PLAYLIST: International Women’s Day 2020

Happy International Women’s Day! It’s a day to highlight and bring awareness to the issues facing women around the globe, and it’s also a time to celebrate the women we love too. This year’s theme is #EachforEqual – encouraging all of us to collectively help create a gender equal world: because an equal world is an enabled world.

At Get In Her Ears, we have only one definition of a “woman”, and that is inclusive of ALL women. Inclusivity is at the core of what we do. It’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there.

We’ve created a playlist of all the wxmen artists that continue to inspire, entertain, and motivate us into action. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Eurythmics & Aretha Franklin – ‘Sisters Are Doin’ It For Themselves’
An obvious, but essential choice for any IWD Playlist. Annie Lennox & Aretha Franklin are a dream vocal team, and I never get tired of listening to this classic. (Kate Crudgington)

Planningtorock – ‘Beulah Loves Dancing’ 
I’m forever grateful to Tash for introducing me to the lush electronics of Planningtorock. This track is all about their sister, Beulah, and her love of house music. When Planningtorock played this live at their gig at Southbank Centre last year, Beulah was in the audience, and when the two siblings embraced each other after the song, I had a tear in my eye. (KC)

The Julie Ruin – ‘Girls Like Us’
It’s no secret by now that Kathleen Hanna is the woman who has inspired me the most and pretty much the reason we started GIHE, and so it seems only right to include a track of her’s on our playlist celebrating amazing women. And this track from The Julie Ruin is just a perfect ode for womxn of all kinds this IWD. A unifying anthem for all us misfit grrrls, with relatable empowering lyrics such as “… girls like us pick up the hot handles and burn our hands and we get over it”, it never fails to pick me up and leave me feeling ready to face the world. (ML)

Big Joanie – ‘Used To Be Friends’
I think all three of us would firmly place this band on any International Women’s Day Playlist. We could not be more behind everything Big Joanie are about, having seen them countless times over the last year – their headline gig at The Moth Club was an undoubted highlight, this band just keep the good music coming. Their politics and music are inseparable, using their platform to speak to their experiences as a black, queer, punk band and the importance of intersectional feminism, it is a privilege to have had them on our radio show. (TW)

Nova Twins – ‘Bullet’
Consistent GIHE favourites Nova Twins have released their breath-taking new album Who Are The Girls, and this track is lifted from it. It’s a powerful statement against street harassment, and the myth that women are “asking for it” if they dress or act in a certain way. Amy’s lyrics are the ultimate weapon against such insults, making it crystal clear that those who touch without permission are not fucking welcome. (KC)

Jehnny Beth – ‘I’m The Man’
Though Jehnny Beth has said that ‘I’m The Man’ is “a poetic work first and foremost. Its aim is to make you feel, not think”, for me it seems to address the anger and ruthlessness surrounding toxic masculinity and the damaging effects it can have. IWD, I feel, should not only be about celebrating the brilliant women in our lives, but informing our male allies so that they can support their female peers as much as possible, and also be reassured that to be a “man” does not mean having to be aggressive or physically powerful. A poignant and powerful offering from this immense force of womankind, who I cannot wait to see live today at The Roundhouse as part of BBC 6 Music’s Festival (along with other awesome women Kate Tempest, Kim Gordon and more). (ML)

Deux Furieuses – ‘Year Of Rage’
GIHE faves Deux Furieuses last year dropped their immense album My War Is Your War – a collection of poignant, impassioned and all-too-relevant rock anthems. Taken from the album, ‘Year Of Rage’ is a seething offering addressing the #MeToo movement and the anger felt by women everywhere trying to seek justice. Delivering a message of empowerment through the raging riffs and soaring vocals of Ros Cairney and frenzied pummelling beats from Vas Antoniadou, it’s a hugely powerful and distinctly necessary listen this IWD. (ML)

The Joy Formidable – ‘The Last Drop’
I’ve lost count of the amount of times I’ve told people how much I adore The Joy Formidable. I’ve been following them for a decade now, and I am still in awe of their ability to create heavy, magnetic, alternative tracks like this one. (KC)

ARXX – ‘Intervention’
Another playlist, another ARXX track. But we make no apologies about this. ARXX have been faves for a while now, and with their “unapologetically loud”, ferocious raw power, they continue to blow us away with their unrelenting raucous sounds. This track, ‘Intervention’, taken from 2018’s EP Daughters Of Daughters, talks of social injustices, giving a shout out to the LGBT charity Stonewall, exclaiming that “you don’t get to say who we fall in love with”. A perfect, raging anthem for equality. Two of the coolest women we know, ARXX also headlined our IWD gig last year at The Finsbury, and it really was the best way to celebrate. (ML)

Amaroun – ‘Perish’
Previous guest on our radio show Amaroun has recently jumped back into the limelight with several new tracks, inclusive of this one ‘Perish’. I’m loving this next step in Amaroun’s musical journey – the beats, the vocals, the stripped back simplicity, sublime. Drawing from her experiences as a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music, these themes stand strong throughout her songs. I can’t, and don’t want to stop listening. (TW)

Nayana Iz – ‘How We Do’
What a tune1 ‘How We Do’ is possibly one of the best debuts I have ever heard. Indian born, London raised Nayana Iz has arrived and she’s taking you with her. Eyes wide open people and get watching. (TW)

Missy Elliott – ‘She’s A Bitch’
One of the coolest, most inspiring women in the business, Missy Elliott delivers the most empowering and entertaining of offerings, just by being her incredible self. Proving that a woman can conquer a previously male-dominated genre, whilst consistently unashamedly oozing self confidence, she never fails to motivate me and put a smile on my face. Showing women that it’s ok to not fit the “feminine” stereotype that the industry so often seems to demand, and just be who you are and wear whatever the f*** you feel comfortable in (whether that’s an inflated bin bag or a scarecrow costume – check out last year’s performance at the VMAs to see this in action), she continues to push boundaries and remains a colossal force of nature. ,(ML)

Nilüfer Yanya – ‘Tears
One of my favourite tracks from Nilüfer Yanya, a slight move away from her guitar heavy tunes, ‘Tears’ released early last year captures and takes you along with its bouncing beats and sad reflective lyrics. It’s been great to watch this artist reach the acclaim she so rightly deserves, with my personal highlight seeing her play at Primavera 2019. It was the definition of sun-drenched guitars. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I wanted to include this track today, not only because I just love its poignant, soulful groove, but because Trans Women are of of course women too and should be celebrated on International Women’s Day (and every day)! (ML)

Lido Pimienta (feat. Li Saumet) – ‘Nada’
Inspired by the birth of her daughter, Canadian-Columbian musician Lido Pimienta has penned this beautiful song ‘Nada’. Taken from her upcoming album Miss Colombia, Pimienta ruminates on the pain women experience – from debilitating period pains to giving birth – and how strong we are despite being unfairly dubbed the “weaker sex”. Watch the accompanying video for the track here(KC)

FKA Twigs – ‘sad day’
The master and the muse; FKA Twigs continues to dazzle my eyes and ears with each new release. This track is taken from her second album, Magdalene, a record which blends vulnerability and raw power in equal measure. There aren’t enough adjectives to describe how much I love the music this woman makes. (KC)

Pumarosa – ‘Lose Control’
I interviewed Pumarosa’s front woman Isabel Munoz-Newsome last year for The Line Of Best Fit (read here), and she said this was her favourite track from their latest album Devastation. She spoke candidly about how she wanted to change the narrative around “love” or “breakup” songs, and her words have stayed with me ever since. This track is a slow-burning banger. (KC)

Arlo Parks – ‘Cola’
Watching Poet, rapper, singer & producer Arlo Parks grow over the last couple of years, receiving the absolutely deserve notoriety and success that an artist of her calibre should has been our pleasure. ‘Cola’ her debut single has kept a solid place on many of my playlists, a tender, confessional and mesmerising track. If you haven’t heard of Arlo Parks yet, go check her out now. You can thank me later. (TW)

Sleater Kinney – ‘Modern Girl’
Having been left completely speechless by seeing total heroes Sleater Kinney live last week, I couldn’t not include a track by this group of inspirational women. Seeing Carrie Brownstein perform this song, with all her infectious charisma and musical magnificence, was a definite highlight. And the lyrics “anger makes me a modern girl” seem particularly poignant this International Women’s Day. (ML)

Amahla – ‘Old Soul’
Hackney-Native Amahla blew us away with this song ‘Old Soul’ at the beginning of 2019 and has just kept getting better. An artist who uses their platform for greater good talking about women’s issues, race and current political climates, has an unquestionable place on our IWD2020 playlist. (TW)

Antony and the Johnsons – ‘My Lady Story’
“My womb’s an ocean full of grief and rage.” I can’t listen to that lyric without my heart breaking a little. A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice this International Women’s Day. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Dolly Parton – ‘Here You Come Again’
With the recent release of the Dolly Parton podcast and BBC documentary, I’ll take any chance I can to lap up any more content from this one. Dolly, what a woman. I don’t think I need to say anything more. (TW)

Merry Clayton – ‘Love or Let Me Be Lonely’
I recently watched 20 Feet From Stardom and to my shame learned so much about this amazing woman’s history that I did not know. A long established American soul and gospel singer, she provided backing vocal tracks to so many notable performing artists, the most famous being the Rolling Stones’ ‘Gimme Shelter’. Take her voice out of that and what are you left with? Here’s a shout out to the often forgotten or overlooked backing singers from some of the best hits out there. An established and amazing recording artist in her own right, it’s never too late to get into Merry Clayton. What a voice. (TW)

Jackie Shane – ‘Any Other Way’
A Get In Her Ears playlist would not be complete without Jackie Shane, I think this track ‘Any Other Way’ has featured on so many of our playlists and radio shows, but for good reason. Kate introduced me to this artist a couple of years ago and I was sold on first listen. Jackie Shane lived her life as a woman in the spotlight, during a time when compassion and acceptance were not always reciprocated to those who identified as trans. A pioneer for trans rights in the 60s, who very much lives on in our memories today. (TW)

Girl Ray – ‘Friend Like That’
GIHE faves Girl Ray have recently released their uplifting second album, Girl, and I cannot get enough. Taken from the album, ‘Friend Like That’ is an ode to friendship flowing with the trio’s colourful energy and funk-filled, pop-inspired hooks. Of the track, the band explain: “This is a friendship anthem. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” Basically a perfect, shimmering anthem to celebrate all your fantastic female peers this International Women’s Day. (ML)

Shari Vari – ‘New York City’
Since hearing their debut album, Now in 2019, I still cannot get enough of the Hamburg based alt-electro/punk/producers Shari Vari. Now out via Malka Tuti, it’s packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverb and cinematic crescendos. One of my albums of 2019, I consider myself still completely hooked. (TW)

Mentrix – ‘Nature’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture, along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. Her extensive travels and multiple influences – from Latin and French Literature, to The Qu’ran and traditional Persian poetry – give her music a diverse and fascinating edge. I can’t wait to hear her album My Enemy, My Love, which is set for release via her own (female-led) record label, House of Strength, on 3rd April. (KC)

Gazelle Twin – ‘Anti-body’
“I’m credibly unknown, and incredibly ok with that” wrote Elizabeth Bernholz – aka Gazelle Twin – in response to a fan who suggested she should be added to the Reading Festival lineup to fill the obvious void of female bands/artists on the bill. Bernholz’s pioneering sound and vision is best experienced elsewhere though, as her avant-garde, haunting electronic soundscapes demand your full attention. This track is lifted from her second album Unflesh, and although Bernholz has said she will never return to this material (having crafted her spectacular third album, Pastoral), I always come back to it when I’m feeling restless. (KC)

PLAYLIST: October 2019

Our ears have been flooded with new music over the last few weeks, and our October playlist is an eclectic reflection of the artists who have been giving us goosebumps. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist link at the bottom of the page…

 

ILL – ‘Kick Him Out The Disco’
We’re all in agreement at GIHE that ILL’s new track is a GRADE. A. BANGER! These grrrls blend the best bits of punk, noise, and electronics to create cathartic anthems about standing up for yourself and not letting the bastards grind you down. ‘Kick Him Out The Disco’ is a “glittered middle finger” to anyone who’s tried to manipulate you, or to anyone who made you question your self worth. (Kate Crudgington)

Peggy Sue – ‘Motorcade’
Taken from their upcoming album Vices (set for release February 2020), Peggy Sue’s new single ‘Motorcade’ flows with the pair’s distinctive rich vocals as it interweaves lilting ’60s inspired melodies and a ’90s garage scuzz. Inspired by feelings of being honest with yourself when ending a relationship, luscious harmonies float along a bright, uplifting soundscape, building with a shimmering energy to create a magnificently more-ish offering. (Mari Lane)

Grizzly Coast – ‘High Functioning’
A GIHE Team favourite, ‘High Functioning’ by Grizzly Coast is a track that has got firmly into my head. It’s all about holding your life together in every place, but your own head. Of the track, Grizzly Coast explains: “I was going through a difficult time with my OCD choosing to power forward and work towards my goals”, she found the purpose and drive to stay confident through it all. And we are very thankful for that, ‘High Functioning’ is a total tune, keep up the great work Grizzly Coast, we’re behind you 100%! (Tash Walker)

Poolblood – ‘Dreamer’
Recently signed to Shamir’s label (Accidental Popstar Records), newcomer Poolblood describes their sound as one that evokes feelings of “crying, dancing, teen movies and nostalgia”. If that’s not enough to make you listen to ‘Dreamer’, I don’t know what is. (KC)

Superglu – ‘Forever Endeavour’
After a two year hiatus, long time faves Superglu are back with this new single. Oozing the band’s trademark buoyant energy, ‘Forever Endeavour’ is filled with a gentle sentimentality that we may not have heard in previous releases, creating an instantly uplifting and immensely infectious indie-pop anthem. (ML)

Rosa Bordallo – ‘Citadel’
‘Citadel’ by Chamoru-American indie artist Rosa Bordallo is all about Capitalist vultures in the concrete jungle, showcasing her riot grrrl influences. It’s a “balls-to-the-wall angry eff-you to the 1 percenters who suck us dry, written out of frustration with the myth of New York (“if you can make it here, you can make it anywhere”) that attracts bright and ambitious folk who may not realize what they’re getting into until it’s too late”. ‘Citadel’ is the second single from her recent solo debut album Reef Walker. (TW)

Jemma Freeman and the Cosmic Something – ‘Keytar (I Was Busy)’
Inspired by a frayed childhood and fractured memories, ‘Keytar (I Was Busy)’ oozes the distinctive soaring majesty of Jemma’s vocals and swirling, twinkling hooks, creating a colourful slice of psychedelia, filled with raw emotion and an energised electro twist.’Keytar (I Was Busy)’ is taken from JFATC’s new album Oh Really, What’s That Then?, out now via Trapped Animal Records and Cargo Records. (ML)

Kim Gordon – ‘Murdered Out’
Music icon Kim Gordon released her first solo album this month, No Home Record, and it’s a raw, gritty, artistic affair. Her inimitable voice and talent for experimentation shine through on this record, and ‘Murdered Out’ is my favourite track. I was lucky enough to pick up a signed copy from her in person at Rough Trade East (I tried very hard not to nerd out, but I 100% did) (KC)

Shari Vari – New York City
I cannot get enough of the Hamburg based alt-electro/punk/producersShari Vari. Their debut album, Now, out via Malka Tuti is packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverbs and cinematic crescendos. What can I say, I’m hooked. (TW)

The Leaf Library – ‘Hissing Waves’
‘Hissing Waves’ is the latest single from The Leaf Library, taken from their new album which is set for release on 25th October via Where It’s At Is Where You Are. This, their first single from the album is in their words “the most pop the band have ever sounded”, skipping inside-esque electronics, and looping verses; I’m enjoying the feeling of elasticity in its sound. (TW)

Hinako Omori – ‘Auraelia’
Influenced by the pain and blurred vision she experienced from multiple migraines, London-based Japanese artist Hinako Omorio has transformed her ailments in to intriguing electronic tunes. ‘Auraelia’ is the title track from her debut EP, which is set for release on 22nd November via Injazero Records. (KC)

POLIÇA – ‘Driving’
POLIÇA are set to release their new album When We Stay Alive in January 2020, and ‘Driving’ is the first track to be lifted from it. Vocalist/synth player Channy Leaneagh explains the context of the new single far more eloquently than I can: “Laying in bed, as I healed from a 10 foot fall of carelessness with my life, I would dream of running in green grass and tears would pour from my eyes – Running in the tall tear grass; imagine wanting life and the want remains – That is a feeling to hold onto; that life is worth living even when all the towers are crumbling and this goes beyond my own little accident but the world around me. Following the crone into the sinking ship and having the chance to return without a shadow. Drive on, Drive on. A second chance you won’t forget”. (KC)

Baby Taylah – ‘Reclaim’
My choices for the October Playlist would not be complete without a heavy helping of pop electronica, which you know I love oh so much. This time it comes from Scottish Baby Taylah, with her debut single ‘Reclaim’. It’s big, it’s bold and it’s a banger! There’s only one way this track should be played, and that’s LOUD. (TW)

Audrey – ‘Paper’
New Jersey based singer-songwriter Audrey has dropped ‘Paper’ her latest single, which is nothing short of a soulful, trap-tinged record, hitting hard with 808s and heavy bass. The accompanying video is equally as cool, with nods to her Korean heritage. (TW)

Bang Bang Romeo (feat Example)- ‘Love Yourself’
An empowering ode to self love, this new single from northern powerhouse Bang Bang Romeo showcases the immense soulful power of front woman Stars’ vocals perfectly. Having completely blown my mind at Cro Cro Land earlier this year, I was thrilled to catch them live again at Omeara. (ML)

Foundlings – ‘I Love You All’
A cover of the original, taken from the 2014 Lenny Abrahamson film Frank, Foundlings’ new single ‘I Love You All’ flows with jangly hooks and luscious vocals, creating an uplifting slice of fuzz-filled indie pop, showcasing all there is to love about them. (ML)

Moor Mother – ‘The Myth Hold Weight’
Philadelphia-based artist, poet, and musician Camae Ayewa – aka Moor Mother – has shared this track from her upcoming album Analog Fluids of Sonic Black Holes, which is set for release via Don Giovanni Records on 8th November. Described as a “dystopian freestyle poem touching on past, present, and future trauma”, the calmness in her voice as she speaks her heavy truths is remarkable. (KC)

Kate Tempest – ‘People’s Faces’
The new album from Kate Tempest, as with all her albums, is a heart-wrenchingly poignant and mind blowingly powerful collection about the state of the world today. ‘People’s Faces’ is just completely spot on and showcases Tempest’s unique poetic skill at creating relevant and hugely emotive social narratives. As she laments “My country’s coming apart/ The whole thing’s becoming such a bumbling farce…”, she offers a glimmer of hope: “There is so much peace to be found in people’s faces”. Heartbreaking perfection. (ML)

Track Of The Day: Shari Vari – ‘New York City’

Brooding electronics and moody vocals fuse together on Shari Vari‘s new single ‘New York’, capturing the atmosphere of one of America’s most iconic cities. The track is taken from their new album NOW, recently released via cult label Malka Tuti.

Formed of of Helena Ratka and Sophia Kennedy, the Hamburg-based alt-electronic duo blend elements of performance art, techno, house, pop and jazz to create their dense electronic beats. Speaking about their upcoming album, the band explain:

“Time is ticking and the questions we have regarding time and action is the connecting element of the songs and tracks on NOW. There is mostly a dark connotation in [the] music and lyrics, but not without a joyful outlook, fun twists and a breeze of irony. NOW connects the individual with the social persona, while the tracks take you on a trip from the boiler room next to our studio to a chilly sunday in the park. It’s more a stream of consciousness than a conceptual decision we made”.

Why not join Shari Vari on their journey by listening to ‘New York’ below?

Follow Shari Vari on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Shari Vari – ‘Out Of Order’

Multi-talented artists and producers Shari Vari have shared their latest single ‘Out Of Order’ and it’s an alt-electronic gem. The Hamburg-based duo blend elements of techno, jazz, pop and their clear cut vocals to create a catchy three and a half minutes of electro-punk joy.

Shari Vari consists of Helena Ratka and Sophia Kennedy. Both are visual artists, producers and musicians who began working together after a joint art exhibition, releasing their debut EP Life Should Be A Holiday in 2017. The duo are currently preparing to share their debut album NOW via cult label Malka Tuti on 13th September.

Speaking about the new tracks on their upcoming record, the duo explain: “Time is ticking and the questions we have regarding time and action [are] the connecting element of the songs and tracks on the album. There is mostly a dark connotation in music and lyrics, but not without a joyful outlook, fun twists and a breeze of irony. The lyrics oscillate between film-like atmospheres, comic and dark story-telling, involving fictional characters. NOW connects the individual with the social persona, while the tracks take you on a trip from the boiler room next to our studio, to a chilly Sunday in the park. It’s more a stream of consciousness than a conceptual decision we made”.

We’re happy to join the duo on their musical journey regardless of the destinations they take us to. Watch the video for ‘Out Of Order’ below and follow Shari Vari on Facebook for more updates.

Kate Crudgington
@KCBobCut