ALBUM: Dream Wife – ‘Social Lubrication’

“Music isn’t the cure, it’s the remedy.”

Following their 2018 self-titled debut LP, and 2020’s sophomore record, So When You Gonna…, London-based trio Dream Wife – consisting of Rakel Mjöll on lead vocals, Alice Go on guitar/backing vocals, and Bella Podpadec on bass/backing vocals – are set to release their highly anticipated, riotous third record, Social Lubrication on 9th June via Lucky Number; a collection of playful, political punk with a lust for life. Entirely self-written and self-produced by Dream Wife and mixed by legendary duo Alan Moulder (Yeah Yeah Yeahs, The Killers, Depeche Mode) and Caesar Edmunds (Wet Leg, Beach House), Social Lubrication perfectly channels their live wire intensity into ten tracks of raw truth.

Opening with riot grrrl moxie, the infectious Bella bassline of ‘Kick in the Teeth’ (“I spent so much of this youth questioning my value / Lolita’s all grown up now, who knew?”) is followed by the scuzzy Alice Go Go Go riffs of ‘Who Do You Wanna Be?’. Rakel’s rebellious attitude screaming for increased collective action – away from soul-destroying “social media activism without action” – and decreased hyper-individualism. “Exhausted by the pressure to feel somewhat empowered / It’s only 8AM, and I haven’t even showered / Guess perseverance is the boldest thing one can do.”

‘Hot (Don’t Date a Musician)’ evokes the playfulness of CSS and the rock and roll grit of Motörhead. “Don’t date a musician / They’ll think your competition / I was never competition / I was just… hot” Rakel states, her on-the-nose humour backed up by a refusal to be reduced or intimated for being a woman who makes music. Title track’Social Lubrication’ flows in a similar vein, as the trio, exhausted, refuse to pander to patriarchal bullshit. Rakel delivers her spoken word verses with urgency across distorted garage guitar: “What’s it like to be a woman in music, dear? / You’d never ask me that if you regarded me as your peer.”

‘Mascara’ is a love letter to the mundane – but no less important – moments of life, and provides brief respite before Dream Wife are out for blood with ‘Leech’. Screaming for empathy and calling out double standards through frenetic fuzz (“Fuck those who call themselves a friend, but they don’t lift a finger! / Fuck that WhatsApp group where they got points for nailing a fresh-faced singer!”) before crescendo-ing into cathartic feedback. (“Nobody really wins in a patriarchal society. We all lose.”)

‘I Want You’ and ‘Curious’ leave us lusting over Social Lubrication. the first is a filthy Be Your Own Pet-esque punk rocker, and the second is a hot bisexual/polyamorous anthem (“She loves you but she is curious about her love for me… / You’ll all be middle-aged men one day / And I’ll be a middle-aged Dream Wife”). Nostalgic for the early noughties, Dream Wife enter the stratosphere with the New Pony Club/Yeah Yeah Yeahs-inspired ‘Orbit’, closing Social Lubrication with a pulse-racing, disco-punk groove. It’s an unapologetic record that speaks to “systemic problems that cannot be glossed over by lube,” and that’s something we fully endorse at Get In Her Ears.

Pre-order your copy of Dream Wife’s new album Social Lubrication here

Follow Dream Wife on bandcamp, Spotify, Twitter, Instagram & Facebook

Ken Wynne
@Ken_Wynne

Photo Credit: Sophie Webster

EP: Dream Phone – ‘Dream Phone EP’

Fuelled by snacks, Pepsi Max, and 100 gecs on repeat, Oxford glitch-pop duo Dream Phone – aka Hannah Watts and Jenny Bell (last seen ‘caught in the act of looking weird’ as half of Junk Whale) – get ridiculous for their DIY debut extended play with ten minutes of synth-driven hyper-pop melodies and pitch-shifted lyrical pandemonium!

Opening with the infectious one, two, three, four, ‘strut’, Dream Phone sparkle with an off-kilter electronic groove (“If you can’t find me in the dark / I’ll be here by the searchlight”) before exposing us to the extreme temperature of their own personal ‘hell’; a hot mess of obnoxiously upbeat noise and auto-tuned self-destructive attitude: “I can do what I want now / It’s none of your concern / Gonna cut my hair short / Because I’m not really listening to / What you say what you say what you say!”

Piercing your heart with a wooden stake, the ‘bad girls’ sink their fangs into riot grrrl for this next track, taking inspiration from Kathleen Hanna’s Le Tigre and Julie Ruin, and transforming their already unique pop sound into something otherworldly. Dream Phone’s ode to Buffy The Vampire Slayer is a celebration of friendship and “finding your partner in crime”; a euphoric glitch-pop beatdown for the BBC 6Music generation. “Going to the club / Dance up on some hunks and / Maybe kill some monsters / Or crash a cop car!”

Deliberately artificial in its production and sound, ‘no’ is an “anti-people-pleasing” pop anthem for those of us who struggle to say fuck “no” (“You ask, I sigh but I agree / You can always count on me / I will lie on the ground for you / You can wipe your feet on me”); opening with an electronic blast beat before glitching out into synth cyberspace! Closing their self-titled EP with ‘i don’t want to talk to you (at the show)’, the dreamy duo set boundaries and get anti-social: “Clinging to my beer / Everything’s too loud in here / I can’t concentrate / On what you’re shouting in my ear.”

Dream Phone ooze hyperactive energy, enthuse an ethos of DIY disorder, and, throughout their wonderfully eclectic debut EP, occupy the brain with vivid musical imagery.


The debut EP from Dream Phone is out now via independent record label Divine Schism. Buy on bandcamp now.

Ken Wynne
@ken_wynne

LISTEN: GIHE on Soho Radio with Cheri Percy (29.05.23)

Tash and Kate were back on Soho Radio’s airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists! Mari offered some of her “musical musings” too. The pair talked about their highlights from The Great Escape Festival – which included spotting Courtney Love – and how much they collectively love Hypsoline after they headlined the latest GIHE gig at The Shacklewell Arms. They also enthused about the eclectic mix of tracks on the playlist, including ARXX, Ezra Williams, Touch Excellent, HotWax, GENN, SPIDER, CATBEAR, DEWEY, Midwife, Brutus and more.

Tash also caught up with author and journalist Cheri Percy to talk about her new book Come Away With ESG. Inspired by the story of ESG – one of the most under-rated and influential bands in electronic music – Cheri penned the book which features interviews with founding member Renee Scroggins, alongside cult-figures from 1980s New York and North England. Tash and Cheri spoke about all this and more. You can buy your copy of the book here.

Listen back to the radio show below:

 

We’ll be back on Soho Radio on Monday 26th June from 12-2pm!

Tracklist
ANOHNI and the Johnsons – It Must Change
Hypsoline – With You Gone
ARXX – Ride Or Die
HotWax – Rip It Out
GENN – A Reprise (That Girl)
INDIGOS – Drug Dealer, Faith Healer
FLOSSING – Switch
SOLE – en och en
Headboy – cement
Heff Vansaint – Ladder Rungs
BRUTUS – Brave
My Ugly Clementine – Are You In?
Aldous Harding – The Barrel
Ezra Williams – Until I’m Home
Janelle Monae – Lipstick Lover
jellyskin – bringer of brine
**Interview with Cheri Percy**
ESG – The Beat
DEWEY – The Janitor
CATBEAR – I’ll Meet You At The End
Midwife & Vyva Melinkolya – Hounds Of Heaven
Charlotte Carpenter – Spinning Plates
Carpenters – Yesterday Once More
SPIDER – Growing Into It
Touch Excellent – Record
pink suits – Fake Great Britain
Hole – Awful

NEW TRACK: Touch Excellent – ‘Record’

A tenacious anthem that takes aim at the failures of the healthcare system when it comes to treating women, non-binary and transgender folks, Touch Excellent have shared their debut single ‘Record’. Fuelled by the Dublin-based band’s collective anger, the track is a brief but powerful blast of attention-grabbing pop punk noise.

Playfully self-describing themselves as “Ireland’s most transgender band (surely)”, Touch Excellent create raw, frenzied, politically-driven cacophonies that are designed to dismantle the systems that oppress us. Together, Lenny (vocals/bass), Ló (rhythm guitar/vocals) and Amber (drums) transform their feelings of hopelessness and injustice into loud, cathartic, catchy anthems that address the issues facing young people today.

Their debut single ‘Record’ is inspired by the band members own experiences with the medical system, the recent Cervical Check scandal in Ireland, and the ongoing fight for reproductive rights around the world. The song is laced with medical imagery and descriptions of procedures that will be familiar to many women, and the band hope the track will offer a moment for rage, respite and relief in spite of these stressful moments.

Describing themselves as “a band for people who care about the issues and love a good live gig,” 2023 looks set to be an exciting year for Touch Excellent. The four piece played a show at Anseo on Camden Street in Ireland last night (May 25th) to celebrate the release of their debut single ‘Record’, and they will be releasing more material later in the year.

Listen to ‘Record’ below.

Follow Touch Excellent on bandcamp, Spotify, TwitterInstagram 

Kate Crudgington
@KCBobCut