GIHE: Albums & EPs Of 2021

After sharing our Tracks of 2021 last week, the GIHE team want to shine a light on some of the brilliant Albums & EPs that have been released during the last 12 months. These records kept us dancing around our bedrooms/living rooms/home offices, miming underneath our face-masks and distracted us momentarily from the uncertain world we’re currently all living in.

So, in alphabetical order, here are our top Albums & EPs of 2021 (with some honorable mentions at the end…)

ALBUMS

Adult Mom – Driver
Consistently my most listened-to artist over the last couple of years, Adult Mom aka Stevie Knipe creates the most beautifully heartfelt music. Although I had thought it would be hard to follow the perfect relatable emotion of their debut Momentary Lapse Of Happily, and 2018’s Soft Spots, this year’s Driver does not disappoint. With the lilting musicality and raw emotive splendour of each track, the album has been in my ears on literally a daily basis since it came out in March; I have sought comfort in the luscious depth of Knipe’s vocals and found myself fully immersed in the album’s twinkling grace. I’m sending extra love to Stevie at the moment, as they were diagnosed with breast cancer earlier this year and are currently having to undergo treatment. I can’t wait to hear more gorgeous music from them when they’re ready. (Mari Lane – Co-Founder)

Blonde Maze – Something Familiar
I’m honestly not sure how I would have got through the last two years without the sound of Blonde Maze in my ears daily. Even before her debut album Something Familiar came out in Autumn, I had been completely addicted to her utterly dreamy creations – ever since she’d been a guest on our radio show about five years ago. To have a full LP filled with her exquisite soundscapes has been just what I’ve needed recently. Bathing the ears in shimmering ripples of dreamy reflection, each luscious track is a perfect cathartic tonic. My album of the year – it’s been the beautifully calming and delicately uplifting soundtrack I’ve so needed. (ML)

Divide & Dissolve – Gas Lit
Released via Invada Records in January, instrumental activists Divide and Dissolve’s second album Gas Lit continues their sonic mission to erode the foundations of colonialism and white supremacy. Produced by Ruban Nielson of Unknown Mortal Orchestra, the record is an aural purging of injustice, fuelled by the diversity of Takiaya Reed’s doom-ridden saxophone sounds and Sylvie Nehill’s phenomenal percussion. It flows with a unique gargantuan grace that unsettles and soothes my cells every time I hear it. I had the pleasure of interviewing Takiaya about the album earlier this year too, which you can read here.
(Kate Crudgington – Co-Founder)

Du Blonde – Homecoming
With Homecoming, Du Blonde gave us the DIY stadium rock record we didn’t know we needed. After becoming disillusioned with the music industry, they wrote, recorded and produced this album of swaggering, empowering anthems for outcasts. A bag of contradictions, it’s both silly and serious, wonderfully weird yet radio friendly. A powerful record, I love the way Homecoming embraces self-destruction and self-love. It has a proper punk energy and inspires you to get shit done on your own terms – after you’ve had a dance, of course.
(Victoria Conway – Contributor)

Fears – Oíche
An intuitive artist who has transformed her darkest moments into graceful electronic soundscapes, Fears aka Constance Keane shared her poignant debut album Oíche (meaning “night” in Irish) in May. Released via her own label TULLE, the Irish-born, London-based musician balances her intense ruminations on trauma alongside delicate synth loops and tentative beats to shine a light on a personal metamorphosis. Much like the coarse fabric she used to create her altruistic dress on the album’s artwork, Fears allows her lived experiences to take up space and permeate this record, which swells with unflinching honesty and elegance. Oíche is a collection of shadowy lullabies that span five years of emotional territory, and the result is a truly immersive and enlightening body of work. (KC)

Fightmilk – Contender
Following 2018’s Not With That Attitude, this year total faves Fightmilk released their second album Contender via Reckless Yes, and it was everything I could have hoped for. With new bassist Healey and a perhaps more ambitious musicality than previous releases, this year’s album marks a maturing in sound for the band, whilst maintaining their trademark anthemic power-pop energy. Filled with the perfect balance of jangling melodies, an endearing, refreshingly honest lyricism and shades of a raw tongue-in-cheek wit, the album covers themes from space travel and capitalism, to love, heartbreak and self-loathing, all the while oozing a raw emotion and the band’s distinctive, quirky charisma. With all the scuzzy musicality and shimmering energy we’ve come to know and love, Contender showcases a band that are continuously refining their sound and, in the process, consistently continuing to win my heart.
(ML)

Gazelle Twin & NYX – Deep England
Inspired by the tracks that formed Gazelle Twin aka Elizabeth Bernholz’s 2018 album Pastoral, Deep England is a dark fable that serves as a warning to listeners not to get swept up in national apathy. Whilst Bernholz’s unique vision of Britain’s past was brought vividly to life on her original record, with the support of the NYX drone choir her vitriol is able to take its fullest, most nerve-shredding form. Together, they present their altruistic vision of Britain in its “post-truth” sphere, embroidering a new tapestry of sound for these jarring and uncertain times. Deep England is a phenomenal artistic accomplishment; a shadowy, graceful collection of sounds that radiate with unease – truly unlike anything you’ve heard before. (KC)

LINGUA IGNOTA – SINNER GET READY
“And all that I’ve learned / is everything burns” laments Lingua Ignota aka Kristin Hayter on ‘Pennsylvania Furnace’, the fourth track on SINNER GET READY – an apt sentiment for a record that blazes with a unique orchestral agony. Released via Sargent House, Hayter’s fourth full length offering is an emotional exorcism inspired by the severe brand of Christianity in rural Pennsylvania where she currently lives. Its strictness permeates her vision to the core, with her sensational vocals remaining the lifeblood of SINNER GET READY. She uses her voice to devastating effect, harrowing up the soul with her effortless ability to switch from a soft, divine cry to a cord-ripping, desperate plea. A stunning record that I’ve returned to many times this year. (KC)

Little Simz – Sometimes I Might Be Introvert
Sometimes I Might Be Introvert is an outstanding album, ambitious and sprawling while maintaining the punchy immediacy of expression synonymous with Little Simz’ earlier work. She confidently glides between styles, from epic Scott Walker-style arrangements to afrobeat grooves, which form mere backdrops to the artist’s lyrical acrobatics. Simz enumerates the anxieties, troubles and triumphs of her life and career throughout the album’s 19 tracks – this album already has an undeniably classic quality. It is a singular expansion of the possibilities of hip-hop, of pop music more generally, and an unrepentantly fantastic album of Baroque ambition and fabulous execution. (Lloyd Bolton – Contributor)

Lunar Vacation – Inside Every Fig Is A Dead Wasp
The latest album from Atlanta-based Lunar Vacation, Inside Every Fig Is A Dead Wasp oozes a shimmering allure throughout. As each track treats the ears to whirring hooks and a sparkling musicality, I just fall more in love with Grace Repasky’s honey-sweet crystalline vocals on each listen. Floating seamlessly with an ethereal splendour, a stirring melancholy ripples on a seemingly serene surface, creating a perfectly dreamy collection. With shades of Alvvays or Best Coast, Lunar Vacation have fast become one of my most favourite bands of 2021. (ML)

New Pagans – The Seed, The Vessel, The Roots and All
An intuitive rumination on the personal and the political, New Pagans’ debut album The Seed, The Vessel, The Roots and All is a gritty, deeply poetic consideration of inequality and social injustice. Released via Big Scary Monsters, the Belfast band’s first full length record dives into the paraphernalia surrounding religion, romance and women’s pain, and resurfaces having transformed these tired archetypes into aural talismans of strength and defiance. I’m such a big fan of everything they’ve released so far and I’m hoping to hear these songs live at some point in 2022. (KC)

Noga Erez – KIDS
The GIHE team collectively adore Tel-Aviv producer & pop renegade Noga Erez’s second album, KIDS. It’s a stylish, swaggering collection of songs that explore personal growth, morality and what it means to disconnect and reconnect with the world around you. Erez has worked closely alongside her collaborative & life partner Ori Rousso to create a razor sharp, intensely catchy record that proves she’s got the musical mileage she sings of. Through her witty lyrics, slick production and commanding beats, she blazes a unique musical trail that pulses with authentic energy, spotlighting her talent as a producer, vocalist, MC and performer. What a star. (KC)

Nova Twins Presents: Voices For The Unheard
Driven by their desire to spotlight the work of underrepresented artists of colour in the heavy music scene, Nova Twins aka Amy Love and Georgia South put together this blistering collection of alternative anthems with the help of Dr Martens to showcase this eclectic range of talent. Featuring tracks by Big Joanie, Khx05, Loathe, Oxymorrons & LutSickPuppy, the record is a fun, furious blur of noise from a group of artists who have been galvanized by their individual experiences of discrimination, but who are now united in their attempts to create the music they wish they had heard growing up. A proper gem of a record that’s introduced me to some brilliant artists this year. (KC)

pink suits – political child
Having completely blown us away with their riotous, seething energy at our first gig at The Shacklewell Arms earlier this month, queer Margate duo pink suits released their debut album political child, in the Spring. With just drums, a guitar and the riotous force of their voices, Lennie and Ray offer an inclusive feminist rebellion to bring about radical change – with each powerful track on the collection, they deliver a seething, all-too-poignant social commentary on the increasingly terrifying state of the UK right now. Throughout political child, pink suits offer a perfect riotous catharsis; an immense formidable force, coated in a rousing cacophony. The duo have provided an utterly necessary soundtrack for these times; a rallying cry to make our voices heard and fight for an upheaval of a neoliberal society. (ML)

Wolf Alice – Blue Weekend
Each time I’ve tried to write about Wolf Alice’s third album, Blue Weekend, I’ve fallen short of the words to describe how profoundly comforting I find it. Emotional, but with a few grunge ragers thrown in there too – plus a lyric that everyone should adopt as a mantra “I am what I am and I’m good at it / and you don’t like me? Well that isn’t fucking relevant” – Ellie Rowsell’s magnificent, elastic vocals and poignant lyrics effortlessly stretch across the record. I listened to Blue Weekend twice a day for over a month, discovering something new every time I let its cinematic sounds wash over me. Pure musical escapism that’s rooted in real fucking feelings. Properly sublime stuff. (KC)

EPs

Ailsa Tully – Holy Isle
Long term favourite of GIHE, Welsh artist Ailsa Tully released her EP in Autumn this year. Offering four exquisite slices of stirring folk-strewn indie, Holy Isle showcases Tully’s ability to reflect on feelings of vulnerability and loss with a gently uplifting, sparkling grace. As the collection flows with a shimmering, stripped-back musicality, the juxtaposition of Tully’s crystalline, honey-sweet vocals and the gentle lilting melodies creates a delicate, captivating majesty. As the beautifully rippling instrumentation glistens with a heartfelt splendour, I can’t help but become utterly immersed in the raw emotion and poignant, resplendent charm of Holy Isle in its entirety. (ML)

Aisha Badru – The Way Back Home
Having previously charmed our ears with the soothing sounds of last year’s ‘Soil’s Daughter’ and 2018’s poignant debut album Pendulum, singer-songwriter Aisha Badru released her EP The Way Back Home earlier this month. Flowing with twinkling, folk-inspired hooks alongside Badru’s rich, soulful vocals, each track oozes an immersive, heartfelt emotion. With a gentle, lilting energy and shimmering grace, a sweeping majestic splendour soars throughout this beautifully stirring collection as it soothes the mind with its gently uplifting allure. (ML)

Bitch Hunt – Shapeshifter
Having formed at First Timers Fest in 2017, London based non-binary band Bitch Hunt have since played live for us and been lovely guests on our show on Soho Radio. This year they released their debut EP Shapeshifter, via Reckless Yes. A shimmering collection of five lo-fi, yet heartfelt, offerings, it reflects on themes ranging from nostalgia and relationships, to gender and identity, delivered with a wonderfully scuzzy musicality and twinkling energy. Treating us to their effervescent, stirring brand of unique punk-pop, Bitch Hunt have crafted a collection that is beautifully poignant, whilst offering a welcome glimmer of optimism and solidarity. (ML)

BLAB – Word of Mouth
Formed of three previously released singles and a brand new track, Southend-based BLAB‘s debut EP is the sound of a songwriter fully embracing their own choices and leaning into the raw power of each moment. Released via Cool Thing Records, BLAB aka Frances Murray combines direct lyrics with infectious guitar riffs to push past personal and political frustrations, providing her listeners with sharply observed judgements on both. (KC)

Deep Tan – Creeping Speedwells
With acclaim from the likes of NME, So Young and BBC 6Music, Hackney-based trio deep tan have been favourites here at GIHE for some time now, and we’ve been very much enjoying their debut EP Creeping Speedwells, which was released this summer. Propelled by glitchy beats and whirring, twinkling hooks, each track captivates the ears with the trio’s compelling seductive allure. Flowing with fuzzed-out shades of ’90s trip-hop, whilst maintaining a unique sparkling edge and gently haunting majesty, the whole collection offers a spellbinding, rousing splendour that’ll immerse you in its dark, psychedelic haze. (ML)

Hilary Woods – Feral Hymns
I saw the title of this EP, listened to 30 seconds of it and downloaded it IMMEDIATELY. Released via Sacred Bones, Feral Hymns by Irish multi-instrumentalist Hilary Woods captures a relatable sense of gloom across five instrumentals that she worked on with collaborator Lasse Marhaug. Woods describes her ambiguous sounds as “A collection of hymns set at dusk…Unspoken bonds, primal pain, cyclical patterns, unsent love letters.” I find her melancholy, fleshy sounds intensely moving and I can’t wait to hear the new full length record she’s currently working on. (KC)

Jenny Moore’s Mystic Business – He Earns Enough
Featuring members of Trash Kit, F*Choir and Bamboo, Jenny Moore’s Mystic Business are a six-piece choral punk ensemble who released their debut EP in October. A poignant collection covering themes such as the struggles of living in a patriarchal, capitalist society and the fears women and gender minority people face when walking home alone, He Earns Enough showcases the soaring, harmonious power of voices coming together in unity. With each track propelled by an anthemic, mystical energy, the collection offers a simple, yet stirring, message, oozing a sweeping, celestial splendour that’ll bewitch the listener instantly with its eerily enchanting allure. (ML)

M(h)aol – Gender Studies
I was blown away by the power of Irish post punks M(h)aol when I saw them perform their debut EP live at The Shacklewell Arms in November. The brooding, shadowy sounds on Gender Studies vehemently reject outdated attitudes and social constraints concerning gender, identity and equality. It’s a vital, much needed antidote to toxic patriarchal standards, providing listeners with a cathartic exhale of fury and freedom. (KC)

TOKKY HORROR – I Found The Answers And Now I Want More
GIHE writer Jay Mitra penned a great review of dance-punk trio TOKKY HORROR’s debut EP earlier this year, branding it “a cyber goth masterpiece that hits you as hard as MDMA” – and they’re not wrong. Packed full of manic electronics and pounding beats, I Found The Answers And Now I Want More is a whirlwind of EDM energy that’s impossible to sit still to. (KC)

Honourable Mentions

Alex Loveless – Phone Keys & Wallet (EP)
Arlo Parks – Collapsed In Sunbeams
BISHI –Let My Country Awake
CHERYM – Hey Tori (EP)
Elodie Gervaise – Syzergy (EP)
Elsa Hewitt – LUPA
Grace Petrie – Connectivity
Halsey –If I Can’t Have Love, I Want Power
Maria Uzor – Innocence and Worldliness (EP)
Me Rex – Megabear
Naoko Sakata – Dancing Spirits
Nun Habit – Hedge Fun (EP)
Okay Kaya – The Incompatible
Penelope Trappes – Penelope Three
SPELLLING – The Turning Wheel
Tirzah – Colourgrade
YAY MARIA – OYEZ
WILLOW – Lately I Feel Everything

ALBUM: Lingua Ignota – ‘SINNER GET READY’

“And all that I’ve learned / is everything burns” laments Lingua Ignota aka Kristin Hayter on ‘Pennsylvania Furnace’, the fourth track on her latest album SINNER GET READY – an apt sentiment for a record that blazes with a unique orchestral agony.

Released via Sargent House, Hayter’s fourth full length offering is an emotional exorcism inspired by the severe brand of Christianity in rural Pennsylvania where she currently lives. Its strictness permeates her vision to the core; her lyrics, majestic hymn-like instrumentation and gothic aesthetic smoulder with a righteous thirst that can only be sated by the blood of Jesus – a recurring lyrical and visual motif on the album.

Whilst it’s clear that Hayter has made a distinct departure from the furious, visceral sounds of CALIGULA, her sensational vocals are still the lifeblood of SINNER GET READY. She uses her voice to devastating effect, harrowing up the soul with her effortless ability to switch from a soft, divine cry to a cord-ripping, desperate plea. She is like a one woman version of the chorus of ancient furies that saturate Greek mythology; Medea-like in her repulsion, relentless in the revenge she reeks upon the souls who cross her path.

From the unsettling, majestic keys of epic opener ‘The Order Of Spiritual Virgins’ on which she warns “Hide your children / hide your husband / I am relentless / I am incessant / I am the ocean” to the theatrical, cathedral-worthy organ on ‘I Who Bend The Tall Grasses’, Hayter’s furious summons often give the impression of a preacher who has lost their way. Her guttural, spitefully shouted lyrics “I don’t give a fuck / just kill him / you have to / I’m not asking” on the latter are matched by the violent imagery on ‘Repent Now Confess Now’ – “He will knock the breath from you / he will ram your eyes with glass” – all culminating to create a palpable sense of dread.

A vessel for exposing rage, hypocrisy and suffering; Hayter leaves no stone unturned. She blends self and social flagellation together effortlessly on three tracks that centre around the questionable sincerity of disgraced American Evangelist TV Preacher Jimmy Swaggart. The audio of his televised confession is layered over the instrumentation at the end of ‘The Sacred Linament Of Judgment’, featuring his “blood of Jesus'” remark which Hayter then uses as a lyrical backbone for the sombre ‘Perpetual Flame Of Centralia’. It’s bookended with ‘Man Is Like A Spring Flower’, which opens with the audio of an interview with the prostitute who brought Swaggart’s indiscretions to the surface, embellished by Hayter’s potent, destructive lyric “The heart of man is a furnace.”

With her archaic song titles, immersion into Christian iconography and distinctive vocal delivery, Hayter invites her listeners to dwell in the chaotic, divine abyss on SINNER GET READY. “Do you want to be / in hell with me?” she asks – if hell sounds like this, we’ll gladly walk into the flames. Even without a full understanding of the album’s religious context, SINNER GET READY provides a profound emotional release.

Follow Lingua Ignota on bandcampSpotifyTwitterInstagram & Facebook

Kate Crudgington
@KCBobCut

WATCH: Lingua Ignota – ‘PERPETUAL FLAME OF CENTRALIA’

A sombre, affecting lament that centres on a lyrical motif underscoring her upcoming album SINNER GET READY, Lingua Ignota aka Kristin Hayter has shared her latest single ‘PERPETUAL FLAME OF CENTRALIA’. Accompanied by an elegant set of visuals that show the multi-instrumentalist wearing exquisite couture pieces created by artist & Sargent House label mate Ashley Rose, the track & video focus on the iconography of the blood of Jesus and how it can “wash and cleanse every stain,” as disgraced American Evangelist TV Preacher Jimmy Swaggart once tearfully confessed.

Shot by Emily Birds, Ashley Rose’s beautiful bespoke costumes in the footage serve to heighten the majestic, yet morbid nature of Hayter’s voice and vision. “Working collaboratively with Ashley has been a dream,” Hayter explains. “I have been able to explore the ideas of my record with wearable art. I chose to wear her mask on the cover of SINNER GET READY because it held the sharp dichotomy of my music; it was chaste and erotic, exquisite and grotesque. For the ‘PERPETUAL FLAME OF CENTRALIA’ video, the expressive capacity of her garments are meditated upon in juxtaposition to the stark, desolate quality of my song. It is the material vs. the immaterial, and the result is languid and dreamy and wonderfully claustrophobic.”

With her new record, Lingua Ignota has made a distinct departure from the furious, visceral sounds of previous offering CALIGULA, but her sensational vocals are still the lifeblood of the album. On ‘PERPETUAL FLAME OF CENTRALIA’, they tentatively unravel over sparse, melancholy keys so that even without a full understanding of the track’s biblical context, Hayter’s song still provides a profound emotional release.

Watch the video for ‘PERPETUAL FLAME OF CENTRALIA’ below.

Pre-order SINNER GET READY here (released on 6th August via Sargent House)

Follow Lingua Ignota on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Lisa Birds

Kate Crudgington
@KCBobCut