Happy Birthday Us: GIHE Turns Two!

To mark two years since the birth of our baby website, we’ve decided to look back at a few of our personal highlights of the last 24 months. From fantastic gigs and memorable interviews, to informative guest blogs and the return of some of our favourite bands, it’s been amazing getting to share what we’re passionate about on our little platform.

So, we’d also like to take this opportunity to thank all who’ve supported us on this journey – to all the wonderful bands and artists who inspire us every day, and anyone who takes time to read/listen to us and spread the word about what we do. We’re super grateful for you all, and could not have done this without you! Here’s to the next two years and more, continuing to do as much as possible to promote and support female/non binary/LGBTQ+ people in new music.

Have a read about some of our highlights of the last couple of years, and listen to our special birthday playlist below…

Guest Blog: Dream Nails’ Janey – “What It Means To Be A Punk Witch”
One of the first ever posts to go up on the website, it was a real honour to have Janey from faves Dream Nails share with us what it means to be a punk witch; discussing the importance of sisterhood, feminism and direct action, and the need for women and non-binary people to come together in safe spaces. All things that we hold with great regard here at Get In Her Ears. Talking about the catharsis of channelling “the instinctive, magic energy of womanhood together”, reading this highlights just how necessary and powerful voices such as Janey’s are at times like this; why we need bands like Dream Nails more than ever – groups willing to combine activism and music to form a unifying force against the patriarchy.
– Mari Lane

Get In Her Ears w/ Big Joanie
It’s hard to pick favourites when it comes to guests we’ve booked for our radio show, but when Steph & Estella from punk band Big Joanie agreed to come in to the studio for a chat, I was genuinely excited. Their knowledge and experience surrounding the DIY music scene and intersectional feminism is so fascinating and so vital. The work they do on and off stage is incredible, so I’m glad we could support them on our platform.
– Kate Crudgington

Having Steph & Estella from Big Joanie as guests on the radio show was definitely a highlight for me! We barely needed to ask a question; as Kate says, they spoke with such knowledge and experience surrounding the DIY music scene and intersectional feminism, it was an honour to listen to what they were saying. And their music’s not too bad either…!
– Tash Walker

Get In Her Ears Live @ The Finsbury w/ ARXX
To celebrate International Women’s Day this year, we invited one of our most favourite bands to headline for us at The Finsbury. And what better way to celebrate womanhood than with the utterly phenomenal, ferocious force of the magnificent ARXX. Joined by the fun-filled empowering energy of The Baby Seals, the fierce post-punk of Scrounge and the twinkling soundscapes of Rainbow Corp, it was a truly special night; one which left me feeling all the feels and incredibly grateful for being able to do what we do.
– Mari

Introducing Interview: Helga
I really enjoyed interviewing Helga both because I love her music but also because it’s so important to us at Get In Her Ears to champion the artists we believe in. Publishing interviews, reviews and guest blogs from womxn and non-binary people across the music industry is what we’re about, and will always be about for all the years to come!
– Tash

Interview: Teri Gender Bender from Le Butcherettes 
I only discovered Le Butcherettes after they released their fourth album bi/MENTAL earlier this year – I must’ve been living under a rock. Shame on me! I saw them live at Moth Club and I was blown away by front-woman Teri Gender Bender’s formidable voice and captivating performance style. When I called her for a chat, I was worried my fan-girling would get in the way of my journalistic interests in her music, but luckily for me, she was incredibly friendly, charming and funny.
– Kate

LIVE (Photos): Cro Cro Land (Part 1) (Part 2)
As a fairly new Croydon resident, it was a real honour to be asked to help with the inaugural Cro Cro Land festival this year by friend and all round wonder woman Angela Martin (of Bugeye). A festival which ensures gender balance across the board – not only with those performing, but with all crew and staff behind the scenes – it was a fantastic day filled with incredible music from both widely known bands such as The Lovely Eggs, Nova Twins and Bang Bang Romeo, and personal favourites like Chorusgirl, Fightmilk and ARXX. Being able to be a part of it, and DJ on the day, was such a wonderful and informative experience, and we can’t wait for Cro Cro Land 2020… !
– Mari 

Playlist: 50 Years Of Pride
Supporting LGBTQ+ rights is at the core of what we do at Get In Her Ears 365 days a year. I’m so proud to be part of an organisation which takes the time to acknowledge this throughout everything we do, from gender neutral toilets at our gigs, to standing up in defence of LGBTQ+ equality. Our 50 Years of Pride playlist is a culmination of everything we believe in and represent, and a great way both to celebrate and take stock of what still needs to be done in the ongoing fight for equality for everyone.
– Tash

Get In Her Ears w/ ESYA
It’s an understatement to say that us GIHE girls were thrilled when ESYA (Ayse Hassan of Savages, Kite Base, 180 db) agreed to come into the Hoxton Radio show for a chat with us. There were a LOT of capital letters used in our group chat on WhatsApp. I’d seen her live and interviewed her at her gig at The Glove That Fits earlier in the year, and I was so happy to discover she rates Gazelle Twin’s music as highly as I do. Her attitude to going solo, and her general work ethic, are truly admirable. ESYA is proof that it doesn’t matter what level you’re at in the industry, doing things for yourself is a positive and honest way of working (even when you’re snowed under with emails/EP orders/life).
– Kate

Track Of The Day: Chorusgirl – ‘No Goodbye’
Three years after the release of their self-titled debut, GIHE faves Chorusgirl last year shared their poignant second album Shimmer and Spin via DIY label Reckless Yes. The return of a favourite band after a bit of a hiatus is always pretty exciting, but there was something particularly special about Chorusgirl’s come back. Chronicling a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news, the album was the result of immense hard work and dedication from Silvi and co. ‘No Goodbye’ was the perfect introduction to the collection: a truly dreamy slice of scuzzy, sparkling garage-pop showcasing all there is to love about this band.
– Mari

Guest Blog: Grapefruit
I really loved this piece from Grapefruit’s Angela as part of our Guest Blog series. She chose to focus on what it means to take claim of being a woman in the music industry – it’s a great read! They also played a fantastic set for us at one of our Notting Hill Arts Club gigs, great music and great minds.
– Tash

EP: Petty Phase – ‘Petty Phase’
I love that our GIHE platform has allowed us to reach some of our established favourite artists but at its core, it’s about providing coverage for new musicians who deserve to be heard by all of our listeners/readers. Petty Phase are an Essex Riot Grrrl band who I’ve happily promoted over the last fews years on our website, and there are plenty more hard-working bands out there who are worthy of your/our attention too.
– Kate

LIVE: Indietracks Festival (Part 1) (Part 2)
With our ongoing disappointment at the lack of diversity on the majority of mainstream festival line-ups, I was particularly excited to have found out about Indietracks Festival last year – one that refreshingly, consistently, champions DIY bands and artists of all genders and genres. And it exceeded all expectations. With highlights including Sacred Paws, Colour Me Wednesday, Happy Accidents, Sink Ya Teeth and Ghum, it was so wonderful to be a part of. Indietracks is truly like a different world; a safe, joy-filled world, and one jam-packed with all the best music.
– Mari

LIVE: Hilary Woods, St Pancras Old Church
I’ve just re-read my live review of Hilary Woods’ performance at St Pancras Old Church from 2018, and it’s clear I was an emotional wreck during her show, and afterwards too. What a wonderful thing though – to be so moved by someone’s music that you hammer out 500 words about how insane you are.
– Kate

Get In Her Ears w/ Bengi Unsal
A radio show highlight for me was interviewing the Southbank Centre’s Senior Contemporary Music Programmer Bengi Unsal. She gave great insight to the work that she’s done at the Southbank Centre and throughout her career, including curating several Meltdown festivals, and the championing of electronic and world music.
– Tash

GIHE Behind The Scenes: Southbank Centre’s Alex & Phoebe
A recent feature we’ve started for the website, our behind the scenes feature focusses on all those amazing womxn working hard behind the scenes in the industry. It was a real honour to get to chat to Alex and Phoebe, the PR team behind promoting all the amazing events at my favourite space in London, Southbank Centre, for the first in the series. It was wonderful to find out about all the hard work they do, their dedication to accessibility and inclusivity, and all the Southbank Centre does for London’s culture.
– Mari 

Have a listen to our special birthday highlights playlist here:

 

Mari Lane / @marimindles
Tash Walker / @maudeandtrevor

Kate Crudgington / @kcbobcut 

Photo Credit: Jon Mo / @jonmophoto

PLAYLIST: July 2019

Whilst we’re still in the midst of a mind-melting heatwave here in the UK, we’ve thrown together some fresh new music on our July playlist that promises to soothe your sunburned ears. Take some time to scroll through our track choices and make sure you hit play on the Spotify playlist link at the bottom of the page…

BEA1991 – ‘Loser Wins’
Amsterdam-based artist and musical polymath BEA1991 has swept me away with this track, taken from her debut album Brand New Adult which is out now. I love her subtle, soaring vocals and there’s a beautiful accompanying video to this track that I recommend you check out. Bliss. (Kate Crudgington)

Grawl!x – ‘Epicene’
The new single from Derby-based artist James Machin – aka Grawl!x – ‘Epicene’ is a collaboration with Umbilica’s Jo Lewis, A soaring, cinematic soundscape that sends shivers down the spine, it explores discussions of gender, sexuality, feminism and the role of allies. Identifying as non binary themselves, Machin explains: “… [gender] is an issue I’ve wanted to explore in a musical dialogue for quite some time. It’s quite alarming when you realise how great the gender disparity is and how our culture is divided in binary terms.(Mari Lane)

Noga Erez & ECHO – ‘Chin Chin’
A dizzy, laid-back take on the links between sex and money; Noga Erez’s latest collaboration with Israeli MC and producer ECHO brims with off-kilter beats and tongue-in-cheek lyrics. Erez combines intimidatingly cool vocals with her trademark defiant flair on this new release. (KC)

King Hannah – ‘Crème Brûlée’
The impressive debut single from King Hannah, ‘Crème Brûlée’ is as utterly moreish as the dessert it’s named after. With its sweeping ethereal power, majestic twinkling musicality, and the longing, impassioned vocals of front woman Hannah Merrick, it’s a stunning introduction to a band who I’m sure we’ll be hearing a lot more from very soon. (ML)

Elliot Lee – ‘Dirt’
‘Dirt’ is the latest single from Brooklyn based Elliot Lee – a big slice of dirty pop which narrates the frustration towards those who don’t understand how much music means to people. (Tash Walker)

Kitzl – ‘Wizard Girls’
‘Wizard Girls’ is the latest release from Canadian producer and composer Kitzl, described as a shining offering, combining elements of ambient-electronic-pop, art-pop and experimental shoe-gaze. I’m into it. (TW)

Jenny Hval – ‘Ashes To Ashes’
Sacred Bones signee Jenny Hval’s new single is an enchanting, uplifting electronic affair. The track is taken from her upcoming album, The Practice of Love, which is set for release on 13th September and I can’t wait to listen to the record in full.(KC)

Sui Zhen – ‘Perfect Place’
Inspired by how we exist in the digital age, ‘Perfect Place’ flows with glitchy beats and twinkling, ‘80s-inspired hooks alongside Sui Zhen’s quirky, honey-sweet vocals. An instantly infectious slice of sparkling alt-pop. Zhen recently contributed a Five Favourites feature for the website, and because she couldn’t narrow it down to five, we also put together a banger-filled playlist of all her favourites – check it out! Sui Zhen’s upcoming new album, Losing, Linda, is out 27th September. (ML)

Arthur Moon – ‘Reverse Conversion Therapy’ 
Fronted by Lora-Faye Åshuvud, Brooklyn avant-pop group Arthur Moon are set to release their self-titled debut album on 2nd August via Vinyl Me, Please. ‘Reverse Conversion Therapy’ is another example of Lora-Faye’s “deconstructed pop music” which celebrates the queer impulse, and takes ownership when it comes to “breaking the rules” and doing things wrong – something we should all embrace a little more. (KC)

ZAMILSKA – ‘Hollow’
Polish Producer ZAMILSKA released her third album Uncovered this month, and it’s a densely hypnotic record permeated by her fascination with levitation. The result is thirteen richly textured tracks that seethe with “the anxiety of what we want vs what we get”. If you’re a fan of industrial or electronic music I recommend a listen. She’s my new music obsession. (KC)

Deep Deep Water – ‘Something In The Water’
Having recently wowed crowds at Glastonbury, London-based four piece Deep Deep Water have now shared blissful new single ‘Something In The Water’, and we can’t get enough of it. Flowing with whirring soundscapes and soaring, harmonising vocals, it’s an utterly euphoric creation, twinkling with a majestic splendour. Of the track, the band explain: “‘Something in the Water’ is about change… Something is making you act differently, strangely, in a way you can’t explain. It is change out of your control, you are rendered powerless.” (ML)

Daniella Mason – ‘Deepest of Wells’
Deep, synth-based melodies from Nashville-based Daniella Mason, taken from her EP Mental State – it’s so hauntingly addictive, once you’ve heard there is no going back. (TW)

Greentea Peng – ‘Downers’
The new single from South-East London’s Greentea Peng, described as “A disillusioned confession to self, my London city blues. A tune for us hedonistic youths searching to feel nothing, but who actually feel everything. Instead of getting you to sleep – I’m tryna wake ya up.” (TW)

Anna Wiebe – ‘I Felt It In The Wind’
‘I Felt In In The Wind’ is the latest release from Anna Wiebe taken from her recently released album All I Do Is Move, and I can’t stop listening to this emotionally evocative track. (TW)

Salad – ‘Under The Wrapping Paper’
Taken from their upcoming new album, Salad’s ‘Under The Wrapper’ is about exposing what we are sticking in the sand, and shoving under the carpet. With its gritty, post-punk energy and tongue-in-cheek deadpan vocals, it’s a unique euphonic delight, proving that the ‘90s band have still got it and are still capable of pushing boundaries with a distinct, vibrant spirit. Salad’s upcoming new album, The Salad Way, is out 30th August on Three Bean Records. (ML)

Playlist: 50 Years Of Pride

This year marks the 50th anniversary of the Stonewall riots which triggered the modern LGBTQ+ liberation movement in the US and beyond. On the 28th June 1969, the bar’s patrons clashed with police officers in a raid that was not uncommon during that era. However, this time they’d had enough, this time the patrons fought back. Two people in particular made a significant impact that night but the history books often forget – two transgender women of colour named: Marsha P. Johnson and Sylvia Rivera.

This night lit a match underneath the modern LGBTQ+ movement we see living on worldwide in Pride celebrations, protests and marches today.

So much has happened in the last 50 years both in favour and against the LGBTQ+ communities; in my lifetime alone I’ve seen the World Health Organisation declassify same-sex attraction as a mental illness, I’ve seen Section 28 being repealed, and equal marriage being passed into law but I’ve also seen a significant increase in the levels of isolation and loneliness within the LGBTQ+ communities, and the number of homophobic, and especially transphobic, hate crimes more than doubling in the last 5 years.

50 years on from the Stonewall Riots we have seen progress, but we are not at the finish line yet! As trans activist Charlie Craggs said “trans women of colour need you to fight for them the way they fought for you 50 years ago, there is still more to be done, the battle is not over.”

Which is why at Pride this year as I march in the parade, I will be marching to celebrate everything we have achieved and I will be protesting for everything that is to come because our mantra is: we’re here, we’re queer and yes sometimes we’re afraid, but we are never ashamed because we are proud of who we are!

– Tash Walker

To mark this momentous anniversary, Tash, Mari and Kate have put together some tunes to celebrate LGBTQ+ liberation, as we continue to push for progress. Read about our chosen tracks and have a listen below! 

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008, the same year I attended London Pride for the first time, this is without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life.
Tash Walker

Le Tigre – ‘Keep On Livin’
Pioneers of queer culture, Le Tigre’s ‘Keep On Livin’ remains a motivational anthem to anyone going through a hard time. Inspired by the feelings surrounding both ‘coming out’ as a survivor of sexual abuse, and coming out as gay, lesbian, bi or trans, it’s a pure cathartic release of emotion.
Mari Lane

Robyn – ‘Dancing On My Own’
Robyn is an outspoken ally for LGBTQ+ rights. I think it is important to recognise the role that allies play within LGBTQ+ history and the movement’s continued fight for equality.
TW

Lady Gaga – ‘Born This Way’
A dance-floor filling anthem that celebrates self-acceptance.
Kate Crudgington

RuPaul – ‘Sissy That Walk’
Pioneering drag queen RuPaul’s message of self love and motivation is encapsulated in this uplifting anthem, as she sings one of her classic mottos: “Unless they paying your bills, pay them bitches no mind.”
ML

Planningtorock – ‘Non Binary Femme’
This track summed up 2018 for me, a year that gave with free abundance in good music, in particular Planningtorock’s album Powerhouse. Any album that uses the language Non-Binary Femme in the title of the song is unarguably paving the way for not only a greater/better understanding of what these words and this sort of language means, but also for it to become a fully accepted part of everyday conversation.
TW

Princess Nokia – ‘Tom Boy’
Openly queer rapper and all round inspiration, Princess Nokia writes powerful, feminist anthems promoting self love and body positivity, refusing to fit into stereotypical gender norms.
ML 

Mykki Blanco (feat. Princess Nokia) – ‘Wish You Would’
This is a song from an artist who I feel needs no introduction, a queer pioneer who is doing amazing things for LGBTQ+ rights as well as being open about their positive HIV status. Mykki Blanco is an incredible artist and I love his music.
TW

Syd – ‘All About Me’
One of my favourite tracks from Syd who is openly LGBTQ+ and you may know from the excellent collective The Internet.
TW

Shura – ‘2shy’
I just love this track from London artist Shura, who has been consistently challenging stereotypes since she came out as a lesbian a couple of years ago and helping to “queer the mainstream”. Bring on the blurring of gender and sexuality in pop!
TW

Jackie Shane – ‘Any Other Way’
A pioneer for transgender rights in the late 60s, Jackie Shane lived her life as a woman in the spotlight, during a time when compassion and acceptance were not always reciprocated towards those who identified as trans.
KC

Cyndi Lauper – ‘True Colours’
An uplifting anthem often associated with the LGBTQ+ community, ‘True Colours’ openly asserts for us to love ourselves for who we are. Lauper has often dedicated the song to a friend of hers who died from HIV/AIDs, and has since co-founded the ‘True Colours’ fund – a non-profit that educates people on LGBTQ issues and helps to end homelessness for LGBTQ youth.
ML

King Princess – ‘1950’
Something that I am really proud of here in the UK is the latest generation of LGBTQ+ people, who continually amaze me with their openness and their acceptance of how others identify in their sexuality and gender identity, so different from when I was growing up. ‘1950’ by King Princess is an excellent example of the progression we have made throughout the last 60 years.
TW

Anna Calvi – ‘Don’t Beat The Girl Out Of My Boy’
Anna Calvi describes this track as being “beyond definition”, because queerness is beyond definition. Her whole Hunter album celebrates what it is to be queer in a wonderfully honest, binary-destroying way. Summing it up, she explains: “I want to go beyond gender. I don’t want to have to chose between the male and female in me.”
ML

Bang Bang Romeo – ‘Shame On You’
Fronted by loud and proud lesbian Stars, Bang Bang Romeo completely blew us away with their immense soulful power and compelling charisma when playing Cro Cro Land earlier this year.
ML

Dream Nails – ‘Deep Heat’
A hex on Donald Trump and the patriarchy in general, our fave DIY punks Dream Nails know how to boost up their community in times of need.
KC

The Menstrual Cramps – ‘The Smash’
Combining activism with musical prowess, and fully embracing queerness, The Menstrual Cramps provide a captivating, empowering force that we all need now more than ever.
ML

T-Bitch – ‘Dressing Up’
Southend riot grrrl punks T-Bitch celebrate all things trans, queer & glam!
KC

T-Bitch EP by T-Bitch

Queen Zee – ‘Boy’
One of the most relevant (and joyful) bands around at the moment. I’d put them on every playlist if it was up to me!
KC

Ezra Furman – ‘Suck The Blood From My Wound’
Openly bisexual and androgynous artist Ezra Furman’s latest album Transangelic Exodus really knocked my for six in its spine-tingling beauty and raw emotion. This track is particularly stirring, its concept serving as a metaphor for queer liberation and the defiance of the underdog.
ML

Grace Petrie – ‘Black Tie’
Addressing the damaging effects of enforced gender norms, this is an empowering and uplifting offering, addressing a younger self with reassuring lyrics such as “I swear there’ll come a day when you won’t worry what they say, on the labels, on the doors, you will figure out what’s yours.”
ML

Janelle Monae – ‘Pynk’
A brash celebration of creation. Self love. Sexuality. And p-ssy power!  Need I say more.
TW

Frank Ocean – ‘Chanel’
Such a great song. As you may or may not know, Frank Ocean came out back in 2012 to mixed but mainly positive responses.
TW

Queen – ‘Love Of My Life’
Just a heartbreaking love song written by the legendary Freddie Mercury. Once, when asked about his sexuality, Mercury replied with “I’m gay as a daffodil, my dear!”. A brave statement to make back in 1974.
ML 

Bronski Beat – Smalltown Boy’
This track was released in 1984 at the height of the AIDS crisis by openly gay Bronski Beat, ‘Smalltown Boy’ is a heartbreaking story given an empowering beat.
TW

Anthony & The Johnsons – ‘For Today I Am A Boy’
A stirring and powerful ode to the journey of transitioning, a simply exquisite creation.
ML

Have a listen to, and follow, our 50 Years Of Pride playlist, here:

 

Tash Walker / @maudeandtrevor
Mari Lane / @marimindles
Kate Crudgington / @kcbobcut

Guest Playlist: Julie and Joanna from SelfMade

SelfMade is a platform that explores the unseen sides of the music industry through discussion, performance, art and zines. With a strong focus on women in music, their goal is to celebrate the work of DIY musicians and to create a supportive space to explore the realities of getting a music project or career off the ground. SelfMade is organised independently by artist, Joanna Bain, and musician/label co-founder Julie Hawk (HAVVK) in collaboration with a collective of Irish musicians.

Tomorrow, 25th May, SelfMade is hosting a Mind YourSelf: Mental Health and Music event (sponsored by IMRO) event at The Tara Building in Dublin. The two-part event will look at mental health in the Irish music scene and the challenges affecting developing musicians in their professional and personal lives. Featuring a workshop lead by psychotherapist, musician, researcher and BIMM lecturer, Aoife Ruth, in collaboration with Wyvern Lingo’s Caoimhe Barry, the event also sees an evening panel with a line-up of Irish artists, including Maria Kelly, Michael Pope (Le Galaxie) and Paddy Hanna, who have all used their creative work and social platforms to highlight career-related mental health and anxiety.

Ahead of the event tomorrow, SelfMade founders Julie and Joanna have chosen some of their favourite tracks that help them to process, wind down, blow off steam or simply kick-start a bit of self-love.

Read about their choices, and listen to the playlist below!

Joan Jett and the Black Hearts – ‘Bad Reputation’
This is reserved for when I need a true kick up the ass and a reminder that other people’s opinions can not topple my own sense of what’s right or who I am. Also a very good one for abolishing pre-gig nerves.
(Julie)

Scarlet – ‘Independent Love Song’
If I want to sing along at top volume in the car, this one is near the top of the list. Another old song (I still have the single on cassette at my parents’ house), but it has this incredible explosive anthemic chorus that’s a joy. It’s aged pretty well too, and every now and again it turns up in a bar or on a TV programme and it takes me right back.
(Joanna)

Yeah Yeah Yeahs – ‘Maps’
This song reminds me to love myself. It’s such a unique love song because it’s about reminding someone of their true value and that they are truly loved by someone. And to me, it’s even more powerful because it’s coming from Karen O, who is a huge hero of mine as a performer.
(Julie)

The National – ‘Daughters of the Soho Riots’
That crackling, lo-fi intro, the monotone vocal; the beautiful subtlety of it. I love everything about this song. Matt Berninger writes these incredible lyrics that convey a sense of time and place and a feeling without ever saying anything overt. I’ve always loved the line “I don’t have any questions, I don’t think it’s going to rain / You were right about the end, it didn’t make a difference”. It’s a masterclass in understatement and it brings instant calm.
(Joanna)

Jose Gonzales – ‘Crosses’
I’m a very sensitive person and I definitely get triggered by sad music, which can be great sometimes. But Veneer is one of the only albums I can actually work to or really sort out my thoughts to. There’s something about the sense of space around his voice and guitar that leaves room to think and process, rather than dwell on emotion.
(Julie)

Jose Gonzalez – ‘Heartbeats’
This whole album, Veneer, is an exercise in restraint – beautiful, intricate guitar playing and gorgeous melodies. If I want to wind down in the midnight hour I dim the lights, pick up a book, and set this to play in the background. This song in particular though, there’s something so tranquil but so melancholy about it; it makes me stop and breathe and just enjoy its loveliness.
(Joanna)

Robyn – ‘Every Heartbeat’
Probably not the most uplifting Robyn track but for me, it’s my ultimate ‘blowing off steam’ anthem. There’s something about the repetition and the builds in this song that keeps me grounded. Really good for running, trying not to focus on stress or bullshit, or mustering up the mood for a night out.
(Julie)

Bon Iver / The Staves – ‘Heavenly Father’
There’s a video floating around the internet somewhere that features Bon Iver performing this song live – a cappella, with the Staves, at the Sydney Opera House. It is one of the most beautiful bits of music I’ve ever seen or heard, and have listened it to death. If I want to be transported, I put this on loud and just listen to the layers of harmonies and the wall of sound they produce. Incredible.
(Joanna)

Maria Kelly – ‘Dark Places’
This song is just such a comfort. It is such a generous example of someone saying “hey, we all go through this sometimes and it’s not shameful or the end of the world”.
(Julie)

Radiohead – ‘Street Spirit (Fade Out)’
I was obsessed with this song and its video as a discerning 8 year old when it first came out, and it’s remained a favourite. I love that unmistakeable guitar line, and there’s something about that gradual build and release at the end of the second chorus that brings a feeling of total peace. I remember crying in a field when I heard this live for the first time over a decade a year or two ago in Lisbon – but I wasn’t the only one…!
(Joanna)

Huge thanks to Julie and Joanna for their choices! Listen to the playlist below, and find out more about SelfMade here.

 

PLAYLIST: May 2019

Another month, another playlist to share with you all! May has been as fruitful as ever when it comes to new music, so we’re excited to share our top picks with you all. Take some time to scroll through our words and make sure you hit play on the Spotify link at the bottom of the page…

Dream Nails – ‘Vagina Police’
Our fave feminist punks Dream Nails released their EP Vagina Police last year, with all the profits donated to Abortion Support Network who are an organisation dedicated to supporting women & girl’s reproductive rights in the UK. With the news this month that the US state of Alabama has voted to outlaw abortion entirely – a law that offers no exception for rape or incest victims – it feels more important than ever to shout back. Here are some ways you may be able to help women affected by the new legislation(Kate Crudgington)

Montauk Hotel – ‘White Billboards’
A luscious soundscape with a poignant context; Montauk Hotel released this single via Reckless Records. The Dublin-based band say their new track is a “reflection on the power of advertising in our society and how models and [industry] standards influence our choices, happiness, and feelings of adequacy”. (KC)

Julia Shapiro – ‘A Couple Highs’
“When the rest of my life felt out of control, I felt like this was my chance to be in control of everything” explains Julia Shapiro about her upcoming debut solo album Perfect Version, which is set for release on June 14th via Hardly Art. Having taken a step back from life as Chastity Belt’s vocalist & guitarist after a difficult year, Shapiro has returned with this second single from her new record and it’s a breezy, soothing drop of aural medicine. (KC)

Trash Kit – ‘Horizon’
Having wowed us at one of our first nights at The Finbsury, Trash Kit have now shared the brand new title track from their upcoming album. Inspired by how people interpret the planet, ‘Horizon’ oozes a shimmering effervescent joy and swirling sparkling energy. Interweaving twinkling hooks, jangly beats and funk-fused bass lines, its cascading sun-filled vibes build to a wonderfully life-affirming climax and rejuvenating euphoric haze.
Horizon, the upcoming new album from Trash Kit, is out 5th July via Upset The Rhythm. (Mari Lane)

Show Boy – ‘Video’
Having built a reputation over the last few years across London for his dazzling, energy-filled live shows, artist and producer Show Boy has now shared a brand new single. Taken from his upcoming Surreal EP, ‘Video’ is propelled by throbbing beats and a whirring danceable energy. An instantly catchy, sparkling alt-pop gem that demands multiple listens. (ML)

Pongo – ‘Chora’
‘Chora’ the latest single from Caroline International signing Pongo (who is an Angolan-Portuguese electronic artist) means “cry” in Portuguese. The track is taken from her debut EP Baia which documents her turbulent experiences when she fled Angola in the country’s violent civil war. Through blending Portuguese lyrics and musical references to the Angolan genre of Kuduro, which assimilates soca and samba alongside western touchstones like techno & dancehall  – it’s an absolute tune! (Tash Walker)

Lizzo (feat. Missy Elliott) – ‘Tempo’
It wouldn’t be a GIHE playlist without the inclusion of total queen, Lizzo. I cannot stop listening (and dancing!) to her critically acclaimed new album, Cuz I Love You, and this track sees a total dream of a collaboration with the utter legend that is Missy Elliott. Another hugely empowering, body positive anthem, with each listen of ‘Tempo’ I just get more and more excited about finally seeing Lizzo live later this month at Kentish Town Forum (maybe Missy will make a guest appearance….)(ML)

Pinky Pinky – ‘Do Me Dirty (Charlie)’
The new single from LA trio Pinky Pinky, ‘Do Me Dirty (Charlie)’ is an infectiously uplifting slice of garage rock. With shades of the likes of Hinds, it oozes sunny hooks and honey-sweet vocals, creating the perfect, sparkling summer-love anthem. Pinky Pinky are over in the UK next week, and I cannot wait to witness their scuzzy energy live at The Sebright Arms on 22nd May. Full info on dates here. (ML)

CLT DRP – ‘Speak To My’
The breathtakingly immense latest single from Brighton’s CLT DRP, ‘Speak To My’ is the ultimate track to put two fingers up to the patriarchy, and a perfect accompaniment to what’s happening in the world today. Blasting out a unique cacophony of intense electro-punk, ‘Speak To My’ addresses rejecting the male gaze and womxm owning their sexuality; a wonderfully riotous anthem highlighting CLT DRP as the future of feminist punk. And we cannot wait for them to headline our next night at The Finsbury on 14th June! (ML)

Ghum – ‘Get Up’
Having wowed us on numerous occasions with their immersive live performances, GIHE faves GHUM have now shared a new track from their upcoming EP. ‘Get Up’ is a hauntingly anthemic offering, perfectly showcasing GHUM’s goth-tinged, sparkling majesty and bewitching charisma. The Coldest Fire, the upcoming EP from GHUM, is out 28th June via Everything Sucks Music. Catch GHUM live at the launch party on 13th July at The Shacklewell Arms. (ML)

Bamboo Smoke – ‘Stretchmarks’
The latest single from South Londoners Bamboo Smoke who played a fantastic set for us at our first ever Notting Hill Arts Club gig. The band describe ‘Stretchmarks’ as their most vulnerable song to date. (TW)

Izzy Bizu – ‘Lights On’
Taken from the newly released EP Glita, this is the latest single from Izzy Bizu “about throwing caution to the wind and going with what you feel rather than what you think.” Free spirits listen up! (TW)

Wolf Alice – ‘Moaning Lisa Smile’
It’s my birthday on 25th May and if you’re a Wolf Alice nerd like I am, you’ll notice that’s the date on the poster of the dance competition Ellie Rowsell enters in the music video for this track. 29 years old and I’m still angst-ridden af and ready to dance to this song as soon as I hear the opening riff. HB2ME. (KC)

GIHE Celebrates International Women’s Day 2019

As you may be aware, at Get In Her Ears we celebrate wonderful female artists every single day! So, you may feel that there’s no real need for us to remind you on International Women’s Day to recognise them. But, as much as we try, days like today still seem necessary for society to take a minute and recognise not only the achievements of all the fantastic womxn in the world, but also to draw attention to the ongoing injustices and ingrained sexism that still sadly exists in 2019.

So, this International Women’s Day, we’ve put together some of the female/non binary artists that we feel have been pivotal in pushing forward womxn and equality in music over the last year. Read about why each of them inspire us, and listen to the super mega playlist below…

Aretha Franklin – ‘Respect’
I just couldn’t not include Queen Aretha, who the world sadly lost in August last year. She remains one of the most influential artists the world has ever known; a beautiful soul who changed music forever, as well as campaigning for civil rights throughout her life.
(Mari Lane)

Nova Twins – ‘Lose Your Head’
A lesson in cutting loose and walking on the wild side, South East London duo Nova Twins provided us with this mind-melter of a track earlier in the year. Last year, we were lucky enough to have Amy & Georgia come into the Hoxton Radio studio for a chat, and they blew us away playing live for Loud Women at The Lexington too. Their raw, abrasive, genre-defying tunes are consistent favourites here at Get In Her Ears, and I’m sure they’ll bring the noise again at Cro Cro Land next month!
(Kate Crudgington)

Noga Erez – ‘Bad Habits’
Tel Aviv renegade Noga Erez has been a favourite of ours ever since blowing us away with 2017’s Under The Radar. Last year’s ‘Bad Habits’ is a snarling tirade of anger, spoken through gritted teeth, exhibiting an intense defiance in both Erez’s lyrics and her music: “I’m no-one, but who the fuck are you? Huh?” she repeats, as the beats of Ori Rousso – her partner, co-writer, composer & producer – helps it mutate in to a “gritty, truth-seeking alt-pop” anthem – culminating in Erez’s vicious “Fuck you” at the close of the song.
(KC)

Mavi Phoenix – ‘Bite’
We’re massive fans of Austrian artist Mavi Phoenix’s dreamy lo-fi electro offerings, and even bigger fans of all she does to promote LGBTQ+ rights. We were lucky enough to have a chat with her on our radio show last year, listen back here.
(Tash Walker)

Little Simz – ‘Boss’
I’ve been a little late to the Little Simz party, but now I’ve found her, I don’t know what I did without her immense power in my ears. Having released her debut album A Curious Tale Of Trials + Persons in 2015 via her own independent label, she has continued to defy genres and receive acclaim over the last few years. And now, with her completely mind-blowing brand new album, Grey Area, she proves once again that she’s an incredible force to be reckoned with, with her ferocious, empowering anthems. She sums it up perfectly in this track: “I’m a boss in a fucking dress.”
(ML)

Pussyliquor – ‘MY BODY.MY CHOICE.’
Bringing their pure, uncensored female rage with a wild, punk-fuelled passion, Pussyliquor’s ‘My Body.My Choice’ gives an urgency to its explicitly important message. Having played for us at The Finsbury last year, they immediately filled the venue with the heaving bodies of an army of moshing fans, their intense riotous power, tongue-in-cheek wit and empowering messages of equality being delivered with a fierce energy and searing, colossal force.
(ML)

The Menstrual Cramps – ‘The Smash’
The Menstrual Cramps pretty much sum up the current state of things with each of their topical, tongue-in-cheek offerings and empowering, feel good vibes. Taken from their incredible album Free Bleedin’, ‘The Smash’ blasts out the all-too-relatable refrain of “It’s time we took back the floor, kick the Tories out the door – we want a revolution”. Oozing an immense, politically-charged force as vocalist Emilia’s genuine, seething passion shines through, The Menstrual Cramps combine activism with musical prowess, providing an essential soundtrack for all womxn right now.
(ML)

Big Joanie – ‘Fall Asleep’
DIY punks Big Joanie released their debut album Sistahs last year, and it’s a mix of the personal and political; coupled with riotous rhythms and a sistah-hood ethos. Recorded at Hermitage Works Studio with producer Margo Broom, and released via Thurston Moore and Eva Prinz’s new label (The Daydream Library Series), Sistahs is a strong debut from a band who have been actively working on and off-stage within London’s DIY scene for years.
(KC)

Alice Bag – ’77’
Taken from last year’s poignant album Blueprint, punk legend Alice Bag brought together a dream team for her single ’77’. Featuring Riot Grrrl queens Kathleen Hanna and Allison Wolfe, plus an appearance in the video from Shirley Manson, it draws inspiration from Dolly Parton’s 1980 proto-feminist workplace comedy ‘9 to 5′, commenting on the gender pay gap that still plagues society. Filled with seething, punk-driven riffs, the women not only rage that “I make 77 cents and it’s not right / It’s bad for women!”, but make the point that “it’s worse if you’re not white”. As Bag poignantly sneers “… don’t pretend that we’re paid equal… You wrote the script / But I’m writing the sequel”, ’77’ is an empowering, inspiring call to arms to unite against the patriarchy and make the changes needed for equality, in the workplace and beyond.
(ML)

Peach Club – ‘Boy In A Band’
I first became aware of Norwich Riot Grrrls Peach Club seeing them support The Tuts at The George Tavern a few years back, and they continued to blow me away headlining for us at The Finsbury last year. With a raw ferocity, thrashing hooks and driving beats, ‘Boy In A Band’ builds with a frenzied energy to a riotous anthem, blasting into the ears with a racing sense of urgency. And rightly so. We need voices like Peach Club’s now more than ever; a voice that gives motivation and inspiration to girls and women to speak out and be heard in order to prevent the damaging actions of certain boys in bands continuing to be swept under the carpet (or even accepted as the norm) within the music industry.
(ML)

Queen Zee – ‘Boy’
Making weirdness into wonderful, inclusive, explosive new tunes, GIHE favourites Queen Zee shared their debut self-titled album last month, and it was every bit as glorious as we’d hoped. Album highlight ‘Boy’ is an anthem for trans-gender rockers and their allies who refuse to be ignored, or oppressed by transphobic or homophobic attitudes. “You can try and bury my head in the sand, but that won’t make the body at the surface a man’s” sings Zee, as manic guitar and heart-pounding drums smash out for just shy of five minutes. A poignant offering that gleefully cuts down any of the forces that attempt to stand in the way of equality.
(KC)

Lizzo – ‘Juice’
Another utterly empowering and ferociously fun offering from GIHE favourite Lizzo, ‘Juice’ is filled with all the refreshing wit and funk-filled grooves that we’ve come to know and love from the Minneapolis artist. With Lizzo’s joyous, body-positive spirit and its immensely infectious, ’80s reminiscent hooks, ‘Juice’ is the ultimate feel-good anthem for women everywhere.
(ML)

Tirzah – ‘Gladly’
Beautifully understated, gently hypnotic and lyrically touching. I cannot get enough of Tirzah right now, and you know what, it’s not just this track, but the whole album Devotion. What can I say… I am hopelessly devoted. Cringe statements aside, please go listen if you haven’t already, your life will be better for it.
(TW)

Gazelle Twin – ‘Hobby Horse’
A unique artist with razor sharp vision and uncompromising creativity; Gazelle Twin (aka Elizabeth Bernholz) combines glitchy beats, menacing samples and an uncanny new costume on her latest album, Pastoral. Gazelle Twin delivers her Pastoral vision through grinning but gritted teeth. Her altruistic style is one that can’t be mimicked – even though she herself is a master at adopting the traits of others, and transforming into a new species of performer who offers brutality and intrigue in equal measure.
(KC)

Pitou – ‘Give Me A Glass’
So gentle, so beautiful, and so delicate. ‘Give Me A Glass’ by Pitou is taken from her EP I Fall Asleep So Fast, released via Mink Records. I think this track is just mesmerising, and it probably helps that it was the first song I listened to after meeting my niece for the first time. So here’s to raising that glass to the new addition in my family!
(TW)

HAVVK – ‘Glass’
Last year, GIHE faves HAVVK (formally HAWK) marked their rebrand with the re-release of their bewitching single ‘Glass’. Originally written in 2015, and released in the run up to the Irish Marriage Equality Referendum, ‘Glass’ addresses themes of conflict and resolution. Oozing an eerie subtle power and magnetising grace, it showcases HAVVK at their most exquisite – doing what they do best; combining activism with their unique musical prowess. And front-woman Julie doesn’t stop there; she has also co-founded SelfMade – a platform to explore DIY music in Ireland through performance, discussion, and art, and last year launched Female Fronted Drawn Together – a project through which she has created a playlist of admirable female bands/musicians and created an illustration to accompany each song.
(ML) 

Courtney Barnett – ‘Nameless, Faceless’
Courtney Barnett is probably my favourite, and most relatable, lyricist. She has a unique ability to tackle everyday life with a perfect wit and raw honesty; that, combined with her woozy vocals and infectious jangly melodies, makes for an utter dream. Taken from last year’s Tell Me How You Really Feel, ‘Nameless, Faceless’ is a refreshingly honest take on male chauvinism; with lyrics inspired by Margaret Atwood – “Men are scared that women will laugh at them, women are scared that men will kill them…” – it perfectly sums up why we still need International Women’s Day.
(ML)

Wolf Alice – ‘Yuk Foo’
Seeing Wolf Alice perform under the sparkling mirror-ball lights at their Alexandra Palace headline gig in 2017; I swooned so hard I thought I might drown in my own heart-shaped tears. And I couldn’t be happier for them winning the 2018 Mercury Prize this year; extremely well deserved from Ellie Rowsell and co., and a promising step in the right direction for female bands and artists at award ceremonies.
(KC)

Dream Nails – ‘Vagina Police’
“Your body is not your own, you are public property…” our favourite Feminist Punk Witches rage in last year’s ‘Vagina Police’. A formidable offering from the band that proved once again just why we need Dream Nails in our lives; a group willing to combine activism and music to form a unifying force against the patriarchy; a group who create sparkling, energy-filled tracks that succeed in inspiring and motivating girls everywhere to get to the front and make our voices heard.
(ML)

Bikini Kill – ‘Rebel Girl’
We don’t need to say how inspirational Kathleen Hanna, Bikini Kill and the whole Riot Grrrl movement are to us. But what we will say is that we’re are over the moon excited to all be going to see Bikini Kill live this June! Literally dreams can come true…

Listen to our International Women’s Day playlist on Spotify, and catch us for our IWD party tonight at The Finsbury. We’ll be joined by ARXX, The Baby Seals, Scrounge and Rainbow Corp, and will also be raising money for fantastic charity The Outside Project.

Tracks Of The Year 2018

Despite being a pretty scary year in the grand scheme of things, 2018 has actually been exceptionally great for new music. Our ears have been filled with sonic delights of all genres, providing necessary catharsis and enjoyment. 

So, it was pretty hard to pick our 20 favourite tunes. But, from poignant punk to captivating pop-noir, here they are… 

Alice Bag – ’77’
Taken from this year’s poignant album Blueprint, punk legend Alice Bag brought together a dream team for her single ’77’. Featuring Riot Grrrl queens Kathleen Hanna and Allison Wolfe, plus an appearance in the video from Shirley Manson, it draws inspiration from Dolly Parton’s 1980 proto-feminist workplace comedy ‘9 to 5′, commenting on the gender pay gap that still plagues society. Filled with seething, punk-driven riffs, the women not only rage that “I make 77 cents and it’s not right / It’s bad for women!”, but make the point that “it’s worse if you’re not white”. As Bag poignantly sneers “… don’t pretend that we’re paid equal… You wrote the script / But I’m writing the sequel”, ’77’ is an empowering, inspiring call to arms to unite against the patriarchy and make the changes needed for equality, in the workplace and beyond.
(Mari Lane – Managing Editor/Co-Founder)

Nova Twins – ‘Lose Your Head’
A lesson in cutting loose and walking on the wild side, South East London duo Nova Twins provided us with this mind-melter of a track earlier in the year. We were lucky enough to have Amy & Georgia come into the Hoxton Radio studio for a chat, and they blew us away playing live for Loud Women at The Lexington too. Their raw, abrasive, genre-defying tunes are consistent favourites here at Get In Her Ears, and I’m sure they’ll bring the noise again in 2019.
(Kate Crudgington – Features Editor/Co-Founder)

Skating Polly – ‘Camelot’
Blasting into the eardrums with intense, pulsating basslines and the impassioned screech of Kelli Mayo, ‘Camelot’ is a seething, grunge-fuelled anthem. Oozing a thrashing power, it perfectly tears apart the misogynistic nature of American frat-boy culture with an empowering energy. This year Skating Polly released new album The Make It All Show, blew us away once again with their immense live show (with faves The Menstrual Cramps supporting), and generally proved themselves to be one of the most exciting young bands around.
(ML)

Brix And The Extricated – ‘Sleazebag’
Taken from their epic, genre-defying latest album, Brix And The Extricated’s ‘Sleazebag’ revives a classic punk energy and seething passion whilst marking Smith-Start out as an artist willing to move with the times and develop her sound. Confronting all those sleazebags in the industry that we’re unfortunately so familiar with, this track instantly grabs you with its immense, ferocious power. With swirling guitars and spiky bass, alongside Smith-Start’s distinctive soaring drawl, it’s a refreshing and riotous offering proving that Brix & The Extricated are well and truly back, and cannot be missed.
(ML)

Bad Sidekick – ‘I Ain’t Sick’
A fistful of brooding indie noise: London trio Bad Sidekick released their debut self-titled EP this year, and the snarling ‘I Ain’t Sick’ is my favourite track on the record. Vocalist Cooper (who also plays guitar in The Menstrual Cramps) is a powerhouse with her enviably cool lyrical intonation, and she’s supported by a cacophony of guitar noises and heart-thumping beats on this track.
(KC)

The Menstrual Cramps – ‘The Smash’
The Menstrual Cramps have pretty much summed up 2018 with each of their topical, tongue-in-cheek offerings and provided the perfect antidote to all that’s gone on with their empowering, feel good vibes. Taken from their incredible album Free Bleedin’, ‘The Smash’ in particular couldn’t have come at a better time. With the all-too-relatable refrain of “It’s time we took back the floor, kick the Tories out the door – we want a revolution”, it oozes an immense, politically-charged force as vocalist Emilia’s genuine, seething passion shines through. Combining activism with musical prowess, The Menstrual Cramps continue to reminds us all why we need bands like this now more than ever.
(ML)

Pink Kink – ‘You’
Although it wasn’t released as a single, this live recording from Liverpool’s Parr Street Studios showcases Pink Kink at their absolute best. A stunning mix of Warpaint style lo-fi indie, Sonic Youth switch-ups in tempo, ‘You’ is drenched in emotion, full of fired passions and stunning musicality. A band whose career was cut far, far too short for the kind of ridiculous reasons that have been an increasingly common occurrence in 2018’s dark days
(John McGovern – Contributor)

Soccer Mommy – ‘Your Dog’
I adore this song from Nashville’s Soccer Mommy, taken from her debut album Clean. Her trademark “soft anger” is executed so wonderfully, you barely notice you’re dropping expletives left, right and centre throughout the track. Written as an antidote to the feeling of being “paralyzed in a relationship to the point where you feel like you are a pawn in someone else’s world”, ‘Your Dog’ is a brilliant bite back from this talented artist.
(KC)

Snail Mail – ‘Pristine’
Laconic, bruised, wistful and sparkling – all while dealing with pop’s most frequent fixation: unrequited love – ‘Pristine’ is a brilliant introduction to the indie-pop stylings of Lindsay Jordan. If there’s been a better lyric than “It just feels like the same party every weekend, doesn’t it?” this year, then I haven’t heard it.
(JM)

Dott – ‘Like A Girl’
Activism and garage-pop collided in anthemic style on Dott’s single ‘Like A Girl’. The Galway-based band released the song ahead of Ireland’s vote to Repeal the 8th Amendment on May 25th – which resulted in the historic outcome of giving Irish women legal access to full reproductive health services, including abortion. The song features a guest appearance from Sadie Dupuis of Speedy Ortiz on guitar, and the accompanying video features members from Galway Pro Choice, Galway Parents for Choice, and Galway Roller Derby, as well as footage of recent marches for Women’s Rights in Galway.
(KC)

Wolf Girl – ‘Toast For Dinner’
Having captivated us with their sunny charm live at Indietracks Festival this year, Wolf Girl are fast becoming a firm favourite. Flowing with an infectious jangly scuzz and twinkling uplifting harmonies, ‘Toast for Dinner’ is an exquisite slice of perfect indie-pop. Propelled by a driving, vibrant energy and Healey’s luscious vocals – and with thoroughly relatable lyrics like “toast for dinner again, I’m trying to tie up loose ends” – it’s a total delight for the ears, as is the band’s latest album Every Now And Then.
(ML)

Pip Blom – ‘Come Home’
Unusually glum, but no less lively, this track marked the peak of a fantastic run of singles from the Dutch post-punk fourpiece. Its repetitive riff makes it unforgettable, rhythms make it sound like something that belongs more at a club than a gig, whilst Blom’s voice is just the right side of deadpan. Now signed to Heavenly, 2019 promises great things for PB.
(JM)

Suggested Friends – ‘Motherfucking Tree’
Although I think technically their self-titled album came out officially last year, throughout the entirety of 2018, I can safely say that Suggested Friends have been one of my most-listened to, and most thoroughly loved, bands. This track in particular showcases their perfect, immensely infectious ‘tweemo’ punk-pop to a tee. Filled with racing, catchy hooks and luscious harmonies, Faith Taylor’s witty charm and exquisite vocals (as well as spot on lyrics like “thought you had a halo, but it was just the glare from the backlight of your iPhone”) fill me with pure joy on each listen.

(ML)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on this track from Ah! Kosmos. It’s taken from her second album Beautiful Swamp, and it sweeps me up in to a rapture every time I hear it. Her live performance supporting Zola Jesus at Omeara this year was an absolute knockout, and I can’t wait to see what she gets up to in 2019.
(KC)

Kill J – ‘Strange Fruits Of The Water’
This stunning single from Kill J tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic track ‘Strange Fruit’ (1939). Taken from her album Superposition, Kill J explains: “’Strange Fruits Of The Water’ is a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”.
(KC)

Black Gold Buffalo – ‘Lay It Down’
I’ve been hooked on Black Gold Buffalo’s mesmerising, pop-noir sounds all year, so I was thrilled to have them headline our first GIHEs night at Notting Hill Arts Club in August. ‘Lay It Down’ is taken from the band’s debut self-titled album (which I recommend you listen to) and it’s a well-crafted, smoldering gem that revolves around confronting feelings of anxiety.
(KC)

LIINES – ‘Shallow’
Having been labelled one of our ‘Ones To Watch 2018‘, Manchester trio LIINES certainly proved us right. Throughout the year, they’ve gone from strength to strength – releasing their debut album Stop-Start in May, receiving acclaim from the likes of John Kennedy and Steve Lamacq and just now announcing a support slot with Sleaford Mods for 2019. Oozing an immense, thrashing energy and the raw, commanding vocals of Zoe McVeigh, single ‘Shallow’ is filled with the band’s trademark dark, brooding power – an intense blast of perfect post-punk with shades of the likes of Savages of Sleater Kinney.
(ML)

Zola Jesus – ‘Bound’
Intriguing electro-industrial artist Zola Jesus had me spellbound from the moment I heard the hypnotic, off-kilter, heavy bouncing synths on ‘Bound’. Her penetrating vocals ring out across a demanding soundscape, and her blending of industrial and classical elements makes this track sound like a tortured but tentative hymn. Seeing her perform it live at Omeara was truly breath-taking too.
(KC)

Noga Erez – ‘Bad Habits’
Noga Erez had 2018’s shortcomings in her interrogative spotlight this year after releasing her incredible track ‘Bad Habits’. It’s a snarling tirade of anger spoken through gritted teeth, written from “a place where one feels they’ve lost all direction and meaning”. Gritty, defiant, and viciously executed – I love this track and can’t wait to hear more from the Tel Aviv renegade in 2019.
(KC)

Miss Eaves – ‘Push For The Bush’
Having previously fallen in love with Miss Eaves‘ fun-filled, empowering anthems ‘Thunder Thighs’ and ‘Hump Day’, ‘Bush For The Push’ offered another vibrant celebration of self love from Miss Eaves. With her trademark disco-punk energy, reminiscent of queen Peaches, it’s a liberating and wonderfully entertaining call to be free to have the bush you want – “It’s your body, so have a little fun…”
(ML)

Listen to our ‘Tracks Of 2018’ playlist here, and stay tuned for more of our 2018 highlights, and Ones To Watch for next year…