PLAYLIST: March 2021

It’s been another long month of lockdown here in the UK, but the end is in sight with lighter evenings and the chance to see more than one friend in public on the horizon. The GIHE team have unearthed some more new music gems for you to listen to on our March Playlist. It’s an eclectic mix of indie anthems, alt-pop gems, intriguing electronics and raucous guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Grandmas House – ‘Small Talk’
This thumping new track from Bristol-based punk trio and GIHE faves Grandmas House speaks for itself. ‘Small Talk’ explores the times when you’ve had to unwillingly engage in idle conversations with strangers at the bar, when all you want to do is sit and have a pint with your friends. (Kate Crudgington)

ARXX – ‘Deep’
The new single from GIHE faves ARXX, ‘Deep’ offers an empowering ode to leaving behind all your anxieties and getting what you want. Propelled by a sweeping, impassioned energy, it interweaves an electro-infused, glitchy sound with the duo’s signature ferocious drive, instantly hitting you with its raw, anthemic rush and gritty, sensual prowess. A swirling slice of rousing power-pop. (Mari Lane)

CLAMM – ‘Liar’
Melbourne punk trio CLAMM are gearing up to release their debut album Beseech Me on 9th April, and single ‘Liar’ is a crash course in what to expect. “The song is about mental health,” the band explain. “It’s about wanting to break through a pattern of thinking that isn’t necessarily positive. It’s about dealing with an internal monologue that isn’t always telling the truth.” Through their thrashing guitars and relentless percussion, the band beat back their doubts on this raucous offering. (KC)

Gender Chores – ‘Night In The Woods’
A slice of fast-paced punk-pop, and inspired by a video game of the same name, ‘Night In The Woods’ reflects on slum landlords and the high costs of living in the city. As the Belfast band ooze a swirling, playful energy, the track builds to an immense whirring cacophony. A raging punk anthem, truly of our times; despite being coated in a buoyant, quirky charm, it’s no less powerful in its explicit enraged message. (ML)

CYNICS – ‘Idiots’
This high energy single from London-based four-piece CYNICS is lifted from their recent EP, restless in comfort. The band will be releasing a second EP in April, so keep your eyes peeled for that. (KC)

Du Blonde and Ezra Furman – ‘I’m Glad That We Broke Up’
Du Blonde joins forces with Ezra Furman on latest track ‘I’m Glad That We Broke Up’ which is an absolute tune released ahead of Du Blonde’s upcoming LP Homecoming, due on 2nd April. “It’s our take on a 60s girl group/glam rock explosion,” Du Blonde explains. “I feel like Ezra and I have been travelling towards a duet for years and we finally got our shit together.” (Tash Walker)

deep tan – ‘camelot’
Taken from their upcoming debut EP, deep tan’s ‘camelot’ is propelled by the majestic whirr of sparse hooks and throbbing beats, building with a quirky hypnotic splendour and fizzing tension. As swooning vocals glide across the angular soundscape, it creates another truly captivating sonic delight from the post-punk trio, leaving you longing for more of their exquisite stirring allure. (ML)

People Club – ‘Take Me Home’
The title track from their upcoming EP which is set for release on 7th May, this single from Berlin-based indie outfit People Club is about the realisation of mortality in old age. It’s an upbeat offering, but it explores the cynicism that often plights the elderly after losing their loved ones and being left alone with their regrets. (KC)

ĠENN – ‘Mackerel’s Funky Mission’
Taken from their upcoming EP Liminal, ‘Mackerel’s Funky Mission’ is the latest single from Brighton-based ĠENN. Propelled by a quirky, playful energy and eccentric, colourful charisma reminiscent of the likes of The Orielles, it races with scuzzy hooks alongside the raw, gritty vocals of front woman Leona. Building to a fuzz-filled, psych-infused cacophony, it showcases all there is to love about ĠENN – a band set on continually developing their compelling sound and enrapturing our ears with their unique fantastical spirit. Liminal, the new EP from ĠENN, is out tomorrow 30th March via Everything Sucks Music. (ML)

45ACIDBABIES – ‘Mommy’s Favourite 1’
Following the success of last year’s ‘3 (Walk With Me)’, ‘Mommy’s Favourite 1’ is the latest single from Dutch band 45 ACIDBABIES. Propelled by a vibrant, playful energy, it races with swirling layers of sound creating an instantly infectious, danceable cacophony. As scuzzy, electro-driven hooks race alongside the soaring sultry power of Sophia De Geus’ vocals, a psychedelic haze ripples, creating an uplifting sonic fusion. (ML)

Boudicca’s Bass Service – ‘Egypt’s Over There’
This is the latest single from Somerset based 19-year-old Georgina Cotteril aka Boudicca’s Bass Service. I love her laid back vocals, trippy synths and the feel-good vibes of this track. Speaking about ‘Egypt’s Over There’, Georgina explains: “This song is about realising you’re doing fine, all things considered…this song brings with it the new growth of spring and provides a resting spot, a much needed escape, amongst the craziness of your mind – and the current world in which we live in.” (KC)

Notelle – ‘Doctor Sign’
Nashville-based, nightmare-pop artist Notelle’s latest single ‘Doctor Sign’ was heavily influenced by the intense, shadowy sounds of Nine Inch Nails. Writing the track was a form of emotional exorcism for Notelle, who gave herself permission to “lean into some unattractive emotions” on this new offering. (KC)

Debby Friday – ‘Runnin’
Vancouver-based audio-visual artist Debby Friday blends intoxicating rap verses, trippy beats and snaking rhythms together on this eccentric anthem about self-expression. Full of commanding rhythms and jagged synths, ‘Runnin’ marks a new musical direction for Friday, moving away from her abrasive earlier work into more sultry, effervescent territory. Dripping with unfazed confidence, Friday’s synth-rap tune smoulders with autonomous vibes. Love, love, love it. (KC)

Loraine James – ‘Simple Stuff’
This is the first single from Loraine James’ new album Reflection, which is set for release on 4th June. ‘Simple Stuff’ is a minimal, cathartic plea for equality and acceptance as a black, queer woman. I love the criss-crossing drums and Loraine’s straightforward vocals on this track. (KC)

Mykki Blanco – ‘Free Ride’
The latest single from queer pioneer and musician/rapper extraordinaire Mykki Blanco, ‘Free Ride’ was written back in 2018 after Blanco had just ended their first long-term relationship. Co-produced by FaltyDL and Hudson Mohawke, it oozes a funk-fuelled uptempo musicality and glistening soulful refrains alongside Blanco’s trademark flowing lyricism. Appearing less brash and perhaps more sentimental in sound than some of their previous offerings, it loses none of their distinctive wit and poignant spirit. The video for “Free Ride” was directed by Hannah Rosselin, produced by DIVISION, watch it here. (ML)

Ci Majr – ‘Guillotine’
This is the latest track from Atlanta-based, emerging non-binary artist Ci Majr. Taken from their upcoming debut EP Side Effects, set for release on 16th April, ‘Guillotine’ is a shimmering pop anthem about cutting off your own ego in order to grow in a new relationship. (KC)

Sofia Kourtesis – ‘La Perla’
One of my absolute favourite songs at the moment! Inspired by the sea and her father (written when he was dying of leukemia), the result is a kaleidoscope of synths and deep house. Kourtesis describes the song as about feelings that can’t be captured with words – ‘La Perla’. (TW)

Gemma Cullingford – ‘Wide Boys’
Known as one half of GIHE faves Sink Ya Teeth, musician and songwriter Gemma Cullingford has now announced the release of her debut album this summer. Taken from the album, ‘Wide Boys’ reflects on the need for us to wake up and take back control from those in power. Driven by a racing energy and interweaving immense hooks, including a fiercely flowing flute solo, it’s an instantly catchy funk-fuelled call to arms for these desperate times. (ML)

Elsa Hewitt – ‘Inhaler’
This new single from London-based, experimental electronic producer & GIHE favourite Elsa Hewitt soothes my tired mind. It’s taken from her upcoming album LUPA, which is set for release via Cargo Records on 30th April. (KC)

Fears – ‘vines’
Another poignant meditation on some of her darkest hours, Dublin-born London-based musician Fears aka Constance Keane penned her latest single ‘vines’ before she experienced a breakdown. Through her tentative beats and soft vocals, Fears taps into her pain and offers listeners a chance empathise and heal alongside her. I’m excited to hear her debut album Oíche when it’s released on 7th May via her own label, TULLE. (KC)

Penelope Trappes – ‘Nervous’
A graceful, evocative soundscape that tentatively traverses the inner thoughts of an anxious woman, this single from Australian-born Brighton-based artist Penelope Trappes is taken from her new album, Penelope Three. Set to be released on 28th May via Houndstooth, the track ripples with a sense of mystery and disquiet, both of which are beautifully reflected in the accompanying video. (KC)

Beckie Margaret – ‘FF’ 
Inspired by the Bob Marley quote “I don’t have that type of richness. My richness is life, forever,” ‘FF’ is the latest single from Essex songwriter Beckie Margaret, released via Cool Thing Records. Her voice melts me every time I hear it, and this lush, atmospheric new offering is no exception. (KC)

Ailbhe Reddy ft. Sacred Animals – ‘City Unfolds’
Dublin alt-folk artist Ailbhe Reddy and producer Darragh Nolan aka Sacred Animals have teamed up for this atmospheric new offering ‘City Unfolds’. Lyrically based on Ailbhe’s own experience of being close to a panic attack in the back of a taxi on her way to play a festival in Barcelona, the pair blend tentative keys and atmospheric beats to work through this heightened state of emotion. (KC)

Shamir – ‘DsharpG’ (Sharon Van Etten cover)
Shamir’s cover of Van Etten’s ‘DsharpG’ is just beautiful and will appear on Epic Ten, a special 10th anniversary edition of Van Etten’s second album, Epic. (TW)

Flock Of Dimes – ‘Hard Way’
Taken from her second solo album Head Of Roses, ‘Hard Way’ is the latest single from Wye Oak’s Jenn Wasner aka Flock Of Dimes. Reflecting on the power of the subconscious to hide truths from ourselves, it combines glitchy elements of modulated synths with a lilting musicality and the smooth, emotion-rich splendour of Wasner’s vocals, creating a truly exquisite enchanting soundscape. (ML)

Hanya – ‘Lydia’
Having previously captivated our ears playing for us live on more than one occasion, Brighton band Hanya have now shared a brand new single. Flowing with shimmering hooks and an effervescent, ethereal grace, ‘Lydia’ showcases the stirring emotion of Heather Sheret’s rich, glossy vocals alongside a swirling musicality, creating a beautifully dreamy slice of shoegaze-tinged indie; a soothing soundscape oozing a blissful tranquillity. (ML)

Thallo – ‘Mêl’
This is a lush offering from Welsh songwriter Thallo, sung in her native tongue. Of the track, she explains: “‘Mêl’ which is Welsh for ‘Honey’ is about fearing inevitable heartbreak, but only making a feeble attempt to avoid it and resist temptation.” Check out her latest single ‘The Water’ too. (KC)

Naz & Ella – ‘No (Doesn’t Mean Convince Me)’
Having just announced a new EP set for release this Spring, Naz & Ella have now shared a poignant new single. Reflecting on the all-too resonant theme of sexual harassment, ‘No (Doesn’t Mean Convince Me)’ oozes a gritty, grunge-infused aura alongside the duo’s traditional folk-inspired musicality. Tinged with an eerie majesty with shades of grunge pioneers Alice In Chains, it’s a beautifully stirring offering, exuding a subtle, stark power. Find out more in our recent interview with Naz & Ella. (ML)

Ayoni – ‘Unmoved (A Black Woman Truth)’
‘Unmoved (A Black Woman Truth)’ was released last year, but I only heard it for the first time recently. Described as her most vulnerable song to date, the song is about her journey and the struggles she’s endured as a Black woman growing up. In Ayoni’s words “This song is my every uttered whisper and prayer. It is every heartbreak, micro-aggression, breakdown in the bathroom, and every swallowed fit of rage. But most importantly it is every single moment I remembered the walking poems that are my Black sisters, the breathing reasons to continue fighting to forge a path forward. So here I remain unmovable and unmoved.” (TW)

Clever Girls – ‘Stonewall’
“I wrote ‘Stonewall’ about the distribution of emotional labour in relationships and what is often asked of us AFAB (assigned female at birth) individuals based on our perceived gender identities,” explains Clever Girls’ front person Diane Jean. “It’s really my own anthem of rebellion – against my own perfectionism and against the constant inner monologue that tells me to adapt to others’ needs and expectations.” I love this track, which is taken from the band’s recent album, Constellations. (KC)

Johanna Samuels – ‘Single File’ (Elliott Smith Cover)
Iconic riot grrrl label Kill Rock Stars turns 30 this year! To celebrate, they’re releasing a string of cover singles under the title Stars Rock Kill (Rock Stars), where several artists from around the world will cover tracks from the label’s expansive back catalogue. This dreamy cover of Elliott Smith’s ‘Single File’ by Johanna Samuels is their latest celebratory offering, full of lush vocals and soft guitars. (KC)

Amy Ellen – ‘This Life’
Dublin-based indie musician Amy Ellen says ‘This Life’ is about “loosing someone who meant something to you, but also appreciating those who come into your life and stick around.” She embraces life’s bittersweet nature via her clear vocals and rich guitar sounds on this single. (KC)

Vox Rea – ‘Dufferin Ave.’
Always a sucker for some silky sax, this latest track ‘Dufferin Ave.’ from Vancouver-based Vox Rea delivers with an abundance of ambience. As we look to warmer and lighter evenings, I’m looking forward to listening to this song glisten out over those hazy nights. (TW)

Nadine – ‘Hair Up’
An aspiring singer & rapper from Sudan who’s currently based in Cairo, Egypt, Nadine wrote this R&B-tinged offering after she spent a week living in sweatpants during quarantine. It’s a chilled tune that celebrates feeling confident in your natural state. (KC)

LISTEN: DijahSB ft. Chris Castello – ‘Overtime’

A vibrant, slickly produced R&B tune acknowledging the diligence that’s needed to make your dreams a reality, Toronto-based rapper DijahSB has shared their latest single ‘Overtime’. Taken from their upcoming album Head Above The Waters, which is set for release on 23rd April, the track is a summery collaboration with fellow Toronto songwriter Chris Castello, filled with catchy, candid lyrics and infectious beats.

Influenced by the likes of Kid Cudi, Pusha T and Lupe Fiasco, DijahSB writes music about their experiences as a black non-binary artist, navigating their way through life’s highs and lows with a quick wit and authentic charm. On new single ‘Overtime’, Dijah blends buoyant beats with their catchy rap verses and Castello’s smooth, lush vocals to create an uplifting, fresh slice of pop-infused R&B.

“’Overtime’ is the last single before the album,” Dijah explains. “I’m excited to introduce the world to Chris Castello who is an amazing songwriter and also does most of my artwork. He really made the song come together by telling the story of just always putting in over time to achieve our dreams.”

Watch the lyric video for ‘Overtime’ below.

Follow DijahSB on SpotifyTwitter, Instagram & Facebook for more updates.

Photo Credit: Marius Jadion

Kate Crudgington
@KCBobCut

ALBUM: Nova Twins Presents ‘Voices For The Unheard’

A year after the release of their debut album Who Are The Girls?, Nova Twins have returned to share Voices Of The Unheard, a charity compilation LP that’s bursting with righteous energy. Driven by their desire to spotlight the work of underrepresented artists of colour in the heavy music scene, the duo (formed of Amy Love and Georgia South) have put together a blistering collection of alternative anthems that showcase an eclectic, tenacious range of talent.

Following their ‘Voices For The Unheard’ Spotify Playlists, an open letter to the MOBO Awards and their online conversations about racism and sexism in music, Nova Twins naturally gravitated towards curating an album that followed up these narratives. Dr Martens Presents (a multi-disciplinary initiative supporting emerging creative talent) brought their idea of a record to life, providing the funding for the physical release of the compilation on limited edition vinyl via Blood Records. Voices For The Unheard is only available for pre-order until 1st March and all profits will be donated to The Black Curriculum, a charitable initiative working to get black history on the UK school syllabus. It’s a deeply political record in many ways, but it’s also a gargantuan distraction from these important issues too.

Amy & Georgia kick things off with their thunderous single ‘Taxi’, filled with Nova Twins‘ trademark distorted bass lines, jagged riffs and ferocious lyrics. Narrowing the track-list down to twelve must have been tricky, as their stellar Spotify playlists include songs by Ho99o9, Bob Vylan, Sampa The Great and Rico Nasty, but the band have tried to give a platform to artists who are rooted in their underground scenes, whether that’s in the UK or further afield.

‘All My Friends’ by Canadian four-piece The OBGMs is a manic mix of punk and garage rock, followed by the gritty charm of Connie Constance‘s ‘Monty Python’. Her track is probably the quietest on the record, but her skill for subtle song-writing punches just as hard as the the visceral metal & hip hop beats on ‘Cross Me’ by Dallas-based UNITYTX. The track burns with corrosive fury, the final lyric “This is rock music motherfucker!” epitomising what Voices Of The Unheard is all about.

The thumping beats and pulverizing synths on ‘Goatmeal’ by New Yorker LustSickPuppy and the intense punk & rap cacophony ‘Scared’ by duo Death Tour both blitz by in under two minutes. Guttural groans, strung out vocals and feverish riffs fuel ‘Aggressive Evolution’ by Liverpool-based Loathe, and their fury is matched by the genre-defying sounds of ‘Green Vision’ by New Yorkers Oxymorrons, who dominate the ear drums from start to finish.

Brit trio Pussycat and The Dirty Johnsons keep things rolling with their classic rock rhythms on ‘Ain’t No Pussy’, followed by the dense beats and incredible vocals on ‘Trouble’ by North Carolina-based queer/trans artist Khx05, who impresses more each time they’re listened to. Washington rapper Zhariah mixes glitchy beats and candid lyrics on the biting ‘Bitch Boy’ before the infectious rhythms of black feminist punk trio Big Joanie bookend this eclectic mix of rap, rock, punk, metal and electronic music. We’ve waxed lyrical about how much we love Big Joanie before on GIHE, and the infectious rhythms on their Hermitage Works live rendition of ‘Fall Asleep’ still have us chanting the chorus in unison every time.

Listening to Voices for the Unheard should rile you up and re-energise your appetite for heavy music. The album showcases a group of artists who have been galvanized by their individual experiences of discrimination, but who are now united in their attempts to create the authentic, exciting music they wish they had heard growing up. Nova Twins’ battle cry for equality and diversity was loud and clear on Who Are The Girls?, but it’s echoed long after the record’s release. The duo are a force for fun, for fury, and most importantly: for change in an industry that is still dominated by white faces.

You can choose to be part of the solution and help to change this by listening to Voices for the Unheard, following the artists on the track-list and continuing to share the conversations that initially fueled the record’s development.

Pre-order your copy of Voices for the Unheard here.

Click on the name of each artist/band to head to their individual Spotify pages.

Kate Crudgington
@KCBobCut

PLAYLIST: September 2020

It’s been another testing month, filled with more government Covid-19 “rule” changes and unwanted opinions on social media, but we’re determined to keep our spirits up by listening to some of our favourite women and non-binary artists. September’s GIHE playlist is filled with an eclectic mix of alt-pop gems, frenzied guitar anthems, indie tunes and alternative new sounds. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Noga Erez – ‘You So Done’
An emotionally charged offering from a resilient and uncompromising artist, Noga Erez’s latest single is accompanied by a stunning set of visuals directed by Indy Hait. The Tel Aviv based artist delves deep into the memories left behind by a toxic relationship, making this her most personal release to date. She’s yet to share something that we don’t collectively adore here at GIHE, so expect to see her name on all future playlists! (Kate Crudgington)

Eilis Frawley – ‘Stats’
The poignant new single from GIHE fave Eilis Frawley, ‘Stats’ offers a completely unique soundscape from the classically trained percussionist. Kicking off with an arresting drumroll, it quickly picks up the pace moving into bold, Krautrock-infused spoken word, as the lyrics see Frawley recite hard-hitting stats, highlighting the everyday injustices facing women today. Tackling issues such as period poverty, FGM, domestic violence and other vital issues, it’s a beautifully striking and necessary listen. A poignant protest song that you can dance to. ‘Stats’ is out now via faves Reckless Yes. (Mari Lane)

Æ Mak feat. Seba Safe – ‘i dance in the kitchen’
Embracing production duties for the first time on her new EP, how to: make a kitsch pop song to show the world, Æ MAK – aka Aoife McCann – made this record during the Covid-19 lockdown period with “100% childsplay and solo belly laughs”. This single in particular showcases her delightfully carefree, vibrant attitude when it comes to letting go of performance qualms and focusing on making music that makes you feel good. (KC)

HANYA – ‘Texas’
The latest single from Brighton’s Hanya, ‘Texas’ is propelled by a dreamy haze, as it flows with twinkling hooks and the soaring, effervescent vocals of front person Heather Sheret. With shades of the lush surf-pop of Real Estate or Best Coast, it’s a shimmering slice of exquisite indie-pop oozing a blissful tranquility and spellbinding ethereal splendour. The perfect soundtrack to soothe these post-summer blues. Of the track, the band explain: “‘Texas’ was entirely written and recorded during lockdown, experimenting with working remotely as a group. The track explores the startings of a relationship – the head-over-heels uncertainty, the self-doubt and the desire to know each other entirely.” (ML)

Daniela Andrade – ‘Puddles’
A definite September highlight for me comes from Honduran-Canadian producer and musician Daniela Andrade. The track is called ‘Puddles’, it’s self-produced and it has been reverberating around my head since I first heard it. If you don’t start swaying when you hear this, something is wrong. This track was announced alongside details of her new EP, Nothing Much Has Changed, I Don’t Feel The Same, which is out on 30th September via Crooked Lid. (Tash Walker)

Komang – ‘DEWI’ 
I cannot get this song out of my head! It’s excellent. It comes from Melbourne artist Komang and is her debut release, endorsed by a mentorship with the amazing Sui Zhen. Komang is a multidisciplinary producer, performer and vocalist who blends soul-based groove and echoes of traditional Gamelan to create vibrant electronic RnB described as “neo-soul meets Balinese mystic power”. This track is lifted from her forthcoming EP Mythologies, which is set to be released later this year. There’s only one way to listen to this song and that’s very loudly with your eyes closed. TURN UP THAT DIAL. (TW)

Nina Cobham – ‘Solar’ (Bipolar Sunshine Remix)
I love this remix by Bipolar Sunshine of Nina Cobham’s ‘Solar’, it’s so goddamn sultry. Makes me hold onto those dreamy summers of years gone by… (TW)

Seraphina Simone – ‘Hollywood $$$’
The latest release from one of my faves Seraphina Simone, a song shining the spotlight on the glitzy, gritty, ghastly Hollywood. In her words, “’Hollywood $$$’ is about the Lynchian, fame-obsessive undercurrents of tinsel town, with its sirens, starlets, leeches & letches. It’s about that world of smoke and mirrors – where nothing and no one is really as it seems, and the world of celebrity – where we deify or demonise people into these superhumans or arch villains. Kim Gordon mentions ‘tarantula LA glamour’ in Girl In A Band, and that sums it up perfectly I think – the predatory darkness under the glitz.” Amazing description, I defy you to not think of Mulholland Drive or even Selling Sunset (for my sins) when you press play on this. (TW)

ZAND – ‘Slut Money’
A defiant, savage pop tune that celebrates self-autonomy, body positivity and sexuality, self-described “ugly pop” star ZAND takes aim at slut shamers on their latest single. They deftly defy the haters on ‘Slut Money’ through a combination of gritty beats, sweet vocals and candid rap verses. (KC)

Leikeli47 – ‘Zoom’
I’m ashamed to say I’m extremely late to the Leikel47 party, but I’m so glad I’ve now discovered the gritty, brutal wit of the bandana-clad Virginia born rapper. Following 2018’s epic album Acrylic, last month she shared ‘Zoom’. Holding nothing back, ‘Zoom’ showcases Leikel47’s swagger and tenacity with its glitchy beats, catchy hooks and lyrical wit, with references to ‘90s boy bands and her roots in the DMV area: “I ain’t the type of bitch to do a lot of barking/ And only thing I need validated is my parking/ I’m from the back street boy, where it’s very rare to link/ And if you using the wrong note/ We’ll put yo ass n sync…” I just can’t get enough of it. And if you too are new to the joy of Leikel47, I strongly suggest checking out singles ‘Girl Blunt’ and ‘Money’. (ML)

Tolü Makay – ‘Don’t Let Go’
An understated, beautifully soothing listen, Nigerian-born, Ireland-based artist Tolü Makay gently reassures her listeners to let go of their fears through her smooth vocals, tender lyricism and jazz inspired instrumentation on this reassuring track. (KC)

SUSU – ‘Work Song’
New York based SUSU have shared this epic guitar tune that powerfully demonstrates the deep civil unrest that’s simmering beneath the Covid-19 pandemic in the USA. The band explain: “This song is for US – the disenfranchised, black, brown, minority, middle class, poor, trans, gay, and subjugated communities stepping down off the auction block, breaking the stranglehold; saying: ‘If a house gets in my way, you know I’ll burn it down.’ As Nina Simone once said, ‘An artist’s duty, as far as I’m concerned, is to reflect the times’.” (KC)

MOURN – ‘Men’
A rallying cry against toxic masculinity and street harassment, Barcelona-based MOURN’s latest single is lifted from their upcoming album Self Worth, which is set for release on 30th October via Captured Tracks. The song is an honest, cathartic purge of the distrust and anger many women suppress on a daily basis when they’re intimidated in public spaces. (KC)

Francis Of Delirium – ‘Equality Song’
Funded by Luxembourg’s Ministry of Equality to celebrate 100 years of women’s right to vote, Francis Of Delirium’s vocalist & guitarist Jana Bahrich penned this poignant track in the wake of the Brett Kavanaugh hearings. It’s a powerful, necessary dismantling of the ingrained sexism and toxic masculinity that permeates society. (Just a heads up: there’s mention of rape/sexual assault) (KC)

Fightmilk – ‘If You Had A Sister’
The latest single from faves Fightmilk, ‘If You Had A Sister’ may be more sombre in tone than previous releases, as it oozes a swirling melancholy and heartfelt lyricism, but it loses none of the band’s trademark emo-tinged indie-pop goodness. Propelled by the gritty, raw emotion of front person Lily’s yearning vocals alongside scuzzy hooks and perfectly interwoven musical layers, it offers a shimmering reflection on life and loss. The band expand: “ … if there was ever a time for songs you can do ominous slow dancing to, it’s 2020.” ‘If You Had A Sister’ is out now via Reckless Yes. (ML)

Ailbhe Reddy – ‘Looking Happy’
Dublin’s Ailbhe Reddy has transformed the crushing sadness that comes with seeing your ex “enjoying” their life on social media without you, into a buoyant alt-folk gem. Lifted from her upcoming debut album Personal History, which is set for release on 2nd October, the track taps into the feelings of inadequacy we all experience when the FOMO unexpectedly hits us while scrolling through our ex’s newsfeed. (KC)

First Frontier – ‘Take Cover’
Having been creating music together since last year, South London duo Helena Poole (who has previously played for us at The Finsbury in her other band Macadamia Sluts) and Paul Stafford – aka First Frontier – pride themselves on choosing hope over fear and play over fight. Focusing on what we can control and devote positive energy to, debut single ‘Take Cover’ is propelled by scuzzy hooks and thrashing beats, creating a catchy slice of fuzzed-out garage rock, tinged with dark ‘80s nu-wave vibes and swirling harmonies. (ML)

Nadine Shah – ‘Ladies For Babies (Goats For Love)’
In the wake of another irritating tirade from “that” man-punk-band of the moment, I just wanted to take this opportunity to declare my love for Nadine Shah. Having released her immense latest album Kitchen Sink earlier this year, she completely blew me away when playing the BBC 6Music festival in March; one of the most immersive live performances I’ve ever witnessed, it’s simply impossible not to become utterly captivated by her unique charisma and the subtle, gritty power of her vocal delivery. I’d pay whatever it took to take her on tour with me… (ML)

Vanessa Richardson – ‘Spider’
This track is right up my experimental music street. It comes from Toronto/Montreal based Vanessa Richardson who is an experimental singer, songwriter and producer. I’ve listened to it non-stop since I heard it first, I love the loops, the deep vocals, the feverish percussion, it really creates this wonderfully dark intoxicating sound. Sublime. (TW)

Masma Dream World – ‘Theta’
This is the lead track from the upcoming album by Masma Dream World, the solo recording project of multi-disciplinary artist Devi Mambouka. Of the track, she explains: “From age 0-7, the human brain is in ‘theta,’ a state during which our minds can be programmed to believe anything. I became quickly aware of that programming growing up in the African country of Gabon, where, despite its Matriarchal roots, young girls are groomed to be wives and mothers only — there are no other options.” Mambouka wanted to create an anthem for these young girls, which developed into the otherworldly trip-hop song ‘Theta,’ driven by a deep sub-bass and kick drum. The lyrics, which are heard both forward and in reverse, translate to: “We are girls from central Africa. We are Gabomas!” Gaboma refers to a young hip Gabonese girl. As with the rest of her debut album, the music is designed specifically to awaken one’s power source from within, and it set for release on 25th September via Northern Spy. Incredible. (TW)

LibraLibra – ‘Listerine’
A step away from the usual high energy riotous cacophonies of the Brighton band’s previous releases, ‘Listerine’ reflects on lingering painful memories. Showcasing the incredible soaring splendour and versatility of front woman Beth Cannon’s vocals with an almost operatic force, the track oozes a glistening soulful majesty, creating a striking cinematic soundscape. With blissful twinkling keys providing the backdrop to Beth’s vocals, it’s filled with poignant, reflective lyricism as a raw, emotion-strewn power builds to a magnificent, immense anthem of self-realisation. ‘Listerine’ is taken from LibraLibra’s new EP, Hail Mary, out now. (ML)

Balraj Singh Samrai, Pandit G Gavsborg, Farah Amad Khan, Shanique Marie, Tunde Adekoya, Vikaash – ‘I should have hugged you tighter when we last met (Oh What A Joy)’
This piece was made in June of this year with the help from Opera North’s artist development programme, Resonance: The Lockdown Edition. Combining  music and spoken word to document life  during the COVID-19 pandemic and its impact on  communities of colour, Samrai initially produced an instrumental which tabla player Vikaahsh Sankadecha added South Asian percussion rhythms to. Equiknoxx member Gavsborg then penned a poem for the track, and Farah Ahmad Khan added her own spoken word contribution. The accompanying video is so powerful and was made by the Rainbow Collective, go check it out and raise the profile of this track. This is documentary art at its best. (TW)