LISTEN: Soccer Mommy – ‘Lucy’

Soccer Mommy (aka Sophie Allison) is back and dancing with the devil on her new track ‘Lucy’. It’s her first new music offering since the release of debut album Clean in 2018, and it’s flowing with slacker-style guitar riffs and soft, yet seething vocals.

Accompanied by a lyric video, Allinson’s new track centers around the demons that “irk” her. She explains further: “‘Lucy’ is a really fun song for me because it has a dark, evil vibe. It’s a song about struggling with inner demons and your own morality, but I masked it with this scenario of being seduced by the devil. I’m really excited to share this with everyone because I think it shows a different side of my writing.”

Soccer Mommy seamlessly blends the dark with the light, and if ‘Lucy’ is anything to go by, her next album is going to be equally as interesting as her debut record. Listen to the new single below, and follow Soccer Mommy on Facebook for more updates.

Photo Credit: Brian Ziff

Kate Crudgington
@kcbobcut

Record Store Day 2019: GIHE Picks

It’s the most wonderful time of the year… That’s right, Record Store Day. The excitement, the unity of eager queuers, the smell of that shiny vinyl as you release it from its sleeve, the empty pockets at the end of the day… But most of all, the music. A day dedicated to celebrating our favourite music, and those wonderful shop-owners who provide us with so much of it.

Ahead of the big day this Saturday (13th April), we thought we’d share some of the special releases that we’re most looking forward to this year. From the riotous power of classics by legends no longer with us, to our favourite soundtracks, and brand new releases from current bands making waves, here’s some of the records we’re hoping to get our hands on…

Mari Lane:

Elastica – BBC Sessions
I think Justine Frischmann and co. first came to my attention when I saw ‘Waking Up’ on an episode of TOTP, with none other than Damon Albarn appearing on keys/posing; and that was it – I was instantly in awe of the immense sense of cool that oozed from the three guitar-wielding women on stage. Failing my attempts to get hold of their 1995 eponymous debut on special release (plus an exclusive fanzine) in 2017, this year I have my heart set on Elastica’s BBC Sessions, released for the first time ever on vinyl. Whilst Strange Fruit released the Radio One sessions on CD back in 2001, this is the first artist curated release of the band’s sessions –  combining tracks recorded for John Peel, Steve Lamacq and Mark Radcliffe.

White Vinyl plus poster. Info here

Courtney Barnett – ‘Everybody Here Hates You’/’Small Talk’
Last year, I managed to get hold of Barnett’s special Record Store Day Release, ‘City Looks Pretty’/’Sunday Roast’, and this year I’m equally as determined to bag her new single ‘Everybody Here Hates You’, along with B-side ‘Small Talk’, on exclusive 12”. Courtney Barnett is probably my favourite, and most relatable, lyricist in the world. She has a unique ability to tackle everyday life with a spot-on wit and raw honesty, perfectly showcased in this wonderfully blues-infused latest offering.

12″ Vinyl via Marathon Artists. Info here.

Bang Bang Romeo – ‘Cemetery’/’Creep’
Taken from their Shame On You EP, ‘Cemetery’ is one of South Yorkshire group Bang Bang Romeo’s less raucous offerings, and is in itself an ode to record stores and finding your place within a music scene, with the lyrics capturing that excitement of going into a record store: “‘Finally found a place where I feel a part of something more ….in your arms where I found The Smiths & The Flaming Lips”. I’ve been aware of the awesomeness of Bang Bang Romeo for a while now, but it was only last Saturday at local festival Cro Cro Land that I was able to witness the incredible, rip-roaring power of Stars and co. live; my mind was completely blown and will never be the same again.

7″ Vinyl via Five Seven Music. Info here

X Ray Spex – I Am A Cliché
As any regular followers of our site, listeners to our radio show, or attendees of our gigs will be aware; we’re pretty massive fans of X Ray Spex and all that iconic front woman Poly Styrene did for music. We even kicked off our first ever radio show on Hoxton Radio over four years ago with the legendary ‘Oh Bondage, Up Yours’. So, being able to own this brand new compilation, featuring exclusive studio versions of tracks and live recordings, all on dayglo coloured vinyl, would be pretty much a dream come true! There are, however, only 500 copies being released… So, failing getting my hands on this record (or in addition to!), I will definitely be delving into Zoë Howe and Celeste Bell’s new book about Poly Styrene – Dayglo: The Poly Styrene Story. Featuring creative work from her archives, it includes material ranging from the flyers and early design drafts for X-Ray Spex, to her later visual art and lyrics

2 x LP – Dayglo Vinyl, gatefold sleeve with art card. Info here

Kate Crudgington:

The Crow OST
Despite being 26 years old, The Crow’s official soundtrack still feels and sounds as contemporary as many of its modern-day counterparts. Look at the talent featured on it: The Cure, Nine Inch Nails, Rage Against The Machine, Medicine, The Jesus and Mary Chain – if that’s not incentive to make you don your white face paint and black lipstick and rock out like Eric Draven on a rooftop, I don’t know what is. The soundtrack will be released via Rhino on 2 LPs, white & black with 3 sides of audio and the fourth with an “etching”. I will do whatever I can to get my hands on it!

2 LP – White & Black; 3 sides audio, 4th side etching. Info here

Soccer Mommy – For Young Hearts
I only arrived at the Soccer Mommy party last year when she released her debut studio album Clean, and I’ve had single ‘Your Dog’ in my head ever since. Her career was on the rise way before that though, with her bandcamp EP For Young Hearts being the release that first caught her all this much deserved attention. 

LP via Fat Possum Records with lyrics sleeve and fold-out poster. Info here

John McGovern:

Lost In Translation OST 
Two Scarlett Johansson movies from the early noughties; two wildly different soundtracks. If you’re old enough to remember the late ’90s, before Hollywood indies really boomed, then you probably also remember what it felt like when movies this fresh and sounding this cool suddenly appeared – and with female stars at their centre. Lost in Translation is all early 21st century indie hipster cool – Phoenix, Squarepusher, Peaches.

Violet Colour Vinyl. Info here.

Ghost World OST
Ghost World is more sprawling, reflecting its central characters’ adolescence: blues classics, Bollywood rock. Both also feature nods to some of celluloid’s less pleasant sounds: Bill Murray’s take on Roxy Music’s ‘More Than This’ in a Tokyo karaoke bar; the suburban stylings of Ghost World’s ‘Graduation Rap’ scene. This being Record Store Day though, perhaps what marks it out most is its Enid Coleslaw ’77 punk style’ blue vinyl.

LP via Shanachie Entertainment. Info here.

Honeyblood – ‘The Third Degree’/’She’s a Nightmare’
The second single from Stina Tweedale’s duo-turned-solo-turned-group Honeyblood’s third album, In Plain Sight. Aside from the song’s deceptively simple pop-rock sound, the cover’s tarot card design is particularly appealing if, like me, you’re into the cartomantic fortune-telling aesthetic. Chrysa Koukoura illustrations littered the band’s self-titled debut with moths and butterflies and it’s great to see her return here.

12″ Vinyl via Marathon Artists. Info here.

Iggy Pop – ‘The Villagers’/’Pain & Suffering’
One of the curios of garage rock hero Iggy Pop’s career, 1982’s Zombie Birdhouse incorporates spoken-word poetry, afro-beat and synthesisers all over the place – with ‘The Villagers’ being a perfect example. Despite its production from Blondie’s Chris Stein, the album met with middling reviews but now seems extremely foresighted given latter-day indie/post-punk’s magpie nature and willingness to go abrasive. Added bonus: the cover is a perfect example of Iggy’s ’80s awkward cool.

7″ Single, Coloured Vinyl. Info here.

Ken Wynne:

Bad Religion – ‘My Sanity’/’Chaos From Within’
Founded almost four decades ago in 1980, L.A. punk rock band Bad Religion are preparing to release their seventeenth studio album next month – the socio-political Age of Unreason. With ‘My Sanity’/’Chaos From Within’ the band question the sanity of a world so divided that each side regard the other as out of their fucking mind! Previously released to various streaming services, I have been listening to both songs on repeat in anticipation of the new album, and this limited RSD 7″ from Epitaph. There is no denying that Bad Religion are pissed off with the current political situation in the United States, and who could blame them? If the rest of the album is anything as thought-provoking as ‘My Sanity’/’Chaos From Within’, Age of Unreason could become an important album for social justice.

7″ Limited Edition Print. Info here.

The Lillingtons – Death By Television
Originally released in 1999 by Panic Button Records – an imprint of Lookout! Records – Death By Television was the second studio album from Wyoming pop punkers, The Lillingtons. Emblazoned with artwork lifted from Roger Corman’s 1963 science fiction/horror flick X: The Man with the X-Ray Eyes, Death By Television is the result of The Lillingtons incorporating influences from various B-movies of the 1950s and 60s into their Ramones-styled approach to punk rock. If you are as obsessed with sci-fi/horror popcorn pulp as I am, Death By Television doesn’t disappoint. Considered an important record in pop punk, the RSD release – limited to 666 copies worldwide (obviously) – is B-movie bliss and I can’t wait to get my hands on it this Saturday.

LP Picture Disc via Red Scare Industries. Info here.

Shit Girlfriend – ‘Dress Like Cher’/’Socks On The Beach’
Having recently discovered Shit Girlfriend after stumbling upon the music video for ‘Mummy’s Boy’ – and recognising Laura-Mary Carter from alt-rock band, Blood Red Shoes – I’m ecstatic to see that the DIY London glam-punk duo have reemerged with ‘Dress Like Cher’/’Socks On The Beach’ on 7″ splatter vinyl. Previously releasing ‘Mummy’s Boy’​/’​I Don’t Wanna Die’ via PNKSLM on RSD 2017, Laura-Mary Carter and Natalie Chahal return with more scuzzy, distorted pop hooks and no shortage of punk rock attitude.

7″ via Punk Slime.

We’d also like to take this opportunity to give a big thank you to some of our favourite record shops: Bridport Music (sorry to miss the cake this year!), Sister Ray, Reckless Records, Rough Trade and Defend Vinyl.

And, if you can’t wait ’til Saturday, have a listen to our special RSD 19 playlist here:

 

@marimindles
@kcbobcut

@etinsuburbiaego
@Ken_Wynne

LISTEN: Ellis – ‘Something Blue’

A melodic reflection on the gift of hindsight, Ontario’s Ellis laments about wanting to travel back in time on her latest single ‘Something Blue’. The track is taken from her recent EP The Fuzz, which will be physically released for the first time via Fat Possum records on 22nd March.

Ellis – aka Linnea Siggelkow – cut her teeth on her local DIY scene as a solo artist before evolving into a 4-piece band in 2018. Her gentle voice hosts both vulnerability and conviction, something which makes her new track ‘Something Blue’ so easy to listen to. Speaking about her new song, Ellis explains: “I think everyone has a moment that they wish they could time-travel back to and have a do-over. This song is about mine. Hindsight can be a real bitch.” We couldn’t agree more!

Ellis will play her first set of UK shows in May this year, which include dates at Glasgow’s Stag and Dagger festival and a headline show at The Islington in London. She will also be performing at SXSW too. With comparisons to Soccer Mommy and Mazy Star, we think Ellis is going to have a very successful 2019. Listen to ‘Something Blue’ below.

Pre-order your copy of Ellis’ EP The Fuzz here.

Ellis UK Tour Dates 2019
5/4/19 – Broadcast – Glasgow, UK (Stag and Dagger Festival)
5/8/19 – The Islington – London, UK

Photo Credit: Josh Howe

Kate Crudgington
@KCBobCut

Tracks Of The Year 2018

Despite being a pretty scary year in the grand scheme of things, 2018 has actually been exceptionally great for new music. Our ears have been filled with sonic delights of all genres, providing necessary catharsis and enjoyment. 

So, it was pretty hard to pick our 20 favourite tunes. But, from poignant punk to captivating pop-noir, here they are… 

Alice Bag – ’77’
Taken from this year’s poignant album Blueprint, punk legend Alice Bag brought together a dream team for her single ’77’. Featuring Riot Grrrl queens Kathleen Hanna and Allison Wolfe, plus an appearance in the video from Shirley Manson, it draws inspiration from Dolly Parton’s 1980 proto-feminist workplace comedy ‘9 to 5′, commenting on the gender pay gap that still plagues society. Filled with seething, punk-driven riffs, the women not only rage that “I make 77 cents and it’s not right / It’s bad for women!”, but make the point that “it’s worse if you’re not white”. As Bag poignantly sneers “… don’t pretend that we’re paid equal… You wrote the script / But I’m writing the sequel”, ’77’ is an empowering, inspiring call to arms to unite against the patriarchy and make the changes needed for equality, in the workplace and beyond.
(Mari Lane – Managing Editor/Co-Founder)

Nova Twins – ‘Lose Your Head’
A lesson in cutting loose and walking on the wild side, South East London duo Nova Twins provided us with this mind-melter of a track earlier in the year. We were lucky enough to have Amy & Georgia come into the Hoxton Radio studio for a chat, and they blew us away playing live for Loud Women at The Lexington too. Their raw, abrasive, genre-defying tunes are consistent favourites here at Get In Her Ears, and I’m sure they’ll bring the noise again in 2019.
(Kate Crudgington – Features Editor/Co-Founder)

Skating Polly – ‘Camelot’
Blasting into the eardrums with intense, pulsating basslines and the impassioned screech of Kelli Mayo, ‘Camelot’ is a seething, grunge-fuelled anthem. Oozing a thrashing power, it perfectly tears apart the misogynistic nature of American frat-boy culture with an empowering energy. This year Skating Polly released new album The Make It All Show, blew us away once again with their immense live show (with faves The Menstrual Cramps supporting), and generally proved themselves to be one of the most exciting young bands around.
(ML)

Brix And The Extricated – ‘Sleazebag’
Taken from their epic, genre-defying latest album, Brix And The Extricated’s ‘Sleazebag’ revives a classic punk energy and seething passion whilst marking Smith-Start out as an artist willing to move with the times and develop her sound. Confronting all those sleazebags in the industry that we’re unfortunately so familiar with, this track instantly grabs you with its immense, ferocious power. With swirling guitars and spiky bass, alongside Smith-Start’s distinctive soaring drawl, it’s a refreshing and riotous offering proving that Brix & The Extricated are well and truly back, and cannot be missed.
(ML)

Bad Sidekick – ‘I Ain’t Sick’
A fistful of brooding indie noise: London trio Bad Sidekick released their debut self-titled EP this year, and the snarling ‘I Ain’t Sick’ is my favourite track on the record. Vocalist Cooper (who also plays guitar in The Menstrual Cramps) is a powerhouse with her enviably cool lyrical intonation, and she’s supported by a cacophony of guitar noises and heart-thumping beats on this track.
(KC)

The Menstrual Cramps – ‘The Smash’
The Menstrual Cramps have pretty much summed up 2018 with each of their topical, tongue-in-cheek offerings and provided the perfect antidote to all that’s gone on with their empowering, feel good vibes. Taken from their incredible album Free Bleedin’, ‘The Smash’ in particular couldn’t have come at a better time. With the all-too-relatable refrain of “It’s time we took back the floor, kick the Tories out the door – we want a revolution”, it oozes an immense, politically-charged force as vocalist Emilia’s genuine, seething passion shines through. Combining activism with musical prowess, The Menstrual Cramps continue to reminds us all why we need bands like this now more than ever.
(ML)

Pink Kink – ‘You’
Although it wasn’t released as a single, this live recording from Liverpool’s Parr Street Studios showcases Pink Kink at their absolute best. A stunning mix of Warpaint style lo-fi indie, Sonic Youth switch-ups in tempo, ‘You’ is drenched in emotion, full of fired passions and stunning musicality. A band whose career was cut far, far too short for the kind of ridiculous reasons that have been an increasingly common occurrence in 2018’s dark days
(John McGovern – Contributor)

Soccer Mommy – ‘Your Dog’
I adore this song from Nashville’s Soccer Mommy, taken from her debut album Clean. Her trademark “soft anger” is executed so wonderfully, you barely notice you’re dropping expletives left, right and centre throughout the track. Written as an antidote to the feeling of being “paralyzed in a relationship to the point where you feel like you are a pawn in someone else’s world”, ‘Your Dog’ is a brilliant bite back from this talented artist.
(KC)

Snail Mail – ‘Pristine’
Laconic, bruised, wistful and sparkling – all while dealing with pop’s most frequent fixation: unrequited love – ‘Pristine’ is a brilliant introduction to the indie-pop stylings of Lindsay Jordan. If there’s been a better lyric than “It just feels like the same party every weekend, doesn’t it?” this year, then I haven’t heard it.
(JM)

Dott – ‘Like A Girl’
Activism and garage-pop collided in anthemic style on Dott’s single ‘Like A Girl’. The Galway-based band released the song ahead of Ireland’s vote to Repeal the 8th Amendment on May 25th – which resulted in the historic outcome of giving Irish women legal access to full reproductive health services, including abortion. The song features a guest appearance from Sadie Dupuis of Speedy Ortiz on guitar, and the accompanying video features members from Galway Pro Choice, Galway Parents for Choice, and Galway Roller Derby, as well as footage of recent marches for Women’s Rights in Galway.
(KC)

Wolf Girl – ‘Toast For Dinner’
Having captivated us with their sunny charm live at Indietracks Festival this year, Wolf Girl are fast becoming a firm favourite. Flowing with an infectious jangly scuzz and twinkling uplifting harmonies, ‘Toast for Dinner’ is an exquisite slice of perfect indie-pop. Propelled by a driving, vibrant energy and Healey’s luscious vocals – and with thoroughly relatable lyrics like “toast for dinner again, I’m trying to tie up loose ends” – it’s a total delight for the ears, as is the band’s latest album Every Now And Then.
(ML)

Pip Blom – ‘Come Home’
Unusually glum, but no less lively, this track marked the peak of a fantastic run of singles from the Dutch post-punk fourpiece. Its repetitive riff makes it unforgettable, rhythms make it sound like something that belongs more at a club than a gig, whilst Blom’s voice is just the right side of deadpan. Now signed to Heavenly, 2019 promises great things for PB.
(JM)

Suggested Friends – ‘Motherfucking Tree’
Although I think technically their self-titled album came out officially last year, throughout the entirety of 2018, I can safely say that Suggested Friends have been one of my most-listened to, and most thoroughly loved, bands. This track in particular showcases their perfect, immensely infectious ‘tweemo’ punk-pop to a tee. Filled with racing, catchy hooks and luscious harmonies, Faith Taylor’s witty charm and exquisite vocals (as well as spot on lyrics like “thought you had a halo, but it was just the glare from the backlight of your iPhone”) fill me with pure joy on each listen.

(ML)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on this track from Ah! Kosmos. It’s taken from her second album Beautiful Swamp, and it sweeps me up in to a rapture every time I hear it. Her live performance supporting Zola Jesus at Omeara this year was an absolute knockout, and I can’t wait to see what she gets up to in 2019.
(KC)

Kill J – ‘Strange Fruits Of The Water’
This stunning single from Kill J tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic track ‘Strange Fruit’ (1939). Taken from her album Superposition, Kill J explains: “’Strange Fruits Of The Water’ is a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”.
(KC)

Black Gold Buffalo – ‘Lay It Down’
I’ve been hooked on Black Gold Buffalo’s mesmerising, pop-noir sounds all year, so I was thrilled to have them headline our first GIHEs night at Notting Hill Arts Club in August. ‘Lay It Down’ is taken from the band’s debut self-titled album (which I recommend you listen to) and it’s a well-crafted, smoldering gem that revolves around confronting feelings of anxiety.
(KC)

LIINES – ‘Shallow’
Having been labelled one of our ‘Ones To Watch 2018‘, Manchester trio LIINES certainly proved us right. Throughout the year, they’ve gone from strength to strength – releasing their debut album Stop-Start in May, receiving acclaim from the likes of John Kennedy and Steve Lamacq and just now announcing a support slot with Sleaford Mods for 2019. Oozing an immense, thrashing energy and the raw, commanding vocals of Zoe McVeigh, single ‘Shallow’ is filled with the band’s trademark dark, brooding power – an intense blast of perfect post-punk with shades of the likes of Savages of Sleater Kinney.
(ML)

Zola Jesus – ‘Bound’
Intriguing electro-industrial artist Zola Jesus had me spellbound from the moment I heard the hypnotic, off-kilter, heavy bouncing synths on ‘Bound’. Her penetrating vocals ring out across a demanding soundscape, and her blending of industrial and classical elements makes this track sound like a tortured but tentative hymn. Seeing her perform it live at Omeara was truly breath-taking too.
(KC)

Noga Erez – ‘Bad Habits’
Noga Erez had 2018’s shortcomings in her interrogative spotlight this year after releasing her incredible track ‘Bad Habits’. It’s a snarling tirade of anger spoken through gritted teeth, written from “a place where one feels they’ve lost all direction and meaning”. Gritty, defiant, and viciously executed – I love this track and can’t wait to hear more from the Tel Aviv renegade in 2019.
(KC)

Miss Eaves – ‘Push For The Bush’
Having previously fallen in love with Miss Eaves‘ fun-filled, empowering anthems ‘Thunder Thighs’ and ‘Hump Day’, ‘Bush For The Push’ offered another vibrant celebration of self love from Miss Eaves. With her trademark disco-punk energy, reminiscent of queen Peaches, it’s a liberating and wonderfully entertaining call to be free to have the bush you want – “It’s your body, so have a little fun…”
(ML)

Listen to our ‘Tracks Of 2018’ playlist here, and stay tuned for more of our 2018 highlights, and Ones To Watch for next year…