PLAYLIST: June 2018

We’re mid-way through 2018, and we’re ready to share another playlist packed with fresh new sounds for your very eager ears! Take some time to scroll through our track selections, hit play on the Spotify link below, and let your ears fill up with the glorious new sounds of June…

Fever Ray – ‘If I Had A Heart’
Fever Ray were one of the headliners of Field Day this year and it could not have been a better end to the festival, hypnotic beats, terrifyingly warped vocals and an explosive stage performance. Gender bending outfits, with reverberating sound all whipped up together by the psychedelic and endorphin inducing visuals. When this track started I lost my mind – wow wow wow. (Tash Walker)

Catgod – ‘Keep My Promises’
Lead by sibling duo Robin and Catherine, Catgod’s new single interweaves swirling folk-tinged melodies with trip-hop inspired beats. As Robin’s soaring vocals are perfectly complemented by Cat’s exquisite harmonies, it showcases the band’s unique musicality in a cinematic soundscape that’ll captivate on first listen. Heartbeat In My Hand, the debut EP from Catgod, is out 22nd June. (Mari Lane)

Dott – ‘Bleached Blonde’
Galway’s Dott have released the perfect single for girls who love sunshine, surfing, and super-catchy garage pop anthems. The track is taken from their upcoming album Heart Swell, which is set to be released via Graveface Records on 8th June. It’s not on Spotify yet, but you can watch the video for it below. (Kate Crudgington)

S4U – ‘Heart’
‘Heart’ is the latest single London-based duo S4U (Something For You) taken from their upcoming Mixtape Heart 2 Say, which will be released via Different Recordings on 6th July. Looking forward to that a lot… I’m loving S4U’s new low-slung R&B experimental electro with some heavy 90s influences. Of the track S4U says “Curved, Parallel conscious, sub conscious, the synergy of heart and mind generates wise choices that benefit all. In other words as you appreciate that which is appreciating you. It is a wonderful thing to hold someone as your object of attention while you feel that G force Roses in Britain” Lovely. (TW)

The Menstrual Cramps – ‘Make Girls Feel Good’
Combining activism with musical prowess, The Menstrual Cramps provide a captivating force that we all need now more than ever.  With their fist-clenching ferocity, racing catchy hooks and a tongue in cheek wit, they create truly infectious punk-rock anthems. And this track is no exception – an epic dose of empowering energy, with lyrics like “you always look like such perfection that you don’t even need to try”, it’ll leave you feeling good and ready to take on the world. And we CANNOT WAIT to see The Menstrual Cramps headline for us at The Finsbury on Friday(ML) 

Slowcoaches – ‘Found Down’
Having previously captured our hearts with the totally epic, anti-toxic-masculinity anthem ‘Complex’, Slowcoaches are back with a new single. Racing with a seething energy, ‘Found Down’ hits your ears with its scuzzy riffs and the raw, angst-driven vocals of Heather Perkins. Oozing an immense, punk-fuelled power, it’s a perfect blast of raging honesty that we need now more than ever. (ML)

Placebo – ‘Scared Of Girls’
I scored tickets to Placebo’s Meltdown gig at Southbank Centre (curated by Robert Smith) and although this will be the fourth time I’ve seen them (quit bragging Kate), my heart is still beating double time with joy at the prospect of potentially hearing this track live. I imagine this song title accurately describes how most men feel when they see me dancing to it on a night out… (KC)

The Joy Formidable – ‘Dance Of The Lotus’
This is the band responsible for getting me in to alternative music a decade ago, so when I heard new single ‘Dance Of The Lotus’, my inner 18 year old imploded. They’re playing Robert Smith’s Meltdown Festival on the same day as NIN, and they’ll be playing at one of my favourite venues, The Lexington, in August. I missed out on tickets for both, so if anyone wants to help a girl out…I write good reviews… (KC)

Hilary Woods – ‘Inhaler’
‘Inhaler’ is the first single from Hilary Woods’ upcoming debut solo album Colt, which is set to be released via my favourite label Sacred Bones Records on 8th June. It’s a pensive, delicate, melancholy track about her struggles with homesickness, and it’s going to sound beautiful live when ringing out against the walls of St Pancras Old Church on 11th June. (KC)

VTR – ‘Soul To Skin’
‘Soul To Skin’ is taken from Brixton duo VTR’s recently released EP of the same name via Dream Diary. So sultry, so smooth, so seductive. This track reverberates around my ears giving me so much audible pleasure, very excited to hear more from these two in the future. (TW)

Barrie – ‘Tal Uno’
The new single from Brooklyn’s Barrie, ‘Tal Uno’ is filled with jangly hooks and swooning vocals, creating a totally dreamy, twinkling soundscape. As glistening synth-filled melodies glide alongside glitchy beats, it’s impossible not to float away in the shimmering, psychedelic haze that Barrie create. (ML)

ELA Lindsey – ‘Healing Me Slow’
This is the debut track from Nashville’s singer-songwriter ELA Lindsey who found her musical passion later in life starting at the age of 29. She says that by releasing this single she hopes to inspire other women to start their artistic journeys later than the typical industry standard usually allows. ‘Healing Me Slow’ has been firmly stuck in my head over the last couple of weeks, starting with her sweet and gentle vocals, then breaking down into this dark electro synth laden TUNE. With all the hooks and loops I could ever want. INTO IT. (TW)

Tigercats – ‘Candy’s Tailor’
Tigercats’ new single ‘Candy’s Tailor’ is filled with twinkling, jangly melodies and uptempo, calypso-like beats. Flowing with raw vocals and rich layers of sound, it’s an utterly uplifting summer anthem, and I’m already getting pretty excited about seeing these guys at Indietracks Festival next month! Pig City, the new album from Tigercats, is out now. (ML)

Nine Inch Nails – ‘Ringfinger’
I only discovered the true glory of NINs last year (always late to the party, when will I learn?) but I’m seeing Trent Reznor & co twice this month – at Meltdown Festival & The Royal Albert Hall – and I am nerve-shreddingly excited. ‘Ringfinger’ is one of my favourite tracks on 1989’s Pretty Hate Machine, and although they’re unlikely to play it live – I’ll still be bouncing off the walls in anticipation leading up to the gigs. (KC)

Photo Credit: Slowcaoches shot by Priti Shikotra

Track Of The Day: Slowcoaches – ‘Found Down’

A band after our own hearts, having shouted back against the injustice of harassment and toxic masculinity in the music industry on last year’s ‘Complex’, Slowcoaches continue their biting social commentary with new single ‘Found Down’.

Racing with a seething energy, ‘Found Down’ hits your ears with its scuzzy riffs and the raw, angst-driven vocals of Heather Perkins. Oozing an immense, punk-fuelled power, it’s a perfect blast of raging honesty that we need now more than ever.

Of the track, Perkins explains:

It’s about how the ‘struggle’ of the artist is glamorised by mainstream labels via the media in order to sell records… And it’s about how mundane and frustrating the day-to-day reality of that struggle can actually be, whether that’s mental, financial or something else.”

 

‘Found Down’ will be released as a 7″, backed by Misfits’ cover ‘Skulls’ on the B-side. Catch Slowcoaches live at the following dates:

27th May – UK @ Raw Power Festival, London
5th June – Green Door Store, Brighton
21st June – Chunk, Leeds
23rd June – Delicious Clam, Sheffied

Mari Lane
@marimindles

Photo Credit: Priti Shikotra

Interview: Slowcoaches

Like us Get In Her Ears girls – and most women in music – Slowcoaches bassist & vocalist Heather Perkins is pretty fucking sick of the pervasive misogyny inherent in the music industry today. But there’s no need to agonise, as her band and her voice provide a much-needed antidote to all the patriarchal nonsense we’re forced to stomach. We caught up with Heather to talk about Slowcoaches 2018 recording and touring plans, shouting back against dumbass sexism on Twitter, being appreciative of your band mates, and taking time to recognise and deal with your own mental health issues effectively…

Hello Heather, how’s it going?

Hi. I’m good.

Great stuff. It’s the start of a brand new year, and we’re keen to know what’s in store for Slowcoaches. Can you tell us what’s coming up for the band in 2018?

I’ve been mainly writing our second album, which will come out this year. I’ve moved out of London and I’m writing back in the town I grew up in which is weird but also really refreshing. Its given me a new place mentally and physically to write from, which is always interesting. We have a new track coming out in a couple of months which I’m really excited about. We’re also planning a huge tour in a huge country for later in the year, and I’m so damn excited but I don’t know how much I’m allowed to say about that right now.

That sounds exciting! We saw your tweets about Bono’s Rolling Stone interview at the end of 2017, in which he brands new music “girly” and says hip-hop is the only place in music where men can express “rage”. Where were you when you first read his comments?

Haha I don’t know where I was when I read it, but that’s because I read so much shit like this all the time now that it kind of becomes an everyday occurrence. I genuinely couldn’t give a shit what Bono thinks, but the things he says have such reach and they shape the opinions of his already small-minded but huge audience. He reflects an opinion that poses a huge problem to women the music industry and the world in general, that’s what’s so frustrating about it.

We also saw that you’d been tweeting about the first release on Slaves’ new label ‘Girl Fight Records’ too?

Yeah. This is the first time in a while that I’ve let something like this really piss me off actually. It took me a whole day to totally get my head around why I was so angry about it, and I realised there were so many layers to the whole thing that I found offensive – both as a woman and as a woman musician. I think this is why:

Slaves are a band with a lot of influence. Their opinions and endorsements affect the way their audience perceives music and more widely, the way they perceive the world. So, they’ve chosen to start releasing music under the label name ‘Girl Fight’. That’s the first kicker. The phrase ‘Girl Fight’ denotes pettiness, weakness and bitchiness. It has sexual and comical connotations. And more often that not a ‘girl fight’ involves two women fighting over a man.Those two words have layers of negative connotations that reach beyond simply pitching women as enemies of each other.

This is a problem then, when coupled with the fact that their first release is by an all-white, all-male band called ‘Lady Bird’ (check! Two more references to the female gender) – a song about a ‘traditional geezer’ who’s having a bad time in Wetherspoons which is something that we can apparently ‘all identify with’ (except for anyone who isn’t a traditional geezer – hell, I don’t even know what a ‘traditional geezer’ is). So that alienates all us un-traditional, un-geezer types.

Congratulations Slaves! You’ve created the epitome of a ‘lads club’ right there. Everything about this label and this release screams ‘punk rock is a boys gang and you’re not invited’.

Denoting women as enemies of each other whilst promoting and supporting maleness in punk music is the ultimate ‘fuck you’ to all women, female-identifying and LGBTQ individuals who are making music of this genre. They are reinforcing the idea that rock music is a boys game. And their audience will believe them.

But notice how both label and band use words referencing the female gender: girl, lady, bird. Its like, adding insult to injury. Not only are women banned from engaging or identifying with the content, they are referenced with the intent to both sneer at them, belittle them and use them as a decoration, a name, an aesthetic reference.

We can understand why you’re so angry about it. It’s really disappointing to see a band with such a big fanbase belittle women’s efforts in punk.

What inspires you when you’re writing new songs?

It’s taken me a while to get in to the routine of writing. It’s fun and frustrating in equal measure. I get really angry at myself really quickly, especially if I don’t feel like I’ve got a great idea within the first 3 minutes. I’ve spent a lot of time training myself to persevere through those initial few minutes of total shit. It’s like doing warm up before you go for a run.

I’ve also been forcing myself to sit down and just write for an hour or something every day. It’s easier the more you do it. It also teaches you about the best way to write. Like, for you. A few weeks in, I realised I was writing songs that I thought other people would like. And it just wasn’t working. So now I’m writing songs for myself and its all flowing more easily.

In terms of what inspires me, it can be anything at all. I often think about the live show and how songs translate to be experienced on a stage. I guess that’s the place I often start from.

You toured the UK in 2017 and you’ll be back on the road in 2018 too. Can you talk to us about the positive and negatives aspects of being on tour?

Our last tour was amazing. It was a pretty long trip and I learned a huge amount about myself and what I’m capable of and what I’m not.

I suffer from severe anxiety and panic disorder as well as a few other weird things including DPD (Depersonalisation Derealisation Disorder) that can make touring quite tricky for me. I basically got back and finally admitted to myself that I just can’t do some things in the same way as some other people can. Admitting that was a bit of a relief and now I know that I need to be stricter with myself and look after myself a lot better when we go away. Otherwise I’m making my life a hundred times harder than it needs to be.

I definitely couldn’t get through touring without Sean and Oliver and our awesome little team. Doing something so challenging can be a real confidence boost, but next time I want to be able to really enjoy myself.

Here at Get In Her Ears, we’ve noticed that bands and artists have been much more open about their struggles with poor mental health this year. Have you noticed this yourself, and do you think this open attitude will continue to prevail in 2018?

I hope so. I think music is so inextricably linked to emotion that it’s a great place for people to start to explore and identify and swap experiences.

Do you have any advice for new bands or artists who are concerned about their mental health?

A few things I learned whilst on tour:

Try to be open and honest with your band mates and crew. Don’t bottle things up. It only increases tension and anxiety.

Being around someone with a mental health issue can be as challenging as having one. You’re not expected to provide solutions, but it can help you and others if you’re explicit about what you need at any time. If you want to be alone, say so. If you want someone to sit and just hold your hand, say so. If there’s nothing anyone can do at that moment, say so.

Challenging yourself is good, but be realistic about what you can and can’t do. It’s ok to say “I don’t want to”. Having a few ground rules when you’re on tour is important. It doesn’t make you any less punk.

Good advice. As a new music blog, we’re always keen to hear about other people’s favourite new bands & artists. Who are you listening to at the moment?

I’ve just been listening to a great record that came out this year called LA Women, by a New Orleans band called Patsy. Nice gritty upbeat, catchy garage punk.

Finally, if you had to describe Slowcoaches’ music in three words: what would they be?

Infectious, vital noise.

Huge thanks to our (S)hero Heather for taking the time to answer our questions. Make sure you’re following Slowcoaches on Facebook to keep up to date with all their new releases.

Photo Credit: Priti Shikotra

Kate Crudgington
@KCBobCut

Ones To Watch 2018

We’re approaching the beginning of a new year – the perfect time to celebrate new music. As we leave 2017 – and all it’s thrown at us – behind, we’re ready to venture into 2018 alongside some of the music we’re most excited about for the upcoming year.

Have a read, and keep your ears peeled for these incredible bands and artists over the coming months…

Having recently supported GIHE faves PINS on tour, and received much acclaim for their eponymous debut album from the likes of Mojo and Q Magazine, London collective Madonnatron would seem to have had a pretty successful 2017.

We’ve been in love with these four awesome women since their captivating cacophony left us completely spellbound at The Finsbury back in March. And now, with the seething vocals and haunting discordant hooks of tracks such as ‘Sangue Neuf’ and ‘Headless Children’ having provided an eerily majestic soundtrack to much of this year, we’re quite sure that the beguiling ‘Witch Prog’ of Madonnatron will be headed for big things in 2018. (Mari Lane)

We currently hold the record for “how many times you can feature Queen Zee on a roundups/playlist” article – and it’s one we’re proud to be upholding. The Liverpool-based band blew us away with their visceral, politically switched on sounds at The Garage in October, and we’ve been hooked on their punk-like anthems ever since.

Fronted by Queen Zee, the group use their platform to shout back against transphobia and homophobia, as well as supporting and celebrating equality. They’re set to record and hopefully release their debut album in 2018, as well as hitting the road again in support of The Marmozets. Make sure you put your ‘Idle Crown’ on, and get behind this incredible set of talented individuals in 2018. (Kate Crudgington)

Having blown us away with their completely captivating live performance at The Finsbury, Sink Ya Teeth are fast becoming one of our favourite bands. With the addictive, pulsating beats and ‘80s-inspired dance-pop hooks of singles ‘If You See Me’ and ‘Glass’, they’ve showcased their ability to create utterly infectious, uptempo offerings, and we cannot wait to hear more.

With praise from the likes of BBC 6 Music, and support slots with Chk Chk Chk already under their belt, this Norwich duo are sure to be continuing to seduce many an ear throughout 2018. (ML)

Although we’ve been aware of them for some time, Slowcoaches caught our full attention this year with the release of their brilliant track ‘Complex’ – a snarling comeback to the music industry’s misogynist bullshit.

Comprised of Heather (bass & vocals), Neil (drums), and Oliver (guitar), the band are a grunge-fuelled, alternative force to be reckoned with. With wicked tracks like ‘Living Out’ and ‘Complex’ behind them, we’re excited to see what 2018 holds for this talented trio. (KC)

With support from the likes of BBC Introducing and Amazing Radio, and an ever growing reputation for their vibrant live performances, London collective Kid Cupid have been alluring our ears with their blissful electro-pop for some time.

Now, with the recent release of latest single ‘Easy’, they’ve shown themselves to be true masters of their craft; creating utterly euphoric layers of sound alongside Laura Shaw’s rich, soulful vocals. With shades of the likes of Oh Wonder and Little Dragon, we cannot wait to hear more of Kid Cupid’s dreamy, sonic delights throughout 2018. (ML)

 

We’ve made no secret of our love for Essex songwriter Beckie Margaret, and we want everyone’s ears to be blessed with the sound of her impeccable voice.

Inspired by the likes of Lucy Rose, Jeff Buckley and Bon Iver, Beckie’s songs are tender, intuitive, and effortlessly delivered. She’s still at University in the final year of her song-writing degree, but there’s something about her music that can’t be learned from the pages of a textbook. Signed to Cool Thing Records, we’re confident the future for this talented vocalist, writer, and producer is blindingly bright. (KC)

Receiving support across the industry from the likes of Joe Talbot (IDLES) and BBC 6 Music’s Tom Ravenscroft and Steve Lamacq, Birmingham trio Table Scraps are certainly worth paying attention to.

Creating dark and gritty garage-punk, with tracks such as ‘My Obsession’ and latest single ‘Sick Of Me’, the band deliver thrashing riffs and stomping beats, fuelled by a ferocious force. A perfect example of raw, raging DIY music at its best.

Now, with their debut full-length album Autonomy set for release in February, the enraged, empowering energy of Table Scraps looks set to take the world by storm in 2018. (ML)

If you’re a fan of ambient electronic music with a melancholy edge, Temples Of Youth are a band you need to invest in. The Winchester duo sent divine shivers down our spines when they headlined our December show at The Finsbury, and we’ve been spinning their recent self-titled EP in an attempt to stay hypnotised by their magnetic sounds.

We’re confident that tracks like ‘Amber’ and the beautifully articulate ‘Churches’ will propel the pair further in to the spotlight in 2018. We also recommend you check out their superb cover of Nirvana’s ‘Heart-Shaped Box’ – it’s urgent and unforgettable. (KC)

With 2017’s highlights including supporting Desperate Journalist and Nelson Can on various tour dates, Manchester trio LIINES have fast been gaining attention from the likes of John Kennedy, The Quietus and BBC Introducing throughout the year, and we’re loving their gritty, post-punk sounds.

As the pummelling beats and raw vocals of tracks ‘Disappear’ and ‘Blackout’ blast into the ears with all the brooding, impassioned energy you could ever desire, we’re desperate to hear more from LIINES and wait with excitement for what they have in store for us in 2018.

We’re also extremely excited to announce that LIINES will be headlining for us at The Finsbury on 9th February with Bugeye, Suggested Friends and Duck. See you there! (ML)

Highlights Of The Year 2017

As we near the end of the year, we wanted to reflect on some of our highlights of 2017; to draw attention to the times when, despite all the shit going on in the world, women in music have inspired us, motivated us, and shown themselves to be positively awesome. So, though we don’t know what 2018 might bring, let’s celebrate these incredible women in all their patriarchy-smashing glory! 

Whilst it’s easy (and natural) to agonise about the harassment and adversity that female musicians face in the industry, it’s even more important to organise and shout back against the injustice of it all: and that’s exactly what Slowcoaches bassist & vocalist Heather Perkins did on ‘Complex’. She wrote the song as a response to the sexual assault allegations against artists in the press at the time. Singing about a male lead singer who “really needs a hand, one’s in the other, and the other’s in his pants”, Heather sounds confident in her assertion that his story “holds no weight”, and the rage and distrust in her lyrics resonated with Mari & I profoundly. (Kate Crudgington)

“Don’t let the bastards get you down, don’t let the arseholes wear you out.”
Wise words from Kesha. A woman who’s provided much inspiration for us this year in her determination in the ongoing legal battle against producer Dr. Luke, amid accusations that he “sexually, physically, verbally and emotionally” abused her for years.

After everything she’s been through this year and with the release of her latest album Rainbow – a collection of powerful and motivating anthems – Kesha’s shown herself to be a super strong inspiration of a woman. If songs like ‘Woman’ and ‘Bastards’ don’t make you want to get up, feel empowered and give a whopping middle finger up to the patriarchy, I’m not sure what will.

And, though the battle is far from over for Kesha, let’s give her credit for having the strength to speak out publicly against abusive men, giving us all a bit of inspiration to fight and not let those bastards get us down. (Mari Lane)

Since the release of their single ‘Somebody’ earlier this year, Dream Wife‘s live shows now feel twice as liberating. ‘Somebody’ is an anthem about recovery and reclaiming your body, but the trauma that lurks behind the sexual assault which sparked the song still puts a lump in my throat. Having said that, it was a sheer joy to watch Rakel, Alice & Bella perform the song to their sold out crowd at Scala in October, who echoed back Rakel’s life-affirming lyric “I am not my body, I’m somebody”. If you haven’t seem Dream Wife live yet, I urge you to come to their show at Heaven in 2018. You won’t regret it. (KC)

Having played on the Rising Stage for the last four years, it was a joy to see all-female collective Deep Throat Choir get a turn on the main Mountain Stage at Green Man Festival this year. Since I last saw them two years ago, the group had grown in both size and power. Dressed in matching vibrant oranges and pinks, they succeed in brightening a rather grey last day of the festival, treating us to a mix of covers and originals from their wonderful debut album Be OK. With everyone singing along to personal favourite ‘Baby’ being a pretty emotional highlight, it was a simply euphoric experience watching these wonderful women create such perfect, intense harmonies and sweeping vocal melodies. Epitomising the exceptional power of women coming together to create, Deep Throat Choir unite their voices to summon a force that is truly awe-inspiring. (ML)

When Wolf Alice effortlessly performed ‘Don’t Delete The Kisses’ under the sparkling mirror-ball lights at their Alexandra Palace headline gig in November; I swooned so hard I thought I might drown in my own heart-shaped tears. Their perfectly executed set was laced with tracks from debut record My Love Is Cool (‘Lisbon’, ‘Bros’, You’re A Germ’ & ‘Silk’) as well as a healthy dose of new material from second album Visions Of a Life, (‘Heavenward’, ‘Formidable Cool’ & vicious lead single ‘Yuk Foo’). I’ve seen them live many times before, but I left Ally Pally feeling confident I’d witnessed something special, and I’ll definitely be catching them again in 2018.(KC)

Whilst the #MeToo campaign this year has signalled the start of a change for the better – bringing the issue of violence against women into the public eye, with perpetrators (finally) beginning to see some consequences to their actions – domestic violence against women and children continues to occur every minute of every day. And, with the government continuing to make life-threatening cuts to vital services, charities like Feminist direct action group Sisters Uncut are more necessary now than ever. 

Gaptooth‘s latest single ‘They Cut We Bleed’ celebrates the work of Sisters Uncut; featuring powerful footage from their protests, it rages against the government with a frenzied, impassioned energy and powerful force. With shades of the likes of Le Tigre or MEN, it’s the perfect call to arms that we need now more than ever. Drawing our attention to the issue with the raw honesty of horrific facts and figures (“In the UK on average two women a week are murdered by a partner or ex-partner…”), accompanied by catchy, whirring beats, Gaptooth offers an empowering voice for all we should be saying right now; inspiring us to get up, unite and take action to create the positive change that so urgently needs to happen. (ML)

It feels odd to call this a ‘highlight’, but I want to include it here because I remember reading the statement and thinking “YES! GOOD FOR HER!”. High profile women like Kesha, Alice Glass & Taylor Swift publicly called out the men who had abused or sexually harassed them this year, and it paved the way for female musicians in smaller bands to do the same.

Estrons vocalist Tali Källström used the band’s Facebook page to inform fans that Paul Draper had sent her inappropriate messages prior to their dates supporting his band, and consequently she’d decided to cancel the shows. She wrote: “I have experienced sexism, misogyny and prejudice, but this time, enough is enough. I will not pander because I want success. I was asked to sweep this under the carpet, but I can’t. I want to play alongside musicians that respect me and like me for my music and personality, not because they are sexually interested in me.” Tali is a fierce front-woman who’s not afraid to ask for more, and I hope her words have inspired other women in the industry to speak out against similar types of behaviour. (KC)

We’ve been big fans of Julie Hawk for a while now – writing songs with her band HAWK that draw attention to reproductive rights and the mistreatment of women in her Irish homeland. However, this year – in addition to continuing to create powerfully enchanting music – she started a new creative venture, ‘Female Fronted, Drawn Together’. 

Putting together a playlist of wonderful female artists, new and old, who have inspired her in some way, she created a unique illustration to accompany each song. Including some of our favourites – Bitch Falcon, Dream Nails, Skinny Girl Diet, PINS and The Julie Ruin – it’s provided the perfect, empowering soundtrack to 2017. Julie has now started the next instalment of ‘Female Fronted Drawn Together’, and we urge you to check out all her wonderful illustrations on her Instagram page.(ML) 

Listen to our Get In Her Ears Highlights Of 2017 playlist, including our Tracks Of The Year and songs from our favourite Albums Of The Year.

 

Mari Lane / @marimindles 
Kate Crudgington / @kcbobcut

WATCH: Slowcoaches – ‘Complex’

Whilst it’s easy (and natural) to agonise about the harassment and adversity that female musicians face in the industry, it’s even more important to organise and shout back against the injustice of it all; and that’s exactly what Slowcoaches bassist & vocalist Heather Perkins does on brand new track ‘Complex’.

Perkins has some insightful, valid  observations about the new track, and we thought they were well worth sharing in full below:

“The music industry really feeds toxic masculinity by putting male artists on a pedestal,” observes Perkins. “‘Complex’ is a response to the sexual assault allegations against artists that were in the press at the time I wrote it. There’s still a really dirty side to the industry – particularly with the encouragement and portrayal of male artists in rock music to god-like status. All too often, the system is adhering to an archaic, misogynistic interpretation of ‘punk’ that makes guys think they’re invincible, that they have an authority over women’s bodies.”

She continues “It sweeps the artists up, way out of their depth, and then there’s no one there to support them in dealing with this stuff in the right way when they eventually get called out. We came up with the concept of the video when we were talking about this – the idea of a split self – that there are parts of the personality that are always hidden from view. Pulling the curtain away, kind of peeling back those layers – the bright light exposing all the grubby stuff underneath.”

The single will be available this side of the new year on screenprinted 7” vinyl, backed by a cover of Fang’s ‘The Money Will Roll Right In’. The band are touring the UK over the next month, so check which date you can go to below, and learn the words to ‘Complex’ in the meantime. Follow the band on Facebook for more updates.

Oct / Nov 2017 Headline Tour:

18/10/2017 – UK, Liverpool – Shipping Forecast
19/10/2017 – UK, Manchester – Soup Kitchen
20/10/2017 – UK, Sheffield – The Rocking Chair
21/10/2017 – UK, Leeds – Lending Room
23/10/2017 – UK, Newcastle – Think Tank Underground
24/10/2017 – UK, Glasgow – Broadcast
25/10/2017 – UK, Nottingham – Bodega
27/10/2017 – UK, Cardiff – Clwb Ifor Bach Downstairs
28/10/2017 – UK, Exeter – Cavern – Indie Club
30/10/2017 – UK, Bristol – The Louisiana
31/10/2017 – UK, Oxford – Cellar
01/11/2017 – UK, Brighton – The Joker
02/11/2017 – UK, London – Boston Music Room

Kate Crudgington
@KCBobCut