NEW TRACK: Touch Excellent – ‘Record’

A tenacious anthem that takes aim at the failures of the healthcare system when it comes to treating women, non-binary and transgender folks, Touch Excellent have shared their debut single ‘Record’. Fuelled by the Dublin-based band’s collective anger, the track is a brief but powerful blast of attention-grabbing pop punk noise.

Playfully self-describing themselves as “Ireland’s most transgender band (surely)”, Touch Excellent create raw, frenzied, politically-driven cacophonies that are designed to dismantle the systems that oppress us. Together, Lenny (vocals/bass), Ló (rhythm guitar/vocals) and Amber (drums) transform their feelings of hopelessness and injustice into loud, cathartic, catchy anthems that address the issues facing young people today.

Their debut single ‘Record’ is inspired by the band members own experiences with the medical system, the recent Cervical Check scandal in Ireland, and the ongoing fight for reproductive rights around the world. The song is laced with medical imagery and descriptions of procedures that will be familiar to many women, and the band hope the track will offer a moment for rage, respite and relief in spite of these stressful moments.

Describing themselves as “a band for people who care about the issues and love a good live gig,” 2023 looks set to be an exciting year for Touch Excellent. The four piece played a show at Anseo on Camden Street in Ireland last night (May 25th) to celebrate the release of their debut single ‘Record’, and they will be releasing more material later in the year.

Listen to ‘Record’ below.

Follow Touch Excellent on bandcamp, Spotify, Twitter & Instagram 

Kate Crudgington
@KCBobCut

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LISTEN: GIHE on Soho Radio: Great Escape Festival Special with SPIDER (01.05.23)

Tash and Kate were back on Soho Radio’s airwaves for a special show dedicated to women and non-binary artists who are playing at The Great Escape Festival this year! The pair enthused about the eclectic mix of artists on the line-up, and played tracks by Alice Longyu Gao, Witch Fever, JFDR, Brimheim, Seraphina Simone, Cristale, Delilah Holliday, HotWax, Coach Party, Problem Patterns, ARXX, Debby Friday, CLT DRP and more! Mari offered some of her suggestions too, including Whitelands, Lambrini Girls, Human Interest, King Hannah and Pool Kids.

Kate and Tash were also joined in the studio by alt-pop artist SPIDER. The Dublin-born, now London-based musician spoke about the inspirations behind her latest EP, HELL OR HIGH WATER, her anticipations for her hometown performance at Academy 2 in Dublin for Road To Great Escape on 8th May, and for her show at Green Door Store in Brighton as part of The Great Escape Festival on 11th May. She also spoke about the challenges she has faced as a young, female artist of colour sharing her music on the internet, and how it’s made her more determined to make her mark in alternative music scenes.

Listen back to the radio show below:

 

Grab your tickets for this year’s Great Escape Festival here

We’ll be back on Soho Radio on Monday 29 May at 12pm!

Tracklist
Arlo Parks – Weightless
JFDR – Life Man
CIEL – Baby Don’t You Know
Whitelands – Setting Sun
HotWax – A Thousand Times
Coach Party – Micro Aggression
Alice Longyu Gao – Come 2 Brazil
Moonchild Sanelly, Sad Night Dynamite – Demon
Cristale – Morgan
Seraphina Simone – Milk Teeth
Ruti – Luh Luh Love
Delilah Holliday, Baxter Dury – White Coats
Human Interest – Cool Cats
Hinako Omori – Spaceship Lament
CLT DRP – New Boy
DEBBY FRIDAY – Good Luck
SPIDER – GROWING INTO IT
**Interview with SPIDER**
Charlotte Plank – Lost Boys
ARXX – Ride Or Die
Pool Kids – That’s Physics, Baby
Phoebe Go – We Don’t Talk
King Hannah – Creme Brulee
Maeve – Hounds
Sans Soucis – Merchants
Witch Fever – At The Core
Problem Patterns – Who Do We Not Save
Lambrini Girls – Lads Lads Lads
Brimheim – This Week’s Laundry
Jessica Winter ft. Lynks – Clutter

Kate Crudgington2 Comments

ALBUM: THICK – ‘Happy Now’

Raging against the patriarchy by writing about their experiences of being women in what used to feel like a doomed music scene, Brooklyn-based pop punks THICK have forged their own path on their latest album, Happy Now. Filled with thrashy instrumentals and anthemic crowd-pleasers, the band – formed in 2014 and comprised of Nikki Sisti (guitar/vocals), Kate Black (bass/vocals) and Shari Page (drums/vocals) – embrace and further their potential throughout their most recent effort.

Upbeat guitars and energetic vocals characterise this concise yet assertive album, which tackles lighter topics compared to their previous record, 5 Years Behind (2020). The first single from the release, ‘Loser’, is a standout. The trio’s vocals are the defining feature of the song, particularly the fade between the solo yelling verses and the group harmonies in the chorus. Their trademark agro-punk overlaid with emotional honesty is blatant here. The single reclaims the term loser: “In music, it’s so easy to feel like a loser and a f*ck up”, comments drummer and vocalist Page. “We want people to know that it’s okay to mess up and that everyone’s a loser sometimes. It’s really the best way to live”. Page’s sentiment is embodied by the track’s lyrical wit: “I love when people tell me I should quit.”

Hints of the band’s early influences have always lent themselves to their releases. The vibrant introduction to ‘Her Chapstick’ wouldn’t feel out of place on a blink-182 record, while several other tracks feel riot grrrl-infused, especially the Le Tigre-esque ‘I Wish 2016 Never Happened’ and the Sleater-Kinney inspired ‘Your Garden’. The latter is a fast-paced song and the crux of the album, compounding the best of the swirling vocal rounds and roaring guitars that the remaining body of the tracks are dominated by.

‘Happiness’ is the perfect opener. The track is rapid in pace, complete with punk rant choruses and melodic collective verses. ‘Tell Myself’ expresses the group’s musical muscle in a slightly more stripped back way. End track, ‘Something Went Wrong’ is another highlight. Its well-paced bass riff is a moment of shine, which shows THICK are as strong instrumentally as they are lyrically. This finale is buoyant, leaving listeners on an upbeat note.

Ultimately, THICK’s sophomore effort is packed with moments of promise. It expresses viable growth from their debut, feeling less like a laundry list of things they’re exasperated at and more like a cohesive story, all without abandoning the perfect blend of guitar solos and layered vocals the group are celebrated for.

Follow THICK on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: Jessica Gurewitz

Sarah Bennett
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@zasbennett (Instagram)

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Track Of The Day: Ex-Vöid – ‘Churchyard’

A catchy, jaded slice of garage-pop inspired by an unusual past-time, UK power-pop punks Ex-Vöid have shared their latest single ‘Churchyard’. Taken from their debut album Bigger Than Before, which is set for release on 25th March via Prefect Records/Rough Trade, the track is a buoyant blend of melodic guitars, soft dual vocals and frustrated lyrics.

Formed by ex-Joanna Gruesome vocalists Lan McArdle and Owen Williams, along with Laurie Foster (bass) and Jonny Coddington (drums), Ex-Vöid are inspired by the sounds of The Byrds, Big Star and Teenage Fanclub. Whilst on the surface their music is infectiously upbeat, the band retain a sardonic, strung out wit through their lyrics, with ‘Churchyard’ being a prime example of this blend.

“I wrote ‘Churchyard’ when I was like 24 and living in Brighton,” guitarist Owen Williams explains. “My friend and I were unemployed and we used to spend a lot of time drinking cans of lager and taking legal highs in a pet graveyard. It was boring so at the end we sing ‘I get so bored’ over and over etc.”

This humourous apathy underscores the band’s debut record, Bigger Than Before. The album was recorded in just over an hour in a studio in Hackney, with minimal overdubs and no breaks. Bassist Laurie Foster was reported to have “kept on playing even though his belt came loose and his trousers fell down” – if that’s not incentive to listen, what is?

Listen to ‘Churchyard’ below.

Follow Ex-Vöid on bandcamp, Spotify, Twitter & Facebook

Photo Credit: Max Warren

Kate Crudgington
@KCBobCut

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