Tracks Of The Year 2018

Despite being a pretty scary year in the grand scheme of things, 2018 has actually been exceptionally great for new music. Our ears have been filled with sonic delights of all genres, providing necessary catharsis and enjoyment. 

So, it was pretty hard to pick our 20 favourite tunes. But, from poignant punk to captivating pop-noir, here they are… 

Alice Bag – ’77’
Taken from this year’s poignant album Blueprint, punk legend Alice Bag brought together a dream team for her single ’77’. Featuring Riot Grrrl queens Kathleen Hanna and Allison Wolfe, plus an appearance in the video from Shirley Manson, it draws inspiration from Dolly Parton’s 1980 proto-feminist workplace comedy ‘9 to 5′, commenting on the gender pay gap that still plagues society. Filled with seething, punk-driven riffs, the women not only rage that “I make 77 cents and it’s not right / It’s bad for women!”, but make the point that “it’s worse if you’re not white”. As Bag poignantly sneers “… don’t pretend that we’re paid equal… You wrote the script / But I’m writing the sequel”, ’77’ is an empowering, inspiring call to arms to unite against the patriarchy and make the changes needed for equality, in the workplace and beyond.
(Mari Lane – Managing Editor/Co-Founder)

Nova Twins – ‘Lose Your Head’
A lesson in cutting loose and walking on the wild side, South East London duo Nova Twins provided us with this mind-melter of a track earlier in the year. We were lucky enough to have Amy & Georgia come into the Hoxton Radio studio for a chat, and they blew us away playing live for Loud Women at The Lexington too. Their raw, abrasive, genre-defying tunes are consistent favourites here at Get In Her Ears, and I’m sure they’ll bring the noise again in 2019.
(Kate Crudgington – Features Editor/Co-Founder)

Skating Polly – ‘Camelot’
Blasting into the eardrums with intense, pulsating basslines and the impassioned screech of Kelli Mayo, ‘Camelot’ is a seething, grunge-fuelled anthem. Oozing a thrashing power, it perfectly tears apart the misogynistic nature of American frat-boy culture with an empowering energy. This year Skating Polly released new album The Make It All Show, blew us away once again with their immense live show (with faves The Menstrual Cramps supporting), and generally proved themselves to be one of the most exciting young bands around.
(ML)

Brix And The Extricated – ‘Sleazebag’
Taken from their epic, genre-defying latest album, Brix And The Extricated’s ‘Sleazebag’ revives a classic punk energy and seething passion whilst marking Smith-Start out as an artist willing to move with the times and develop her sound. Confronting all those sleazebags in the industry that we’re unfortunately so familiar with, this track instantly grabs you with its immense, ferocious power. With swirling guitars and spiky bass, alongside Smith-Start’s distinctive soaring drawl, it’s a refreshing and riotous offering proving that Brix & The Extricated are well and truly back, and cannot be missed.
(ML)

Bad Sidekick – ‘I Ain’t Sick’
A fistful of brooding indie noise: London trio Bad Sidekick released their debut self-titled EP this year, and the snarling ‘I Ain’t Sick’ is my favourite track on the record. Vocalist Cooper (who also plays guitar in The Menstrual Cramps) is a powerhouse with her enviably cool lyrical intonation, and she’s supported by a cacophony of guitar noises and heart-thumping beats on this track.
(KC)

The Menstrual Cramps – ‘The Smash’
The Menstrual Cramps have pretty much summed up 2018 with each of their topical, tongue-in-cheek offerings and provided the perfect antidote to all that’s gone on with their empowering, feel good vibes. Taken from their incredible album Free Bleedin’, ‘The Smash’ in particular couldn’t have come at a better time. With the all-too-relatable refrain of “It’s time we took back the floor, kick the Tories out the door – we want a revolution”, it oozes an immense, politically-charged force as vocalist Emilia’s genuine, seething passion shines through. Combining activism with musical prowess, The Menstrual Cramps continue to reminds us all why we need bands like this now more than ever.
(ML)

Pink Kink – ‘You’
Although it wasn’t released as a single, this live recording from Liverpool’s Parr Street Studios showcases Pink Kink at their absolute best. A stunning mix of Warpaint style lo-fi indie, Sonic Youth switch-ups in tempo, ‘You’ is drenched in emotion, full of fired passions and stunning musicality. A band whose career was cut far, far too short for the kind of ridiculous reasons that have been an increasingly common occurrence in 2018’s dark days
(John McGovern – Contributor)

Soccer Mommy – ‘Your Dog’
I adore this song from Nashville’s Soccer Mommy, taken from her debut album Clean. Her trademark “soft anger” is executed so wonderfully, you barely notice you’re dropping expletives left, right and centre throughout the track. Written as an antidote to the feeling of being “paralyzed in a relationship to the point where you feel like you are a pawn in someone else’s world”, ‘Your Dog’ is a brilliant bite back from this talented artist.
(KC)

Snail Mail – ‘Pristine’
Laconic, bruised, wistful and sparkling – all while dealing with pop’s most frequent fixation: unrequited love – ‘Pristine’ is a brilliant introduction to the indie-pop stylings of Lindsay Jordan. If there’s been a better lyric than “It just feels like the same party every weekend, doesn’t it?” this year, then I haven’t heard it.
(JM)

Dott – ‘Like A Girl’
Activism and garage-pop collided in anthemic style on Dott’s single ‘Like A Girl’. The Galway-based band released the song ahead of Ireland’s vote to Repeal the 8th Amendment on May 25th – which resulted in the historic outcome of giving Irish women legal access to full reproductive health services, including abortion. The song features a guest appearance from Sadie Dupuis of Speedy Ortiz on guitar, and the accompanying video features members from Galway Pro Choice, Galway Parents for Choice, and Galway Roller Derby, as well as footage of recent marches for Women’s Rights in Galway.
(KC)

Wolf Girl – ‘Toast For Dinner’
Having captivated us with their sunny charm live at Indietracks Festival this year, Wolf Girl are fast becoming a firm favourite. Flowing with an infectious jangly scuzz and twinkling uplifting harmonies, ‘Toast for Dinner’ is an exquisite slice of perfect indie-pop. Propelled by a driving, vibrant energy and Healey’s luscious vocals – and with thoroughly relatable lyrics like “toast for dinner again, I’m trying to tie up loose ends” – it’s a total delight for the ears, as is the band’s latest album Every Now And Then.
(ML)

Pip Blom – ‘Come Home’
Unusually glum, but no less lively, this track marked the peak of a fantastic run of singles from the Dutch post-punk fourpiece. Its repetitive riff makes it unforgettable, rhythms make it sound like something that belongs more at a club than a gig, whilst Blom’s voice is just the right side of deadpan. Now signed to Heavenly, 2019 promises great things for PB.
(JM)

Suggested Friends – ‘Motherfucking Tree’
Although I think technically their self-titled album came out officially last year, throughout the entirety of 2018, I can safely say that Suggested Friends have been one of my most-listened to, and most thoroughly loved, bands. This track in particular showcases their perfect, immensely infectious ‘tweemo’ punk-pop to a tee. Filled with racing, catchy hooks and luscious harmonies, Faith Taylor’s witty charm and exquisite vocals (as well as spot on lyrics like “thought you had a halo, but it was just the glare from the backlight of your iPhone”) fill me with pure joy on each listen.
(ML)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on this track from Ah! Kosmos. It’s taken from her second album Beautiful Swamp, and it sweeps me up in to a rapture every time I hear it. Her live performance supporting Zola Jesus at Omeara this year was an absolute knockout, and I can’t wait to see what she gets up to in 2019.
(KC)

Kill J – ‘Strange Fruits Of The Water’
This stunning single from Kill J tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic track ‘Strange Fruit’ (1939). Taken from her album Superposition, Kill J explains: “’Strange Fruits Of The Water’ is a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”.
(KC)

Black Gold Buffalo – ‘Lay It Down’
I’ve been hooked on Black Gold Buffalo’s mesmerising, pop-noir sounds all year, so I was thrilled to have them headline our first GIHEs night at Notting Hill Arts Club in August. ‘Lay It Down’ is taken from the band’s debut self-titled album (which I recommend you listen to) and it’s a well-crafted, smoldering gem that revolves around confronting feelings of anxiety.
(KC)

LIINES – ‘Shallow’
Having been labelled one of our ‘Ones To Watch 2018‘, Manchester trio LIINES certainly proved us right. Throughout the year, they’ve gone from strength to strength – releasing their debut album Stop-Start in May, receiving acclaim from the likes of John Kennedy and Steve Lamacq and just now announcing a support slot with Sleaford Mods for 2019. Oozing an immense, thrashing energy and the raw, commanding vocals of Zoe McVeigh, single ‘Shallow’ is filled with the band’s trademark dark, brooding power – an intense blast of perfect post-punk with shades of the likes of Savages of Sleater Kinney.
(ML)

Zola Jesus – ‘Bound’
Intriguing electro-industrial artist Zola Jesus had me spellbound from the moment I heard the hypnotic, off-kilter, heavy bouncing synths on ‘Bound’. Her penetrating vocals ring out across a demanding soundscape, and her blending of industrial and classical elements makes this track sound like a tortured but tentative hymn. Seeing her perform it live at Omeara was truly breath-taking too.
(KC)

Noga Erez – ‘Bad Habits’
Noga Erez had 2018’s shortcomings in her interrogative spotlight this year after releasing her incredible track ‘Bad Habits’. It’s a snarling tirade of anger spoken through gritted teeth, written from “a place where one feels they’ve lost all direction and meaning”. Gritty, defiant, and viciously executed – I love this track and can’t wait to hear more from the Tel Aviv renegade in 2019.
(KC)

Miss Eaves – ‘Push For The Bush’
Having previously fallen in love with Miss Eaves‘ fun-filled, empowering anthems ‘Thunder Thighs’ and ‘Hump Day’, ‘Bush For The Push’ offered another vibrant celebration of self love from Miss Eaves. With her trademark disco-punk energy, reminiscent of queen Peaches, it’s a liberating and wonderfully entertaining call to be free to have the bush you want – “It’s your body, so have a little fun…”
(ML)

Listen to our ‘Tracks Of 2018’ playlist here, and stay tuned for more of our 2018 highlights, and Ones To Watch for next year…

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PLAYLIST: November 2018

The dark winter nights are creeping in, but our brand new November playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Temples Of Youth – ‘Darker Places’
Temples Of Youth have long been a favourite of ours here at Get In Her Ears, so we were thrilled to have them as guests on our Hoxton radio show last week (listen back here). ‘Darker Places’ is the title track of their latest EP, and I love Paul’s sweeping guitar sounds and Jo’s melancholy, but powerful vocals. We can’t wait to have them play for us at Notting Hill Arts Club on December 1st alongside Alyss, Elsa Hewitt & Varley (tickets are available on DICE. RSVP here). (Kate Crudgington)

Montauk Hotel – ‘Stains’
I poached these Dublin indie girls from Tash after she played ‘Stains’ on our Hoxton Radio show last week. I love their gentle, melodic, shimmering sound. They’re definitely ones to watch… (KC)

Scrounge – ‘Etch’
Both edgy and itchy, the appropriately named ‘Etch’ is a short, but very sweet blast of perfect scuzz-filled post-punk. A track that will indeed remain etched on your ears, demanding multiple listens, it’s propelled by Luke’s thrashing beats as Lucy’s colossal vocals rage alongside whirring hooks with a gritty sense of urgency. Oozing the duo’s epic, swirling wall of sound, with ‘Etch’ Scrounge have blown me away once again, marking themselves out as definite ones to watch. (Mari Lane)

Vulpynes – ‘2 Cents’
A song about freeing yourself from expectations, Vulpynes’ ‘2 Cents’ is propelled by the gritty, impassioned vocals of guitarist Maeve, raging with a seething energy and sublime raw power as punk-fuelled riffs are blasted out alongside intense pummelling beats. Reminiscent of the riotous force of the likes of L7 or The Distillers, it’s another storming, empowering offering from the Dublin duo, showcasing all there is to love about them. (ML)

Chorusgirl – ‘Demon Baby’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, ‘Demon Baby’ is the first song of the band’s to be released that’s written and sung by Faith Taylor (also of faves Suggested Friends). A slight change in tone from the usually guitar-driven jangly indie of Chorusgirl, ‘Demon Baby’ combines those welcome fuzz-filled hooks with a backdrop of a glitchy, electronic soundscape, filled with sparkling effects and luscious cascading harmonies. Shimmer And Spin is out 16th November via Reckless Yes. (ML)

Worst Place – ‘Square Eyes’ 
Oozing all the totally dreamy vibes we’ve come to expect from the East London band and GIHE faves Worst Place, ‘Square Eyes’ is an ode to Netflix lovers (me!) everywhere. Flowing with the scuzzy whirr of guitars alongside bassist Amy’s luscious honey-sweet vocals, it’s a simply perfect slice of sparkling, woozy indie-pop. ‘Square Eyes’ is out now on limited edition green glitter cassette, along with its double A Side ‘Soak’. (ML)

Bryde – ‘On the Subject of Breathing’
Following a nomination for the Welsh Music Prize for her debut album Like An Island, London-based Welsh songwriter Bryde has share this new single ahead of her UK tour. It’s strummy, it’s seething, it’s sullen. (Tash Walker)

The Orielles – ‘Bobbi’s Second World’ 
The story of a cat named Bobbi, this new track from faves The Orielles flows with an onslaught of scuzzy, funk-fuelled hooks and groove-laden, disco-reminiscent vibes. With the noticeable addition of keys courtesy of new member Alex, ‘Bobbi’s Second World’ initially sounds a lot less ‘indie’ than previous releases – focusing on creating a poppy danceability -, but it is certainly no less innovative. It remains distinctly The Orielles; an instantly infectious anthem filled with a buoyant energy and oozing a colourful spirit. ‘Bobbi’s Second World’, along with accompanying track ‘Makes You Forget (Itgehane)’, is out now via Heavenly Recordings. (ML)

Planningtorock – ‘Much Too Touch’
I have loved Planningtorock for many a year now, having seen them for the first time in 2011.  Oh how the years fly by and the music just gets better and better. ‘Much Too Touch’ is the second track Planningtorock has shared in the run up to their very recently released album Powerhouse and the only track from the album to feature a co-producer, who is long time friend and collaborator Olof Dreijer of The Knife. Powerhouse was released last week on the 9th November via DFA records and is EXCELLENT. Go listen. (TW)

Queen Zee – ‘Hunger Pains’
Will there ever be a day when Liverpool rockers Queen Zee release something we don’t immediately love? (errr, no). ‘Hunger Pains’ is the band’s latest knockout single, and it’s accompanied by the news that they’ll be releasing their debut album in February 2019. We. Can’t. Wait. (KC)

Nasty Little Lonely – ‘Excuses Excuses’
Bristol’s Nasty Little Lonely are taking a step back from band life for the foreseeable future, but they’ve released the powerful ‘Excuses Excuses’ in to the world just before they do. Of the track, vocalist & bassist Charlie explains: “The song is about how fucked the planet is and how we all know we need to do something about it, but things need to get serious right now or it’ll be too late”. We’re definitely aware of the climate change epidemic, and we’re glad we have the riotous sounds of NLL to motivate us in to action. (KC)

Zilla With Her Eyes Shut – ‘Cut Me Boy’
‘Cut Me Boy’ is the latest single from Zilla, who now goes by the name Zilla With Her Eyes Shut. This track was created using samples of unconventional objects such as a Stanley knife, liquid iron, rocks, elastic bands and an eye mask. The results are a thick mixture of unusual beats and warped vocals. I love it. (TW)

Elsa Hewitt – ‘Invisible Threads’
I saw Elsa Hewitt at The Great Escape Festival in May and her ambient, altruistic electronics have been floating around my head ever since. This is her latest stand-alone single, and it’s full of intricate loops and hushed vocals. She’ll be playing for us alongside Alyss at our next Notting Hill Arts Club on December 1st, so grab a ticket on DICE now and come along to appreciate her talent in all its live glory (RSVP here). (KC)

CHINAH – ‘Real Thing?’
Oh-so-many sultry beats which carry the promise of more to come. ‘Real Thing?’ comes from Copenhagen’s CHINAH, and their debut LP Anyone is out now. You can read more about them in our GIHEs interview with them here. (TW)

 

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Guest Playlist: Emily Magpie

As Autumn draws in, what better way to remember the summer than by listening to some of the sweetest tunes from this year’s festivals…?! Having just shared the celestial grace of latest single ‘Last Train’, and set to release her new EP next month, Bristol-based artist Emily Magpie has chosen some of her personal favourites for us…

Watch Emily Magpie’s new video for ‘Last Train here:

It’s been such a lush summer of festivals for me, and I’ve gotten to see some amazing female artists along the way. Really proud to see some amazing women doing their thing and blazing a path for there to be more of a balance at festivals – we need more of this please! Here’s some of my faves that I’ve seen/hope to see next year…

China Bowls 
My fellow Bristolian China Bowls is such a superb musician and songwriter… I’ve had the joy of gigging with this lady before and she was all over the festival season. Jazz, neo soul and hip-hop influences, soulful vocals and guitar… Always great solo, or with band in tow, check her out!

Lucy Dacus
I’ve loved ‘…Familiar Place’ by Lucy Dacus since I stumbled across it on Spotify this year, and then managed to stumble across her live set at Green Man Festival this summer after I’d finished mine. I was so happy to see this lovely indie singer-songwriter live; chill vibes, plus she’s hilarious!

Hollie Cook
I caught Hollie’s tropical pop at Boomtown Festival this year, when tropical pop was so so necessary. It was a pretty soggy affair and Hollie brought the sunshine. She’s on tour in Autumn, and I’m definitely going to try and watch her again!

Goat Girl
Saw the end of their live set at Green Man Festival and loved it. Dark, hazy, some shoegaze feels and indie sounds – very cool band.

IDER
IDER are right up my street; with really cool electronic production, their vocals are what really take it to the next level. I’m excited to see what they do next.

Kate Stapley
I saw Kate Stapley live at Bristol Harbourside Festival just after my set. It’s such a great festival for seeing upcoming Bristol artists, and I fecking LOVE Kate’s music. I guess genre-wise it’s indie, but what she does is just magical. The songwriting is fantastic. You need ‘These Planets’ on repeat!

Holly Walker & Malibou State
I’m really into this set up; it’s such great music to chill to, but also kind of dance-able also. It’s on my list to listen to lots more and get into.

This is the Kit
I didn’t manage to catch This Is The Kit at a festival this year, but they were doing the rounds. Such a lovely, lovely band! I was lucky enough to play support to them earlier this year, and they craft the most magical folk songs. A really special band and excellent people, check them out!Frankie Cosmos
Frankie Cosmos is just ace. Somewhere between indie and folk, I love the lo-fi feel of her music, it just makes me feel all happy and soft inside.

Honeyfeet
Honeyfeet are a band you just have to see live. I got taken along to a gig of theirs a couple of years ago, and wow. Perfect festival band – so much soul, so much sass, so much energy, so much dancing. Go listen and get sweaty and happy!

Huge thanks to Emily for putting together this playlist for us! Have a listen, and feel all those luscious summer vibes here:

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PLAYLIST: July 2018

British summer time is in full swing, and the gorgeous/overwhelming heat makes every day feel like a summer holiday *wipes beads of sweat from brow*. If you’re stuck behind your desk however, fear not! We have a red hot set of new tunes to see you through the rest of the month. Take some time to scroll through our track selections, and hit play on the Spotify link at the bottom of the page…

 

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008 – the same year I attended London Pride for the first time – and without a doubt, the theme tune to me fully embracing my sexuality; feeling proud of who I was and strong enough to come out happily in all aspects of my life. Last weekend marked the end of the Pride Festival in London, with the Pride in London march on Saturday, where I marched with Switchboard the LGBT+ Helpline that I am a Trustee for. It was a great experience, and only mildly marred by the TERFS protest at the beginning. As a cis-gendered lesbian I denounce everything they stand for and pointedly want to say that I do not agree with any of their statements. I marched for the achievements we have made in society throughout the years to now, but also for all the essential changes still to come…one thing remains the same, it’s about standing for equality. Equality for everyone, everywhere. (Tash Walker)

Indian Queens – ‘Pretty Little Thing’
Equal parts driving and delicate: Hackney trio Indian Queens have shared their new track ‘Pretty Little Thing’ – and it’s as attractive to the ears as its namesake suggests. Released via Cool Thing Records, the single is an infectious blur of hypnotic vocals and shoe gaze guitar sounds. They received a standing ovation after their set at Robert Smith’s Meltdown Festival last month, and this track has been swirling around my brain ever since. (Kate Crudgington)

Handsome Eric – ‘Oh No’
I fell a bit love with Handsome Eric on seeing them support Shamir last week at Camden Assembly. As the raw, honest emotion of Stephen O’Dowd propels the track, whirring hooks and a driving energy bring to mind Manchester artist, and personal favourite, Kiran Leonard. Totally luscious lo-fi scuzz of the best kind. (Mari Lane)

Nova Twins – ‘Lose Your Head’
GIHE faves and last week’s guests on the radio show, the immense Nova Twins have just released their ferocious new single ‘Lose Your Head’. Having received acclaim from the likes of The Guardian, and none other than Rage Against The Machine’s Tom Morello, the duo continue to prove themselves to be one of the most exciting bands around with the snarling vocals and addictive, frenzied energy of this latest offering. (ML)

The Empty Page – ‘Deeply Unlovable’
We’ve been massive fans of The Empty Page’s gritty, grunge-fuelled offerings for a while now, and we cannot wait for them to blow us away once again at The Finsbury on Friday! (ML)

Queen Kwong – ‘Raptures’
Slow-building bass lines and mesmeric vocals combine on Queen Kwong’s ‘Raptures’ to form a beguiling request to escape unwanted memories. No stranger to adversity, Queen Kwong (aka Carré Callaway) shows how her “cursed mind” is still as sharp as ever on this brilliant new single. (KC)

Carolyn’s Fingers – ‘Twice Born’
LOVE THIS! Experimental pop band Carolyn’s Fingers always deliver such refreshingly unusual music, where I just don’t want to even try and predict where their music will go to next. There is something about there music that consistently dabbles with art/performance and still I am yet to see them live. A firm ambition of mine. Totally DIY in every way, we full support Carolyn’s Fingers. (TW)

Gazelle Twin – ‘Hobby Horse’
Warped, uncomfortable, but morbidly fascinating: avant-garde artist Gazelle Twin has returned with a new image and this un-nerving new single. I can’t wait to hear more of her unusual electronic cacophonies on her upcoming record, Pastoral, on which she “exhumes England’s rotten past, and shines a torch over its ever-darkening present”. Sign. Me. Up. Now.  (KC)

Pitou – ‘Give Me A Glass’
So gentle, so beautiful, and so delicate. ‘Give Me A Glass’ by Pitou is taken from her new EP I Fall Asleep So Fast, released via Mink Records. I think this track is just mesmerising, and it probably helps that it was the first song I listened to after meeting my niece for the first time. So here’s to raising that glass to the new addition in my family! (TW)

Anna Aaron – ‘Why Not’
Love love LOVE! From the disjointed off-beat vocals, to those heavy beats that underpin this track; how can you not enjoy this?! Described as “crunching electronic pop sound”, I think that perfectly sums up this raw slice of intentionally aggressive music. (TW)

Lizzo – ‘Boys’ 
Another utterly empowering and ferociously fun offering from GIHE favourite Lizzo, ‘Boys’ is filled with all the refreshing wit that we’ve come to know and love from the Minneapolis artist. Reminiscent of the legendary Missy Elliot, this track’s funk-filled groove and joyous sex-positive spirit provides the perfect summer anthem. (ML)

Belako – ‘Over The Edge’
I saw Spanish band Belako at Finsbury Park last Saturday kicking off a day of fantastic music from QOTSA, Iggy Pop, Brody Dalle, Deap Vally and more…. And they are now my new favourite band – it was one of the most impressive, engrossing sets I’ve seen for a long time. They delivered each gritty slice of post-punk with a raw, swirling energy and explained that his track ‘Over The Edge’ is “against gender violence” – a poignant and necessary subject. And I just love its immense, gnarly passion. I’m now thoroughly addicted to their latest release Render Me Numb, Trivial Violence. (ML)

Asylums – ‘Millennials’
Essex indie rockers Asylums have returned with their highly anticipated second album Alien Human Emotions – released via their own label Cool Thing Records – and ‘Millennials’ is one of the stand-out tracks on the record. Slower in tempo, but just as powerful in delivery; the single laments the “generational generalisations” that millennial kids face in today’s society. (KC)

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