Get In Her Ears Live at The Shacklewell Arms w/ The Menstrual Cramps, 06.05.2022

On Friday, we were back at The Shacklewell Arms in Dalston with the most epic of line-ups. The Menstrual Cramps, pink suits and Queen Cult treated us to an immense few hours of live music. Huge thanks to them all, and to all the lovely folk who came out to support them and fill the venue… We’re still feeling all the feels, and are extremely grateful to everyone who made it such a beautiful night.

First up, Cheshire up and coming band Queen Cult kick things off with a wonderfully entertaining set. With a swirling infectious energy and quirky charisma, they immerse us in their fiercely impassioned offerings raging against the patriarchy; cementing themselves firmly as definite ones to watch on the new music scene.

Next up, Margate based pink suits deliver an immense and truly poignant set. From the wonderfully witty ‘Are You Gay Yet?’ to the all-too-resonant seething splendour of politcally-charged anthems such as ‘Fake Great Britain’ and ‘Anarchist Wisdom’, the incredible duo just seem to magnificently capture the burning anger, frustration and sadness that so many of us are feeling right now, whist bringing us together with an empowering sense of unity.

Headlining the night, we’re extremely honoured to have Bristol’s The Menstrual Cramps deliver their first London gig in over two and a half years. Covering topics ranging from political unrest and violence against women to more celebratory anthems in favour of pleasuring ourselves, the band’s shiny new line-up blast out raging offerings new and old with a ferocious energy and joyous, chaotic force. With their immense, impassioned drive and utterly necessary message of coming together against the right wing hellscape that this country is becoming, they simultaneously unite the crowd in a cathartic explosion of angst-driven power and elated euphoria. Shouting along to ‘Cull The Tories’ has never felt more urgent.

Huge love and thanks again to all three bands who played for us on Friday, and to everyone who came out to share the music and good vibes. We’re returning to The Victoria on 24th June with Slagheap, Nervous Twitch and The Famous Daxx – get your tickets on DICE now!

Words: Mari Lane
Photos: Keira-Anee Photography

ALBUM: The Linda Lindas – ‘Growing Up’

Performing at the Los Angeles Public Library last year, Mila de la Garza, drummer for LA-based Asian/Latinx punks The Linda Lindas, explained that their most aggressive song on the setlist, ‘Racist, Sexist Boy’, was written after a negative classroom experience. “A boy in my class came up to me and said that his dad told him to stay away from Chinese people. After I told him that I was Chinese, he backed away from me.” Changing the polarity in a 1-2-3-4 count, The Linda Lindas slam all racist, sexist jerkfaces hard with crushing riot grrrl rhythm and positive affirmation. “We rebuild what you destroy!”

It was a defining moment for the band that caught the attention of the legendary Epitaph Records. Known for working with punk heavyweights like Bad Religion (featuring guitarist and Epitaph co-founder Brett Gurewitz), Refused and The Offspring, Epitaph seemed like a no brainer to release The Linda Lindas’ debut LP, Growing Up; a collection of effortlessly cool and catchy feel-good punk.

Taking their name from the Japanese film Linda Linda Linda – a coming-of-age comedy featuring a group of teenagers who quickly form a band to cover songs by The Blue Hearts – Mila (current age 11), alongside guitarists Lucia de la Garza (14), Bela Salazar (17), and bassist Eloise Wong (13) formed the punk quartet after joining Kristin Kontrol for a one-off performance at Girlschool (later Gxrlschool) in 2018. As The Linda Lindas, they opened for riot grrrl pioneers Bikini Kill just a year later at the Hollywood Palladium – later covering their song ‘Rebel Girl’ in Amy Poehler’s 2021 feminist flick MOXiE! for Netflix – before self-releasing their self-titled EP in 2020. So far, so DIY, so punk!

Growing Up – produced, engineered and mixed by Mila and Lucia’s father, Carlos de la Garza (ex- Suburban Rhythm, Reel Big Fish drummer) – is not a cliché album title. “We’ll sing to people and show / What it means to be young and growing up,” sings Lucia on the title track, a celebration of friendship and the determination to “make every moment last.” For the ferocious ‘Oh!’, the band tap into the pop sensibilities of The Go-Go’s with an infectious bassline, dynamic rhythm, snarling lead vocals from Bela, and self-reflective lyrics written by Eloise: “Why do I say something / Say anything at all (Oh!) / It seems that when I try / I always take the fall (Oh!) / But when I don’t speak up / There’s nothing but regret (Oh!) / I can’t stop thinking of / What could’ve happened next!”

Wise beyond her age insight from Mila features on the bubblegum flavoured ‘Talking To Myself’ (“We’re all talking to ourselves / About things we cannot help…”) whilst Eloise spits lyrical angst on riot grrrl rager ‘Fine’. (“It’s not fine!”) ‘Nino’ follows as a spiritual successor to ‘Monica’, a track from the band’s self-titled extended play, written about Bela’s cat! Similar to the unconventional lyrics of Shonen Knife, Bela sings “I have a cat / His name’s Nino / He’s a savage cat / Killer of mice and rats” over savage pop-punk riffs before Eloise returns with the heartbreakingly heavy, Jawbreaker-esque ‘Why’. “I just drown out everything / Cause I cannot feel this way.”

Taking inspiration from Latin culture and bossa nova beats, Spanish-language ‘Cuántas Veces’ is for the misfits; a deeply personal song from Bela. “Cuántas veces tengo que decir / Ya estoy harta de sentirme asi.” Whilst ‘Remember’ – an outpouring of frustration – leaves Lucia optimistic that “maybe tomorrow will be bigger, brighter, bolder.” Sharing vocal duties for the deceptively whimsical ‘Magic’, the de la Garza sisters trade verses over shimmering guitar hooks before the band closes their electrifying debut with a cathartic studio recording of their aforementioned anti-hate anthem, ‘Racist, Sexist Boy’.

All killer, no filler, each member of The Linda Lindas has brought their own unique style of songwriting to Growing Up, through self-reflection and social awareness. They are a band growing up both musically and personally – developing their identity and DIY ethos together, one punk song at a time – yet already confidently stage-diving into punk rock history.

Follow The Linda Lindas on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Zac Farro

Ken Wynne
@Ken_Wynne

LISTEN: GIHE on Soho Radio with Peaness 06.04.22

Tash was back on the Soho Radio airwaves playing loads of new music from some of the GIHE team’s favourite artists.

Chester indie trio Peaness also had a chat with Mari about their upcoming debut album, World Full Of Worry, the music that inspires them, the festivals they’ll be playing this summer and the joys and challenges of being in a DIY band.

Listen back below:

Tracklist
Nova Twins – Cleopatra
Ibibio Sound Machine – Electricity
t l k – IWNU
Fears – 16
Midwife – Send The Pain Below (Chevelle Cover)
SASAMI – Call Me Home
Jenny Hval – American Coffee
Ydegirl – I Need This
Coco – Last of the Loving
Hannah Holland x Planningtorock – Planningtobeams
Real Big Sky – Long Lost
Ethel Cain – Gibson Girl
Francis Of Delirium – The Funhouse
x/o – Red Alert
Peaness – How I’m Feeling
**Interview with Peaness**
Nikki and the Waves – Online Chess
Horsegirl – Anti-Glory
Proper. – Huerta
CRi – Something About
Problem Patterns – Y.A.W
LibraLibra – Here’s To You Mr Robinson
Scrounge – This Summer’s Been Lethal
Breakup Haircut – Out Of My Way (I’m Not Getting On The Nightbus)
bestfriend – someplace else
Julia-Sophie – Dial Your Number
Wet Leg – Too Late Now

VIDEO PREMIERE: Problem Patterns – ‘Y.A.W’

**Content Warning: mention of misogyny & violence towards women**

A powerful, necessary anthem for women and girls who have spoken out against violent misogyny only to be told they’re “just a bitch who can’t take a joke,” Belfast punks Problem Patterns have shared a video for their poignant new single ‘Y.A.W’, which we’re premiering exclusively on Get In Her Ears.

Recorded at Start Together Studios with the support of the ‘Scratch’ development programme at the Oh Yeah Music Centre, the track is a visceral rumination on the universal rage and despair that permeates our consciousness in the wake of public violence towards women, in particular, the misogynist killings of Sarah Everard and Aisling Murphy.

Their first official single since their 2020 release ‘Big Shouty‘, Problem Patterns’ ‘Y.A.W’ seethes with a righteous fury, underscored by Ciara’s King’s buzzing basslines, Beverley Boal’s striking guitar riffs, Bethany Crooks’ thudding beats and Alanah Smith’s crystalline vocals. An acronym for ‘Yes All Women’ – antagonising the social media excuse ‘Not All Men’ – on ‘Y.A.W’ Alanah steps forward on vocal duties, demanding “Who do we call for help / When the help seems like a threat to me?” as her bandmates unleash a cathartic cacophony of relentless, rage-fulled sound around her.

“We’re trying to help people get through certain situations, or speak to situations that people are having at this moment. It’s hard to hold things back,” guitarist Beverley explains about the purpose of Problem Patterns’ music and the context of ‘Y.A.W’. This desire to antagonise, expose and shift the narratives around women’s safety is something the band have believed in from day one, and something which their collective hero, Bikini Kill’s Kathleen Hanna, encouraged them to keep shouting about. “She’s been part of relighting the fire,” continues Ciara, “and the trust and confidence we have in ourselves as a band.”

Officially released tomorrow (16th March), 100% of the profits from the Bandcamp sales of ‘Y.A.W’ will be split between Cara-Friend and Women’s Aid Northern Ireland. The track is accompanied by a striking performance video, shot and directed by Brendan Seamus with art direction from Billy Woods. It captures the raw, frenzied energy of a Problem Patterns’ gig, something GIHE followers will relate to after their debut London performance with GIHE at The Shacklewell Arms back in December 2021.

Together, Problem Patterns use their collective talents to create riotous feminist punk anthems that provide comfort and catharsis in equal measure, with this latest single being a powerhouse example of both. Watch the video for ‘Y.A.W’ below.

Follow Problem Patterns on bandcamp, Spotify, Twitter, Instagram & Facebook

Problem Patterns Upcoming Tour Dates 2022
06.04.2022 – Bob Vylan & Problem Patterns Tour (Cork, Cyprus Avenue)
07.04.2022 – Bob Vylan & Problem Patterns Tour (Galway, The Loft)
08.04.2022 – Bob Vylan & Problem Patterns Tour (Belfast, Deer’s Head)
09.04.2022 – Bob Vylan & Problem Patterns Tour (Limerick, Kasbah)
10.04.2022 – Bob Vylan & Problem Patterns Tour (Dublin, The Grand Social)
12.06.2022 – Supporting Bikini Kill (O2 Academy, Glasgow)

Photo Credit: Carrie Davenport

Kate Crudgington
@KCBobCut