LISTEN: GIHE on Soho Radio with Charlotte Adigéry

Tash & Kate were back on the Soho Radio airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQ+ artists. Sadly Mari couldn’t make it into the studio, but offered some of her “musical musings” too.

French-born, Belgian-Caribbean musician Charlotte Adigéry also joined them to talk about her debut album Topical Dancer, which she worked on with Bolis Pupul, and the power of joy and laughter when it comes to making art about your own life experiences. Baby Rocco also had his say!

Listen back below:

Tracklist
Eurythmics & Aretha Franklin – Sisters Are Doin’ It For Themselves
Adrianne Lenker – Symbol
Julia-Sophie – Dial Your Number
t l k – IWNU
Fraulein – Drag Behind
A.A. Williams – Melt
PET Wife – Alone
Ailsa Tully – Salt Glaze
Tomberlin – happy accident
ROBYN & Neneh Cherry ft. Mapei – Buffalo Stance
Pongo – Doudou
My Idea – Crutch
CMAT – Every Bottle Is My Boyfriend
After London – Here, Tonite
Charlotte Adigéry x Bolis Pupul – Ceci n’est pas un cliché
**Interview with Charlotte Adigéry**
Tirzah – Tectonic
Hannah Schneider – Mirror Sphere
Big Thief – Little Things
Muna Ileiwat – Stuck
Petrol Girls – Baby, I Had An Abortion
SASAMI & No Home – Squeeze
KIN – Cosmos
Amaroun – Brown Skin Beauty
Cate Le Bon – Remembering Me
Queen Latifah ft. Monie Love – Ladies First

PLAYLIST: Galentine’s Day 2022

It’s one of the best days of the year, GALENTINE’S DAY! Coined by Parks and Recreation character Leslie Knope (played by Amy Poehler) back in 2010, Galentine’s has since been recognised by girls across the globe and used as a light-hearted platform to celebrate the girls and women who enrich our lives.

To celebrate, we’ve chosen tracks from some of the many female-identifying artists who inspire us and we’ve put them into one eclectic playlist. We’re all about self-love and sisterly – not just cis-terly – love today, so scroll down, press play and share the Galentine’s joy!

Bikini Kill – ‘Rebel Girl’
This one goes out to my GIHE gals, Tash and Kate! A song about having the coolest best friend by ultimate heroes Bikini Kill, you should listen to it at full volume and celebrate all the “queens” of your world this Galentine’s Day. (Mari Lane)

Problem Patterns – ‘Gal Pals’
Having been fans of Northern Irish band Problem Patterns for some time now, my love of them has skyrocketed since they headlined our gig at The Shacklewell Arms in December. Oozing a swirling energy and fierce, infectious passion, they united the crowd in solidarity with both their righteous anger and vibrant, joyous sense of fun. ‘Gal Pals’ offers a perfect sentiment for this Galentine’s – celebrating female friendship and the mix of feelings that comes with it. (ML)

Petty Phase – ‘Different For Girls’
Southend’s Petty Phase aka Jen, Rosie & Alyx were guests on our radio show a few years ago and they played a GIHE gig at The Finsbury back in 2018 too. We loved their riot grrrl inspired sounds and rumour has it they’re set to play some more shows this summer. Bassist Alyx has also been busy co-hosting the excellent We Wear Black podcast alongside Sophie K and Yasmine, talking about all things in the rock & alternative scenes. Definitely check it out. (Kate Crudgington)

Big Joanie – ‘Used To Be Friends’
The GIHE team are huge fans of Big Joanie who work tirelessly to make the punk scene a more inclusive and diverse space. Not only that, they’ve got a debut album full of lo-fi punk bangers that we’ve listened to many times. Check out Sistahs today and keep up to date with all the amazing work they do on and off stage by following them on Twitter. (KC)

Charmpit – ‘Bridges Go Burn’
Charmpit’s ‘Bridges Go Burn’ is not so much a celebration of friendship as an empowering ode to moving on from toxic relationships and standing up for yourself. But I think this sentiment is super important when celebrating the ones you love. As I’ve got older, I’ve realised the necessity in cutting ties with damaging people, however many fond memories you might share with them; life really is too short to surround yourself with people who don’t lift you up and make you feel good. In the words of the band: “It can take time to burn a bridge, especially when it’s guarded by a troll. You can forgive yourself for taking the time you needed to exit that toxic relationship. And when you exit it, you can write a pop banger so it ain’t so dang depressing!” (ML)

WILLOW – ‘transparent soul’
How many times am I going to say “I am living for the pop punk revival!” on a GIHE Playlist? (at least once more.) WILLOW’s debut album Lately I Feel Everything is full of emo bangers and this track featuring Travis Barker on drums is no exception. (KC)

Brimheim – ‘hey amanda’
An ode to friendship in all its bittersweet glory, I love this track by Danish alt-pop artist Brimheim. Taken from her sublime debut album, can’t hate myself into a different shape, it’s a celebration of platonic love, brimming with nostalgic lyrics, warm guitar sounds and tender vocals. (KC)

VERO – ‘Beg!’
Fuelled by the anger left behind by a flawed relationship, VERO’s debut single ‘Beg!’ is saturated with brooding bass lines, swirling riffs and stinging lyrics. I LOVE it and can’t wait to hear more from the Stockholm-based trio this year. (KC)

Softcult – ‘Gloomy Girl’
I’m a big fan of Canadian twin siblings Phoenix and Mercedes Arn Horn aka Softcult, who create swirling, grunge-infused songs about inequality & sexism within the music industry. This track ‘Gloomy Girl’ is a more introspective offering, giving listeners a glimpse behind the veil of depression. It’s a tentative musing on the ominous feeling that you’re “wasting away” whilst going through a period of poor mental health. Their recent EP Year Of The Snake is also well worth a listen. (KC)

Aye Nako – ‘Nightcrawler’
This melodic tune from Brooklyn-based queer punks Aye Nako popped into my head the other day and it’s been on a loop ever since. The song is about unpacking difficult memories, but Aye Nako deliver it in their quirky, upbeat style. (KC)

SASAMI – ‘Say It’
This industrial-tinged “rage dance anthem” from SASAMI is 100% a bit of me. Taken from her upcoming album Squeeze, which is set for release on 25th February via Domino, SASAMI explains: “I feel like when I hear this song I see a hot femme with a mystical flamethrower engulfed in emotional blue flames throwing elbows alone in an industrial dance club in outer space.” Mate, same. (KC)

M(h)aol – ‘No One Ever Talks To Us’
I was blown away by M(h)aol’s powerful post punk sounds when I saw them live at The Shacklewell Arms last year, and this track was a real highlight. Taken from their debut EP Gender Studies, it’s a brooding, much needed antidote to toxic patriarchal standards. (KC)

Self Esteem – ‘How Can I Help You’
I don’t know why chanting along to “I don’t know shit!” throughout this Self Esteem song is so cathartic, but I fully recommend doing the same. Rebecca Lucy Taylor has proved she’s an alt-pop icon twice over with her album Prioritize Pleasure, and this track in particular is my favourite. (KC)

Wet Leg – ‘Too Late Now’
Best friends Rhian Teasdale and Hester Chambers aka Wet Leg look like they’re having a blast touring their tongue-in-cheek indie bangers across the country. The GIHE caught their debut headline show at Omeara last year and knew they’d be icons from the moment they walked on to the stage to ‘Concerning Hobbits’ from The Fellowship Of The Ring soundtrack. I really, really enjoy the lyrics in this track, especially the line: “I don’t need no dating app to tell me if I look like crap / to tell me if I’m thin or fat / to tell me should I shave my rat.” Their self-titled debut album is set for release on 8th April and I can’t wait to hear it. (KC)

ARXX – ‘The Cat Song’
I couldn’t not include a song from total faves ARXX in this playlist celebrating friendship and love, as Hanni and Clara are two of the loveliest folks in the world – and their love of each other is evident in everything they do. ‘The Cat Song’ – as well as paying homage to our feline friends – is also about the love we have for our friends. As Hanni sings “I’m going to hold you up like this”, I think of how my friends hold me up throughout the bad times and good. And there’s added actual cat sounds – what’s not to love?! (ML)

Robyn – ‘Dancing On My Own’
‘Dancing On My Own’, and what’s wrong with that!? Often I prefer to dance on my own. More space. Robyn is also an outspoken ally for LGBTQ+ rights and we all know romance isn’t just for the heterosexuals out there! So whether you honour Galentine’s, Valentine’s, or even Palentine’s Day; make sure you have a good old dance. (TW)

Chromatics – ‘Girls Just Wanna Have Fun’
A great cover of a great track, need I say more? (TW)

Elodie Gervaise – ‘Free Babe’
One of my favourite discoveries of 2021: mixed beats, intricate synths and electronics from French-Australian artist Elodie Gervaise. When I first played this song I described it as some kind of audible light show. Elodie Gervaise’s EP, Syzygy (undoubtedly my word sound of the year) is great – go listen if you haven’t heard it yet! (TW)

ML Buch – ‘I’m a Girl You can Hold IRL’
This song is taken from Danish electro-pop musician ML Buch’s album Skinned which came out in 2020, but I spent a lot of the winter break listening to it so thought I’d share it with you all in 2022. I love its futuristic techno electro tones and all the FEELINGS. (TW)

Lizzo – ‘Like A Girl’
Turning the common derogatory phrase ‘Like A Girl’ on its head to create something wonderfully empowering, this is another ferociously fun offering from GIHE fave, Lizzo. With references to other powerful women of colour, including Lauryn Hill and Serena Williams, it’s the perfect ode to the power of being female and the power felt when women unite. So, this Galentine’s Day, I’ll leave you with the Lizzo’s words of wisdom: “If you fight like a girl, cry like a girl, do your thing, run the whole damn world”. An ultimate feel-good anthem for women everywhere. (ML)

Aretha Franklin & Annie Lennox – ‘Sisters Are Doin’ It For Themselves’
It it even a Galentine’s playlist if this absolute classic isn’t on it? These two talented women coming together to sing about equality and independence never fails to make me feel good. It may have been released in 1985, but the lyrics are just as relevant today. (KC)

Sheryl Crow – ‘All I Wanna Do’
Having just celebrated her 60th birthday, Sheryl Crow has been a hero of mine from a young age. With her perfectly catchy anthems, she’s been my go-to uplifting soundtrack over the years. This song reminds me of dancing around the kitchen with my oldest friend during carefree times, and it still makes me wiggle and sing-a-long on each listen, over 20 years later. (ML)

Girl Ray – ‘Friend Like That’
An ode to friendship, ‘Friend Like That’ flows with the trio’s colourful energy, creating a dreamily uplifting offering. Of the track, the band explain: “This is a friendship anthem. Reminds us of a really smashing high five with great contact. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” (ML)

Fightmilk – ‘Overbite’
As the raw emotion and distinctive smooth-yet-husky charm of front-person Lily’s vocals deliver a heartwarming sentiment (“You don’t have to smile if you don’t want to darling, you’re perfect as you are”) alongside scuzzed-out riffs and an infectious, shimmering energy, Fightmilk have created the perfect, alternative fuzzy love-song. A totally joyous ode to your best pal or lover, or both, it offers another slice of blissful power-pop from one of my favourite bands. Fightmilk headline for us at The Shacklewell Arms on 25th March and we can’t wait! Tickets on DICE. (ML)

BAXTR – ‘Grace On Fire’
Reflecting on the feelings of helplessness that come with seeing someone you love suffer, ‘Grace On Fire’ is a sweeping slice of alt-pop. Propelled by an uplifting energy, it’s a wonderfully anthemic ode to looking out for your friends – as singer Floss expands: “These days, I try not to overlook those simple yet precious 3 words that did so much to help douse my own flames… ‘are you ok?’” BAXTR were due to play their first ever gig for us on 24th February, but have sadly had to pull out as one of them is currently recovering from surgery – we’re sending them all loads of love and Galentine’s wishes, and look forward to them playing for us later in the year! (ML)

Carole King – ‘You’ve Got A Friend’
Carole King’s Tapestry continues to be one of my most favourite albums. It’s my mum’s favourite too, and I have many memories of singing along with this uplifting message of unity and platonic love with her over the years, both reaching for the tissues when we saw it live in the musical, Beautiful. So, this heartfelt anthem goes out to her, my all time favourite gal, who inspires me every day. (ML)

Jackie Shane – ‘Any Other Way’
I know I’m guilty of adding this tune to multiple GIHE Playlists, but it’s so good I can’t help it! Jackie Shane’s wonderfully smooth vocals, sophisticated style and defiance in the face of transphobia in the early ’60s make her a true GIHE icon. Whenever I hear this song, I think of using it as an opening track to many a GIHE radio show, sitting next to Tash & Mari in the studio, chatting about our favourite music on air (and laughing at my penchant for sad girl bangerz off air too.) This tune is dedicated to them both and to all of our followers who keep GIHE going. We wouldn’t have it any other way. Big love. xxx (KC)

Introducing Interview: BITCH

With her epic new album, Bitchcraft, released today via legendary label Kill Rock Stars, queer electro-pop artist Bitch prides herself on being “like Joni Mitchell set to a click track… It’s neon pink, in your face, ready to hex you with its brilliance.” Having shared stages with the likes of Ani DiFranco and Indigo Girls, Bitch has now moved from the hustle and bustle of New York City to a log cabin in the woods, where she’s found time to properly delve into her art and write the songs for the new album.

Fusing together a driving, gritty energy and sizzling synths, alongside soulful, emotion-strewn vocals, we’re huge fans of the empowering sounds of Bitch and the poignant messages reflected in her writing. So, we caught up with her to find out more about the album, what inspires her, her thoughts on the music industry today and what’s next for Bitch…

Hi Bitch! Welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hi!  Thank you so much!  I’m a violinist, singer, poet and popstress. I love to wear wild clothes and express myself visually as well as sonically.  

Are you able to tell us a bit about how you initially started creating music?
I grew up tap dancing since I was three (my Mom ran a tap dancing school in our basement). I saw the violin on Sesame Street when I was four and begged my parents for one, and have played ever since. I was a very shy kid, but looked up to very wild and performative artists, like Prince and Cyndi Lauper. I started writing poetry at age eleven, and at some point my musical world collided with my lyrical world and I started writing my own songs. 

I love the fizzing electro-punk energy of your tracks, but who would you say are your main musical influences? 
Thank you!  For this album, I would say early Sinead O’Connor, early Cyndi Lauper, Peaches, and Imogen Heap. 

Your wonderfully titled album Bitchcraft is out today! Are you able to tell us a bit about it? Are there any particular themes running throughout the album?
I’m super excited about Bitchcraft and can’t believe it took me nine albums to find an album title that is so PERFECT! Bitchcraft definitely has themes of climate change, being a woman in this male-dominated world, and good old-fashioned heartbreak. 

Do you have a favourite track on the album? And if so, why?
Lately, my favourite track is ‘Pages’. I think it’s because I re-wrote it, after I chose it for the album. I really crafted it – I pushed myself to a new place on a writing level and I still get excited when I hear it. 

How have you found recording and promoting an album during these strange times?
A lot of work, and also very joyous.  I feel like a lot of us realized during the pandemic how much we need art. So I have felt the process of it has been very celebrated by my friends, family and fans in a way that I have not felt before. 

How do you feel the industry is for new artists at the moment? And, as a queer artist, do you feel much has changed over the last few years in its treatment of female and LGBTQIA+ artists?
I can’t imagine being a new artist now, in the days of streaming and social media. I feel so lucky that I had the life experience of being a road dog, gaining fans by coming through their towns and giving them a good show. I do think things have changed for queerness in music lately. I have always been an out musician, but it feels way more accepted and normalized now and, dare I say, even sometimes an advantage? I still feel like women in music are subject to a TONNE of misogyny, within the gay community too, and it feels like there is still so much work to be done in giving women the spotlight, the mic, more women on lineups, etc. If I had a nickel for queer events that have NO women on the line-up I’d be as rich as Oprah. 

As we’re a new music focused site, are there any other upcoming artists or bands you’re loving right now that you’d recommend we check out?
I love my label mate Logan Lynn’s new album! Also: Be Steadwell, Shaylee, Tubafresh, Ry Lucia, Gustaf.  

In addition to the album release, what does the rest of the year have in store for Bitch?
I will be touring all year, have written a one-woman show of sorts. And will hopefully be planning a trip to the UK – my family is there and I love touring there!!

Bitchcraft, the new album from Bitch, is out now via Kill Rock Stars.

Photo Credit: Dana Lynn Pleasant 

PLAYLIST: January 2022

New year, new playlist! The Get In Her Ears team have put together an eclectic mix of indie anthems, guitar tunes, alt-pop tracks & immersive electronic sounds for your listening pleasure. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Ronnie Spector – ‘She Talks To Rainbows’
Hearing news of Ronnie Spector’s passing last week hit hard. A truly innovative musical icon, she inspired generations of women in music, whilst The Ronnettes were one of the first ‘girl groups’ to receive worldwide acclaim. Sadly also famous for being a survivor of serious physical and psychological abuse from her husband of six years, producer Phil Spector, I think it’s important we remember Ronnie for the incredible musical gifts she’s left us with. I just love the sparkling, soulful splendour and whimsical grace of this lesser known beauty, ‘She Talks To Rainbows’. (Mari Lane)

Girl Ray – ‘Murder on the Dance Floor’
Girl Ray’s cover of this 2001 classic by Sophie Ellis-Bextor… Need. I. Say. More. (Tash Walker)

Bas Jan – ‘Sex Cult’
The latest single from London experimental collective Bas Jan (founded by Serafina Steer and featuring members of Jenny Moore’s Mystic Business and Jarv Is), ‘Sex Cult’ offers a glistening cacophony propelled by a quirky energy and captivating allure. Reflecting on society’s attitude towards polygamy, it radiates a celestial joy as crystalline voices come together in unity to create something quite euphoric. Baby You Know, the new album from Bas Jan, is out 28th January via Lost Map Records. (ML)

ML Buch – ‘I’m a Girl You can Hold IRL’
This song is taken from Danish electro-pop musician ML Buch’s album Skinned which came out in 2020, but I spent a lot of the winter break listening to it so thought I’d share it with you all in 2022. I love its futuristic techno electro tones and all the FEELINGS. (TW)

SEA CHANGE – ‘Is There Anybody There’
Created during a time of intense loneliness during the middle of lockdown, this atmospheric offering from Norwegian producer Sea Change gives me goosebumps. Blossoming from a place of empathy, it’s one of many evocative tunes that feature on her upcoming album, Mutual Dreaming, which is set for release on 11th February via Shapes Recordings. (Kate Crudgington)

Brimheim – ‘This Week’s Laundry’
A stirring, intricately observed guitar tune about trying to cultivate a “normal” routine during a time of deep vulnerability, I love this single from Danish alt-pop artist Brimheim. Taken from her upcoming album, can’t hate myself into a different shape, which is set for release on 28th January via W.A.S Entertainment, the track flows with her tender vocals and confessional lyrics, which chime with relatable melancholy. I had the pleasure of interviewing Brimheim about her new record and her love for Queen Avril Lavigne earlier this month. Read our chat here. (KC)

Midwife – ‘2020’
This is a gloomy (but great) track about the year we’d all rather forget: 2020. Taken from Midwife aka Madeline Johnston’s third album Luminol, which was written & produced during quarantine last year, ‘2020’ is her cover of The Offspring’s 1997 track ‘Gone Away’, which I didn’t know until the person who recommended Midwife to me sent me a link to the original song. I know she’s been around a while, but I’m newly obsessed with this track & her album.  (KC)

Wu-Lu – ‘Times’
My new obsession, I recently came across South London multi-instrumentalist and producer Wu-Lu courtesy of Mary-Anne Hobbs on BBC 6Music. Creating a wonderfully eclectic smorgasbord of immense sounds, I just love how Wu-Lu manages to fuse together dark, Deftones-esque punk with a gritty, hip-hop inspired edge. I cannot stop listening to this track right now, which features drums by Black Midi’s Morgan Simpson. (ML)

Pearly – ‘Silver Behind The Mirror’
An agitated, sultry dose of cinematic heavy rock, I’m a big fan of this single by Ohio-based trio Pearly. Taken from their upcoming album Silver of The Mirror, which is set for release on 11th February via Eto Ano Recordings, the track is a smouldering slice of “stoner rock” that heaves with heady desire. (KC)

SASAMI – ‘Say It’
This industrial-tinged “rage dance anthem” from SASAMI is 100% a bit of me. Taken from her upcoming album Squeeze, which is set for release on 25th February via Domino, SASAMI explains: “I feel like when I hear this song I see a hot femme with a mystical flamethrower engulfed in emotional blue flames throwing elbows alone in an industrial dance club in outer space.” Mate, same. (KC)

HALINA RICE – ‘Sunken Suns’
What do I love more than dreamy songs full of feelings? The answer is obscure electronica! My latest listen comes from London-based artist Halina Rice, as part of a new project where she is embarking on creating new worlds in her music. Of this track Halina explains, “I wanted to create something dark and strange and emotive. The track emerged after days spent generating sounds through synths and noise generators. I put a mass of effects on the sampled vocals and they seemed to develop a life of their own – like a half-heard transmission from another world.” LOVE IT. (TW)

Gemini Aaliyah – ‘Moonrise’
Leeds-based artist Gemini Aaliyah says her single ‘Moonrise’ is the beginning of her “fucked up fairy tale where the ghetto meets the goth girl,” and that’s something I’d like to openly support. She channels her angst through yearning vocals and brooding beats, finding solace in the idea of re-birth and reinvention through her lyrics. Gemini Aaliyah will be playing at Drown U Out Festival at Leeds University Union on 19th February, alongside two of my other favourites Ho99o9 and Bob Vylan. (KC)

Queen Cult – ‘Calm’
Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger’ and support for their resonant latest single ‘A Song About Consent’, Queen Cult’s latest single ‘Calm’ flows with luscious, heartfelt vocals before building to a sweeping, fiercely impassioned proclamation to stand up to the patriarchy. Once again showcasing the Cheshire band’s knack for creating epic pop-rock anthems with a poignant sense of intent, ‘Calm’ cements Queen Cult’s place as definite ones to watch in 2022. The debut EP from Queen Cult is set for release on 28th January. (ML)

Peaness – ‘How I’m Feeling’
Having just announced the release of their debut album, Chester trio Peaness have shared a new taster of what’s to come from the LP. Propelled by uplifting, jangling hooks, latest single ‘How I’m Feeling’ reflects on the feelings of self-loathing and melancholy that can come from being stuck in an unfulfilling job and offers a glistening sense of hope that, with a bit of determination, you can make a positive change. I just can’t get enough of Peaness’ glossy, honey-sweet sounds and sunny, playful energy. World Full Of Worry, the debut album from Peaness, is set for release on 6th May. (ML)

SPRINTS – ‘Little Fix’
Another absolute banger from Dublin four-piece Sprints. Taken from their upcoming EP A Modern Job, which is set for release on 11th March via Nice Swan Records, ‘Little Fix’ is full of powerhouse vocals, crashing drums and racing riffs. The track is inspired by vocalist Karla Chubb’s experience of imposter syndrome, as she explains: “plagued by insecurities, imposter syndrome and gender stereotypes, ‘Little Fix’ is the culmination of all my fears – the, sometimes self-applied pressure that as a woman in music, I can’t just be good, I have to be great.” Even with these anxieties, Karla and her bandmates have created a candid, intensely cathartic offering with this track. (KC)

Worse Off – ‘You Belong Here’
I love this track by excellently named New York pop punk duo Worse Off. They sent me their EP You Win Some, You Lose…A Lot, in December last year and I was headbanging away to their tunes at my desk. Definitely check them out, their EP is up on bandcamp and Spotify. (KC)

Tits Up – ‘Macho Bullshit’
Having released their debut EP Greatest Tits, at the beginning of the month, Liverpool band Tits Up are ready to blast into your lives with their immense riot grrrl inspired energy and unapologetic honesty raging against the patriarchal society in which we live. Fuelled by a frenzied punk spirit, ‘Macho Bullshit’ hits you with its riotous, angst-driven force, offering an empowering statement of intent. (ML)

Bitch – ‘You’re The Man’
Set to release her debut album next month, queer electro-pop artist Bitch prides herself on being “like Joni Mitchell set to a click track… It’s neon pink, in your face, ready to hex you with its brilliance.” Latest single ‘You’re The Man’ exudes a driving, gritty energy as sizzling synths race alongside dense drum-machine beats, creating an empowering reflection on letting go of negative forces and reclaiming your inner voice. Bitch’s perfectly named debut album Bitchcraft is set for release on 4th February via legendary label Kill Rock Stars. (ML)

Combo Chimbita – ‘Yo Me Lo Merezco’
The title of this warm, joyful track from New York-based Latinx quartet Combo Chimbita roughly translates as “I deserve it”. The track and accompanying video are a celebration of self-love, spot-lighting prominent queer and trans performance artists, including Teresa Karolina who stars in the visuals. ‘Yo Me Lo Merezco’ is taken from Combo Chimbita’s upcoming album, IRE, which is set for release on 28th January via ANTI. (KC)

Flamango Bay – ‘LA’
The latest single from San Francisco trio Flamango Bay, ‘LA’ reflects on the band’s recent move to the city. Propelled by sunny, jangling melodies, it’s a dreamy slice of indie-pop that glistens with an irresistible, effervescent charm. The Fool, the upcoming debut EP from Flamango Bay, is set for release on 13th May via 0800-Moshi-Moshi. (ML)

Babeheaven – ‘Don’t Wake Me
This band never disappoint. ‘Don’t Wake Me’ is Babeheaven’s latest gently soothing release. Just lovely. (TW)

KEYAH/BLU – ‘Til Bliss’
This is the latest single by South London rapper KEYAH/BLU who I would encourage you all to go and check out if you aren’t familiar with already. (TW)

Skylu – ‘Foreign Concept’
A tune for the stolen hours, this is the debut single from Skylu, whose voice you may recognise from Bamboo Smoke. (TW)

Lucy Barton – ‘Starlight’
The latest single from singer-songwriter Lucy Barton, ‘Starlight’ offers a sparkling reflection on gaining awareness of our self-crippling subconscious thoughts. With a subtle immersive power, the track speaks of breaking free from this internal narration, allowing us to discover the beauty that exists in life. I’m a big fan of Barton’s soaring, glitchy musicality and emotion-strewn honey-sweet vocals, and can’t wait to hear more from her. (ML)

Carmel Smickersgill – ‘Questioning’
The latest single from modern classical artist Carmel Smickersgill, ‘Questioning’ offers a truly captivating and uniquely intriguing soundscape. Mentored by acclaimed musician Anna Meredith, Smickersgill prides herself on creating immersive ‘outsider pop’, and I just love this track’s whirring grace and celestial, ethereal energy, reminiscent of GIHE fave Jenny Hval. Smickersgill is releasing her debut EP in April. (ML)

Novaa – ‘You Can F With Me’
‘You Can F With Me’ by Berlin based alt-pop singer-songwriter Novaa is taken from her forthcoming album due in early 2022. This is a song about the things that people asked and told her as a victim of sexual abuse and rape. Love and solidarity to anyone who relates to that track and remember that the best thing you can ever do for anyone who has been a victim, is to listen, be kind and give them space and support to heal. (TW)

Zannie – ‘Mechanical Bull’
This is the latest single from New York-based songwriter Zannie, who’s recently signed to iconic riot grrrl label Kill Rock Stars. They remind me a little bit of Phoebe Bridgers on this track and I’m excited to hear more from them this year. (KC)