crime’
The latest single from Glasgow ‘doom-punk’ band Brat Coven , ‘Favourite Crime’ reflects on predatory age-gap relationships with a fierce, raging passion. Propelled by a seething energy, a captivating, haunting soundscape is created. Of the track, the band explain: “We wrote this song for ourselves, for our younger selves, for anyone whose story is told by this song. Sexual abuse and grooming is rampant, particularly in the music industry and we think it’s incredibly important to use our voices to speak out and condemn predatory men.” (ML)

SNM – ‘Borne Of My Rib’
Loving this angst-ridden single from London-based Grunge-rock newcomers SNM. They’ve only released a handful of tracks so far, but the band are gearing up for a busy year of live shows and writing together, so keep your eyes peeled for more from them soon. (KC)

Strange New Places – ‘Foreign Cities’
I really enjoyed reading the bio of Belfast-based band Strange New Places when their email dropped into my inbox earlier this month. They describe themselves as “right-on radicals with low self-esteem; a band where queerness and neurodivergence intersect, and intersect hard. Sometimes they intersect in fun and interesting ways and other times they intersect in strange and annoying ways. Each member looks like they’re in a different band, and sometimes they sound like it too. Regardless, they’ve stuck together, and they have some music to play for you.” This track ‘Foreign Cities’ is a perfect example of all these wonderful traits; playful, quirky and bittersweet. (KC)

Hot Wife – ‘Buffy Summers’
The debut single from South London band Hot Wife has dropped into my life at the perfect time! I am currently on my first ever watch of Buffy The Vampire Slayer – I’m on season 4 – and I am loving it. I’m thrilled that I can finally join in on all the fandom. Hot Wife describe this track as “a crunchy-grunge ballad, and a reminder that when relationships are disappointing, you can always go out there and seek revenge by kissing kick-ass people.” A sentiment we should all be living by. (KC)

Alien Chicks – ‘Qwerty’
Another unpredictable and infectious post-punk anthem from Brixton trio Alien Chicks, featured on their upcoming debut EP, Indulging The Mobs, set for release on 18th July via Hideous Mink Records. It’s cliché to say, but they truly are a band who are best appreciated live. They’ll be headlining Moth Club in East London on 5th July. Grab a ticket and go an experience their frenzied live set in the flesh. (KC)

Fightmilk – ‘Summer Bodies’
A perfectly raging summer anthem, ‘Summer Bodies’ – the new single from pop-punk faves Fightmilk – has been a live favourite for some time, so I’m very happy that it’s now properly out in the world. Raging against patriarchal society’s ridiculous and ever-changing expectations of women’s bodies and the futile quest to ‘be sexy’, it offers a fierce ode to self-love in the face of the onslaught of damaging beauty standards that we are constantly bombarded with. Angsty and uplifting in equal measure, it’s an instantly catchy singalong anthem, combining the band’s trademark tongue-in-cheek wit with a swirling energy and gritty raw emotion. So, this summer, wear whatever you makes you feel comfortable, pay no mind to the incessant Instagram ads about fad diets or corrective procedures, and know that you look great – whatever size, age or gender you may be. (ML)

Okay, Bye – ‘The Fun Is Over’
Pastel-punk duo Okay, Bye released their debut album earlier this month, and this is the excellently titled eponymous track. If you like the sound of ‘The Fun Is Over’, definitely give the whole record a spin. (KC)

Annie Taylor – ‘In Your Head’
Recorded during a break on their tour in Leipzig, Annie Taylor’s latest single ‘In Your Head’ is a swirling indie-grunge anthem. The band are set to tour Europe in December this year, and they’ll be stopping in London at The Shacklewell Arms in Dalston on 3rd December too. (KC)

PostLast – ‘Scavenge’
This is the brand new single from Irish indie-pop duo PostLast, out now via VETA Records. ‘Scavenge’ is all about that “unspoken connection” between two people that can “quieten all of the noise, anxiety and pressure you might be feeling internally” which is a sentiment I love. (KC)

Lunar Vacation – ‘Set The Stage’
Having just announced the upcoming release of a new album this autumn, following one of my most-listened to of the last few years – 2021’s Inside Every Fig is A Dead Wasp – Lunar Vacation have now shared this dreamy new single. The first and last song that vocalist and guitarist Gep Repasky has ever sent to the person that they’d written it about, ‘Set The Stage’ ripples with a swirling anthemic splendour as a glistening emotion oozes from the immersive shimmering soundscape. Everything Matter, Everything’s Fire, the new album from Lunar Vacation, is set for release on 13th September via Keeled Scales. (ML)

Sequela – ‘Zavander’
I’m glad that I found this track from Portland-based band Sequela in my inbox. Non-binary front person Sequela explains that ‘Zavander’ “is in part about my experience of navigating the isolation and dynamism of adolescence in the body of a teenage girl who was not made for her world.” Along with their bandmates, Sequela manages to transform these feelings of unease into a lush indie-shoegaze anthem. (KC)

Static Lives – ‘Social Anxiety’
Having been blown away by Sheffield’s self-proclaimed ‘dance-rock-alt-band’ Static Lives at Cro Cro Land earlier this year, I’ve been enjoying dancing and rocking to latest single ‘Social Anxiety’. Propelled by a fierce energy, it races with catchy hooks and front woman Lori’s impassioned vocal drive. (ML)

Th’Sheridans – ‘Dancing In The Dark’
A favourite band covering an absolute favourite by my absolute favourite; so many faves all in one. I just cannot stop listening to Th’ Sheridan’s rendition of Bruce Springsteen’s infamous anthem ‘Dancing In The Dark’ right now; I love the gritty emotion oozing from Adam’s vocals alongside the racing, fizzing hooks . Of the track, the band say of their choice to cover this song – “It carries a cavernous depth of sentiment: everyday monotony, feelings you just can’t seem to put anywhere, oppressive levels of aesthetic self-assessment, and most freeingly, the belief that other ways of being are possible.” Th’ Sheridans recorded this cover especially for a wonderful new podcast, Because The Boss Belongs To Us, which sees Holly Casio and Jesse Lawson put forward the case that Bruce Springsteen is in fact a queer icon. I wholeheartedly agree. Oh, and I just saw him in Madrid and he was as incredible as ever – played for 3 hours non-stop, and I was crying happy, overwhelmed tears pretty much the whole time. (ML)

Spring Major – ‘A Varsity Play For The Dock’
I’ve loved Spring Major a lot since first coming across them last year, but now – since seeing them play for us at our dreamy gig at The Finsbury last Friday, supporting Felicette with Schande and Caleb Nichols – I would consider myself a fully-fledged mega fan. Latest single ‘A Varsity Play For The Dock’ perfectly captures how the band’s swirling energy and jangly melodies come together to create impassioned and instantly uplifting emo-tinged anthems. (ML)

The Calamatix – ‘Love, Lies and Alibis’
California’s The Calamatix have just announced the release of their upcoming debut album, as they’ve shared a catchy new single. Combining elements of old school ska with Jamaican rock-steady, as well as a fresh contemporary edge, ‘Love, Lies and Alibis’ bounces with a vibrant energy as buoyant beats race alongside the smooth, soulful vocals. It took me back to being sixteen, skanking round the living room before heading out to see local ska-punk bands at Bedford’s Esquires; a perfectly nostalgic, joy-inducing accompaniment to heady summer evenings. The self-titled debut album from The Calamatix is set for release on 20th September via Hellcat Records. (ML)

Dolly Parton – ‘Dumb Blonde’
A bit of Dolly here to remind you that we’ll be hosting a night of queer country fun on 19th July at Sebright Arms. Headlining will be the world’s premiere Dolly Parton tribute band The Dumb Blondes, who are quite the super group – featuring members of Fightmilk, Panic Pocket, Yakkie and Charley Stone. Support comes from cowboi crushes Trouble Wanted and legendary Margate duo pink suits, in their country guise. It’s going to be epic – so, don your daisy dukes and come on down for a rootin’, tootin’ good time! Well over half the tickets have already been snapped up, so you better nab yours quick – on Dice now. (ML)

 

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PLAYLIST: January 2024

The Get In Her Ears team have put together another eclectic mix of post punk anthems, grunge & shoegaze musings, indie & alternative tunes and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

HAVVK – ‘You Say You Won’t’
Ahead of the release of their upcoming new album in March, GIHE faves HAVVK have shared another spellbinding taste of what’s to come. As front person Julie’s celestial vocals emanate throughout, ‘You Say You Won’t’ showcases the Dublin trio’s ability to create a shimmering immersive grace whilst touching on poignant subject matter. I really can’t wait for them to come and headline for us at The Shacklewell Arms on 28th March, especially as they headlined the first ever gig we hosted back in 2016 – it’s going to be a pretty special evening, with support from Athabaska and Rats-Tails. Grab a ticket here! To Fall Asleep, the upcoming album from HAVVK, is out on 15th March via VETA Records.
(Mari Lane – Managing Editor)

Fraulein – ‘Wait and See’
Unsurprisingly, the GIHE team all love this latest single from Northern Irish/Dutch duo Fräulein. ‘Wait and See’ focuses on the contradictory nature of anxiety, and how we clench our teeth through it, rather than treating the issue underneath it. It’s another seamless blend of the band’s trademark gritty-yet-melodic riffs and considered, hard-hitting beats. I can’t wait to see Fräulein play live at Scala supporting art punks JOHN on 29th Feb.
(Kate Crudgington – Features Editor)

SPRINTS – ‘Heavy’
We’re big fans of SPRINTS here at GIHE, so watching their stellar debut album, Letter To Self, receive so much love and acclaim when it was released at the beginning of this month was a real joy. The Dublin-based band are a formidable force on the stage, and this track in particular showcases their intense, dynamic songwriting talents. (KC)

Gouge Away – ‘Stuck In A Dream’
This angst-ridden anthem from Florida-based five piece Gouge Away has been stuck in my head for an entire month. Visceral vocals, heavy riffs and relentless beats – I’m obsessed. ‘Stuck In A Dream’ is taken from Gouge Away’s upcoming third album, Deep Sage, which is set for release on 15th March via Deathwish. (KC)

The Baby Seals – ‘Mild Misogynist’
Cambridgeshire punk trio The Baby Seals are back, and I could not be happier about it. Following a little hiatus for life stuff, they have now announced the release of their debut full length album and shared a typically catchy, witty and gently raging tune that’ll lodge itself firmly in your ears on first listen. Reflecting on those men we all (sadly) come across on a daily basis who claim to be feminists because they happen to have a wife/daughter/mother, but are actually a huge part of the problem with their damaging micro-aggressions and embedded sexist views, with its gritty energy and danceable hooks, ‘Mild Misogynist’ is the perfect re-introduction to The Baby Seals’ ability to deliver their all-too-necessary message with a fizzing sense of fun. (ML)

Self Torque – ‘No Rest’
I’m so impressed that Brighton-based Self-Torque has managed to transform feelings of desperation and inadequacy into a frenzied, vibrant anthem on ‘No Rest’. Taken from their recent EP, No Rest For The Depressed, it’s a potent reminder that there are always better days on the horizon, and that you are more capable than you think you are. (KC)

Ski Lift – ‘Double Yellow’
Following last year’s catchy ‘Living The Dream’, London trio Ski Lift are back with a stirring new single. With bassist Lizzie Walsh taking the lead on vocals, ‘Double Yellow’ flows with a whirring splendour as lush harmonies intertwine with a sparkling energy. Inviting us all to take a step back and absorb the often overlooked beauty of our surroundings with a lilting warmth, it showcases songwriter Benji Tranter’s ability to turn even the most everyday of situations into genuinely heartfelt, and instantly catchy, indie-pop anthems. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps have now shared this raging, honest and utterly necessary pro-choice anthem at a time when we need it more than ever. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, the track seethes with a fierce angst, whilst showcasing front person Emilia’s trademark stark wit and ferocious energy. With their return, The Menstrual Cramps continue to create a perfect balance of unifying joy and rage that has never felt more urgent. I can’t wait to hear more of their cathartic, empowering anthems over the next few months. Find out more here. (Also, some welcome slightly positive news regarding abortion in the UK here.) (ML)

pink suits – ‘C.O.F.F.E.E.’
Following last year’s riotous single ‘Refuse The Rules’, total faves pink suits have now shared another taster of their upcoming second album in the form of a new tongue-twisting punk anthem. Although seemingly less politically charged than some of the Margate duo’s previous offerings, ‘C.O.F.F.E.E.’ touches on themes of addiction and exhaustion but with a racing, fun-fuelled energy, oozing the band’s playful charisma. Whilst essentially Lennie and Ray’s soundcheck song, it showcases all there is to love about the immense formidable force that is pink suits. Watch the caffeinated new video for ‘C.O.F.F.E.E.’ here. Dystopian Hellscape, the upcoming second album from pink suits, is set for release on 1st April. (ML)

Dermabrasion – ‘Magic Missile’
Another brooding, ominous cacophony from Toronto-based duo Dermabrasion. The band have just shared their superb debut album, Pain Behaviour, via Hand Drawn Dracula and it is well worth your attention. Industrial-tinged post punk noise: 100% a bit of me. (KC)

GHLOW – ‘Big City’
Stockholm alternative duo GHLOW are back with a brand new album, Levitate, which is set for release on 8th March via PNK SLM. This track, ‘Big City’ is the first exciting, intense glimpse of what listeners can expect from the new record. (KC)

The Fauns – ‘Shake Your Hair’
Following a decade-long hiatus, Bristol based shoegaze ensemble The Fauns have now returned to charm our ears, releasing their new album this month. Showcasing the sweeping ethereal soundscapes that we’ve come to know and love from the band, whilst dipping into newer, electro-driven sounds, the album as a whole oozes a mystical allure as glistening instrumentals provide a backdrop for Alison Garner’s exquisite emotion-rich vocals. I’ve had it on repeat since first hearing it, immersed in its captivating blissful haze. Read about the five songs that have inspired Garner’s vocal style the most here. How Lost, the new album from The Fauns, is out now via Invada. (ML)

Heart Rot – ‘Anchors To Elsa’
Inspired by the quiet-loud dynamics of the ‘90s grunge scene, New York band Heart Rot deliver their ethereal yet gritty creations with a fierce allure. A completely DIY project, the band draw influence from their experience as girls and connection to the natural world in their songwriting, and pride themselves as artists honing their craft; not just in creating their music, but in their merch too, hand-making it all from second-hand clothes. With just two songs out so far, they’re a new favourite for sure; I can’t wait to hear more of their raw, bewitching soundscapes. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her upcoming album, Gold, which is set for release on 12th April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the album is a dynamic, intricate musing on the shifting nature of love, time and change. I look forward to hearing it in full. (KC)

Fears – ‘4th of the 1st’
I’m so glad that Dublin-born, London-based interdisciplinary artist Constance Keane aka Fears is back! Taken from her upcoming second album, affinity, which is set for release on 22nd March via TULLE, this single ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. It’s a poignant reflection on emotional resilience and self-soothing. Watch the accompanying video for it here. (KC)

Birthday Problem ft. Ailbhe Reddy – ‘E.L.E’
‘E.L.E’ is the atmospheric debut release from Birthday Problem, a collaborative electronica project between Irish musicians and producers Matt Harris (HAVVK) and Rocky O’Reilly. Released via VETA Records, ‘E.L.E’ – which stands for ‘Extinction Level Event’ – follows the narrative of a fictional character who is in an underground post-apocalyptic world. The track also features vocals from GIHE fave Ailbhe Reddy. (KC)

KÁRYYN – ‘Anthem For Those Who Know’
Marking her first new music release in four years, ‘Anthem For Those Who Know’ is a defiant return to form for Armenian-American songwriter, composer & producer KÁRYYN. It’s a poignant statement about self autonomy and the significance of advocating for yourself and others in the face of adversity. Co-produced with Hudson Mohawke and released via Mute, ‘Anthem For Those Who Know’ is a rumination on the importance of protest in all its forms. (KC)

Schande – ‘Relevant Campaigns’
I can’t seem to stop listening to this song and crying. A thing of pure beauty. Its twinkling grace. The whirring to-ing and fro-ing, like the constant rippling of the tide that keeps going even when everything else seems like it’s stopped. The shimmering hooks that rise and fall. Jen’s whispering vocals fading in and out with an understated melancholy. Written while her mother was terminally ill, it’s an exquisite rumination on the fragility of life and the strength of love. Watch the beautiful accompanying video here, and keep you eyes peeled for Schande’s upcoming new album, Once Around, set for release this year via Thurston Moore’s The Daydream Library Series. (ML)

Moor Mother – ‘Guilty’
Following critical acclaim for her 2021 album Black Encyclopedia Of The Air, innovative artist Camae Ayewa – aka Moor Mother – has now announced the release of her 9th studio album. Our first taste of the album comes in the form of ‘Guilty‘, a collaboration with Lonnie Holley, Mary Lattimore and Raia Was. Oozing a mystical energy, it encapsulates the sentiment of the album – a poignant and necessary message, bringing to our attention crimes committed by our ‘fair isle’. As the glistening musicality provides a backdrop to lists of ‘great’ Britain’s injustices against humanity and the harsh realities of colonialism, the juxtaposition of the horror of ‘Guilty’s message with the beauty of its musicality is stark. A hauntingly beautiful offering; an urgent message encased in an evocative sonic grace. The Great Bailout, the ninth album from Moor Mother, is set for release on 8th March via ANTI-. (ML)

Allison Lorenzen – ‘Words’ (Low Cover)
Taken from the upcoming album, Your Voice Is Not Enough – a tribute to the band Low – Allison Lorenzen’s cover of ‘Words’ made the hairs on the back of my neck stand up when I first listened to it. The album was born from a conversation between Planning For Burial’s Thom Wasluck and record label The Flenser, who were inspired by the “nuanced beauty” of Low’s discography. Whether you’re a fan of Low or not, Allison’s cover and the renditions on the record are well worth your attention. The album features contributions from Midwife, Amulets, Planning for Burial and more. (KC)

Katy Kirby – ‘Hand To Hand’
Flowing with lilting melodies and rich, sumptuous vocals, Brooklyn artist Katy Kirby’s new single reflects on what she calls ‘heteropessimism’ and the gory collapse of several relationships, with a twinkling, yet gritty, allure. The single comes ahead of the release of Kirby’s second album, Blue Raspberry, later this month, which sees her delving into her sexuality and the ways we present ourselves during the quest for love. The album’s out on 26th January via ANTI, and I can’t wait to hear more of Kirby’s beautifully honest creations. (ML)

bedbug – ‘halo on the interstate’
Originally a solo project from non-binary artist Dylan Gamez Citron, LA-based bedbug has now expanded its lineup to include Owen Harrelson, Minerva Rodriguez, Meilyn Huq and Drew Cunningham. Together, the band are preparing to release their fourth album, pack your bags, the sun is growing, on 15th March via Boston’s Disposable America label. This single ‘halo on the interstate’ showcases their fully fleshed out new sound perfectly. (KC)

Grace Petrie – ‘Start Again’
Having been a big fan of Grace Petrie for a number of years now, and being lucky enough to interview her back in 2021, I’m super excited to hear that she’ll be releasing her third album in March. With its chiming piano alongside Petrie’s heartfelt vocals, new single ‘Start Again’ offers a stirring first taste of the album; a rousing ode to the power of solidarity. Building with a gentle emotive spirit, it showcases her ability to create beautifully catchy folk-strewn anthems that ripple with an undercurrent of politically-charged urgency. Build Something Better, the upcoming album from Grace Petrie, is out on 8th March on The Robot Needs Home Collective. (ML)

Waxahatchee ft. MJ Lenderman – ‘Right Back To It’
Kansas based artist Katie Crutchfield aka Waxahatchee’s been one of my most played artists of the last few years – her heartfelt Americana-tinged ballads just get me every time. And latest single ‘Right Back To It’, is no different. Featuring MJ Lenderman on backing vocals, their voices intertwine to create blissful heartfelt harmonies alongside lilting banjo melodies; my favourite combination of sounds. It’s just exquisite and I can’t wait to hear more on the upcoming new album, Tiger’s Blood, set for release on 22nd March via ANTI-. (ML)

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