ALBUM: Bearcats – ‘No Friends’

Californian duo Bearcats have just released No Friends, their debut album of bass n drum sounds reflecting the ferociousness of their feminism and friendship in eight blistering tracks. It follows a couple of EP releases, split between US label Lost State and Frux Tapes in the UK, hearing them hone their sound and become a brilliant transatlantic addition to the growing movement of female-led punk-pop.

The album opens with ‘Sorry’, with hazy vocals over the sharp beat and warmly blended bass, the verse juxtaposes with the raw and over-lapped half-screamed half-shouted vocals of the breakneck chorus. This is a song weaving along the line of vulnerability and violence, circle pits to either side jostling the track between one state and the other.

The fuzzy loud-quiet dynamic, and layered vocals as opposed to harmonies, play throughout the album building a sound that comes across for the most part as being much bigger than a two-piece and nodding to others creating a full sound with a small line-up – the likes of Skinny Girl Diet, You Want Fox and Deap Vally.

Bearcats do bring in sparser moments across the record, gloriously so on ‘Okay’ where a simple drum line lets the bass hum through your veins, as the drawled vocal gives you the tough love of solidarity – “Its hard to be a girl today, and its all okay” – as the melody blooms and backing vocals kick in and burn through you. A contender not just for album highlight, but as one of the tracks of the year too.


‘Sunday Boyfriend’
brings in the conversational-style call and response dance-floor bounce of The Shangri-Las and, as elsewhere, many of the lyrics reflect feminism, toxic masculinity and misogyny, as well as the phenomenal friendship at the heart of the band.

Mean Girls meets The Craft in ‘Girlcult’ as conforming for acceptance, and the rituals of female relationships bubble over surf punk rhythms. As “light as a feather, stiff as a board” is sung with increasing urgency, reflecting how thin the line between invite and threat can sometimes be, it implicitly brings to the fore the competition women are in with each other through the constructs around us.

The album closes with the deep buzz of the bass and the clashing of percussion of ‘Take Yr Time’, with more mixed vocals and loud-quiet fast-slow interplay. This track – and indeed the album – find strength in not being held together too tightly, nor too polished.

These songs have an urgency and immediacy about them which make for a self-assured debut of scuzzy garage pop bursting with the ethos of Riot Grrrl. If youve been digging Dream Wife, Skating Polly, Gurr or Dream Nails then Bearcats are a band you need to add to your playlist.

Bearcats’ No Friends is out now via Lost State Records and available now for download from Bandcamp.

Sarah Lay 
@sarahlay

PLAYLIST: November 2017

Us Get In Her Ears girls have put our broomsticks back in our cupboards and cleared away October’s cobwebs in order to share some brand spanking new music with you this November. Check out the Spotify playlist below, and have a nose at the stuff we just can’t get out of our ears this month…

Fever High – ‘Good Advice’
Oozing an uplifting wit and sparkling, infectious melodies, this latest offering from Brooklyn’s Fever High will undoubtedly put a smile on your face. Featuring the unmistakable voice of non other than Jeff Goldblum spouting hilarious anecdotes about the bad advice he’s been given throughout his career, it’s a delightfully fizzy blast of electro pop. ‘Good Advice’ is taken from the band’s upcoming EP FHNY, out on 10th November(Mari Lane)

Wy – ‘You + I’
The slow steady melancholia of this track drew me in, with lead singer Ebba’s alto rising up over the reverb-drenched guitars, it had me feeling all sad and wistful. (Tash Walker)

REWS – ‘Your Tears’
Shauna & Collette consistently dazzle me with the power of their fierce and defiant pop-rock tune, and ‘Your Tears’ is no exception. The pair co-wrote this anthem which refuses to acknowledge the ‘boy who cried’ wolf’ and it features on their debut album Pyro, released this Friday (Nov 3rd) via Marshall Records. (Kate Crudgington)

Miya Folick – ‘Give It To Me’
Since first hearing this track, I’ve been completely head over heels with this California artist who explains that she makes music “because forming thoughts into sounds blends emotional and rational thought in a way that turns me on.” I just love this song’s emotion-strewn power – how it builds in intensity and just totally captivates with its raw urgency and utterly beautiful, heart-wrenching passion. (Mari Lane)

Kllo – ‘Dissolve’
Just as the title implies this track gives you a big does of escapism, through its electronic sound scape and samples, with a gentle nod to UK garage.  **Bows head in appreciation** (Tash Walker)

Nova Twins – ‘Thelma & Louise’
I’m like a moth to a flame when it comes to defiant duos, and Nova Twins’ latest track ‘Thelma & Louise’ proves that double trouble is the best kind of trouble. Their devious bass lines and punk vocals will shake your bones, so make sure you grab a ticket to their headline show at Camden Assembly on November 30th. (Kate Crudgington)

Kid Cupid – ‘Easy’
Having already received support from the likes of BBC Introducing and Amazing Radio, GIHE favourite Kid Cupid are back with a brand new single. Oozing euphoric layers of sound alongside Laura Shaw’s soulful vocals, ‘Easy’ is a truly blissful slice of electro-pop; a dreamy sonic delight. (Mari Lane)

Just Because – ‘All I Knew’
As I listen to this track I feel my whole body relax and dissolve into the beautiful samples, spacey vocals and slow gentle beats….just perfect, Just Because. (Tash Walker)

Pale Honey – ‘Get These Things Out of My Head’
If you blend the vocals of Wolf Alice’s Ellie Rowsell and the Cardigans’ Nina Persson with clear electronics and hazy guitar riffs; you’ll end up with the sound of Gothenburg duo Pale Honey. They released their second album Devotion in October, and it’s a cool, understated, but intense new offering from the pair. Catch them live at Old Blue Last on November 7th. (Kate Crudgington)

King Henry (feat Rhye) – ‘Moment’
I absolutely love this, with the beautiful genderless vocals of Rhye, King Henry has released Moment off of his upcoming EP.  Perfectly nostalgic in its melting beauty. (Tash Walker)

Witch Fever – ‘Carpet Asphyxiation’
I’m a big fan of this Manchester based grunge-punk band. Describing themselves as “making noise with our big muffs”, this track oozes a raw, frenzied cacophony and raucous hooks, as the fist-clenching power of the wonderfully shrieking vocals makes for essential, riotous listening. (Mari Lane)

Queen Zee & The Sasstones – ‘Boy’
All I want to do is lay in a bath tub full of red wine and listen to Queen Zee & The Sasstones on repeat – watch the video to ‘Boy’ and that sentence will make sense. Download their latest EP, Eat My Sass, while you’re at it too. (Kate Crudgington)

Maya Songbird – ‘Regal Slut’
I was lucky enough to catch the San Francisco artist supporting Dream Nails at their EP launch last week, and it was one of the most wonderfully joyous, vibrant experiences. Creating her unique, ambient fusion of sounds whilst soulfully singing of sex, love and living regally during tough times, she is truly one of a kind. And, as we all joined in with the refrain of “Slut, Slut, Slut” to this one on Friday night, the room filled with all the empowering, positive vibes. (Mari Lane)

Yangze – ‘U & Me’
The debut single from Danish Yangze, I just love the way this track gently pads out of the speakers, pacing round and round you with its restrained electronic beats. (Tash Walker)

Jackie Shane – ‘Any Other Way’
A “pioneer of transgender rights born in a male body”, Jackie Shane has remained largely unknown outside of Toronto, where her career flourished in the 1960s. However, with Numero Group’s reissue of Any Other Way – the first approved collection of Ms. Shane’s work which features all six of her 45s & highlights from her 1967 live sessions at the Sapphire Tavern – I think that’s about to change. (Kate Crudgington)

Track Of The Day: Cindy Wilson – ‘Mystic’

Cindy Wilson is best known for her work as a founding member of the new wave band B-52s, but by the time you’ve wrapped your ears around her synth-soaked new single ‘Mystic’, you’ll be left wondering “the B-fifty-whos?” The track is taken from her upcoming solo album Change, due to be released on the 1st December via iconic label Kill Rock Stars.

The record is a confident, ambitious effort from the songwriter, who embarked on this new recording journey back in Athens, GA. almost a decade ago. Change is “as bold as anything in Wilson’s ground-breaking four decade canon”, spanning genres such as future pop, disco drama, American standards, electronica and more, which demonstrate her own “distinctive creative vision”.

Listen to ‘Mystic’ below and follow Cindy on Facebook for more updates.

Kate Crudgington
@KCBobCut

WATCH: Slowcoaches – ‘Complex’

Whilst it’s normal to agonise about the harassment and adversity that female musicians face in the industry, it’s even more important to organise and shout back against the injustice of it all – and that’s exactly what Slowcoaches bassist & vocalist Heather Perkins does on brand new single ‘Complex’.

Perkins has some insightful, valid  observations about the new track and we thought they were worth sharing in full below:

“The music industry really feeds toxic masculinity by putting male artists on a pedestal. ‘Complex’ is a response to the sexual assault allegations against artists that were in the press at the time I wrote it. There’s still a really dirty side to the industry – particularly with the encouragement and portrayal of male artists in rock music to god-like status. All too often, the system is adhering to an archaic, misogynistic interpretation of ‘punk’ that makes guys think they’re invincible, that they have an authority over women’s bodies.”

“It sweeps the artists up, way out of their depth and then there’s no one there to support them in dealing with this stuff in the right way when they eventually get called out. We came up with the concept of the video when we were talking about this – the idea of a split self – that there are parts of the personality that are always hidden from view. Pulling the curtain away, kind of peeling back those layers – the bright light exposing all the grubby stuff underneath.”

The single will be available this side of the new year on screen-printed 7” vinyl, backed by a cover of Fang’s ‘The Money Will Roll Right In’. The band are touring the UK over the next month, so check which date you can go to below, and learn the lyrics to ‘Complex’ in the meantime. Follow the band on Facebook for more updates.

Slowcoaches Oct/Nov 2017 Headline Tour:
18/10/2017 – UK, Liverpool – Shipping Forecast
19/10/2017 – UK, Manchester – Soup Kitchen
20/10/2017 – UK, Sheffield – The Rocking Chair
21/10/2017 – UK, Leeds – Lending Room
23/10/2017 – UK, Newcastle – Think Tank Underground
24/10/2017 – UK, Glasgow – Broadcast
25/10/2017 – UK, Nottingham – Bodega
27/10/2017 – UK, Cardiff – Clwb Ifor Bach Downstairs
28/10/2017 – UK, Exeter – Cavern – Indie Club
30/10/2017 – UK, Bristol – The Louisiana
31/10/2017 – UK, Oxford – Cellar
01/11/2017 – UK, Brighton – The Joker
02/11/2017 – UK, London – Boston Music Room

Kate Crudgington
@KCBobCut