Track Of The Day: HOST – ‘Taste of Your Love’

An electro-pop gem that contemplates the short-comings of an unhealthy romance; Irish artist Host has shared her new single ‘Taste of Your Love’. Taken from her upcoming debut EP Adolescent Content (set for release later this year) the synth-pop star channels her love of bands like Diiv, Wolf Alice, The Japanese House, and The Cure on her new tune.

Speaking about her new track, Host explains: “Have you ever had someone you really care about do something so idiotic that it makes you look at them in a completely different light? ‘Taste of Your Love’ is that lingering bad impression that I just couldn’t shake, and everything built with this person, this solid foundation, just turned to quicksand. It’s sad really… this idiot, that you still adore nonetheless, has now forced you to cut them out and change your entire life.”

Despite its sad premise, we guarantee Host’s new single will have you up and dancing around your bedroom in no time. Listen to ‘Taste of Your Love’ below and follow Host on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: SEX CELLS – ‘Hell Is Where The Heart Is’

Dystopian visuals and moody synths permeate SEX CELLS debut single ‘Hell Is Where The Heart Is’. Described as “a mixture of Suicide, Psychic TV, and Art House sensibilities” SEX CELLS – aka Matt Kilda and Willow Vincent – fuse visual art and vicarious noise to create challenging new sounds.

The London-based synth duo will release ‘Hell Is Where The Heart Is’ as a double A-Side release, which will be available digitally & on limited edition 7″ vinyl on their own label, Pretty Ugly Records. Under the guidance of Raf.E and produced by Dave M. Allen (The Cure, Yassassin), the two songs will be accompanied by a series of surrealist artworks made by the band.

Formed in down-and-out circumstances, SEX CELLS were originally hobbyist promoters who ran monthly nights of live music and visual projections for experimental noise acts. After being ripped off in a house rental scam, the duo turned their anger in to music in a Peckham rehearsal room, documenting their desperation with a synth and house drum kit.

Since then, SEX CELLS have shared stages with bands such as Meatraffle, Madonnatron, The Rhythm Method, and HMLTD. They’ll be back on stage tonight (Aug 9th) at The Finsbury supporting noise-pop merchants TAYNE (Free gig: event details here).

Listen to ‘Hell Is Where The Heart Is’ below and follow SEX CELLS on Facebook for more updates.

Kate Crudgington
@KCBobCut

ALBUM: New Haunts – ‘Worlds Left Behind’

A soundtrack for the witching hour: New Haunts‘ debut album Worlds Left Behind is a veiled but intriguing exploration of independence; fusing elements of coldwave, minimal synth, goth, early industrial, and synthpop to create a distinctive, ominous sound.

As the album’s title suggests, New Haunts is caught between the world she inhabits and the world she once knew. She explores this on opening track ‘Ingrained’, through ominous synths and urgent vocal harmonies that rise and fall against a backdrop of slow, scratchy drum sounds. It bleeds in to lead single ‘Reactions’ – a cold but magnetic offering which laments the simultaneous beauty and the horror of having emotional connections.

It’s connections like these that make the tortured howls on following track ‘Left Me Cold’ feel so sharp. They contrast well with her tentative and pained vocals during the verses, as foreboding synths underscore another moment of painful clarity. ‘Hymns’ and following track ‘New Haunts’ both take a gentler electronic turn, with some Kate Bush-style wavering vocals.

‘Waves’ breaks through after this ambient interlude, with darker jagged synths and more of New Haunts fluttering, urgent vocals. It’s this combination that makes ‘Waves’ the standout track on the album. Its dark, glittering defiance of flows in to the subdued ‘Same Medicine’, which progresses in to the penultimate ‘Safe Out Here’ – full of more brooding synths and wavering vocals.

Whispers of insecurity permeate closing track ‘Ice’ – “and I give it my all, as far as I know, as far as I can” – before abrasive synths push through proving a “concrete truth”: New Haunts may be at the beginning of her solo journey, but her debut record shows she is well equipped for more intriguing sonic ventures.

Fans of Zola Jesus and the almighty Kate Bush will approve of her Gothic noise on Worlds Left Behind.

Listen to Worlds Left Behind on Spotify & follow New Haunts on Facebook for more updates.

Purchase the album from bandcamp here.

Photo Credit: Katie Murt

Kate Crudgington
@KCBobCut