PLAYLIST: August 2022

The Get In Her Ears team have put together another eclectic mix of electronic sounds, guitar anthems and indie tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Halina Rice – ‘Helix’
What do I love more than dreamy songs full of feelings? Obscure electronica! This track is a big slice of it. It comes from London-based artist Halina Rice, who has announced a new album, Elision, which is set for release on 30th September. This track ‘Helix’ fuses natural and analog sounds together in order to evoke a place that don’t exist – a parallel world. LOVE IT. (Tash Walker)

Nameless Twin – ‘My Eyes Went Black’
I’m obsessed with this debut single from industrial/electronic duo Nameless Twin, aka Alicia Rei Kim and Ryan Osterman. It’s shadowy, heavy, but delicate in places too. Osterman is also in a band called Holy Fawn, who I’m going to see live at the end of September. ‘My Eyes Went Black’ is available to download for free on bandcamp now. (Kate Crudgington)

Obli – ‘Hei’
This is my absolute favourite song at the moment, no words will do it justice! Just please kick back and bathe in its beauty. (TW)

Connie Constance – ‘Till The World’s Awake’
An indie-dance track of her dreams, I feel ya Connie! This is taken from her new album, Miss Power, which is due on 4th November. ‘English Rose’ has still got to be one of my fave songs of 2019. (TW)

adults – ‘things we achieve’
Having charmed us playing live at our sold gig at Sebright Arms last month celebrating/comiserating Charmpit’s last ever London show, South London band adults are fast becoming firm favourites. With this latest single, they reflect on the pressures of living in a capitalist society with their trademark irresistibly blissful, catchy musicality and fuzzy, frenetic drive, with shades of the joyous, danceable allure of Los Campesinos. for everything, always, the upcoming debut album from adults is out in October via Fika Recordings. (Mari Lane)

Big Joanie – ‘In My Arms’
Is it even a GIHE playlist if we don’t include a Big Joanie track? This is the latest single from the trio, taken from their upcoming second album, Back Home, which is set for release on 4th November via Daydream Library Series/Kill Rock Stars. I can’t wait to hear the record in full. (KC)

BRUTUS – ‘Liar’
The latest single from Belgian heavy trio Brutus. Taken from their upcoming third album Unison Life, which is set for release on 21st October via Hassle Records/Sargent House, ‘Liar’ is a heavy lament that criticises the lies we tell ourselves in order to keep a false sense of calm. I’ve been stomping around to this all month. (KC)

Scrounge – ‘HIT’
GIHE favourites Scrounge are back with this belter of a new single, taken from their upcoming debut mini album Sugar, Daddy, which is set for release on 9th September. We’re big fans of everything that Lucy & Luke create and I reckon Mari would book them for every GIHE gig if she could, but you can catch them playing live in East London at Dream Bags Jaguar Shoes on 7th September. Pre-order their upcoming album here. (KC)

The Dead Zoo – ‘Do Clean / Do Dirrrty’
London garage-rockers The Dead Zoo have returned with this gritty new single. Speaking about the track, the band explain: “it’s about seeking that unknown place where you can find yourself…this paints a visceral sense of hitting the road, living outside of the law.” (KC)

Deux Furieuses – ‘Know The Score’
The poignant new single from GIHE faves Deux Furieuses, ‘Know The Score’ is an immense, raging anthem confronting society’s failure to properly protect women and marginalised genders from violence. Challenging the patriarchy from the off, the track hits you with its potent, riotous energy and fierce, colossal musicality as the all-too-resonant refrain “say her name” echoes with eerie timelessness. (ML)

Electric Pets – ‘That Way’
The latest single from Electric Pets, ‘That Way’ is a perfectly scuzzy anthem of self love; a two fingers up to society’s expectations of what we should be. Showcasing Emma Buckley’s raw, impassioned vocals, it builds with a fierce emotion to a catchy slice of garage-infused rock. (ML)

Miss Kill – ‘All You Gotta Do’
The latest single from alternative duo Miss Kill, taken from their debut EP Don’t Tell Me Twice, which is set for release on September 16th via AWAL. Described as a song about “feeling completely intoxicated, vulnerable and needing someone to to care, but they are refusing to,” ‘All You Gotta Do’ is full of bittersweet vocals and heavy reverb, reflecting the clouded head space that inspired it. (KC)

A.A. Williams – ‘Golden’
Another superb single from multi-instrumentalist A.A. Williams here. Taken from her upcoming second album, As The Moon Rests, which is set for release on 7th October via Bella Union, ‘Golden’ is full of her haunting vocals and shadowy sounds. (KC)

Beckie Margaret – ‘Untitled’
I am in love with Essex songwriter Beckie Margaret’s recent EP, CIAGA, Vol. 1. Released via Cool Thing Records, it’s an intuitive, tender collection of songs that genuinely had me in tears when I was writing the review. Beckie’s voice and affecting lyrics dismantle me every time. Please, please do check her out. This track ‘Untitled’ is my favourite. (KC)

Victoria Canal – ‘Swan Song’
The latest release from Victoria Canal, a Munich born, Spanish American who is proud of her identity as a queer, disabled, mixed-heritage woman. ‘Swan Song’ is a haunting and personal piano ballad, taken from her upcoming EP Elegy, which is set for release on 16th September via Parlophone Records. Enjoy. (TW)

Gemma Laurence – ‘Lavender’
The latest single from Brooklyn-based “Sapphic folk” artist Gemma Laurence, ‘Lavender’ is an empowering anthem for the queer community. Flowing with lilting melodies and heartfelt lyrics, it showcases the raw emotion Laurence’s vocals with a stirring, shimmering grace. Lavender, the new album from Gemma Laurence, is out on 4th November via Better Company Records. (ML)

Ailbhe Reddy – ‘Shoulder Blades’
Previous guest on our Soho Radio show Ailbhe Reddy has shared this poignant new single. Her skill for capturing a moment – in this case the unique way the light defines her partner’s body – makes listening to her music such a bittersweet pleasure. (KC)

Seraphina Simone – ‘Milk Teeth’
GIHE fave Seraphina Simone – who for the beady eyed among you, may have seen her singing backing vocals and being part of Self Esteem’s dance troupe over the last year or so. This track is taken from Seraphina’s recently released EP of the same name, and of course we are huge fans. Seraphina will be joining us in the Soho Radio studio for our October show! (TW)

Hypsoline – ‘Space Babe’
I’ve only recently been introduced to Brighton band Hypsoline, but I just can’t get enough of this track’s gritty hooks and swirling, electro-tinged energy – all delivered with an immersive, scuzzy allure. And I cannot wait for Hypsoline to play live for us, supporting Currls at their London EP launch at The Shacklewell Arms on 1st December – get your tickets on DICE now! (ML)

Jadu Heart – ‘Cocoon’
The latest release from electronic duo Jadu Heart otherwise, known as Alex Headford and Diva Jeffrey. It’s been almost two years since they recorded their last record Hyper Romance. This latest single is dreamy stuff. (TW)

Jemima Coulter – ‘Dancing With Lara’
Having recently released their debut solo album, Grace After A Party, Bristol-based artist Jemima Coulter creates beautifully heartfelt folk-strewn offerings. I just love this track’s shimmering musicality and raw, heartfelt vocals; a stirring, emotion-rich dreamscape which reminds me of dancing with my wonderful flower person Lara at my wedding. (ML)

Wallis Bird – ‘I Lose Myself Completely’
Following the acclaim of 2019’s poignant Woman, Irish born/Berlin based artist Wallis Bird has now released her seventh studio album, Hands. Showcasing Bird’s unique, vibrant brand of alt-pop – combining fizzing ’80s-inspired blissful soundscapes with an empowering energy and stirring sentiment – it reflects heartfelt and resonant themes with a raw emotion, delivered through an uplifting, cinematic musicality. (ML)

Mega – ‘If Not My Heart’
Having received acclaim from the likes of BBC Radio 1, NME and The Independent, London-based artist Mega has recently released her new EP Colour Your World. Combining her influence of legends such as Amy Winehouse, Aretha Franklin and Nina Simone with inspiration from her Ugandan heritage, she creates instantly uplifting anthems oozing an exquisite heartfelt splendour. (ML)

Lande Hekt – ‘Backstreet Snow’
Though you may also know her from her band Muncie Girls, Lande Hekt’s debut solo album, Going To Hell, was one of my favourites of last year. Back with sparkling new single ‘Backstreet Snow’, she showcases her luscious vocals alongside perfectly jangly melodies and a heartfelt lyricism, creating stirring, emotion-strewn indie-folk. Lande Hekt’s second album, House Without A View, is set for release on 23rd September. (ML)

Sophie Jamieson – ‘Sink’
Sophie Jamieson, the new Bella Union signing who is set to release her album Choosing on 2nd December. ‘Sink’ is the lead single from the record, and Sophie is currently on tour across the UK check out her socials for those dates. (TW)

PLAYLIST: March 2022

The Get In Her Ears team have put together an eclectic mix of guitar tunes, post punk anthems, indie gems & immersive electronic sounds for your listening pleasure. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Charlotte Adigery x Bolis Pupul – ‘Ceci n’est pas un cliché’
‘Ceci n’est pas un cliche’ by Charlotte Adigery and Bolis Pupul, whose debut album Topical Dancer came out earlier this month. I had the absolute pleasure of interviewing Charlotte, where we talked about the new album, the therapeutic process of making music and the use of laughter to tackle complex topics and her lovely little baby Rocko also joined us for the chat. You can listen back to that interview on our latest Soho Radio show. (Tash Walker)

Julia-Sophie – ‘Dial Your Number’
The latest single from one of our favourites Julia-Sophie, whose new EP, it feels like thunder, has just dropped and it doesn’t disappoint. It comes as part of a trilogy of releases through Beat Palace Records, the new label set up by Anna Prior of Metronomy which has a heavy focus on championing women artists. Julia-Sophie will also be headlining our gig at The Shacklewell Arms on 1st June with support from Dewey and Maria Uzor. Grab your ticket via DICE here. (TW)

Ethel Cain – ‘Gibson Girl’
Since I heard her single ‘Crush’ last year, I have been compulsively listening to American songwriter Ethel Cain. Her heady, devastating tunes throw me off-kilter whenever I hear them and this track is no exception. Taken from her highly anticipated debut album, Preacher’s Daughter, which is set for release on 12th May, ‘Gibson Girl’ is a lustful, deeply provocative offering inspired by American model Evelyn Nesbit. Cain offers some more perspective on the track: “Being a woman is about never quite reaching a goal that someone else set for you. Under pressure to fit an impossible standard, I find myself daydreaming about what it would be like to be perfect in a way I can’t ever possibly achieve. I’ve always been in love with Evelyn Nesbit, the Gibson Girl, and thought she was the absolute pinnacle of feminine poise and grace. Whenever I start to lose myself and forget what I’m capable of, I just turn to her and she’s the greatest reminder.” (Kate Crudgington)

Ailsa Tully – ‘Salt Glaze’
The latest single from Welsh artist Ailsa Tully, ‘Salt Glaze’ offers a poignant reflection on the time that Tully and her partner spent in her late Grandmother’s house during the January lockdown last year. A truly immersive soundscape emanating a comforting warmth and exquisite captivating grace. You can watch the very cute video for ‘Salt Glaze’ here. (ML)

Tomberlin – ‘Tap’
I haven’t been able to stop listening to American songwriter Tomberlin since her single ‘Happy Accident‘ dropped into my inbox last month. Her poetic lyrics are so simple, yet they feel so profound and graceful when she sings them. This track is taken from her upcoming album, I Don’t Know Wo Needs To Hear This, set for release on 29th April via Saddle Creek, and it’s a beautiful musing on trying to disconnect from the digital world and focus on genuine human interaction – something we’ve all been craving since 2020. I think her opening line about over-using Instagram is superb: “Tap the heart until I hate myself / Hit the square, and rearrange myself / I don’t like it what it does to me / Never makes me want to laugh, or sing.” I can’t wait to hear Tomberlin’s songs live at St Matthias Church on 5th April. (KC)

Fears – ’16’
Transforming her ruminations on a troubled past relationship into an elegant, exquisitely raw offering, ’16’ is the latest release from Irish musician & producer Constance Keane aka Fears. Released via her own imprint TULLE, the track is a combination of meditative synth loops, tentative beats and the instrumentals of her late friend, classically trained cellist and trans rights activist Sophie Gwen Williams. These elements mesh together to create a truly soothing, magnetic soundscape. Accompanied by a beautiful video, shot & directed by Zoe Greenway – who performs alongside Keane in punk band M(h)aol – the visuals are a poignant tribute to Williams too. (KC)

Hannah Schneider – ‘Mirror Sphere’ (ML)
‘Mirror Sphere’ is the new single from Danish artist Hannah Schneider, who is also one half of GIHE faves AyOwA. Whilst more stripped back than we’ve come to expect from Ayowa, this solo venture maintains all the glistening majestic splendour and cinematic grace that we associate with Schneider, creating an enchanting hybrid of sounds. (ML)

Real Big Sky – ‘Long Lost’
A brooding, atmospheric musing on feelings of loneliness and isolation, Gothenburg four-piece Real Big Sky have shared their debut single ‘Long Lost’. Full of moody guitar sounds, shiver-inducing cymbal smashes and melancholic vocals, the track is a captivating slice of dark indie noise. I can’t wait to hear the band’s self-titled debut album, which is set for release on the 13th of May. (KC)

Scrounge – ‘This Summer’s Been Lethal’ (ML)
South London duo Lucy and Luke aka Scrounge have now announced the release of their upcoming debut album, and we couldn’t be more excited. Taken from the album, ‘This Summer’s Been Lethal’ builds with a bewitching tension and potent beats, creating a stark soundscape. Oozing the duo’s trademark deep stirring allure and dark, compelling energy, an added uptempo edge propels the track, inciting a small glimmer of hope in these uncertain times. A swirling, immersive wall of sound, here Scrounge have showcased how they are consistently honing their sound; adding innovative layers to create resonant, cathartic anthems for the present day. (ML)

Oceanator – ‘Stuck’
I’m a big fan of this new single from Brooklyn artist Oceantor, taken from her excellently titled new album, Nothing’s Ever Fine, set for release on 8th April via Big Scary Monsters. I love the charging rhythms and doomy riffs on ‘Stuck’, which as Oceanator explains, is “about that feeling of all your collective traumas, disappointments, and general sadness just accumulating over the years and weighing you down more and more.” (KC)

Francis Of Delirium – ‘The Fun House’
“This is a call to arms” sings Jana Bahrich aka Francis Of Delirium in the opening to this single, instantly commanding listeners with her grungy riffs and clear vocals. A reflection on the manic and disorientating mindset that’s been accepted as “the new normal” over the past two years, Bahrich’s track is a cathartic rush of angst that questions what’s “left to believe” in such an overwhelming world. (KC)

Horsegirl – ‘Anti-glory’
I love this playful, rumbling cacophony from Chicago post-punk outfit Horsegirl. Taken from their debut album, Versions of Modern Performance, which is set for release on 3rd June, the band – formed of best friends Penelope Lowenstein, Nora Cheng and Gigi Reece – wrote ‘Anti-Glory’ “almost by accident” whilst messing around with an old song during rehearsals. When speaking about the track, the band say: “As always, this song and album are for Chicago, our friends, our friend’s bands, everyone who can play the guitar, and everyone who can’t play the guitar.” I like that! (KC)

Proper. – ‘Huerta’
Happy album release day to Brooklyn trio Proper.! The band have shared their new album, The Great American Novel, which is a punk infused concept record about how black genius is routinely overlooked and ignored. On this track ‘Huerta’, lead vocalist Erik Garlington evaluates his thoughts about his Mexican heritage, offering listeners an insight into what it means to censor or ignore parts of yourself and the impact this can have on your own identity, as well as the wider perception of this identity in predominantly white spaces. “If these audiences are going to be a voyeur to the Black experience, I want them to hear this record and learn about our identity crises,” Garlington continues about the band’s new album. Proper.’s unfiltered approach on ‘Huerta’ and The Great American Novel is a cathartic and necessary antidote to this voyeurism. (KC)

Petrol Girls – ‘Baby I Had An Abortion’
Highlighting the truth that everyone should have access to an abortion, without shame, ‘Baby, I Had An Abortion‘ oozes a brutal, unapologetic honesty, propelled by the gritty, seething force of Ren Aldridge’s vocals. An immense, empowering statement reflecting on Aldridge’s own experiences of having an abortion in 2018, it offers a poignant ode to bodily autonomy. A raging cacophony fuelled by a riotous catharsis that emits both joy and anger. (ML)

Problem Patterns – ‘Y.A.W’
A powerful, necessary anthem for women and girls who have spoken out against violent misogyny only to be told they’re “just a bitch who can’t take a joke,” it was a privilege to premiere Belfast Punks Problem Patterns video for their poignant new single ‘Y.A.W’ earlier this month. An acronym for ‘Yes All Women’ – antagonising the social media excuse ‘Not All Men’ – the track seethes with a righteous fury, underscored by Ciara’s King’s buzzing basslines, Beverley Boal’s striking guitar riffs, Bethany Crooks’ thudding beats and Alanah Smith’s crystalline vocals. It’s a visceral rumination on the universal rage and despair that permeates our consciousness in the wake of public violence towards women, in particular, the misogynist killings of Sarah Everard and Aisling Murphy. Watch the video here. (KC)

LibraLibra – ‘Here’s To You Mr Robinson’ (ML)
GIHE faves LibraLibra today release their second EP, Modern Millenial. Taken from the EP, latest single ‘Here’s To You Mr Robinson’ offers a satirical FU to the UK Government and any other right wing cretins. Initially inspired by the Tommy Robinson milkshake-in-face incident, it’s driven by a frenzied electro-driven whirr as the impassioned vocal prowess of front-person Beth Cannon soars. Another colossal cacophony showcasing the immense genre-defying power of this band on the rise. (ML)

Projector – ‘Play Along’
A brooding exploration on “the cognitive dissonance that allows you to feel like you are god’s gift, whilst simultaneously feeling like a piece of shit,” I love this new track from Brighton trio Projector. Splicing the dual vocals of Edward Ensbury and Lucy Sheehan with angular riffs, restless rhythms and ominous synths, the track marks new sonic territory for the band and I’m looking forward to seeing what they do next. (KC)

Body Type – ‘Buoyancy’
A rousing, energetic slice of indie punk, this fun new single from Australian trio Body Type is taken from their debut album, Everything Is Dangerous But Nothing’s Surprising, which is set for release on 20th May 20th. Inspired by a text exchange between bandmates Annabel Blackman and Georgia Wilkinson, ‘Buoyancy’ lives up to its namesake and is all about “grappling with internal inconsistencies and moral ambiguities in an incoherent style.” The band also say it’s “a personal reminder that when certain things are rendered uncertain, those you love are an eternal rudder.” C.U.T.E. (KC)

Breakup Haircut – ‘Out Of My Way (I’m Not Getting On The Nightbus’) (ML)
Having wowed us live with their scuzzy, joyous punk-pop at our January gig at The Victoria, Breakup Haircut have now shared a jangly new offering, dedicated to those of us who may not be too fond of big social gatherings. ‘Get Out Of My Way (I’m Not Getting On The Nightbus)’ flows with a jangly, uplifting energy and snarly wit as the band’s colourful charisma shines through. Breakup Haircut are set to release their debut album on 15th July via Reckless Yes. (ML)

girlhouse – ‘paul blart mall cop’
An honest musing about her experience of living with depression, this is a tender but buoyant new offering from US bedroom-pop artist Lauren Luiz aka girlhouse. Through her confessional lyrics and catchy melodies, she explores what she calls “the ultimate dilemma as a person that has dealt with depression for the majority of their life – not wanting to live but not wanting to die.” Despite its heavy context, girlhouse delivers her observations with earnest and cathartic flair. (KC)

BEORMA – ‘Without You’
A bittersweet reflection on losing someone you love and as a result a part of yourself, Birmingham-based band Beorma have shared their latest single ‘Without You’. Mixing R&B and indie pop sensibilities with a smooth heartfelt vocal, the track is an unexpectedly upbeat listen, brimming with emotion and a melody that warmly rushes the senses. (KC)

Amaroun – ‘Brown Skin Beauty’
A poignant offering reflecting on a personal journey of building in confidence to having the freedom to feel comfortable in your own black queer skin, this latest single from GIHE fave Amaroun flows into the ears with a sweeping ethereal soundscape. As her soaring, luscious vocals ripple atop the shimmering musicality, a truly blissful offering oozing a sparkling majestic grace is created. Mars, the upcoming debut album from Amaroun, is set for release on 3rd June. (ML)

King Hannah – ‘All Being Fine’
Having just released their debut album, I’m Not Sorry, I Was Just Being Me, Liverpool duo King Hannah have been firm favourites here at GIHE for a while now. Latest single ‘All Being Fine’ flows with an eerily captivating energy alongside Merrick’s trademark rich, sultry vocals. Building with a dark, iridescent splendour, it oozes a gritty, spellbinding allure, showcasing King Hannah’s unique, majestic grace and exquisite ability to create soundscapes with a truly compelling ethereal power. (ML)

Jenny Hval – ‘Year of Love’
In the run up to seeing Jenny Hval in April, I’ve been filling my ears with the fruits of her latest album Classic Objects, including this song ‘Year of Love’. It’s such a gentle song with those distantly haunting vocals of Hval swooping over like melodic drones, bliss. (TW)

Pongo – ‘Doudou’
‘Doudou’ is the latest release from Angolan-Portuguese artist Pongo who has often been described as the new diva of kuduro – and for good reason! Since her debut, Pongo has never stopped renewing the heritage of this genre by feeding it with sounds from all over the world. Just like this one. (TW)

Track Of The Day: Scrounge – ‘This Summer’s Been Lethal’

Having continued to impress us over the last few years with both their breathtaking live energy and the unique, genre-bending sound of their recordings, South London duo Lucy and Luke – aka Scrounge – have now announced the release of their upcoming debut album, and we couldn’t be more excited. Having received acclaim from the likes of Radio X’s John Kennedy and BBC 6Music’s Steve LaMacq, they have recently shared the first taster from the album.

Flowing with a twang of rippling hooks alongside Lucy’s gritty, raw vocals, ‘This Summer’s Been Lethal‘ builds with a bewitching tension and potent beats, creating a stark, fizzing soundscape. Oozing the duo’s trademark deep stirring allure and dark, compelling energy, an added uptempo edge propels the track, inciting a small glimmer of hope in these uncertain times. A swirling, immersive wall of sound, here Scrounge have showcased how they are consistently honing their sound; adding innovative layers to create resonant, cathartic anthems for the present day.

Of the track, the band explain:

‘This Summer’s Been Lethal’ is a retrospective track rooted in uncertainty, desperation and disappointment despite all the excitement of summer… Recorded on the hottest day of the year, we wanted to make something dismal yet danceable. With its pulsing drum patterns and ringing guitars, this track reminds the listener to persevere through the pessimism.

Scrounge are heading to SXSW this month, and we could not be happier for them!

Mari Lane
@marimindles

PLAYLIST: February 2021

We’ve made it through the first two months of 2021! Despite the current lockdown here in the UK, the GIHE team have been busy unearthing more new music gems to help you get through these long and tedious days. We’ve put together an eclectic mix of alt-pop gems, atmospheric electronics and gritty guitar tunes on our February playlist.

Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post. Follow GIHE on Spotify to hear all of our previous playlists too.

 

Scrounge – ‘Leaking Drains’
The new single from South East London duo Lucy and Luke – aka Scrounge – ‘Leaking Drains’ offers a stark soundscape reflecting on the state of society at the moment. Propelled by Lucy’s raw, snarling vocals and slashing guitar alongside Luke’s immense, thrashing beats, it builds to a colossal cacophony before coming to a disconcerting, abrupt end – only adding to the stirring tension that has built up throughout. Oozing a ferocious power, the duo have created something that is striking both in its jarring potency and rage-driven force.
(Mari Lane)

HAVVK – ‘Home’
The first single to be shared from HAVVK’s upcoming new album, ‘Home’ is a stirring reflection on appreciating those closest to you. Propelled by a shimmering ethereal fuzz, the track showcases the soaring celestial majesty of front woman Julie’s vocals, as they float with an impassioned splendour over scuzzy hooks and a gritty, driving energy. Fusing together tinges of ’90s grunge-fuelled angst with twinkling shoegaze sensibilities and the band’s own unique poignant grace, it’s a truly captivating soundscape. (ML)

Softcult – ‘Another Bish’
Informed by their love of Bikini Kill and Smashing Pumpkins, alternative duo Softcult blend atmospheric guitars, energetic percussion and bittersweet vocals to create their hazy, antagonistic sounds. Formed of Ontario-based twin sisters Phoenix and Mercedes Arn Horn, this single ‘Another Bish’ was born from their desire to resist and relieve the pressures of existing in a patriarchal music industry. I had a lovely chat with the grrls over Zoom a few weeks ago which you can read here. (Kate Crudgington)

New Pagans – ‘Harbour’
A tenacious celebration of women’s strength and resilience throughout pregnancy and childbirth, New Pagans’ latest single ‘Harbour’ is based on the experiences of vocalist Lyndsey McDougall’s pregnancy with her own daughter. Full of the Belfast band’s trademark urgent riffs and catchy melodies, it’s an empowering examination of the fears and triumphs that accompany this unique time in a woman’s life. I can’t wait to hear New Pagans’ debut album, The Seed, The Vessel, The Roots and All, when it’s released on 19th March. (KC)

Grandmas House – ‘Always Happy’
A thumping post-punk anthem that seethes with sardonic wit, ‘Always Happy’ is the latest single from Bristol-based trio Grandmas House. Released via Brace Yourself Records, the track is a raucous juxtaposition of the confident image we project externally to others, when internally we often feel the complete opposite. (KC)

Pretty Happy – ‘Salami’
A wise-cracking anthem about the complexities of processed meat, ‘Salami’ is the new single from Cork art-punk trio Pretty Happy. Full of sarcastic lyrics, gutsy vocals and crashing percussion, the track is a ridiculously good off-kilter banger that rambles through the band’s many absurd thoughts and feelings about the pork-based snack. (KC)

Hadda Be – ‘Another Life’
Complete with a refreshed line-up and new name, Hadda Be (formerly Foundlings) bring their shimmering joy to latest single ‘Another Life’. Despite the track’s somewhat melancholic sentiment – “it covers me in worry, now that’s all I ever know” – it’s buoyed by an infectious jangling energy as scuzzy hooks whirr alongside frenetic beats and Amber’s rich vocals. An uplifting slice of indie-fuzz-pop that’ll leave you longing to dance along to its sparkling sounds live. (ML)

Lauren Auder – ‘Heathen’
“I think this may be my favourite song I’ve ever worked on,” explains London-based songwriter Lauren Auder about this track, and I can see why. ‘Heathen’ is actually my first introduction to her sound, but what an intro it is! It mixes everything I love about electronic music – yearning vocals, urgent beats, rapturous synths and guitar noises – it’s all here and it gives me goose bumps every time I listen. Definitely check out Auder’s new EP, 5 Songs For The Dysphoric, if you’re into this. (KC)

Tyler Holmes – ‘Nothing’
I’ve only recently become acquainted with Tyler Holmes, but I have fast fallen in love with their poignant, affecting and utterly unique sweeping electronic soundscapes. Holmes has spent a lifetime crafting their own Black, Queer narrative by pushing the limits of their imagination and their innovative ability to fuse together genres to create truly stirring, instantly immersive sonic trips is showcased perfectly on ‘Nothing’. Holmes is set to release their new album next month via Ratskin Records. Watch the video for ‘Nothing’ here. (ML)

SPIDER – ‘Water Sign’
Born in Nigeria but raised in Dublin, London-based twenty-one year old SPIDER blends jagged electronics and brooding guitar riffs alongside her distinctive vocals to create her evocative sounds. Her focus is on how a track makes you feel – whether that’s a feeling of power, fluidity or chaos – and on ‘Water Sign’ she weaves these emotions into a cohesive, stirring electronic soundscape. (KC)

Roma – ‘Stay Like This’ (Tiiva Remix)
I’ve been following queer artist & producer Tiiva since I heard their re-working of Despicable Zee’s ‘We Won’t Stop’ last year, and I’m continuously impressed by their instinct for choosing talented and interesting artists to collaborate with. Tiiva reached out to songwriter Roma during lockdown after hearing her track ‘Stay Like This’ and the pair have worked together to create this lush, dreamy electronic tune. Roma originally wrote this song from the perspective of her daughter, exploring what it means to grow up in a modern world and Tiiva overcame their own adult cynicism to create this woozy new remix. (KC)

Show Boy – ‘Turn It On’
Following 2019’s Surreal, London artist and producer Show Boy has today released his much awaited brand new EP Ishtar Lion. A wonderfully eclectic collection, the EP showcases Show Boy’s knack for blurring genre boundaries, combining influences from across the musical spectrum to create perfectly catchy offerings oozing an uplifting, vibrant energy and heartfelt emotion. Driven by the soaring power of his unique vocals, ‘Turn It On’ interweaves an intricate musicality with a sparkling soulful splendour, resulting in a euphoric ode to new beginnings. (ML)

Callaz – ‘Queima Essa Ideia’
Recorded in Berlin and produced by the brilliant Ah! Kosmos, the title of this latest single from songwriter Callaz translates roughly as ‘Burn That Idea’. Based between Lisbon and Berlin, Callaz has recently released her second album, the brilliantly titled Dead Flowers & Cat Piss, and it’s full of her soft vocals, candid lyrics and alt-pop soundscapes. (KC)

Grove – ‘Ur Boyfriend’s Wack’
Bristol-based hyper-pop artist Grove blends chaotic synths, warped beats and wicked rap verses on this high octane track ‘Ur Boyfriend’s Wack’. Taken from their debut EP, QUEER + BLACK, this song forms part of Grove’s aural journey through their experiences of being young, black and queer. (KC)

Ci Majr – ‘Summer Drug’
Ci Majr is an emerging non-binary artist from Atlanta and this new single ‘Summer Drug’ is a flirty, joyful dose of dancing beats and smooth vocals. Of the track, Ci explains: “I think a lot of us have been in a place where we’ve been hurt from a relationship and have a hard time opening up again…so this song is saying ‘yes, you can absolutely satisfy my physical needs but we’re not taking it further than that’; likening ‘using’ someone for their body just like you’d use a drug of some sort.” (KC)

Desire – ‘Zeros’
The latest single from Desire, ‘Zeros’ will capture the ears with its sweeping celestial aura. As a majestic, electro-driven soundscape provides the backdrop for Megan Louise’s honey-sweet soaring vocals, glitchy beats and twinkling hooks create a truly moreish offering, oozing an ethereal, effervescent grace. Of the track, Desire explain: “As the calendar pages fly by, we are all reaching for a new normal on what sometimes feels like an endless loop. The cyclical music echoes flashback sequences of a recurring dream.” (ML)

Blonde Maze – ‘Fade Into You’
An exquisite rendition of a Mazzy Star classic, Blonde Maze’s ‘Fade Into You’ oozes all the poignant, rich emotion of the original, whilst adding her own unique blend of soaring electronics and uplifting chiming beats to create something truly euphoric steeped in its own ethereal splendour. Another blissfully cathartic creation from Blonde Maze, showcasing her ability to take an already beautiful track and transform it into something that is completely, undeniably, and majestically, her own. (ML)

Kalbells ft. Miss Eaves – ‘Pickles’
A dreamy tune about escaping a romantic pickle, ‘Pickles’ is a delightful new offering from cosmic-pop collective Kalbells, featuring rapper Miss Eaves. Kalbell’s will be releasing their new album Max Heart on 26th March, which they describe as a “portrait of badass women harnessing their improvisational magic.” (KC)

pecq – ‘Stranger’
‘Stranger’ is the debut single from Oxford psych-pop duo pecq, aka Nikò O’Brien and Hannah Jacobs. It’s a delicate, lush soundscape which the pair wrote, produced and self-released through their own label, Upcycled Sounds Records, earlier this year. pecq are set to release their debut EP, also called Stranger, this summer. (KC)

Jenny Moore’s Mystic Business – ‘Woman Is A Word’
A cover of Empress Of’s ‘Woman Is A Word’, this latest offering from the six-piece choral punk ensemble highlights the power of voices coming together in unity. Oozing a sweeping, celestial splendour, the many vocals flow together in harmony, propelled by an upbeat, jazz-infused musicality. Adding their own unique euphoric energy to the poignant sentiment and soulful passion of the original, Jenny Moore’s Mystic Business have created an emotive and empowering rendition. (ML)

BAXTR – ‘Grace On Fire’
The latest single from London-based trio BAXTR, ‘Grace On Fire’ reflects on the feelings of helplessness that come with seeing someone you love suffer. A sweeping, uplifting slice of alt-pop it oozes nostalgic tinges harking back to the anthemic indie classics of the early noughties, whilst maintaining its own unique shimmering power. As Floss’ honey-sweet vocals flow with a celestial majesty throughout, the track builds with explosive, soaring riffs and a swirling heartfelt emotion to create something truly stirring. (ML)

Samantha Crain – ‘Bloomsday’
Taken from her upcoming new EP, I Guess We Live Here Now, Samantha Crain’s latest single ‘Bloomsday’ is a poignant slice of Americana combining beautifully strummed melodies and a stirring warmth. As the impassioned subtle power of Crain’s rich vocals ooze shades of the raw emotion of Sharon Van Etten, twinkling hooks flow with a rustic charm to gently grace the heartstrings. I Guess We Live Here Now, the upcoming new EP from Samantha Crain, is out 9th April via Real Kind Records/Communion Records. Watch the video for ‘Bloomsday’ here. (ML)

Ex:Re – ‘Where the Time Went’ (with 12 Ensemble)
This song stopped me in my tracks when I first heard it. The title, Elena Tonra’s vocals and lyrics, composer Josephine Stephenson’s cinematic string arrangements – they all resonate so much deeper during this extended period of lockdown. ‘Where The Time’ went is one of ten beautiful tracks on Tonra’s new collaborative album, Ex:Re with 12 Ensemble, and it’s accompanied by a wonderful music video that she directed too. Watch it here. (KC)

Hannah Peel – ‘Ecovocative’
I’m very late to the Hannah Peel party, but I’m in love with her ambient electronic soundscapes. This single ‘Ecovocative’ is lifted from her upcoming album Fir Wave, which is set for release on 26th March via Peel’s own label My Own Pleasure. (KC)