Introducing Interview: Frankie Morrow

Having released their debut EP, Blue Parrot Backpackers Hotel, in October, Scottish alt-rock band Frankie Morrow finally formed their current fully-fledged outfit last year after initially playing together and separately in various musical projects across Scotland since their teens. Since January, musicians Frankie Morrow, James Smith, Duncan Carswell, Samuel Nicholson and Neev have been playing and recording together, and have received airplay from the likes of BBC Radio 1 and Amazing Radio.

We’re big fans of Frankie Morrow’s glistening, folk-strewn sounds and heartfelt lyricism, and can’t wait to hear more from them in 2023. We had a lovely chat to find out more about the EP, what inspires them, being a woman in music and more… Have a read, and make sure you listen to the beautiful EP now!

Hi Frankie. Welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hello GIHE! It’s so cool to be speaking to you, we are huge fans – we loved your night down at the Victoria in October where Jemma Freeman and the Cosmic Something headlined. Frankie Morrow are a Scottish, female-led 5-piece who play alt-rock for the soul. 

Are you able to tell us a bit about how and why you initially started creating music?
Well, myself and James were actually in a band together back in our hometown of Paisley when we were 14 years old! To be honest I think most of our friends came to the shows as a place to drink cider underage hahaha, but we had a rare time.  

We love your luscious, soaring folk-strewn sounds , but who would you say are your main musical influences?
We as a band have a hugely diverse range of musical influences, though I’d say some of my personal influences would be classic Americana/rock like Sister Rosetta Tharpe, Bob Dylan, Scottish writers such as Rab Noakes, and more contemporary bands like Big Thief and Katy J Pearson.

You recently released your debut EP, Blue Parrot Backpackers Hotel,  which is very exciting! Are you able to tell us a bit about what inspired it and the themes running throughout it?
Well, it all started where most records start – with a break up! These songs are a collection of my musings over the years; before the band got together I used to perform as a solo artist, and so I guess the impetus was really just me coming to terms with lots of the changes and upheaval that had happened in my life at the time. Blue Parrot Backpackers Hostel is my ‘Sliding Doors’ moment. Have you seen that film? The whole premise is based around Helen – who’s played by Gwyneth Paltrow – and how her life could dramatically change based on whether she catches a train or not. It got me thinking about how these tiny decisions we make in our everyday lives can have such huge impacts on us later down the line, and I found that a really interesting concept for the record.

You recently played live at the Sebright Arms – how was that? And, for those who missed it, what can fans expect from your live show?
We had an absolute blast! We were still buzzing from it the next day. Our live show and our current musical direction is actually a lot more raucous than what we have on record so far. We absolutely love playing for people – it’s our favourite thing to do, we want people to feel moved and for them to forget their worries at our shows.

The EP was produced and arranged by you, with an all-female engineer team, which is very awesome! What was the recording process like, and how did you all work together? 
It was amazing! I deliberately wanted to recruit an all-female engineering team from the get go for this debut. We recorded most of the EP between my flat and kind friends’ houses. then I sent the stems to Taylor Pollock (Platoon) to mix. Taylor was an absolute dream to work with; it was such a collaborative process from start to finish, and I’ve never met someone so dedicated to a project. Izzy McPhee was absolutely brilliant as well, and I even got to go and meet her at her studio in Bristol. It was really powerful to be part of that team.

And is there a particular live show you’ve played that stands out as a highlight?
To be honest our headline at the Sebright is probably the standout so far as it’s such an iconic venue and we’ve seen so many bands we love play there over the years. It was a real honour to headline.

How do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of female and queer/LGBTQ+  artists? 
In some ways the industry is far more accessible than before in terms of opportunities for editorial playlisting which breaks down global barriers, and of course through social media. Though, on the flipside, labels are taking less chances on bands and there’s not much money in streaming at an emerging level. However, I do feel quite positive about it overall; I think if you focus on the making of good music supported by other marketing tools, and just try not to get to bogged down in the numbers… In terms of treatment of female and queer artists, I think things definitely have moved on, though I have unfortunately had quite a few people presume men have produced the EP or that it wasn’t me playing guitar etc – this is still something that happens regularly. A personal highlight from a recent gig: “Wow, you can actually play the guitar?!” …  If you don’t laugh, you will cry!

As we’re a new music focused site, are there any other upcoming artists you’re loving right now that you’d recommend we check out?
Oh absolutely! Lizzie Reid had a gorgeous EP out this year. We saw her with full band down at Paperdress Vintage towards the end of last year. Oh, and I was just introduced to NewDad who are brilliant.

Finally, what does 2023 have in store for Frankie Morrow? 

We are so excited to get back into the studio this month. The new tracks are big alt-rock bangers and we are chomping at the bit to get started.

Massive thanks to Frankie for answering our questions! Listen to Blue Parrot Backpacker’s Hostel now, and watch the charming video for single ‘Sunflowers’ below:

Get In Her Ears Live @ Sebright Arms w/ Breakup Haircut, 17.11.2022

Following our super special September gig with Jemma Freeman and the Cosmic Something headlining, our November instalment of GIHE live saw us return to the Sebright Arms in Bethnal Green for a night filled with the best music, best people and best vibes. Massive thanks to Breakup Haircut, Piney Gir and BCOS RSNS, and to everyone who came down to support the bands and help us raise money for completely vital organisation, Mermaids.

First up, exciting new band BCOS RSNS treat us to their scuzzy garage-rock offerings, reflecting on themes ranging from people being dicks and internet crushes, to being yourself in a patriarchal society.


Next up, Piney Gir delivers her magical indie-pop dreamscapes with a swirling psychedelic haze and sunny, lilting energy. Oozing a majestic witchy allure, she completely immerses the crowd in her sparkling, uplifting majesty.


Back to headline for us after supporting Fräulein in January, Breakup Haircut treat us to 45 minutes of their joyous, tongue-in-cheek brand of pop-punk. Exuding a vibrant energy, they deliver their fizzing, danceable offerings with an infectious wit and colourful charisma. As I sing along to every word, I know for sure that I’m in the presence of a band on the rise.

Massive thanks to the three bands who played for us on Thursday! We’ll be back next month for not one, but two, special gigs! On 1st December we’ll be at Shacklewell Arms hosting Currls‘ EP launch with support from Collars and Hypsoline – tickets here. And on 9th December we’ll be back at the Shacklewell Arms again with Bad Sidekick and support from Alien Chicks and Cosmic Ninja – tickets here.

Words: Mari Lane / @marimindles
Photos: Don Blandford / @snapperchap.don

LIVE: Charmpit @ Sebright Arms, 08.07.2022

On Friday we had the absolute honour of hosting DIY legends Charmpit’s last ever London gig at Sebright Arms. With support from total faves Bitch Hunt and indie ‘tweecore’ outfit adults, it was truly a wonderful night – with so many familiar faces from the community coming together to celebrate a band who have been such an inspiration and joy for so many. And to sellout was a a total dream – huge thanks and big love to the three beautiful bands and to everyone who joined us for this memorable night filled with all the best vibes and bittersweet emotions!

Opening the night, Bitch Hunt deliver an empowering, cathartic set. Despite not having had the simplest of weeks (graduations, minor surgeries and struggles on public transport all contributing to stress levels), they radiate a blissful energy as each scuzzy punk-pop offering – reflecting on themes ranging from being non-binary and losing loved ones, to men who take up too much space – tugs at the heartstrings and fills the venue with a joyous sense of unity. Expressing their love of Charmpit and reflecting on memories of First Timers fest in between tracks, it’s a perfect start to what turns out to be a perfect night.

Next up, South London’s adults blast onto the stage with all the fuzzy energy you could ever desire. With both vocalists donning matching Charmpit ‘Anarchism Is For Lovers’ tees, and even treating us to a cover of the beloved headliners, they deliver half an hour of glistening, indie-pop perfection. Simultaneously oozing a lilting, uplifting scuzz with a poignant, angst-driven rage at the state of the world, each track twinkles with a sparkling drive as relatable lyrics about mutual aid and looking out for each other in hard times flow with heartfelt emotion alongside infectious, jangling hooks.

And then it’s Charmpit‘s turn to play their last ever London gig… Emotions run high in the packed out space as their sparkling charisma and vibrant energy instantly flow from the stage, filling the venue with an all-encompassing euphoric splendour. As they treat us to a set of career-spanning classic DIY anthems, it’s an utter joy to see the crowd dance, sing (and cry) together to this band who have meant so much to all of us over the years. From earlier colourful offerings such as ‘Buckfast My Heart’ and ‘Margot’ (who is now 7 and president of her Climate Society at school), to tracks from their latest (and last…) album Cause A Stir, each track oozes the band’s trademark shimmering, colourful zest and playfully quirky wit, whilst touching on stirring themes such as toxic relationships, true friendship and anarchy. Despite the sadness at this being the last time we will all be together in a room dancing to Charmpit, it’s a truly joyous occasion – celebrating all there is to love about this inspiring, adorable and innovative group whose uplifting bubblegum pop tunes have healed, helped and motivated so many. Having followed their career from the start, and with fond memories of them playing live for us at The Finsbury back in 2017, it’s a total honour to host this incredibly special event dedicated to these four wonderful humans who have played such a pivotal part in the London DIY community over the last decade.

What more can I say… Thank you to the three truly wonderful bands, to all who came out and – most importantly – thank you to CHARMPIT! We love you so much; thank you for all the music and the inspiration that will stay with us forever. It was a joy to host this event and to see so many lovely familiar faces!

Join us in a couple of weeks when we’ll be back at The Shacklewell Arms with total faves ARXX, with support from Fräulein and Lusa Morena – tickets selling fast, so make sure you get yours on DICE now! And then we will be at The Victoria on 12th August to dance the night away with Nikki & The Waves, BAXTR and Panic Pocket – you should also nab tickets for that soon too!

Words: Mari Lane / @marimindles
Photo Credit: David Harris / @chopstick68

Track Of The Day: Rews – ‘Can You Feel It?’

Feel good lyrics, infectious guitar riffs and crashing cymbals collide on Rews‘ latest single, ‘Can You Feel It?’. Mixed and mastered by Romesh Dodangoda (Bring Me The Horizon, Don Broco, Lower Than Atlantis) the song is in intensely catchy anthem about overcoming heartache, accompanied by a brand new lyric video.

Rews’ (comprised of guitarist & vocalist Shauna Tohill and drummer Collette Williams) feet have barely touched the ground since they released their debut album Pyro in 2017. The pair have been gigging non-stop, and are currently supporting American rock band Halestorm on their UK tour, and are set to play Brixton Academy tomorrow night (Sept 28th). They duo will also be playing a string of headline shows in November (see below for details).

Speaking about the new single, Shauna explains: “‘Can You Feel it?’ is a song that takes a positive spin on hurt feelings. It encourages the listener to “let it out”, “dance”, “sing”, and not be afraid to explore how they feel in order to better themselves & learn to love again. It was inspired and written during a period of heartbreak and describes the stages of grief that we endure.”

We’re glad we’ve got Rews’ infectious garage-pop songs to get us through these tough times. Listen to ‘Can You Feel It?’ below and follow the band on Facebook for more updates.

Rews 2018 UK Headline Tour Dates
10th Nov – Manchester, The Castle – DHP
11th Nov – Bristol – The Louisiana – Metropolis/Live Nation
14th Nov – London – Sebright Arms – DHP
15th Nov – Sheffield – Record Junkie Metropolis/Live Nation
17th Nov – Birmingham – The Flapper – Metropolis/Live Nation

Photo Credit: Tom Pullen

Kate Crudgington
@KCBobCut