GIHE: Tracks Of 2025

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2025.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2025’ ahead of features on our favourite albums, ‘Highlights’ and ‘Ones To Watch 2026’… Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying Tidal playlist to hear just how fantastic they all are! Then, please do follow the artists you love on all platforms – download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are! (A little caveat that if we had lots more time, we’d include many more songs on this list… If you’re a band we love and not included here, you’re still fantastic and we have so much admiration for you creating wonderful music to keep us going!)

The Baby Seals – ‘Tamoo Trance’
Having been super mega fans of Cambridgeshire feminist punks The Baby Seals since they first played live for us back in 2017, and having recently had them back to play at our joyous 10th birthday celebrations, we were very excited to have new music from them in the latter part of this year. A fierce take-down of consumer capitalism, combining the band’s trademark playful tongue-in-cheek wit with a gritty raging energy, ‘Tamoo Trance’ offers a seething anthem about getting stuck in a trance-like state in an (obviously completely fictitious) online shop. So, throughout 2026, instead of spending money on stuff that “will go directly in the bin”, perhaps consider supporting your fave DIY artists on bandcamp, or going along to a nice local gig. Rumour has it that The Baby Seals have a new album coming next year… We can’t wait!
(Mari Lane – Managing Editor)

Whitelands – ‘Glance’
London-based shoegaze band Whitelands are firm favourites here at GIHE, and the release of this track ‘Glance’ has only cemented that further. Lifted from their upcoming second album, Sunlight Echoes, due on 30th January 2026 via Sonic Cathedral, ‘Glance’ shimmers with the band’s trademark sensitivity, whilst simultaneously showcasing a lusher dream-pop influence on their songwriting. Vocalist and guitarist Etienne penned this track after moving through a period of both heartbreak and writer’s block. These frustrations and elations are mirrored in the romantic lyrics and the band’s blissful, captivating melodies.
(Kate Crudgington – Features Editor)

Sister Ghost – ‘Drain You’
Sister Ghost’s ‘Drain You’ leans hard into a ’90s grunge sound, channelling the spirit of Garbage and Hole with a gritty, playful edge. The video, shot dancing around Joshua Tree, worlds away from the band’s native Derry, adds to its sense of freedom. It’s driven by a big, instantly catchy chorus, wrapped in a thick wall of sound that hits with Shannon’s confident vocals.
(Ella Patenall – Contributor)

HAVVK – ‘Happening Again’
Having played our first ever GIHE gig back in 2016, we’ve been such huge fans of Irish duo HAVVK ever since and I was so excited to have them back in our ears with this swirling single. A gritty and cathartic reflection on destructive patterns of behaviour, ‘Happening Again’ showcases the band’s ability to combine a fierce seething energy with the soaring, captivating allure of Julie’s raw vocals. I can’t wait to hear more new music from them very soon.
(ML)

PostLast – ‘Scavenge’ (Birthday Problem remix)
Irish indie label VETA Records have provided me with some of my favourite new music this year, including this superb collaboration from alt-pop duo Post Last and electronic duo Birthday Problem. I’ve been following both bands for a while, so I was thrilled to see them working together here on this eclectic remix. Soft vocals and intriguing electronic textures combine to make this version of ‘Scavenge’ a real sonic gem.
(KC)

Jouska – ‘Season Of Dread’
Taken from her album, How Did I Wind Up Here?, which she released in October, Norwegian artist Jouska has a talent for transforming feelings of vulnerability into graceful musical ruminations. ‘Season Of Dread’ was inspired by a time when she felt like she was “stuck inside a winter that wouldn’t end – both emotionally and physically.” I always admire artists who are able to work through heavy emotions in their music and I feel like Jouska manages that adroitly here.
(KC)

Dogviolet – ‘Dandelion’ 
The first of two singles released this year by ones to watch, and long time faves, Dogviolet, ‘Dandelion’ offers an empowering ode to resilience and resistance, to the power of community – likening people to the flower, under-valued but vital to the ecosystem. I just love the understated power of the repeated refrain “to exist is to resist”, and feel like this song perfectly encapsulates the captivating, gritty grunge-fuelled power of the band. I’ve loved the band a lot since they played their first ever gig for us a few years back, and was super happy that they were able to be a part of our 10th birthday celebrations in September. I’m really excited about what they have in store for us next year…!
(ML)

The Dead Zoo – ‘Bruise’
Having released their debut album back in July, and wowing us all with their fiercely joyous energy headlining a packed out launch show at New River Studios back in June, this year has been a big one for long-term faves The Dead Zoo. With the album’s release, they showcased their ability to create immersive, brooding soundscapes, reflecting on both the pain and triumph of transformation. Combining swirling atmospherics with ’80s-inspired dark basslines, and with the gritty power of front woman Kaoru Sato’s vocals resonating throughout, ‘Bruise’ offers a pulsating, multi-layered soundscape that will captivate the senses on first listen.
(ML)

BACKXWASH – ‘Wake Up’
I love the raw power behind this shape-shifting offering from Zambian-Canadian rapper and producer BACKXWASH. ‘Wake Up’ is taken from her album, Only Dust Remains, which she released via her own label Ugly Hag (great name!) in March. ‘Wake Up’ permeated my consciousness, thanks to its direct lyricism and BACKWASH’s uncompromising vocal delivery.
(KC)

After London – ‘Alive’
The track opens with an urgent, ravey synth line before dropping into pounding drums that drive it forward. Punchy spoken-word vocals ooze attitude, keeping the verses sparse and tense. When fat, fuzzy guitars hit, the energy lifts again. Sharp wordplay ties together spoken word, rave textures and a badass punk attitude.
(EP)

Tiiva – ‘you and i’
‘you and i’ is the title track from electronic artist & producer Tiiva’s debut album, which they released via Moth Day Records in June this year. It deftly showcases Tiiva’s talent for blending euphoric pulsing beats with their soft vocals and ambient electronics to create a listening experience that’s joyful and all-encompassing.
(KC)

Jessie Mac – ‘Trans Is Beautiful’
A powerful and incredibly catchy “sonic statement” from South East London trans DJ, producer and label owner Jessie Mac here. By sampling the words of American actress & LGBTQ activist Laverne Cox and combining them with her own shape-shifting club-inspired beats, Jessie has created an LGBTQIA anthem that is equal parts poignant, political and playful. She’s a firm new favourite here at GIHE and we’re looking forward to hearing more from her in the future.
(KC)

Beauty Sleep – ‘Radical Happiness’
Having signed to Alcopop! Records for their second album The Whole Damn Cake back in October, Derry faves Beauty Sleep came over to London to celebrate its release last month, and we were lucky enough to have them headline for us at The Cavendish Arms. It was such a joyous night oozing all the colourful, queer energy we so need right now (and some very tasty actual vegan cake!); it felt really special to have them here with us, and with support from Dream Phone and Lein Sangster. Fizzing with a glitchy energy and swirling uplifting emotion, album “theme song” ‘Radical Happiness’ offers a twinkling, empowering ode to self care and embracing doing things that bring you joy. 
(ML)

Sacred Paws – ‘Turn Me Down’
After a five year hiatus, the return of Scottish duo Ray and Eidlih – aka Sacred Paws – this year was a big highlight for me. Taken from the latest album, Jump Into Life, ‘Turn Me Down’  reflects on the rawness of rejection; juxtaposing this poignant sentiment with the duo’s trademark jangly energy and colourful musicality. Ray Aggs from the band was actually due to play our 10th Birthday all-dayer in September, but sadly couldn’t make it due to illness, so we really hope to see them back in London again sometime in 2026 – their gig for us at The Shacklewell Arms last year was one of the most joyous and fun! 
(ML)

Cheerbleederz – ‘I deserved better’
With the release of their gorgeous EP (prove me wrong) via Alcopop! Recordsin September, indie-pop supergroup and long-time faves cheerbleederz have continued to cement themselves as one of my most favourite bands. An uplifting ode to knowing your self-worth, ‘i deserved better’ offers all the sparkling, jangly melodies and scuzzy emotion you could ever need, plus a perfect singalong chorus – as Kathryn from the band says, “The chorus doesn’t even have any real words, but sometimes you don’t need em!”.
(ML)

Gay Skeleton Club – ‘Summertime (Free Palestine)’
We’ve made no secret of our love of Gay Skeleton Club since they formed at First Timers Fest a couple of years ago, and we feel super lucky to have had them play live for us numerous times – each time bringing such a cute queer joy, and unifying sparkling charm. Following wonderfully catchy singles like ‘2 cats’ and ‘w3t l3g’, the release of ‘Summertime (Free Palestine)’ this year showcased how the band have honed and developed their sound into something fuller both musically and lyrically, whilst still maintaining their playful witty charm that we’ve come to know and love so much. I’m really looking forward to seeing what Gay Skeleton Club have coming up in 2026!
(ML)

Tamara & The Dreams – ‘Successful Bisexual’
When I received an email back in March about a track called ‘Successful Bisexual’, I had to open it immediately… It’s an energy I’m forever trying to channel, and this single from Australian artist Tamara & The Dreams offers a perfectly heartfelt ode to self-discovery and embracing who you truly are as you get older. I was lucky enough to catch her when she was over in the UK back in the summer, and their lilting jangly energy and catchy uplifting charm was everything I needed and affirmed her place as one of my favourite artists of the last year. 
(ML)

nazire – ‘junebug’
A woozy guitar tune from Istanbul-based shoegaze artist nazire here. I was immediately hooked on her lullaby-like vocals and all-encompassing use of reverb on ‘junebug’. She’s currently working on her debut album, Glitchfolk, which she will release at some point in the near future. I will be keeping my eyes and ears peeled for that.
(KC)

Better Joy – ‘steamroller’
Taken from October’s EP, dusk, ‘steamroller’ offers a defiant anthem about reclaiming strength in the face of loss from Manchester-based Bria Keely, aka Better Joy. Whirring with fuzzy hooks as Keely’s sugar-sweet vocals flow with a sparkling emotion, it’s an instant, completely dreamy, earworm and has been one of my most-listened to tracks of the last year. 
(ML)

Marina Yozora – ‘Touché’
Described as a “love letter” to her friends and fans, ‘Touché’ is a gorgeous offering from Japanese-born, London-based songwriter Marina Yozora. It’s a tender dream-pop tune full of her delicate vocals, emotive lyrics and atmospheric guitar tones.
(KC)

Ailsa Tully – ‘Self Soothing’
The first taste of her upcoming debut album, ‘Self Soothing’ marked a welcome return for Welsh artist and GIHE fave Ailsa Tully earlier this year. Offering a vulnerable sentimentality, a delicate musicality glistens as Tully’s distinctive crystalline vocals flow seamlessly. With its added immersive synth-driven layers and subtle sense of angst that ripples under its surface, a gritty edge is added to this innovative artist’s trademark heartfelt splendour.
(ML)

False Idah – ‘Gaslight’
Having been big fans of the sultry beats and genre-defying heartfelt offerings of London-based songwriter and producer Jay Brown, under her previous guise as Amaroun, we’re now excited to hear that she’s back with a new project. False Idah takes all that we loved about Amaroun, but develops it into something more as Brown immerses herself in the vulnerability of stripped-back songwriting and the inspiration that can come with the freedom to express yourself in a true and honest way. I was lucky enough to catch an intimate live performance at Servant Jazz Quarters back in September, ahead of the release of this beautifully raw new single and an upcoming album next year. 
(ML)

Amulets ft. Midwife – ‘Lifelike’
This is a really beautiful collaboration from two of my favourite American musicians – electronic/drone artist & tape wizard Amulets and “heaven metal” pioneer & producer Midwife. ‘Lifelike’ is lifted from Amulets’ poignant second album, Not Around But Through, which was released in February via Beacon Sound. This track seamlessly blends together Midwife’s transient, hazy vocals and Amulets’ mesmeric digital and analogue synth textures to create a sound that is totally disarming and deeply soothing.
(KC)

Grandmas House – ‘Slaughterhouse‘
Ebow, minor chords, harmonies – what’s not to love? This song, about pain, loss and obsessive devotion, grabbed me from the first listen with its creepiness and dark, blunt lyrics like “I’ll be the funeral home, I’ll be the family morgue”. The striking video, featuring the band in suits covered in black paint around a dinner table, only heightens its impact. It’s an absolute earworm.
(EP)

THWACK! – ‘Three Angels’
Another band who celebrated the release of their debut album, Buried But Blooming, with us at a sold-out show at New River Studios back in February, THWACK! are one of my favourite discoveries of 2025, and offer a necessary and empowering energy with each of their unique punk-folk anthems. Emanating a radiant celebration of trans joy, the sparkling charisma and fierce immersive power of their live shows (plus the giant Margaret Thatcher head) consistently mark them as a stand out part of the London DIY scene.
(ML)

Hadda Be – ‘New To The Office’
A gloriously scuzzy new single from south London band Hadda Be, ‘New To The Office’ offers an all-too relatable reflection on the anxious hallucinations of a Sunday night fever dream. It was recorded by Andy Ramsay of Stereolab and offers a gritty taste of what to expect from their upcoming second album next year. We can’t wait for them to headline our first gig of 2026 on 16th January at The Waiting Room – tickets on Dice now, with support from Shallow Honey and Mannequin Flowers. 

Witch Fever – ‘The Garden’
For fans of grunge-soaked, doomy, gothic music, Witch Fever deliver. This track from their latest album takes a more melodic, delicate approach while keeping its dark, doomy edge. Captivating melodies, a wall-of-sound chorus and strong, clear vocals dominate, leading into an atmospheric breakdown that creates striking contrast before the final chorus pulls you back under.
(EP)

Klein – ‘rich dad poor dad’
I was glad to unearth this experimental gem from UK rapper Klein back in September. ‘rich dad poor dad’ is taken from her intriguing rap-inspired “ambient folklore mixtape” titled sleep with a cane, which she released via Roc Nation Distribution. I love her hypnotic layering of sounds and her mesmeric vocals. This track is also accompanied by a self-directed music video, featuring Klein in different locations in South London, including the iconic Windrush Square in Brixton.
(KC)

Tusks – ‘adore’ (I. JORDAN remix)
I loved the evocative, melancholic original version of ‘Adore’ by London-based artist Tusks (featured on her 2024 album, Gold), but this re-imagining by London-based DJ I.JORDAN is something else! Fuelled by infectious dance-inspired beats, it retains the magnetic pull of Tusks’ original release, but it’s impossible not to move your feet to it. This track features on Tusks’ EP, Gold – The Remixes, which was released in October via One Little Independent Records.
(KC)

Heartworms – ‘Smugglers Adventure’
Built around a killer guitar riff, this nearly six-and-a-half-minute epic takes its time, unfolding through a slow, confident build that pulls the listener in. Atmospheric and finely produced, subtle noises weave through the mix, adding a sultry edge. The vocals rise and fall with swelling dynamics, and the track culminates in a standout breakdown that makes the journey feel well-earned.
(EP)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2025 playlist now, and please be sure to check them out and support their work (download/buy/listen in places other than evil Spotify)!

And keep an eye out for our Albums & EPs Of The Year, 2025 Highlights & Ones To Watch for 2026…

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PLAYLIST: November 2025

The Get In Her Ears team have put together another eclectic mix of indie gems, dream-pop and shoegaze tunes, punk bangers, electronic musings & idiosyncratic experimental soundscapes for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there. You’ll see that we’ve now added all of our previous playlists to our account too!

We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

The Baby Seals – ‘Tamoo Trance’
Having been super mega fans of Cambridgeshire feminist punks The Baby Seals since they first played live for us back in 2017, and having recently had them back to play at our joyous 10th birthday celebrations, we’re very excited to have new music from them. A fierce take-down of consumer capitalism, combining the band’s trademark playful tongue-in-cheek wit with a gritty raging energy, ‘Tamoo Trance’ offers a seething anthem about getting stuck in a trance-like state in an (obviously completely fictitious) online shop. So, this Black Friday, instead of spending money on stuff that “will go directly in the bin”, perhaps consider supporting your fave DIY artists on bandcamp, or going along to a nice local gig. (Mari Lane – Managing Editor)

VERO – ‘Calico’
Stockholm trio VERO are back with this cathartic guitar tune, their first piece of new music since they released their excellent debut album Unsoothing Interior back in 2022. The band say that ‘Calico’ is a song about “tiring of someone else’s shit” – which they explore through breathy vocals, brooding basslines and acerbic riffs. VERO are set to release their second album via PNKSLM Recordings in 2026, which I am am eagerly anticipating. (Kate Crudgington – Features Editor)

GENN – ‘Reverberations’
Anglo-Maltese four piece GENN have returned with this intensely moody new offering. The band teamed up with producer Johnny Hostile – who has worked with Savages & Jehnny Beth – to bring ‘Reverberations’ to life, marking another development in their already dynamic sound. GENN’s talent is definitely best appreciated live. They’ll be touring the UK in early 2026, with a London headline date at The Shacklewell Arms in Dalston on 26th February. (KC)

nazire – ‘junebug’
When I discovered ‘junebug’ by Istanbul-based artist nazire in my GIHE inbox, I was immediately hooked on her shoegaze inspired sounds. We all know I love the Gloomy Grrrl songs and ‘junebug’ definitely falls into that category! She’s set to release her debut album, Glitchfolk, at some point in the near future. I’ll be keeping my eyes and ears peeled for that. (KC)

Whitelands – ‘Songbird (Forever)’
We are such big fans of London-based shoegazers Whitelands here at GIHE, and that fandom increases each time they share new music. ‘Songbird (Forever)’ is the third track from the band’s upcoming second album, Sunlight Echoes, which is due to be released on 30th January 2026 via Sonic Cathedral. Full of lush riffs, disarming melodies, earnest lyrics and emotive string work by Iskra Strings, the track is an ode to vocalist & guitarist Etienne’s enduring spirit and his appreciation for all those who loved and cared for him. “It’s about my friends, the important people in my life, and my spirit,” he shares. “I was going through a very dark time, but love is a great thing. I’m loved by many incredible people, so I pushed myself with everything I had. Every day was a fight, but I wanted to win.” His lyrics reference both the title of Whitelands’ new album and the Seven Sisters cliffs in East Sussex, where Etienne and bassist Vanessa shot the endearing accompanying video for the track. (KC)

Mannequin Flowers – ‘Collision Course’
Following dreamy last single ‘Six Words’, London’s Mannequin Flowers are back with another ethereal soundscape. Flowing with sparkling hooks and luscious crystalline vocals, ‘Collision Course’ offers a heartfelt confession about falling for your best friend but being too afraid to tell them. (ML)

Hater – ‘This Guy?’
I remember hearing Scandinavian indie band Hater’s single ‘Cry Later’ back in 2017 and thinking they had a great name and a great sound – 8 years and I still think the same! The band are gearing up to release their new album, Mosquito, on 6th January via Fire Records, with single ‘This Guy?’ offering listeners the first taste of what’s to come. A captivating slice of dream-pop, the track is fuelled by a mysterious lyrical narrative about a “confused interloper, unidentified and unidentifiable”. (KC)

The Empty Page – ‘When We Gonna Run?’
It’s great to have Manchester trio The Empty Page back in our ears after being mega fans for pretty much the entirety of Get In Her Ears’ decade long existence! A stirring reflection on preparing to escape an apocalyptic hellscape, ‘When We Gonna Run?’ offers all the gritty grunge-fuelled energy we’ve come to know and love from the band, with an added sparkling shoegaze-tinged allure. Propelled by an anxiety-ridden sense of urgency, its sentiment seems particularly poignant right now. (ML)

HAVVK – ‘Happening Again’
Having played our first ever GIHE gig back in 2016, we’ve been such huge fans of Irish duo HAVVK ever since and I’m so excited to have them back in our ears with this swirling new single. A gritty and cathartic reflection on destructive patterns of behaviour, ‘Happening Again’ showcases the band’s ability to combine a fierce seething energy with the soaring, captivating allure of Julie’s raw vocals. I can’t wait to hear more new music from them very soon. (ML)

Queen Of Nothing – ‘Heaven Is Hurting’
London-based musician Abi Crisp aka Queen Of Nothing has consistently impressed me with all of her offerings, and this track is no exception. ‘Heaven Is Hurting’ is lifted from her recent EP, All the Love That’s Left, a record that explores the complexities of love and grief, and Abi’s personal reflections on both. (KC)

Shy New World – ‘Bridget Jones’
Initially meeting at a séance when the spirit of a popular chocolate brand told them under no uncertain terms to work together, Yel and Ross – aka Shy New World – follow previous punk-pop singles with the release of a perfectly timed festive number. A gloriously fuzzy ode to friendship with a big sound and a big heart, ‘Bridget Jones’ offers a perfectly lo-fi, perfectly catchy and perfectly cute accompaniment to any December gathering. (ML)

Um, Jennifer? – ‘Stunning’
Having first won me over with the playful energy of 2023 single ‘Girl Class’, New York trans duo Um, Jennifer? continue to be total faves with their latest scuzzy punk-pop ode to lust and obsession in the form of new single ‘Stunning’. Their band bio says “Fig and Eli met at a party in Brooklyn. Eli wanted to hook up with Fig’s friend. Now they make music together for nobody except the vengeful god, Jennifer. Jennifer thinks their music sucks.” I’d have to disagree with Jennifer. (ML)

Twat Union – ‘Tiny Shorts’
The latest single from theatrical feminist six piece punk outfit Twat Union, ‘Tiny Shorts’ offers a fiercely empowering anthem, showcasing the band’s trademark ability to combine their playful witty charm with a raging angst-fuelled drive. The band explain: “(it’s a) middle finger to all the cat-calling and demeaning behaviour we receive… it’s a call to treat women with respect no matter what they are wearing.” (ML)

Softcult – ‘She Said, He Said’
Another vital anthem from Ontario-based alternative sibling duo Softcult here. ‘She Said, He Said’ is a seething guitar tune about believing survivors of sexual assault, fuelled by the pairs visceral riffs, propulsive beats and call-and-response vocals. The track will feature on the band’s debut album, When A Flower Doesn’t Grow, which is due on 30th January 2026 via Easy Life Records. Softcult are currently touring the UK, and will play a headline show at The Dome in North London on 2nd December! (KC)

DELILAH BON – ‘Evil, Hate Filled Female’
Seamlessly combining honey-sweet pop with relentless metal-inspired hooks and a raging energy, DELILAH BON has been building a devoted fanbase over the last few years with her relatable, empowering messages. Receiving acclaim for last year’s Evil, Hate Filled Female album, and selling out a UK tour earlier this month, I’m excited to hear more of her visceral, bold, anti-patriarchy anthems. (ML)

Yakkie – ‘Kill The Cop Inside Your Head’
Having been privileged enough to attend Yakkie’s first ever gig back in 2023, and since witnessing their immense live presence on more than one occasion, it feels like it’s been a long wait for this debut single from the incredible supergroup. Fronted by interminable force of nature Janey Starling (formerly of Dream Nails) and featuring Robin Gatt (Personal Best, Petrol Girls), Laura Ankles (Colour Me Wednesday, The Dumb Blondes) and Maeve Westall (Jasmine.4.t, itoldyouiwouldeatyou), it’s been amazing to see this absolute epic collective of faves come together in all their seething punk-rock glory, offering the rage, joy and unity we all so desperately need.

A fierce rallying cry against self-defeat, ‘Kill The Cop Inside Your Head’ is propelled by relentless riffs and a swirling empowering energy – in Janey’s words: “If we want a better world, we must first be able to imagine one. To do that, we have to kill the cop inside our head. Go to the protest! Join your union!” It’s more important than ever to have bands like Yakkie, not afraid to speak up for what’s right and use their platform as a real force for change, and I’m extremely grateful they exist. (ML)

Black Water County – ‘Wreckless’
The latest single from Dorset folk-punks Black Water County, ‘Wreckless’ offers a frenzied, empowering anthem exploring the tensions between self-consciousness and self-liberation. Showcasing the band’s ability to channel defiance, camaraderie and catharsis into a perfect fusion of punk passion and folk heart, it’s an instantly infectious ode to endurance and the resilience of everyday life. Having previously shared stages with the likes of Less Than Jake and Flogging Molly, Black Water County are currently out on tour – I can’t wait to catch their fierce energy live at The Grace tonight! (ML)

Annabelle Chairlegs – ‘Concrete Trees’
Based in Austin, Texas, Lindsey Mackin aka Annabelle Chairlegs is set to release her new, Ty Segall-produced, album in January next year. Ahead of the album’s release, latest single ‘Concrete Trees’ offers a poignant ode to a late friend, propelled by surf-tinged memories and a sparkling uplifting energy. Of the track, Mackin adds: “This song is for friends who have passed that you wish you could have one more hang with. I often find myself asking those who have passed if they are here with us now.” Waking Up, the new album from Annabelle Chairlegs, is due for release on 30th January 2026 via TODO. (ML)

Tanzana – ‘Covet’
A band I’m very excited to have only recently come across, Glasgow’s Tanzana blend elements of sultry trip-hop with a soaring rock energy to create a sound which is uniquely theirs. Debut single ‘Covet’ represents feelings of obsession, building to a sweeping climax as fierce swirling vocals are accompanied by slick riffs. Already selected as part of The Great Escape’s First Fifty, these Scottish newcomers are definite ones to watch in 2026. (ML)

The Dead Zoo – ‘In The End 2025’
Genre-defying post-punks The Dead Zoo return with an exhilarating and unrecognizable revision of their 2021 release ‘In the End’. Revamped and reimagined, it offers a shimmering and jubilant ode to transformation; a powerful validation of trans identity propelled by pulsating, multi-layered soundscapes. Kaoru from the band explains: “The lyrical theme is founded on my gender transition experience. The sense of keeping faith in an envisioned future and using that goal to overcome difficulties and stay on course; though I think it carries a more universal message of hope and optimism we all need in these dreadful times, where those commodities are scant for many minority voices.” (ML)

MIRI – ‘Freedom Is The Purpose’
The latest single from London-based innovative songwriter and longtime GIHE fave MIRI, ‘Freedom Is The Purpose’ offers a soulful call to unite, rally against those in power and support those communities who need us most. Interweaving the trademark gritty emotion of her vocals with uptempo reggae-inspired beats, the single is available to buy on bandcamp and encourages listeners to support fundraisers for four Palestinian families’ fundraisers. (ML)

Sheherazaad – ‘Gulukara’
A huge fan of Brooklyn-based artist Sheherazaad since first falling in love with 2023’s debut single ‘Mashoor’, I’ve been lucky enough to immerse myself in her captivating live presence twice and now find myself (unsurprisingly) utterly entranced by new single. Translating as ‘songstress’, ‘Gulukara’ features childhood friend and Kodaikanal-bred rapper Irfana and offers an exquisite nocturnal hymn, highlighting the historical confluence of sex work and female artistry. (ML)

Penelope Trappes – ‘Bleed’
Another shadowy, moving offering from GIHE favourite Penelope Trappes. After sharing her poignant album, A Requiem via One Little Independent Records earlier this year, the Brighton-based Australian artist has now shared a companion LP titled Æternum, featuring this track ‘Bleed’. Penelope has also shared a stunning accompanying video for the track, directed by her long-time visual partner Agnes Haus (who is also featured on this playlist), shot inside the walls of a mysterious cave. Penelope will be playing a headline show at St Matthias Church in East London on 29th November. (KC)

Agnes Haus – ‘Faust’
A spinetingling experimental soundscape from Brighton-based non-binary sound artist Agnes Haus here. ‘Faust’ is lifted from their upcoming album, Inexorable Ascent, set for release on 5th December via Penelope Trappes’ label Nite Hive. Described as “a hallucinatory polyphonic study of external perceptions of what it means to live in a perpetual liminal state,” Agnes locked themselves in an attic studio every night between the hours of 12 and 4am to create these idiosyncratic sounds. I am deeply intrigued by this artistic process and look forward to hearing Agnes’ new record in full. (KC)

PostLast – ‘Scavenge’ (Birthday Problem remix)
This is a superb collaboration between Irish alt-pop duo Post Last and Irish alternative electronic duo Birthday Problem. We’ve been following both bands for a while here at GIHE and we’re always excited when they share new music with us, and this remix of ‘Scavenge’ is certainly one of my favourites to date. (KC)

Twin Rains – ‘Creation’
Another iridescent, shape-shifting tune from Toronto dream-pop act Twin Rains here. Vocalist Christine Stoesser was inspired to write ‘Creation’ after reading J.R.R. Tolkien’s The Silmarilion. “I didn’t expect to be so moved by the creation myth of the Elves,” she shares, “It’s some of the most beautiful writing I’ve ever read”. The band have translated Christine’s reflections on the book into upbeat, shimmering electronic sounds. (KC)

Death Hags – ‘Space x Time’
It’s been a while since I’ve heard from independent LA musician and multimedia artist Death Hags, but I’m glad she’s back with this eclectic piece of electronica. Taken from her album Big Grey Sun #5 – the fifth volume of her ongoing seven album project! – ‘Space x Time’ enraptures with its seamless blend of atmospheric synths, dance-inspired beats and ethereal vocals. The whole album is a sonic TRIP. (KC)

Floralis – ‘black combat boots’
‘black combat boots’ is the opening track to British born, Indo-Trinidadian antifascist transfeminine artist Floralis’ superbly named album, Saboteur Club Anthems Vol. 1. With its stomping dance-inspired beats and chant-worthy lyrics, it’s an infectious slice of “anarchist electro punk” that kicks off a truly eccentric and essential record that aims to dismantle fascism in all its forms. (KC)

Kloyd ft. Circe – ‘Girl’
I’m already a big fan of dark-pop artist Circe, but Yorkshire-born, London-based producer Kloyd is new to me. I love this collaboration between the two of them, featuring Circe’s seraphic vocals and Kloyd’s lilting electronics. Speaking about the origins of the track, Kloyd explains: “I had a session with Alexa (Circe) and she came up with this really beautiful vocal line and I couldn’t stop listening to it. It channels the sentiment of this new work truly. I imagined when making the track someone seeing a woman they felt so beautiful they fall head over heals in love with her, before realising what they were getting themselves in for. A love so captivating it feels like magic and turmoil at the same time.” ‘Girl’ is taken for a larger project that Kloyd will be announcing soon. (KC)

SESTRICA – ‘Intuition’
“A Way to Ananda is my experience of coming back to life and bliss after going through divorce,” explains Barcelona-based artist SESTRICA about her upcoming EP release. Due on 5th December, her new EP features this single ‘Intuition’, which was inspired by her decision to trust her instincts and move to a new country to pursue her musical dreams. Propelled by intense beats and layers of eclectic synth sounds; the track provides listeners with a blissful, heady moment of electronic catharsis. (KC)

False Idah – ‘Gaslight’
Having been big fans of the sultry beats and genre-defying heartfelt offerings of London-based songwriter and producer Jay Brown, under her previous guise as Amaroun, we’re now excited to hear that she’s back with a new project. False Idah takes all that we loved about Amaroun, but develops it into something more as Brown immerses herself in the vulnerability of stripped-back songwriting and the inspiration that can come with the freedom to express yourself in a true and honest way. I was lucky enough to catch an intimate live performance at Servant Jazz Quarters back in September, ahead of the release of this beautifully raw new single. (ML)

Perfume Genius – ‘Me & Angel’
I first fell in love with Perfume Genius on hearing ‘Queen’ when it was released back in 2014 – it seemed to offer something completely unique, something beautifully queer that I sought a great deal of comfort in. Since then, I’ve followed his career with each new album, as well as becoming quite obsessed with the raw vulnerability of earlier releases Learning and Put Ur Back Into It, but every time he’s played in London something’s cropped up which has meant I’ve not been able to go. That was until earlier this month, when I finally got to immerse myself in the utterly compelling, truly cathartic experience of seeing him live at The Roundhouse. Treating us to older favourites, as well as the majestic grandeur of newer songs like this one from his recent album Glory, it was a memorable evening that left me feeling soothed and hopeful. (ML)

Lowli – ‘Window In The Woods’
‘Window In The Woods’ is the title track from Irish composer & songwriter Lowli’s debut album, which she released via VETA records in October. It’s a beautiful, introspective record which sees Lowli process unsettling memories and emotions through her tender keys, crystalline vocals and atmospheric electronics. (KC)

Ailbhe Reddy – ‘So Quickly, Baby’
This is the second single from Dublin-born songwriter Ailbhe Reddy’s upcoming second album, KISS BIG, which is set for release on 30th January 2026 via Don Giovanni Records. ‘So Quickly, Baby’ is described by the artist as “the meltdown song, the album’s neurotic heartbeat,” which is why it packs such an emotional punch. Inspired by the tumultuous aftermath of a big breakup, Ailbhe’s new record promises to be just as raw and relatable as her previous efforts. (KC)

Jasmine.4.t & Jacob Alon – ‘Find Ur Ppl’
A completely dream collaboration between two total faves, ‘Find Ur Ppl’ was written by Jasmine early in her transition and offers a truly beautiful ode to the queer community; a heartfelt message of hope about finding people you love who you can be yourself around. It’s taken from charity compilation, All Things Go: 10 Years, a collection featuring loads of other artists from ATG Records including Kesha and Joy Oladokun, with all proceeds going to The Ally Coalition. (ML)

Snocaps – ‘Coast’
Being a huge fan of both Waxahatchee and Swearin’, I’m pretty excited by new supergroup Snocaps; featuring Katie Crutchfield and her twin sister Allison, along with MJ Lenderman and Brad Cook. The stuff dreams are made of, basically. Taken from their recently released self-titled album, ‘Coast’ showcases the gorgeous, fuzzy allure of this new collaboration perfectly. (ML)

Tenderness – ‘Database Blues’
As someone who had Deep Throat Choir soundtrack me walking down the aisle, hearing the voice of anyone from that incredible collective always feels pretty special. And so the news that Katy Beth Young (also of Peggy Sue) is sharing more new music from her solo project Tenderness is very welcome to my ears. Following previous single ‘We’ll Always Have Paris 1919’ a recent tour with Willy Mason, latest offering ‘Database Blues’ offers a gorgeously country-tinged reflection on a world of streaming algorithms as Young’s rich vocals create a soothing, immersive warmth. Of the track, she explains: “Sending a song to a crush is obviously one of life’s purest joys but what does it mean when the algorithm plays it back to you later? Can you still call it a sign? I was an MSN Messenger teenager so there have always been screens in my romances – screens as a connector and amplifier as well as a barrier.” (ML)

SASAMI – ‘Just Be Friends’ (Soccer Mommy Version)
Genre-bending artist SASAMI has shared a collaborative version of her track ‘Just Be Friends’, featuring indie artist Soccer Mommy. Originally featuring on SASMI’s album, Blood On The Silver Screen, this new version encapsulates the artist’s pure love for modern country music, as she explains further: “Country songs have to be some of the most effective and cutting examples of peak pop songwriting- wit, drama, humour, sadness, and the most human of all – horniness. My song ‘Just Be Friends,’ was definitely inspired by modern country, but I knew if I wanted it to be truly authentic I would need to enlist an actual southern princess. This new version featuring Soccer Mommy, pedal steel and all, delivers on the country magic that I had always wished could be in that song. That’s the best part about collaboration, all hat all cattle.” (KC)

Lucy Leave – ‘Go To The Show (I Just Wanna)’
Ahead of the release of their upcoming album, Feelings Explorer I & II, in spring next year, Oxford indie-pop trio Lucy Leave have now shared a new triple (!) A-side single. Accompanying the scuzzy hooks of ‘Steve Lamacq Wants To Know’ and ‘The Letter P and The Number 7’, ‘Go To The Show (I Just Wanna)’ reflects on singer Mike’s experience as someone with cerebral palsy, and the reality that attending and playing gigs post pandemic is pretty much impossible for the covid-vulnerable. (ML)

CLICK HERE TO LISTEN THE PLAYLIST ON TIDAL!

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LISTEN: GIHE on Soho Radio with Blue Loop (23.10.25)

Tash, Kate and Mari were all back in the Soho Radio studio together, bringing listeners their usual eclectic mix of new music tunes from some of their favourite female, non-binary and LGBTQIA+ artists. They were also joined by London-based electronic musician and producer Emma Hall aka Blue Loop to talk about her upcoming debut album, Cycles.

Set for release on 7th November, Cycles is a deeply personal work for Emma, inspired by her experiences of being diagnosed with and undergoing treatment for breast cancer – for which she is now in remission. Emma spoke candidly about the context and inspiration behind specific tracks, the people she collaborated with on the record, and shared her excitement for the listening event and Q&A session she’ll be hosting on Saturday 8th November at The Cavendish Arms in Stockwell, South London, to help celebrate the release. You can grab a ticket here.

Listen back to the show below:

 

We’ll be back on Soho Radio on Thursday 13th November from 16:00-18:00 (GMT)
 Make sure you tune in via DAB or download the new Soho Radio app!
You can also listen at www.sohoradiolondon.com

Tracklist
Planningtorock x Bronski Beat – Smalltown Boy
Kelly Lee Owens – ASCEND
Nourished by Time – Crazy People
feeo – The Hammer Strikes The Bell
better joy – steamroller
Samia – Cinder Block
Whitelands – Glance
skullcrusher – dragon
Dogviolet – Now
Hadda Be – New To The Office
F*Choir – Ceasefire (You Cannot Stop The Sun)
Beverley Glenn Copeland – La Vita
Blue Loop – All Of You
**Interview with Blue Loop**
Beth Gibbons – Whispering Love
Pien – Totally Honest
HAAi – Voices (Tash’s Track Of The Show)
Hilary Woods – Taper (Kate’s Track Of The Show)
Breakup Haircut – I’m Okay (I Lied) (Mari’s Track Of The Show)
congratulations – This Life
No Other News – Flowers
Brain Leak – Moon Eyes
Madi Diaz – Ambivalence
Ailbhe Reddy – Align
Shy Charles – Come Little Children

Kate CrudgingtonLeave a comment

PLAYLIST: October 2025

The Get In Her Ears team have put together another eclectic mix of alt-pop & indie gems, reverb-drenched guitar tunes, DIY punk bangers, electronic musings & intriguing experimental sounds for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

ARXX – ‘W.I.P’
GIHE are always excited when total faves ARXX share a new tune and the latest offering from the Brighton duo feels particularly special. With a gloriously catchy, country-inspired energy, ‘Work In Progress’ (WIP) offers a rousing, empowering anthem; a comforting acknowledgement that we still have a way to go, a subtle reassurance that it’s ok to have imperfections: “It’s about trying. It’s about getting it wrong and getting it right but finding the beauty in the process.”

Another instant earworm from Hanni and Clara, the release coincides with the band being featured on the soundtrack to the new Sally Wainwright drama Riot Women. It’s certainly an exciting time to be an ARXX fan and they truly deserve every bit of success that comes their way. They’re one of the hardest-working, and most lovely bands in the world.
(Mari Lane – Managing Editor)

Beauty Sleep – ‘You (You’re All I Wanted)’
Following the release of their glistening debut album, The Whole Damn Cake, Northern Irish radical alt-pop duo Beauty Sleep have shared a wonderfully euphoric new single. Shimmering with all the lo-fi hooks and scuzzy uplifting energy you could ever desire, ‘You (You’re All I Wanted)’ is “a love letter to failing and not giving up” – a perfect example of the empowering queer spirit of the band. Watch the wonderfully wacky video below and make sure you nab tickets to catch Beauty Sleep headlining for us at The Cavendish Arms on 27th November! With support from glitch-pop faves Dream Phone and pioneering songwriter Lein Sangster, it promises to be a pretty dreamy night. Tickets on DICE now and are always cheaper in advance. (ML)

congratulations – ‘This Life’
Full of chaotic tempo shifts, cathartic beats and relatable lyrics, ‘This Life’ by Brighton-based four-piece congratulations is a much needed distraction from the monotonous nature of the everyday routine. It’s taken from their debut album, Join Hands, which is due on 13th February 2026 via Bella Union. The band describe it as “a bombastic ode to first world problems and that feeling of losing at life before you’ve ever gotten out of bed.”
(Kate Crudgington – Features Editor)

Lala Lala – ‘Does This Go Faster?’
Having just signed to legendary label Sub-Pop, Lillie West aka Lala Lala has now shared a sparkling, synth-driven new single. Drenched in West’s rich, syrupy vocals and twinkling hooks, ‘Does This Go Faster?’ is steeped in a raw, stripped-back emotion as it flows with beautifully existential meanderings. (ML)

Marina Yozora – ‘Touché’
I was so pleased to discover this tender dream-pop tune by Japanese-born, London-based songwriter Marina Yozora in my GIHE inbox earlier this month. She describes ‘Touché’ as a “love letter” to her friends and fans, which she softly communicates through her delicate vocals, emotive lyrics and atmospheric guitar tones. I’m really excited to hear more new music from her in the future. (KC)

Jouska – ‘California’
Another graceful, shape-shifting offering from Norwegian songwriter and producer Jouska here, lifted from her recent album, How Did I Wind Up Here? ‘California’ is a hazy reflection on her first visit to Los Angeles and “finding calm in unexpected places”, which she explores through her lilting melodies, soft vocals and bittersweet lyrics. “I have a complicated relationship with the U.S.A, especially now,” Jouska elaborates. “There’s so much about it that I find difficult and a lot I still don’t fully understand. But that first visit stayed with me. It gave me space when I had nothing left to give, a strange kind of calm in the middle of everything falling apart.” (KC)

skullcrusher – ‘dragon’
Another disarming, wistful release from American indie artist skullcrusher here. Taken from her new album, And Your Song Is Like A Circle, ‘dragon’ is a song about disassociation and how, as skullcrusher so eloquently explains: “It is a heavy thing to feel the weight of living and pull yourself back to earth.” (KC)

Dogviolet – ‘Now’
The latest single from long time GIHE faves Dogviolet, who were one of the eight bands who played our 10th Birthday all-dayer at The Cavendish Arms last month. The dreamiest of days! Talking of dreamy, this new single showcases the band’s ability to create utterly dreamy soundscapes as its swirling dark majesty caresses the ears with a soaring, gritty splendour. Of the track, Naz from the band explains: “This song is about feeling so consumed by thoughts of the past and the future that you’re unable to move forward with your life, mentally trapped in a cycle of regret and nostalgia.” (ML)

Talking Violet – ‘Destroy’
Having been big fans of Talking Violet since first coming across their immersive “dreamo” sound back in 2018, the Ontario band have since been making waves and garnering acclaim for two sonically expansive albums, and it’s lovely to have another gorgeous track of theirs back in our ears. Rippling with a swirling, shoegaze-tinged allure and shimmering haze, ‘Destroy’ offers an stirring reflection on loss and acceptance. Of the track, songwriter and vocalist Jillian Goyeau explains: “(it’s) about closing a chapter in my life…before moving on I kinda needed to say goodbye…It’s me finally accepting that people can both love you and hurt you at the same time and vice versa.” (ML)

Red Ivory – ‘Crashing Down’
South London four-piece Red Ivory are new to team GIHE, but we’re already big fans of their brooding, distorted sound. Band members Eiliyah, Berry, Frida and Ivy began playing together in 2021 aged fourteen in their secondary school music rooms. Since then, they’ve been honing their skills and developing their songwriting, which has resulted in their upcoming EP, Please Leave, I Need To Wake Up Now, due on 28th November. ‘Crashing Down’ is the opening track on the record and it’s a dizzying reflection on the heightened state of anxiety that can arise when you’re under the influence. (KC)

THE NONE – ‘Pigs Need Feeding’
On one of our recent Soho Radio shows, I declared that punk-inspired four piece THE NONE were one of “the best live bands I’ve ever seen” and I stand by that statement. Kai Whyte is a formidable front person, backed by the cacophonous, momentous sounds of their talented bandmates Gordon Moakes, Jim Beck and Chris Francombe.

The band recently pressed their first two EPs, MATTER AND CARE, to vinyl and released them through Zennor Records. ‘Pigs Need Feeding’ is one of my favourite tracks, full of Kai’s raging reflections on their conflicting feelings about self-intoxication. “I was feeling some sort of shame about my vices, but it was juxtaposed with the knowledge that actual killers don’t feel any,” Kai explains. “I like a drink, but there are certain powerful people and organisations literally arming terror states that kill kids. Maybe I’m not the scumbag.” (KC)

Pinkshift – ‘Authority Problem’
Following gritty recent single ‘Vacant’ back in July, Maryland punk-rockers Pinkshift are back with the fierce, raging energy of ‘Authority Problem’. Propelled by an immense seething power and the raw searing force of front-person Ashrita Kumar’s vocals, it’s a perfect anti-establishment anthem: “”Fuck ICE, fuck the left and the right, fuck the false decorum of rules and laws and executive orders just created to make people feel small and helpless. Only I know who I am, and if you disrespect me then I don’t care, you’ll feel my wrath,” (ML)

Hadda Be – ‘New To The Office’
A gloriously scuzzy new single from south London band Hadda Be, ‘New To The Office’ offers an all-too relatable reflection on the anxious hallucinations of a Sunday night fever dream. It was recorded by Andy Ramsay of Stereolab and offers a gritty taste of what to expect from their upcoming second album. (ML)

Gravey – ‘Blessed With’
Following a five year hiatus, South London duo Soraya Fernandez and Nick White aka Gravey have now joined forces with bassist Myles Morgan and drummer Jonny Jurassic for an epic return to form. Reflecting on the complications and unpredictability of love, ‘Blessed With’ combines a dark, immersive groove with a raw punk-tinged passion. (ML)

Breakup Haircut – ‘I’m Okay (I Lied)’
Having been big faves since they formed at First Timers Fest many years ago, Breakup Haircut played for us at New River Studios recently supporting Strange New Places and – despite being a person down, as Ishani had hurt their ear the day before – Ripley, Delphine & Jordan still managed to put on an absolutely fantastic show! Their brand new single ‘I’m Okay (I Lied)’ is a perfectly catchy slice of punk-pop that comes ahead of their upcoming second album, No Worries If Not, out on 28th November via INH Records. (ML)

No Other News – ‘Flowers’
I was pleased to find a lovely email from Laura, vocalist & bassist of Italian indie-pop trio No Other News, in my GIHE inbox earlier this month. Based in Milan, the band – whose name is a reference to a line from the acclaimed film, The Banshees of Inisherin – write songs that are inspired by “universal themes like insomnia, awkward tenderness, and using someone else’s toothbrush to clean the kitchen sink.” I love the juxtaposition of bittersweet lyrics and playful indie melodies on this single ‘Flowers’. (KC)

 

Wax Jaw – ‘Creepshow’
Philadelphia five-piece Wax Jaw create emotionally charged guitar tunes that purge suffering and express joy simultaneously, and this track ‘Creepshow’ is the epitome of that ethos. It’s taken from their debut album, It Takes Guts!, which the band released via Born Loser Records earlier this month. The band revel in the duplicitous nature of life, love, politics and sexuality, playfully reminding listeners that “the horrors persist, but so do we!” (KC)

CHERYM ft. Uninvited – ‘Sofa Bed’
A cute, queer collaboration between Derry stars CHERYM and new upcoming band Univited, ‘Sofa Bed’ offers a fizzing reflection on coming to realise you may have romantic feelings for someone you consider a close friend; a catchy sapphic anthem, interweaving sugar-sweet vocals and a fresh, punk-pop energy.

Of the collaboration, CHERYM share: “We’re both not ashamed to admit losing hours of our lives sat in front of the TV watching Kerrang! in the early 2000s. It’s safe to say we knew quite early on the exact type of collaboration we wanted to make and saw it as an opportunity to create something that would make our younger selves feel seen and valued. It’s McBusted but more homoerotic and way better looking.” (ML)

Charley Stone – ‘I’ve Gotta Know’
The first of three new songs recorded with The Actual Band, ‘I’ve Gotta Know’ showcases the endearing vulnerability and playful lilting energy of Charley Stone. Taking the listener on a journey through the emotional states of a hopeless romantic caught up in a situationship, it’s another example of Stone’s ability to craft a perfectly catchy indie-pop ditty. (ML)

Rival Queens – ‘Time Goes By’
Following grunge-tinged singles ‘Not Your Enemy’ and ‘Right Now’ earlier this year, London based artist Sally-Anne Hickman aka Rival Queens is back with a reflective new single to celebrate the release of her debut solo EP, Crown and Conquer. A stirring rumination on moments we can never reclaim, it slows with a haunting melancholy with scuzzy shades of the likes of Dum Dum Girls. (ML)

Francis Of Delirium – ‘Little Black Dress’
Luxembourg songwriter Jana Bahrich aka Francis of Delirium is back with this infectious new single, ‘Little Black Dress’, released to coincide with the end of her EU tour supporting Blondshell. Inspired by the feeling of not having your expectations match your reality, the track is an angst-ridden offering that Jana wrote in the hopes that the urgency would translate when she’s on stage; giving her fans a chance to indulge in the messy, chaotic realm of desperation and disappointment with her. (KC)

The Pains Of Being Pure At Heart – ‘Kurt Cobain’s Cardigan’
Not only does this song have one of the best titles ever, it’s just super beautiful. As beautiful as one of Kurt’s cardies, in fact. Oozing a fuzzy, nostalgic energy, it encompasses the whirring stripped-back emotion that shines through whatever The Pains Of Being Pure At Heart create. They explain: “We probably would have never gotten into the things we love if it wasn’t for Kurt telling all his 13 year old fans to ‘go check out The Vaselines, Beat Happening, and Teenage Fanclub’ – bands that have a pretty different sound to Nirvana, but shared a similar spirit.” (ML)

PINS – ‘I’ll Be Yours’
Manchester post-punk outfit PINS have returned with ‘I’ll Be Yours’, a gritty new offering inspired by the early emotions of falling in love and the expectations placed on women’s roles within romantic relationships. Vocalist Faith Vern considers ‘I’ll Be Yours’ to be one of the most “tender” tracks she’s written for PINS to date, but it still smoulders with the band’s trademark shadowy post-punk sensibilities. (KC)

Ezra Furman – ‘One Hand Free’
Taken from the same studio sessions as Goodbye Small Head, Ezra Furman’s acclaimed tenth album released earlier this year, ‘One Hand Free’ is her new standalone single. Flowing with twinkling keys and the distinctive raw emotion of Furman’s vocals, it offers a deceptively jaunty reflection on “feeling so bad you’re not sure what species you even belong to anymore.” A self-described slice of “loser-core kill-shot”, it showcases all the quirky spirit and strangely uplifting grace we know and love from the innovative artist. (ML)

Coral – ‘Garden’
Swedish songwriter Miranda Engholm aka Coral has returned with this bittersweet track inspired by feelings of disappointment and loneliness. ‘Garden’ is the first taste of what her upcoming new album will sound like, which is set for release in the Spring of 2026. Through her gentle indie-pop melodies and earnest lyrics, Coral gently dismantles her feelings and tries to make peace with the idea of “playing in the garden but without all of your friends.” (KC)

Ailbhe Reddy – ‘Align’
I’m so pleased that Dublin-born songwriter Ailbhe Reddy is back with new music! ‘Align’ is the first single from her forthcoming album, which is due in early 2026 on her new label Don Giovanni Records. I loved her previous albums, Personal History and Endless Affair, so I’m looking forward to hearing more from her in the near future. For now though, I’m content to listen to ‘Align’ on a loop. It’s a lilting, compassionate reflection on a big breakup, tentatively tracing how memories and emotions shift and soften over time. (KC)

feeo – ‘The Hammer Strikes The Bell’
Lifted from her debut album, Goodness, released via AD 93 earlier this month, I’m transfixed by this track from London experimental artist feeo. She describes her album as “an exploration of simultaneous yet opposing states of being; darkness and lightness, obscurity and visibility and most fundamentally, solitude and togetherness” – something which is epitomised on ‘The Hammer Strikes The Bell’. Her calm, meditative voice and mixture of ambient & experimental sounds is strangely soothing here. (KC)

Hannah Schneider – ‘Lighthouse’
One half of acclaimed electronic duo AyOwA, Copenhagen-based artist Hannah Schneider is now set to release an innovative solo album early next year. Rejecting the use of AI in music, she recorded the record together with other musicians at a residency at the historical Thorvaldsens Museum. The first taste of the new album, ‘Lighthouse’ offers a glitchy soundscape, interweaving sparkling layers of sound alongside Schneider’s beautifully rich Beth Gibbons-reminiscent vocals. (ML)

Hilary Woods – ‘Taper’
An airy, shape-shifting soundscape that stirs the senses, ‘Taper’ beautifully showcases the versatile songwriting of Irish artist & composer Hilary Woods. Lifted from her upcoming new album, Night CRIÚ, which is set for release on 31st October via Sacred Bones (one of my favourite record labels), Hilary says ‘Taper’ is “a song that honours a presence to one that is absent. A love song that only a children’s choir could express fully.” Retaining her experimental spirit, but also seeing her return to a more song-based structure, Night CRIÚ is centered around Hilary’s vocals, which act as threads of connection to the past and the present. (KC)

Penelope Trappes – ‘The Mercy of The Hagetisse’
This slow-burning, haunting lament from the marvellous Penelope Trappes is the perfect soundtrack for a gloomy Halloween night. After sharing her poignant album, A Requiem, earlier this year, the Brighton-based Australian artist is set to share a companion piece, titled Æternum, on 31st October via One Little Independent Records. ‘The Mercy of The Hagetisse’ features on Penelope’s new record, which she summoned from a place of grief and intense emotional vulnerability. Throughout the track, Penelope explores the compassion and the cruelty of Hagetisse – a witch, seer, or hag in Old Dutch folklore – through her melancholic vocals, un-nerving electronic textures and steady, somber beats. (KC)

CLICK HERE TO LISTEN THE PLAYLIST ON TIDAL

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