Get In Her Ears 20.08.20

Kate was back in the studio this week playing loads of new music from women and non-binary artists. Her sister Holly provided lolz in the background.

Music highlights include: Bitch Falcon, Blonde Maze, Percolator, Ultraista, New Pagans, Tired Lion, CLT DRP, Big Joanie, Foxgluvv & Screaming Toenail.

Listen here:

Tracklist
Le Tigre – Deceptacon
X Ray Spex – Warrior In Woolworths
Ultraista – Tin King
New Pagans – Yellow Room
Tired Lion – Lie To Me
L.A. Witch – True Believers
Bitch Falcon – Test Trip
CLT DRP – Kill For Nothing
Stay South – Sick Of Me
April – Forever (Feels Like Tonight)
CARRON – Even Sad Birds Sing (Kobina Remix)
Talking Violet – Indigo
Ailbhe Reddy – Between Your Teeth
Foxgluvv – Don’t Text Back
KYNSY – Cold Blue Light
All Things Blue – White Lady Dogs
Oceanator – Heartbeat
Screaming Toenail – Get Cute
Big Joanie – Cranes In The Sky (Solange cover)
Zoe Graham – Gradual Move
Dehd – Month
Beckie Margaret – God
Indian Queens – Shoot For Sexy
Percolator – Binkle
Blonde Maze – Not All Flowers Bloom
Mary Anne’s Polar Rig – Your House
Baby Bulldog – Rodney
Soccer Mommy – Your Dog
The Big Moon – Your Light
Tiger Mimic – Where The Fire Used To Be
Lady Gaga & Ariana Grande – Rain On Me

PLAYLIST: August 2020

Whether you’ve miraculously managed to organise a holiday this summer, or you’re playing it safe and staying put post-lockdown, let our August playlist transport you somewhere you’d rather be for a short while. It’s filled with some dream-pop gems, shadowy electronics and the usual dose of indie & punk guitar tunes. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Circe – ‘Ten Girls’
London based dark-pop artist Circe’s latest single is inspired by one of my favourite books, The Handmaid’s Tale by Margaret Atwood. Of the track, Circe explains: “[Atwood’s novel] is a poetic but disturbing view of women living in a dystopian oppressive world. This chimes with my own fractured generation of cancel culture, swipes of sex, and revenge porn.” (Kate Crudgington)

Kynsy – ‘Cold Blue Light’
Mari & I were equally as excited about Kynsy when we first heard her debut single ‘Cold Blue Light’. Based in Dublin, Kynsy takes down bullies and naysayers on this track with her sardonic lyrics and glitchy beats. (KC)

Talking Violet – ‘Indigo’
The new single from Canadian band Talking Violet, and their first in two years, ‘Indigo’ offers an ethereal dreamscape oozing a shimmering haze and immersive shoegaze-tinged hooks. Flowing with the Cocteau Twins-esque vocals of front woman Jill Goyeau, and swooping other-worldly melodies, it’s an utter sonic delight. (Mari Lane)

Babeheaven – ‘Cassette Beat’
This dreamy new offering from West-London duo Babeheaven is lifted from their debut album, Home For Now, which is set for release on 6th November via AWAL. Of this track, vocalist Nancy Anderson explains: “I wanted to write a song about creation. Whenever we create we subsequently end up destroying something in a huge way or a small way. But there is always light behind the dark even when you can’t see it yet. It’s also a comment on media, how we ingest it at an unhealthy rate. I didn’t want it to be too negative so I wrote the chorus as a relief from the darkness of the verses.” Dreamy stuff, looking forward to hearing the full album. (KC)

Evil House Party – ‘Wicked’
Released via Third Coming Records, I’m a bit obsessed with Evil House Party’s debut single. ‘Wicked’ is a “modern murderous ballad, fleshed out in a bittersweet revenge pop anthem.” Very Bonnie-and-Clyde-esque. (KC)

Winter Gardens – ‘Tapestry’
The latest single from Brighton band Winter Gardens, ‘Tapestry’ oozes a euphoric ethereal haze as twinkling, shoegaze-inspired hooks whir alongside the soaring vocals of front person Ananda. Flowing with a rich anthemic emotion, it’s an utterly captivating slice of other worldly dream-punk. Tapestry, the debut EP from Winter Gardens, is set for release on 25th September. (ML)

Arlo Parks – ‘Creep’
Having already fallen head over heels with the utterly spellbinding sounds of Arlo Parks from hearing singles ‘Black Dog’ and ‘Eugene’ getting plenty of airplay on BBC 6Music, discovering that she’d covered Radiohead’s seminal ‘Creep’ did indeed feel so very special… With a delicate emotion-strewn splendour, Parks adds her own unique majestic grace to the original. A stripped back, and truly captivating, rendition that will tug at even the toughest of heartstrings. (ML)

Ailbhe Reddy – ‘Between Your Teeth’ 
A tentative rumination on the struggle to communicate your true feelings when in a relationship, Ailbhe Reddy’s latest single blends soft vocals with atmospheric guitars to help overcome feelings of frustration and sadness. ‘Between Your Teeth’ is lifted from her debut album Personal History, which is set for release on 2nd October via Friends of the Family. (KC)

New Pagans – ‘Yellow Room’
I love it when my feminist literature & new music worlds collide! Belfast-based New Pagans’ latest single ‘Yellow Room’ is inspired by the semi-autobiographical short-story The Yellow Wallpaper, written by American feminist author Charlotte Perkins Gilman. The band have penned the track to highlight the need for a specialised parent-and-baby mental health unit in Northern Ireland. They’re challenging and updating the narrative around women’s mental health, and they’ve crafted a catchy, energetic post-punk tune in the process. (KC)

Belako – ‘Truth’
The latest single from Spanish faves Belako, ‘Truth’ reflects on the reality of romance often being weaponized and used to exploit us. With  its scuzzy racing riffs and the raw, swooning vocals of front person Cristina Lizarraga, it offers a snappy blast of post-punk energy. Plastic Drama, the upcoming album from Belako, is out 28th August via BMG. (ML)

Screaming Toenail – ‘IOU’
Oozing a seething energy as a whirring tension builds with jangling hooks, Screaming Toenail’s ‘IOU’ asserts that we are worth so much more than our wages, and that we don’t owe our bosses, landlords, or this racist government, anything. Propelled by an impassioned cathartic rage and swirling magnetism, its raw, angst-driven power immerses the listener in its striking, empowering message. As front person Jacob repeats the refrain “I owe you nothing” with a fierce intensity, you’re left – fists-clenched – ready to come together in solidarity and rise up against the forces seeking to oppress us. ‘I.O.U’ is taken from Screaming Toenail’s immense new album, Growth, which is out now via Hell Hath No Fury Records. Buy now on Bandcamp. I tried to word just how important a collection it is in this full review. (ML)

Mothercanyouhearme – ‘Knowing You’
The latest single from London duo Rosie Krause and Georgia Mancey – aka Mothercanyouhearme – ‘Knowing You’ oozes an uplifting jangly scuzz and catchy sunny hooks. With a subtle gritty angst, it’s a perfect slice of emo-tinged indie-pop with shades of faves Diet Cig or Partner. ‘Knowing You’ is taken from Mothercanyouhearme’s upcoming new EP People². It’s a completely DIY release, produced by Rosie and with all artwork by Georgia, with an accompanying handmade zine wonderfully entitled ‘Maga Can You Zine Me’ – celebrating a number of female creatives and raising awareness to create safe spaces for queer identifying women and allies within music. (ML)

KIN – ‘L.O.V.E’
The new single from London trio Kin, ‘L.O.V.E’ is inspired by the euphoric feeling of being at the ‘Great British Festival’, that we’ve all been missing so much this summer. With shades of the driving majesty of Warpaint, its sun-strewn hooks and rippling energy make for an instantly catchy and soothingly cathartic listen. A truly uplifting alt-pop anthem. (ML)

Tiger Mimic – ‘Where The Fire Used To Be’
The new single from Tiger Mimic, ‘Where The Fire Used To Be’ is an energy-fuelled slice of alt-rock. With shades of early Arctic Monkeys, the soaring power of front woman Jess’ vocals are juxtaposed with psychedelic hooks and a whirring drive, building to an eerie climax. An instantly catchy offering, it offers a glimmer of hope in these strange times, promising that “the whole world will start over in the spring”. (ML) 

Despicable Zee – ‘We Won’t Stop’ (Tiiva Remix)
I’ve been listening to the Tiiva remix of Despicable Zee’s ‘We Won’t Stop’ since it was released at the beginning of August. Taken from her collaborative EP Atigheh Reimagined, Tiivah’s treatment of ‘We Won’t Stop’ fuses smooth, breathy vocals together with dense yet ambient beats. (KC)

MJ Guider – ‘Lit Negative’
Based in New Orleans, MJ Guider (aka Melissa Guion) blends elements of shoegaze, gothic pop and industrial sounds to create her hypnotic music. On her upcoming album Sour Cherry Bell, she explores power dynamics, musing about the notion of “lost and found, corporeal and cerebral, harnessed and exploited, of one and many, in this reality and the next.” (KC)

Listen to the playlist below!

 

ALBUM: Screaming Toenail – ‘Growth’

Having blown us away with the impassioned magnificence of their live show at The Finsbury last December, and with performances for the likes of Decolonise Festival and Afropunk Battle Of The Bands under their belts, anti-colonial queer punks Screaming Toenail have become firm favourites here at GIHE and their message is more resonant now than ever before. With singles such as ‘I.O.U’ and ‘Sever’ already out in the world, they have now shared their new album Growth

Opening with a jarring recording of reports of trafficking migrants and “swarms” of refugees coming across the Mediterranean seeking a better life, the album starts as it means to go on: honest, politically charged and utterly necessary. As the swirling, whirring soundscape of ‘Swarm’ builds the tension against the raw, impassioned drive of front person Jacob Joyce’s vocals and poignant lyricism, Screaming Toenail hold no punches in immediately deconstructing ideas of colonialism and empire. 

Continuing these themes, ‘White Saviour’ is a glaring commentary on the way in which white supremacy and institutionalised racism can so often be overlooked in society, particularly when assigning the roles of ‘celebrity’ or people that are revered within our communities. With a tongue-in-cheek sense of pride, Joyce denounces individualistic colonial mentalities with a distinctive seething energy.

With shades of ‘80s post-punk, ‘Define and Conquer’ speaks for itself; with striking imagery and an angst-driven drive, Joyce reflects on the damage of Britain’s “conquest and expedition”, whilst ‘I.O.U’ asserts with a fierce intensity that we are so much more than our wages and that we don’t owe our bosses, landlords, or this racist government, anything. Propelled by an impassioned cathartic rage and swirling magnetism, its raw, riotous power immerses the listener in its striking, empowering message. 

Propelled by a dark, visceral drive, ‘Sever’ envelops the ears with a stirring resonance. With shades of the anthemic, emotive energy of The Cure, it showcases Screaming Toenail’s ability to create truly compelling offerings with exquisite musicality. Of the meaning behind the track, the band explain: 

‘Sever’ is written in response to the never ending saga of getting your hair cut as a gender non conforming person. Or is it our response to the displacement so many of us feel as black and brown people in the diaspora? Or maybe building queer community and resisting shame...”

With an empowering energy, ‘Crystal Queer’ celebrates the growth of black, queer resistance with a racing force and uplifting, vibrant power. With its colourful spirit, it’ll leave you feeling hopeful – fists clenched – ready to come together and rise up against the forces seeking to oppress. 

Continuing the uplifting vibes, and with a beautifully witty lyricism, ‘Get Cute’ is guaranteed to make you smile. With spot on ‘cute’ imagery (including personal highlight “You’re like a little old lady shoplifting from Boots”), it’s the perfect invigorating and cheer-inducing anthem to sing along to, know that you’re worth it and soothe any insecurities you may be feeling. And anyone who was at our gig at The Finsbury in December will have glorious memories of Screaming Toenail performing this live, and the comforting sense of unity and cathartic joy that filled the venue, as like-minded people came together to dance and sing in solidarity. 

‘Giant Woman’ closes the collection with all the empowering, patriarchy-smashing energy you’d expect; naming a number of visionary “giant’ women such as Diane Abbott and Reni Eddo-Lodge, it encourages you to take inspiration from others, as well as yourself, when facing the world and overcoming its challenges. A perfect motivational end to Growth’s stirring call to arms.

Despite my focus on the album’s words, it’s not simply Growth’s subject matter that demands to be heard: it showcases the eclectic and innovative musicality of the band. From immense, reverb-strewn riffs and racing punk beats, to fizzing electro-driven soundscapes and a swirling dark mysticism, it provides a perfectly danceable soundtrack to its resonant content. 

As a sort of ‘P.S’, I just wanted to add that I really have struggled to put into words just how completely important and strikingly poignant Screaming Toenail are, and I think really the album needs no explanation. You need to listen to the lyrics, the commentary on what is happening in this country right now, the raw angst and emotion that shines through every track, the magnificent cathartic energy that the band put into everything they create, to understand. I was, in fact, almost reluctant to write about it, as I don’t want any of my words to take away from the raw and necessary power of the band’s.

Growth is truly a soundtrack to our times; starkly reminding us that on returning to ‘normality’, we need to create a new normal. One in which voices like Screaming Toenail’s can be amplified to the max; one in which we prioritise creating safe, queer, intersectional communities and spaces for people to share their art together. One in which we are all continually fighting for change and feel able to grow bigger and louder in the face of challenges, and feel excited for the future. 

 

Growth is out now via Hell Hath No Fury Records. Buy it on Bandcamp.

Mari Lane
@marimindles

Track Of The Day: Byenary – ‘Princess Give A Fuck’

Set to release their self-titled debut album later this month, Byenary – Chuck SJ and Jodi Freer – are set on bringing trans experiences to the forefront.

Taken from the album, new single ‘Princess Give A Fuck’ races with a seething energy, as it rages against society’s preoccupation with gender norms and stereotypes. A formidable slice of queercore punk driven by an unrelenting angst-fuelled power and the fierce, visceral refrain “I’m not your fucking princess”. An absolutely essential listen right now, smashing through the confines of heteropatriarchal binaries and pushing for trans liberation, at a time when voices like these need to be heard more than ever.

Of the upcoming album, Chuck SJ asserts: I wanted to write a record that makes trans people feel empowered. When we talk about trans issues, we tend to talk about the violence that we experience. We spend more energy educating cis people than we do creating spaces to lift each other up. We’re an incredible community capable of extraordinary things, we need more spaces where we can celebrate each other.

 

Byenary, the new album, is out 28th August via Hell Hath No Fury. 

Mari Lane
@marimindles