ALBUM: Tallies – ‘Tallies’

Blending elements of shoegaze, jangly guitars and indie pop, there’s much to be excited about with the release of Tallies’ eponymous debut album. They are a Toronto-based four-piece, fronted by Sarah Cogan, with lead guitarist Dylan Frankland, bassist Stephen Pitman, and drummer Cian O’Neill. One of the themes of Tallies is the universal impact of adulthood hitting you whether you’re ready or not. It’s the band’s soundtrack for adjustment throughout a year of change.

Opening track ‘Trouble’ is a song about naivety and being unable to foresee potential danger, especially as a woman. ‘Mother’ touches on the transition from being an adolescent -dependent on your parents – to a mature, independent adult (“leave your past tomorrow, don’t leave those skulls to dry”). There is a mixture of joy, nostalgia and sweet sadness, like memories of lost childhood and adolescence put to music, in tracks like ‘Mother’, and ‘Eden’. The music may be uplifting but the lyrics offer a dark undercurrent, put to exceptional guitar lines.

A more reflective mood features in the swirling textures of ‘Trains and Snow’ and the dreamily acoustic ‘Midnight’, whereas lead track ‘Beat the Heart’ explores the lack of empathy that exists, capturing our ears with the perfect production of smooth pop vocals, melodic hooks. Similarly, ‘Easy Enough’ reflects on changing relationships, whilst ‘Giving Up’ addresses global warming (“the embers they’re burning… cover me like a white sheet…giving up, no sign of change”).

Listen to this album as you gaze out at the January moon, the dreamy memories of salad days in your ears, and you will love this album as much as I do. If you’re old enough to have danced to the likes of The Smiths, Cocteau Twins and The Sundays, then you’re in for a trip down memory lane, as Tallies rework the best of their influences into their own fresh sound. If not, then welcome to the rediscovery of a sound that remains timeless (if the music doesn’t grow old, neither will the fans!). 

Tallies is out now via Fear Of Missing Out Records.

Fi Ni Aicead
@gotnomoniker

Photo Credit: Alex Gray

PLAYLIST: January 2019

We’re two weeks in to 2019 and whether you’re keeping up with ‘Dry January’, demolishing the leftover Christmas supplies, or simply carrying on like the trooper you are – we’ve put together a list of brand new music to help with all of the above. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Big Joanie – ‘New Year’
Recorded at Hermitage Works with Producer Margo Broom and released via The Daydream Library Series (Thurston Moore & Eva Prinz’s label), Big Joanie’s debut album Sistahs is a stellar release from a band who have been actively working on and off-stage within London’s DIY scene for years. ‘New Year’ is the opening track on the record, and I love its focused, quiet yearning to kick-start something. (Kate Crudgington)

Lizzo – Juice 
Another utterly empowering and ferociously fun offering from GIHE favourite Lizzo, ‘Juice’ is filled with all the refreshing wit and funk-filled grooves that we’ve come to know and love from the Minneapolis artist. With Lizzo’s joyous, body-positive spirit and its immensely infectious, ’80s reminiscent hooks, ‘Juice’ is the ultimate feel-good anthem that you need to start your 2019. (Mari Lane)

The Choppy Bumpy Peaches – ‘Darjeeling’
What a musical delight from Luxembourg based The Choppy Bumpy Peaches. ‘Darjeeling”s mesmerising cacophony of instruments and sound, layering gently over each other, all drawn together with Julia Lam’s intriguing vocals. Such a heady and hypnotising sound. This track is taken from their first LP Sgt. Konfuzius & the Flowers of Venus which is out now, go check them out, The Choppy Bumpy Peaches. What a name. (Tash Walker)

Medejin – ‘Untitled 4’
There’s something about Medejin’s music which makes feel completely immersed in their sound, as if I’m in a room with no doors, covered ceiling to floor with speakers pouring out ‘Untitled 4’. A truly immersive dreamwave project from Jenn Taranto & Matthew Cooke. ‘Untitled 4’ is taken from their debut EP Eleni which is out now. I’ve got all my fingers crossed that Medejin will be bringing their Seattle sound to our shores in person soon. (TW)

Foxgluvv – ‘Crush’ (remixed by MOONOVERSUN)
Foxgluvv joined us in the studio as our first guest on the Get In Her Ears’ Radio Show this year, we talked with her about being a DIY artist, her particular slice of ‘hungover pop’ and this remix by Brighton based pop duo MOONOVERSUN. Released near the end of 2018, I cannot get enough of this remix and I urge you all to press play right now. It’s heavy on the electronics, pounding beats and warped vocals – dreamy. (TW)

Kill J – ‘Dead Weight Soldier’
Copenhagen’s Kill J has returned with a revenge fantasy in the form of new single ‘Dead Weight Soldier’. Following her fiercely political release ‘Strange Fruits of The Sea’ in 2018, this is the second track from her forthcoming album Superposition, which is set to be a poignant and unapologetic listen. (KC)

Cheerbleederz – ‘Staying Up Late’
Taken from last year’s EP Faceplant, Cheerbleederz’s latest single ‘Staying Up Late’ is filled with all the twinkling indie-pop melodies and honey-sweet vocals you could ever desire. With its jangly catchy hooks and a fuzzy whirring energy, it fills me with a comforting sense of joy on each listen. It’s also accompanied by a wonderfully animated, and super cute video, which you can watch here(ML)

Argonaut – ‘Girl Talk’
An empowering, punk-pop anthem, with motivational lyrics such as “You rock, you can change the world, you inspire boys and girls, you can do anything!”, Argonaut’s ‘Girl Talk’ is the perfect pick-me-up to kick start the new year. Filled with shimmering hooks and a magnificent punk-rock spirit, it’ll leave you ready to face 2019 with all the immense, buoyant energy that it oozes. As well as getting hold of their brilliant latest EP
The New Argonaut EP, you should also make sure you catch this band live – they completely blew us away playing at our gig at The Finsbury last week! (ML)

Panic Pocket – ‘Mr Big’
Inspired by too many formative Sex And The City marathons, Panic Pocket’s ‘Mr Big’ is an uplifting ditty about desperately wanting your close friend to stop defining herself by her relationship status and focus instead on friendship. Flowing with a twinkling charm and the London duo’s impeccable tongue-in-cheek wit, the track oozes honey-sweet harmonies alongside shimmering melodies and a gritty synth-driven energy. Strewn with memorable SATC quotes, highlighting the importance of friendship, it’s another luscious (and super relatable!) slice of indie-pop. (ML)

Micropixie – ‘New Year’s Day’
Micropixie is a British artist based in San Francisco who has recently found herself on The New York Times Top 10 Playlist for new songs which is amazing. We love this track from Micropixie which moves to its own beat whilst taking “a high-concept approach to offering commentary on a world that is torn by injustice, violence and war, and financial misdoings.” From all of us here at Get In Her Ears a huge well done to Micropixie, she’s definitely someone to watch out for in 2019. (TW)

Tallies – ‘Easy Enough’
Taken from their new self-titled debut album, Tallies’ latest single ‘Easy Enough’ oozes a captivating, dreamy haze as the raw vocals of Sarah Cogan soar alongside a whirring scuzz. With its shoegazey spiralling hooks and luscious emotion-driven energy, it’s impossible not to get sucked into its hypnotic allure and fall instantly in love with the unique, swirling  charm of this Toronto-based band. (ML)

Amaal – ‘Not What I Thought’
I’ve been enjoying this song a lot since I first heard it just over a week ago. ‘Not What I Thought’ comes from Somali-Canadian artist Amaal Nuux who has returned to music following much time spent on her activist work as the Goodwill Ambassador for Somalia Women and Children. Drawing influences from both her personal life experiences and her travels in all her work and music, this is her latest single out released on 10th January. Strong beats, warped samples and emotionally evocative vocals ‘Not What I Thought’ by Amaal earns a firm place on our January 2019 playlist. (TW)

Beckie Margaret – ‘New York’
My absolute favourite! Beckie Margaret released this heart-breaking track at the end of last year, and I’ve not been able to stop listening to it since. Beckie’s resilience in the face of heartbreak is what makes listening to her music so rewarding. Even in her seemingly weakest moments, her powerful, pure vocals provide an aching relief that can be felt all the way from the end of Southend Pier in her hometown, to the lonely shores of the city she sings about. (KC)

David Bowie – ‘Lady Grinning Soul’
It’s been two years since the death of the legendary David Bowie, and whilst it’s easy to lament the gap he’s left in the musical world, it’s much easier to put on his records and celebrate all of the wonderful art he left behind. ‘Lady Grinning Soul’ is taken from Aladdin Sane, one of my favourite Bowie albums. I’ll certainly be spinning it in tribute to the Starman over the next few weeks. (KC)

Track Of The Day: Tallies – ‘Easy Enough’

Consisting of Sarah Cogan, Dylan Frankland, Cian O’Neill, and Stephen Pitman, Toronto-based Tallies have just released their eponymous debut album.

Taken from the album, the band’s latest single ‘Easy Enough’ oozes a captivating, dreamy haze as the raw vocals of Cogan soar alongside a whirring scuzz. With its shoegazey, spiralling hooks and luscious emotion-driven energy, it’s impossible not to get sucked into its hypnotic allure and fall instantly in love with the unique, swirling charm of this Tallies.

Produced by Christopher Mills, watch the new video for ‘Easy Enough’ here:

Tallies’ eponymous debut album is out now via Fear Of Missing Out Records.

Mari Lane
@marimindles

FIVE FAVOURITES: Tallies

Toronto-based four piece Tallies have announced their self-titled debut album will be released on January 11th 2019 via Fear Of Missing Out Records. The band have shared the lead single from the record ‘Beat the Heart’ online – and it’s a dreamy slice of catchy indie-pop.

We caught up with band members Sarah & Dylan to ask about their “Five Favourites” – five artists or albums that have influenced their songwriting technique. Check out their responses below…

1. The Smiths – The Queen is Dead
I heard The Smith’s a few years ago, for the first time at this cafe that I used to work at. It was a sound that was very new to me, and I can only describe it as “the sound that I was looking for”. When I heard Jonny Marr’s guitar playing, I knew that was the sound I wanted to play. There is a 60’s influence in their songwriting which I really appreciate and love the humourous lyrics. The Queen is Dead has a great contrast between harsh lyrics & beautiful melodies. The sample at the beginning of the album sets this odd mood followed by a eerie whistle before the floor tom starts the rhythm. The build up gets me really pumped up. (Dylan)

2. Cocteau Twins – Heaven or Las Vegas 
When listening to Cocteau Twins, they make you feel like you’re spinning in a room full of dancing light and feeling light-shadows on your skin, without getting dizzy. They have mastered a sound of constant motion that stands still. The production on this record has incredible depth, while having complete focus. It’s surprising how little synths are used on this record that’s so full of dreamy textures. The reverb delays, and chorus used on the guitars makes them sound like completely different instruments and is so intriguing. We first heard Heaven or Las Vegas from friends of ours a couple years ago and haven’t stopped playing it since. (Sarah & Dylan)

3. Aztec Camera – High Land, Hard Rain 
When I came across this album, it sounded so familiar, like it was already a great influence on me. Realizing after talking to my dad, that he used to play this album around the house all the time when I was growing up. That explains the familiarity. He gave me his vinyl form the 80’s to add to my collection which I listen to all the time. I play “Oblivious” at every party I go to. There is no one else that can pull off holding one note for that long in a guitar solo, making for the best air-guitar performance. The instrumentation on this record has a Latin vibe that I really like and is mainly acoustic-guitar driven. (Dylan)

4. The Sundays – Reading, Writing & Arithmetic
The sounds created on this album are just heavenly and so easy to listen to. The melodies are unique and graceful. I first heard The Sundays while watching the 90’s flick, “Fear” with young Mark Wahlberg and Reese Witherspoon. I fell in-love with the crystal sounding jangly guitars and Harriet Wheeler’s voice instantly. The songwriting reminds me of the soft essence and the fragilty of a butterfly. Wheeler’s heartfelt sharing of personal feelings makes me feel like she’s in the room reading from her diary. Reminding us that we’re not alone in sinking emotions. (Sarah)

5. Air – Moon Safari 
I have this album on repeat constantly. It’s the perfect background music to any setting. Each song has so much depth and the lyrics are always stunning. I am quite the late-bloomer on this band. I just heard them for the first time this year after Stephen (bass) bought a bundle of thrift store CD’s to play in our new van. I’ll never forget the first time listening, how each song shocked me, “Woah, there’s so many instruments on this track.” “How did they do that?” I knew that this record was going to be inspiring just 30 seconds in. I want to make music like Air, music that makes your emotions tingle and spiral in so many directions, yet sounding so chill and simple at the same time. (Sarah)

Follow Tallies on Facebook for more updates.

Photo Credit: Alex Gray

Kate Crudgington
@KCBobCut