NEW TRACK: SPIDER – ‘daisy chains’

Following on from last year’s smouldering single ‘straight out the oven‘, Irish-born, London-based alt-pop artist SPIDER has returned with a tenacious new anthem titled ‘daisy chains’. Taken from her upcoming new EP, an object of desire, which is set for release later this year, the track is a raucous ode to trusting your instincts and advocating for yourself when others encroach on your space.

“‘daisy chains’ is the epitome of ‘don’t take my kindness for weakness,’” explains SPIDER about her new single. “I wrote it about a really shitty experience where I continued being super kind to someone who invaded my personal space and made me feel really uncomfortable. I just didn’t think I was entitled to feeling weird about it and I didn’t feel like I could stand up for myself either. The lyrics are violent, but the invasion of someone’s space – in any type of way – is violent. Writing this song allowed me to reclaim that moment and properly feel the anger I had towards them without forcing myself to take the high road and ‘be above it.'”

Through her uncompromising lyrics and direct vocals, SPIDER explores these visceral and conflicting feelings. “I like to chase / and I hear that you’re a runner” she taunts over punchy beats and gritty riffs, gladly taking back control after feeling intense discomfort and unease about the situation. ‘daisy chains’ is aural proof that, as SPIDER states in her own lyrics: “I’ve got spine”. Her upcoming EP, and her previous releases (2022’s C.O.A, and 2023’s HELL OR HIGH WATER) all form what SPIDER coins as her “Unholy Trinity of Young Adulthood” collection. Through her music, she explores what it’s like to be a young black woman, coming of age in a Catholic household, and navigating the world and the music industry as a genre-blending and uncompromising new artist.

After watching SPIDER storm the stage at The Green Door Store for The Great Escape Festival in Brighton last year, we’re excited to share the news that she’ll be playing her first ever headline show at London’s Camden Assembly on 20th March. Grab a ticket here.

Listen to ‘daisy chains’ below.

Follow SPIDER on SpotifyInstagramTwitter (X) & Facebook

Kate Crudgington
@KCBobCut

LISTEN: GIHE on Soho Radio with Mykki Blanco (18.09.23)

Tash and Kate were back on Soho Radio’s airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists! Mari offered some of her “musical musings” too. Artists featured on the eclectic playlist included Tirzah, Coolgirl, Maria Uzor, O Hell, CLT DRP, Divorce, English Teacher, Brenda and Touch Excellent.

Tash also caught up with queer pioneer and innovative artist Mykki Blanco to talk about their upcoming EP, Postcards From Italia, which is set for release via Transgressive Records on 22nd September. Fresh from celebrating Copenhagen Pride, Mykki spoke to Tash about the context of their new record, how the music industry has changed over the last decade, their queer inspirations and more.

Listen back to the show below:

 

We’ll be back on Soho Radio this Thursday 21st September, LIVE in the studio covering the Morning Glory show from 9am-12pm. Make sure you tune in via www.sohoradiolondon.com

Tracklist
Sinead O’Connor – Mandinka
Tirzah – F22
Maria Uzor – Sometimes They Look At You
O Hell – hard times
Coolgirl – High Altar
CLT DRP – I See My Body Through You
Say She She – Astral Plane
Brenda – Microscopic Babe
shaene – june
Whitelands – The Prophet and I
English Teacher – The World’s Biggest Paving Slab
Separatr – Deadstock
Divorce – Scratch Your Metal
Maria BC – Amber
Ideal Host – The Resolution
NESS NÖST – MAID 4 U
Gabriella Cohen – Clever Cheese
Mykki Blanco – Holidays in the Sun
**Interview with Mykki Blanco**
ZHU, Devault – Take My Soul
Touch Excellent – Couch Song
Becca Mancari – Over and Over
Louisa Rowley – Love Me For All of My Flaws
Yeah Yeah Yeahs – Maps

INTERVIEW: ALT BLK ERA

Formed of sisters Nyrobi and Chaya, genre-defying duo ALT BLK ERA create tenacious alternative tunes designed to showcase their vivid personalities. Inspired by the likes of Ashnikko, Hacktivist, The Prodigy and Billie Eilish, they blur the boundaries of pop punk, nu-metal, rap and electronic music to form their riotous sounds.

By combining jagged electronics, heavy riffs and racing beats with raging lyrics, the pair have created an alternative statement of self autonomy on their debut EP, Freak Show, which perfectly showcases their antagonistic, youthful spirit. We caught up with Nyrobi and Chaya to talk about their new release (out on 1st September), their recent performances at Reading & Leeds and Glastonbury, and the love they’ve received from fans who have discovered their music…

 

For anyone who doesn’t already know, can you explain how you came to be ALT BLK ERA?

We’re sisters from Nottingham and we have been singing together for as long as I (Nyrobi) can remember. It became a regular daily feature when we would do our chores, washing up, with music blasting from our Apple iPod. This is where we learnt how to harmonise so easily with one another.

I’m the chief song-writer (Nyrobi) however, I work best with my sister Chaya by my side. She’ll add key parts, change things or say a straight no – so it’s a dual process. We sound so different, and we have such different personalities that we have to work closely together throughout the creative process.

Your own music is a blend of lots of different genres (nu-metal, rap, pop punk, electronic/rave) – talk us through your process of combining these styles and merging them into your songs…

We grew up on Reggae, Soul and R&B – so these elements are at our core. However, we stumbled upon the world of Metal and DnB when we were trying to express something harder and edgier than what we knew.

We haven’t got a step-by-step process. We sit with a beat. We have a song title and theme and then we ride the creativity wave. If we hit a wall – we write something else and then come back to it later down the line. There’s no pressure. We have fun making our music and if we want to throw in a bit of opera – we do exactly that. If we want to throw in a few bars of rap, we do that. There are no rules. This works for and against us because the industry wants to give a title to what we do. At one point we felt pressured to label our music genre – but it isn’t one thing so we generally call it ‘Alternative’.

You’re gearing up to release your debut EP, Freak Show, on the 1st September. What are you most proud of about this release?

We love that the EP is a story of where we started from. Our feelings of sitting outside of the mainstream. It feels like we’re getting a lot off our chest and we’ve found that so many others relate to what we’re singing about. We’re still really young, so the school experience has been a major area of our lives. What’s amazing is how many older listeners share with us that they wish they had us around when they were growing up. This is what we are most proud of – being able to connect with a range of people who identify themselves in our music. All the songs have a slightly different twist on them, and there are a range of energies that we share – from defiance to empowerment, to encouragement and love of yourself and others.

Do you have a favourite track on the EP? If so, why?

We of course love every track on the EP, but Chaya holds a special place in her heart for the title track, ‘Freak Show’ and I am loving ‘I’m Normally Like This’ – but this could change. It depends where we’re at emotionally as each track can speak strongly to you at different times.

Your music and your aesthetic both make a strong statement about individuality and not being afraid to express yourself. How has this message impacted your listeners? Have people reached out to talk to you about these things?

It’s been so wonderful to see the reaction. Our music is about celebrating who we all are which we especially see when we perform live. We’re tired of the pressures to conform. There have been a few haters that can’t help but share their thoughts about us and what we stand for – but we forgive them because they maybe haven’t heard our lyrics where we say “We don’t give a damn if you like it!”

People are always reaching out to us. We talk about some deep issues in our music, including violence against women. We get so many comments and private messages from people who have or who are struggling with their mental health and self-love – who say our music is helping them. Parents and grandparents introduce our music to their children and grandchildren. People from marginalised communities reach out to us and thank us for making them feel safe and heard.

Older true Metal Heads tell us how much they love our music. Rap artists tell us that they love the music we are making. What’s also beautiful is how many people from the Black community reach out to us too. Either they’ve never liked Rock/Metal music before or they have not seen enough representation. This is clear in our live shows when there are so many people from different walks of life join us in one room.

You performed at Glastonbury and Reading & Leeds Festival this year! Talk to us about these sets… 

OMGosh! Glastonbury was a dream. We have so much love for Earache Records for taking a risk on two teenage girls and putting us on their Takeover of the Truth Stage at Shangri-la. The highlight was when we looked over at each other in the middle of our set and we both knew what the other was thinking… “It’s really happening!” We were so happy.

We headlined the BBC Introducing stages at Reading & Leeds Festival. Again, another dream come true. We just wanted the audience to enjoy themselves and feel part of something new. We had people screaming back at us and joining in the chants it was spectacular. We’re still processing the experience.

You played live for Get In Her Ears supporting STRAIGHT GIRL in July and we loved your set. What do you enjoy most about playing live?

We love seeing the energy of the crowd. We love how we take them through different mood states and how we all experience it together. From soft, weird, to full out moshing. Live is the most wonderful thing! Thank you for having us! (see pics of the night here)

What does the rest of 2023 hold for ALT BLK ERA?

We have a few things lined up. We will be supporting Lord Of The Lost at the O2 Shepherd’s Bush Empire – this is another massive step for us and we’re so excited for this. On the 3rd November we have our headline show in Nottingham, where we will also be sharing music that we plan to release in 2024. It’s going to be a full on party!

Finally, as we’re a new music blog, we always ask for new music recommendations. Is there a band or artist who you’ve been listening to lately that you’d like to give a shout out to?

We have three we’d like to mention: PleasePretty Lea, Gender Crisis and Ruena. Do not sleep on these artists!!!

Follow ALT BLK ERA on bandcampSpotifyTik TokTwitter (X)Instagram & Facebook

Photo Credit: Fabrice Gagos

Kate Crudgington
@KCBobCut

NEW TRACK: Touch Excellent – ‘Couch Song’

Following on from their debut single ‘Record‘ – a tenacious anthem highlighting the failures of the healthcare system when it comes to treating women, non-binary and transgender folks – Dublin pop punks Touch Excellent have shared their new single, ‘Couch Song’. Full of dreamy vocals, relatable lyrics and melodic riffs, the track is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room.

Describing themselves as “Ireland’s most transgender band (surely)”, Touch Excellent create raw, frenzied, politically-driven cacophonies that are designed to dismantle the systems that oppress us. Together, Lenny (vocals/bass), Ló (rhythm guitar/vocals) and Amber (drums) transform their feelings of hopelessness and injustice into loud, cathartic, catchy anthems that address the issues facing young people today. That was certainly the case for their first single ‘Record’, but on ‘Couch Song’ the band showcase a more tender side. The trio opt for softer riffs and vocals on the new track, but it still retains the enthusiasm and wit of their debut release.

“This one goes out / to the people on the couch, at the party” directs Lenny, making space for those who “don’t want to dance” despite enjoying the rowdy atmosphere. The song shifts in tone, tempo and mood to reflect these conflicting feelings, expressing how joy can still be found in crowded rooms by focusing in on a crush, or simply sitting slightly inebriated on the couch. Described as “a rallying cry for introverts and a sly glance at a beautiful person from across the room,” ‘Couch Song’ is Touch Excellent’s “break from raging against the machine” and a nod to their more intimate, affectionate song-writing style.

Listen to ‘Couch Song’ below.

Follow Touch Excellent on bandcampSpotify, YouTube, Twitter (X) & Instagram

Kate Crudgington
@KCBobCut