GIHE: Tracks Of 2024

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2024.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2024’ ahead of features on our favourite albums, ‘Personal Highlights’ and ‘Ones To Watch 2025’ Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! Then, please do follow the artists you love on all platforms – download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are!

ARXX – ‘Crying In The Carwash’
Here at GIHE we make no secret of our immense adoration for the Brighton duo. And this year has been a pretty wonderful one for Hanni and Clara – we could not be happier for them doing so well and living their dreams. They’ve released an incredible album, played Glasto, been on tour with Fletcher and sold out a load of dates on their own headline tour of Europe. Kate and I were lucky enough to catch them at Lafayette last month, and it was such an uplifting and emotional night – they put on a fantastic show, and just seem to get more and more incredible every time we see them. We can’t wait to see what 2025 brings for these faves. Good Boy, the latest album from ARXX, is out now via Submarine Cat Records.
(Mari Lane – Managing Editor)

Circe – ‘Blue Love’
I have been OBSESSED with this song from dark-pop artist and GIHE fave Circe since she released it in March. ‘Blue Love’ is intense, candid and sultry – a BIG FEELINGS anthem that sets my cells alight every time I hear it. Circe described this offering as “Karen O produced by The Cure during their Disintegration era” and I wholeheartedly agree. ‘Blue Love’ is all about being love bombed and dealing with fuckboys, swirling in the ashes of disappointment and rising from them in defiance. I can’t get enough of it and it was a pleasure to hear it live when Circe played it at Camden’s Electric Ballroom when she supported The Midnight. Full review of the show here
(Kate Crudgington – Features Editor)

Tom Rasmussen ft. Romy – Never Look Back
A definite highlight of 2024 for me was seeing Tom Rasmussen finish their UK tour at KOKO, it was an incredible show and you really felt it. I also got to see Romy play at Drumsheds for the False Idols event in November, and my knees are still not back to normal. I just could not stop dancing.
(Tash Walker – Digital Editor)

Freak Slug – ‘Spells’
Freak Slug, aka Manchester artist Xenya Genovese, has definitely been one of my favourite new discoveries of 2024. Having released her debut album, I Blow Out Big Candles, in November, her music combines her glistening sultry allure with a fizzing quirky energy, and this track is an instant earworm that had me hooked on Freak Slug the first time I heard it. I’m hoping to finally catch this exciting new artist live at Moth Club on 22nd May next year. You can nab your own tickets for her Spring tour here. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her third album, Gold, which she released in April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the record is a dynamic, intricate musing on the shifting nature of love, time and change. (KC)

Blonde Maze – ‘Beside You’
I’m not sure a year goes by that I don’t include New York artist Blonde Maze on my highlights of the year, and there’s a reason for that. She continues to make truly exquisite soundscapes that never fail to soothe and captivate, and this single from March this year is no exception. There is just something about the twinkling grace, swirling energy and blissful uplifting energy that I find completely immersive and utterly cathartic. Having been a mega fan since she was one of the first guests on our radio show nearly ten years ago, I’m so grateful to all that Blonde Maze creates; euphoric sonic journeys to ease the stresses of every day life. (ML)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this single from indie band Ideal Host is their poppiest offering to date. I love the way Heather’s soft vocals blend seamlessly with the band’s buoyant riffs, lilting electronics and catchy beats. (KC)

Fears – ‘4th of the 1st’
This single from Dublin-born, London-based interdisciplinary artist Fears is a poignant reflection on emotional resilience and self-soothing. Taken from her second album, affinity, which she released in March via her own label TULLE, ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. I’m a big fan of everything that Fears does and it was lovely to have her back in the studio as a guest on our Soho Radio show again this year. Listen back to our chat here. (KC)

Roller Derby – ‘Dreams’
Hamburg duo Roller Derby are set to release their debut album next year, and this year they’ve shared four gorgeous singles as a taster of the exquisite atmospheric dream-pop that they’re able to create, including the glistening splendour of ‘Dreams’. They headlined for us at the beginning of the year, selling out the Shacklewell Arms with such a beautifully immersive set. And we can’t wait to have them play for us again next May – at The Lexington on the 9th and at The Rossi Bar in Brighton on the 10th. Tickets here. When The Night Comes, the upcoming debut album from Roller Derby, is set for release on 28th February 2025. Pre-order here. (ML)

afromerm – ‘reciprocity’
This single from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more from her. (KC)

Breymer – ‘When I Get Through’
Having released their latest album When I Get Through in October, Minnesota born artist Sarah Walk – aka Breymer – creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality, it reflects on a personal journey of self-discovery with a stark honesty. A truly exquisite collection. (ML)

Dogviolet – ‘Violets’
Having played their first ever gig for us back in 2022!, this year’s ‘Violets’ was the first proper single from Dogviolet. And it was worth the wait. I love the soaring celestial splendour they are able to create and felt honoured to help them promote their special single launch show at The Victoria in October – a night of beautiful music, and beautiful scents, as they’d decorated the venue with purple flowers! I’ve been lucky enough to see them live numerous times this year – as well as their single launch show, they kindly stepped in and played at our gig at New River Studios supporting Kara Delik, I saw them at The Lexington supporting other faves Berries, and they played Croydon festival Cro Cro Land -, and I’m excited to see them many more times in 2025. (ML)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen have been one of my favourite new music discoveries this year. They’ve released a string of excellent singles throughout 2024, but ‘Lust’ is the standout one for me. It’s an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. I’m really looking forward to hearing their new EP, Quiet Pleasures, when it’s released in February next year. (KC)

Pink Milk – ‘You Will Follow Me to Hell’
A gorgeous piece of goth-rock-electronica from Swedish act Pink Milk here. It’s taken from their excellent album, Night On Earth, which is inspired by dystopian science fiction fantasies and marks a heavier, darker new era in sound for the band. Their gloomy, cinematic soundscapes are a real sonic delight. (KC)

Slung – ‘Fire To Burn’
I was gutted to miss Brighton four-piece Slung when they played a GIHE gig in May at Sebright Arms. They’ve released a handful of heavy, brooding singles this year and ‘Fire To Burn’ is my favourite. It’s inspired by witchcraft and more specifically, bassist Vlad’s own ancestor who was regarded as a ‘superwitch’ in her village. She was initially perceived as a healer, but eventually she faced persecution from those who once sought solace in her remedies. I Love Katie Oldham’s vocals on this track, they’re the perfect mix of gritty and theatrical. (KC)

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’, from punks on the rise Lambrini Girls, was one of a string of equally raging singles this year. Showcasing the Brighton band’s fierce racing energy and ferocious sense of urgency, it cements them as a true formidable force to be reckoned with. Having seen them take the music world by storm in 2024, I can’t wait to FINALLY catch Lambrini Girls live at Brixton Electric next April. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps shared this raging, honest and utterly necessary pro-choice anthem at the beginning of the year. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, it showcases the band’s ability to create a perfect balance of unifying joy and rage that has never felt more urgent. (ML)

NEXT TO NADA – ‘Moths’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ debut EP, WHINE // MOTHS – a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Pigeon Dog – ‘Jumpy Cow’
Combining the brooding intensity of grunge with the infectious groove of post-punk, Pigeon Dog’s ‘Jumpy Cow’ is anchored by a funky, driving guitar riff, compelling you to move while immersing you in its shadowy atmosphere. The low, raspy vocals deliver a hauntingly melancholic melody that lingers long after the song ends, leaving you craving another listen. (We caught Pigeon Dog supporting Dogviolet at their single launch show in October – a new favourite for sure!) (Ella Patenall – Contributor)

Hello Mary – ‘0%’
It took me about 10 seconds of listening to ‘0%’ for me to decide that I loved New York trio Hello Mary. This track captures their dynamic blend of grungy riffs, unpredictable beats and defiant vocals perfectly. It features on the band’s second album, Emita Ox, which they released in September. I caught Hello Mary’s set at The Windmill in Brixton and I was equally as impressed by their live rendition of this track. (KC)

adults – ‘Trouble’
South London’s adults have been one of my faves for a few years now and so I was super excited about the return of their trademark jangly melodies and scuzzy energy this year, showcased perfectly in this stirring track. I was lucky enough to catch adults live supporting Fightmilk (more on them later) with Tugboat Captain at Paper Dress Vintage last month – a pretty dreamy night of live music. ‘Trouble’ is taken from …In The Big League, a split EP from adults and Oxford band Spank Hair, which is out now via Fika Recordings. And I’ve heard that there will be plenty of new music to come in 2025 – I can’t wait. (ML)

Sacred Paws – ‘Another Day’
After a five year hiatus, we were excited that London / Glasgow duo Sacred Paws returned to our ears last month. We love everything that Ray Aggs does; we were honoured to have them headline one of our gigs earlier this year, and the revival of this project with Eilidh Rogers came as a very welcome surprise. Flowing with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, ‘Another Day’ introduces a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait! (ML)

Dream Phone – ‘Fogo’
Having been utterly brilliant supporting Ray Aggs for us back in April, Oxford duo Dream Phone are one of my favourite new discoveries of the last couple of years. With its playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about them; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here and make sure you catch Dream Phone live as soon as possible! (ML)

Zamilska ft. huskie – ‘Odyssey’
I’ve been following Polish electronic artist Zamilska through GIHE for a while now, and she never fails to impress me with her eclectic soundscapes. This track ‘Odyssey’ features on her album, United Kingdom Of Anxiety, which she released in October via Untuned Records (her own label). It’s an intoxicating post-apocalyptic tinged record that totally enraptures the senses. Zamilska also supported Kim Gordon on her European tour this year. I hope 2025 is just as prosperous for her. (KC)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s album, Ireti, which she released in May via Accidental Records. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2024 playlist now, and please be sure to check them out and support their work (listen/download/buy in places other than Spotify)!

And keep an eye out for our Albums & EPs Of The Year, 2024 Highlights & Ones To Watch for 2025…

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GIHE: Ones To Watch 2024

It’s fair to say that 2023 has been a tough one, but if there’s one positive to take away, it’s the immense amount of incredible new music that’s been released, and the hope of even more wonderful offerings from new bands in 2024.

Following our Tracks Of 2023, Albums and EPS of 2023 and Highlights of 2023 features, we’re now sharing our Ones To Watch for 2024 – naming a handful of bands and artists who have impressed us and that we predict will be reaching ears far and wide next year. Have a read of our choices and make sure you give them all a follow to keep track of their achievements over the next twelve months.

Dogviolet
The latest project of London DIY scene queens Naz and Ella, Dogviolet are already fast becoming a staple on any decent female/queer focused line-up in the capital. I had the honour of hosting the band’s first ever gig last summer, and since then they’ve been winning over crowds with their captivating grunge-fuelled post-punk. Returning to play for us this November at a sold out Sebright Arms to support Problem Patterns, it was wonderful to see how they’ve really honed their sound and built in confidence on stage; with their now established line-up of Brodie joining them on bass and Lauren on drums, they exude a subtle spellbinding power and gritty immersive energy, marking them out as truly unique. It’s easy to see why bands like Heartworms, The Wedding Present and folk legend Grace Petrie have been keen to share stages with them lately, and they have some exciting announcements in the pipeline for 2024. I can’t wait. Find out more about Dogviolet here.
(Mari Lane – GIHE Co-Founder)

 

ALT BLK ERA
Watching genre-defying sister duo ALT BLK ERA supporting STRAIGHT GIRL at our GIHE gig at The Shacklewell Arms earlier this year proved to me that the future is bright for alternative music. Taking cues from an eclectic range of artists – Ashnikko, Hacktivist, The Prodigy and Billie Eilish and Nova Twins to name a few – together, teenage siblings Nyrobi and Chaya  blur the boundaries of pop punk, nu-metal, rap and electronic music to form their riotous sounds. By combining jagged electronics, heavy riffs and racing beats with raging lyrics, the pair have created an alternative statement of self autonomy on their debut EP, Freak Show, which perfectly showcases their antagonistic, youthful spirit. They’ll be playing at The Hootananny in Brixton on 6th March, before heading to Download Festival next year. 2024 looks set to be a big year for them, so catch them while you can. Check out our recent interview with ALT BLK ERA here. Find out more about ALT BLK ERA here. (Kate Crudgington – GIHE Co-Founder)

 

Sheherazaad
One of my favourite new discoveries of 2023, Brooklyn based artist Sheherazaad left me completely spellbound with her debut single ‘Mashoor’ (so much so that it was one of my tracks of the year…) Reflecting on her South Asian sonic lineage, it draws on themes of displacement and nostalgia with a contemporary, genre-defying spirit, immersing you in its exquisite rippling allure on first listen. Produced by Arooj Aftab and released via renowned label Erased Tapes, this first offering from Sheherazaad showcases all there is to love about the innovative artist; a creator of intricate beauty, not afraid to share her values about what matters most. And, having already received acclaim from the likes of Pitchfork and The New York Times, I’m quite certain listeners the world over will be falling in love with her unique soundscapes throughout 2024. Find out more about Sheherazaad here.(ML)

House Of Women
2023 was a big year for Hackney-based alt-rock trio House Of Women. The band performed alongside Coach Party and Bedroom High Club at London’s Omeara at the end of the year, and they played knockout sets at All Points East and 2000 Trees festivals in the summer too. Perhaps most impressively though, they self-released their debut EP, People Printing, in November, cementing their status as a band with a compelling sound and truly exciting potential. 2024 looks set to be another big year for Elsa Malazogu (guitar), Poppy Miller (guitar) and Kyla Lanai (vocals, piano) and I’m looking forward to seeing what they do next. Check out our recent interview with House Of Women here. Find out more about House Of Women here. (KC)

CHERYM
Since first falling in love with 2021 single ‘Listening To My Head’, I’ve been following Derry band Cherym, addicted to their empowering, nostalgia-tinged punk-pop. And, having been lucky enough to catch them live both here in London and across the pond in Belfast, I’ve become convinced that their perfect blend of uplifting honey-sweet allure and gritty riotous energy is headed for big things… Another band signed to the best of labels, Alcopop! Records, they’ve had an exciting 2023 sharing stages with the likes of The Beths and GIHE faves ARXX, spendin the summer playing festivals such as Truck and Rebellion, and even ventured to Austin for SXSW. Now, with their debut full length album on the way in February, followed by a European tour (including dates supporting Enter Shikari), I have a feeling that my convictions will be proved right; 2024 is going to be a big year for the Northern Irish trio. Find out more about Cherym here. (ML)

Pixie Cut Rhythm Orchestra
Watching Pixie Cut Rhythm Orchestra’s vocalist Sarah Deegan perform traditional Celtic song ‘Amhrán na hÉascainne’ (The Song Of The Eel’) at the band’s debut London headline gig for GIHE at The Shacklewell Arms was a cell-altering experience that Mari and I will never forget. Her effortlessly urgent vocals were totally captivating, and alongside her band mates (including the ultra cool Julie from HAVVK), she treated us to a set full of deeply poetic, melancholy shoegaze sounds. I’m grateful to Irish artist Constance Keane aka Fears for introducing me to the Dublin band a few years ago. If you get the chance to see Pixie Cut Rhythm Orchestra live, please take it. Find out more about Pixie Cut Rhythm Orchestra here. (KC)

Vyva Melinkolya
Angel Diaz aka Vyva Melinkolya is responsible for some of my favourite music from the past year. She worked alongside Midwife on their collaborative EP, Orbweaving, a moving rumination on healing from, and enduring pain, plus, she released her second album, Unbecoming, which features contributions from Midwife and the inimitable Ethel Cain. Her hazy, heavy shoegaze is perfectly complemented by her magnetic, far-off vocals. Listening to her music is a dreamy, disorientating experience. I’m hoping to catch her live at some point in 2024. Find out more about Vyva Melinkolya here.


Despite our apprehensions about 2024, at least we’re heading into the new year with some fantastic music to accompany it! Massive thanks to all who’ve supported GIHE throughout 2023, it really means the world. And huge thanks to all the amazing bands and artists who’ve soundtracked it, and who will continue to soundtrack 2024!

WATCH: The Menstrual Cramps – ‘Body Politics’

I’ve been waiting a long time for new music from Bristol-based punk legends The Menstrual Cramps, and now it’s finally here! Following 2019’s Free Bleedin’, and fresh from a run of dates supporting Isle of Wight punk trio Grade 2, They’ve now shared new single ‘Body Politics‘, released via the loveliest of labels, Alcopop! Records. 

Sounding as vital as ever, with ‘Body Politics’ The Menstrual Cramps draw on American philosopher Judith Butler’s idea of gender performativity (from her book ‘Gender Trouble’), and rally against the ways in which gender constructs are forced upon us all under capitalism to benefit the patriarchal structure. Seething with their trademark ferocious energy, and building to a fierce RATM-esque climax, it’s a perfectly empowering and cathartic explosion of necessary rage. 

With their return, The Menstrual Cramps continue to deliver their utterly necessary message with an immense impassioned drive; creating a perfect balance of unifying joy and rage that has never felt more urgent.

‘Body Politics’ is accompanied by a homemade new video, capturing front person Emilia’s experiences of growing up in the early noughties, surrounded by gender stereotypes in the media. They explain:

I wanted the video to be a kind of letter to my younger self, who didn’t have the vocabulary to express everything they felt in their messy teenage brain at the time, and had minimal queer people in the media to look up tothe music video is a loop, so the end of the music video is also the start of the music video my younger self watches when turning on the TV in the bedroom. Metaphorically, it’s letting myself become who I wanted to be, or finally being happy with who I am—being inspired by myself to relive my younger years with that expressive freedom.”

Watch it here:

‘Body Politics’ is out now via Alcopop! Records. Catch The Menstrual Cramps live tonight at Oslo, Hackney for Rock Against Violence, or next Spring on a run of UK dates – details here.

Mari Lane
@marimindles

Photo Credit: Dory Valentine

GIHE: Ones To Watch 2022

It’s safe to say 2021 has been a tough one… But if there’s one positive to take away from this year, it’s the immense amount of incredible new music that’s been released, and the hope of even more sublime offerings from some wonderful new bands in 2022.

For our final annual end of year round-up, we’re sharing our ‘Ones To Watch’ for 2022… Just a few of the amazing bands and artists who have impressed us throughout 2021, and that we predict will be reaching ears far and wide next year… Have a read of our choices, and make sure you give them all a follow to keep track of their unmissable achievements over the next 12 months.

Cherym
Derry trio Cherym are one of my favourite discoveries of the year. Having had their EP Hey Tori pretty much on repeat over the last few months, seeing their gig at Paper Dress Vintage in October left me buzzing with a joyous sense of nostalgic euphoria – not only because it was my first gig since Covid, but because of the band’s unmatched exuberant energy and fiery spirit. Each of their songs is a perfect ​​master class in pure, perfect punk-pop – instant singalong anthems. I just can’t get enough of their empowering energy and bubbling, sugar-coated scuzz. And, having now been featured in Kerrang!, and with plans to play at SXSW this Spring, it seems they’re definitely ones to keep your eyes and ears out for in 2022! 
(Mari Lane – Co-Founder)


Pretty Happy 
I still crack up when I think of Pretty Happy guitarist Abbey Blake commenting “you’re the first person to say we have genuine talent” when I told them how great I thought their music was back in September. Together, Pretty Happy – aka art-punk trio Abbey, Arann Blake and Andy Killian – create riotous, tongue-in-cheek offerings often centred around their observations and experiences of living in their home county of Cork, Ireland. I had their EP Sluggers Bridge on heavy rotation during 2021, chanting along to ‘Sea Sea Sea’ and ‘Sudocrem’ as loudly and obnoxious-ly as possible. The band should hopefully be supporting Gilla Band on NYE if restrictions in Ireland allow, and I’m keeping my fingers crossed that they’ll make it over to the UK in 2022 so I can see them live for the first time.
(Kate Crudgington – Co-Founder)


BAXTR
Blasting out the pink, fuzzy energy we’ve so needed this year, and having received acclaim from the likes of BBC Introducing, London trio Floss, Bash and Keiko – aka BAXTR – have fast become one of my favourite bands of 2021. With sunny, uplifting singles such as ‘In Pop We Trust’ and ‘Grace On Fire’, the band showcase their knack for combining a kitsch, honey-sweet pop allure with a fierce, frenzied rock spirit, consistently delivering an effervescent, euphoric power with each frenzied, fun-filled floor-filler. A band on the rise for sure, I can’t wait to host BAXTR playing live for us at The Shacklewell Arms on 24th February, along with headliners Jenny Moore’s Mystic Business and Sheffield band Potpourri. Get your tickets on DICE now. 
(ML)


Grandmas House
Since I heard the opening riff of ‘Always Happy’ by Bristol trio Grandmas House, I have been hooked on their sardonic, thumping post-punk sounds. Formed of Yasmin Berndt, Poppy Dodgson and Zoë Zinsmeister, the band combine gritty guitars, powerhouse percussion and visceral vocals to create intensely relatable anthems. Watching them live at The WIndmill in Brixton was a real joy this year and I look forward to insisting Mari buy their last tote bag at the merch stand at more of their gigs in the future.
(KC)


Queen Cult
Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger‘, and support for explosive recent offerings ‘Show & Tell’ and ‘A Song About Consent’ from big names such as Bang Bang Romeo, Cheshire band Queen Cult have been fast making a name for themselves this year. Consisting of front person Maisie Johnson and bassist Leila Jacklin, as well as Brodie Carson on drums and Piers Jarvis on guitar, the band pride themselves on their LGBTQ+ identity and sharing their queer, politically-charged messages with the masses, and I cannot get enough of their seething, gritty energy and riotous, angst-driven power. And, with a tour with GIHE faves LibraLibra set for January, it seems as though many more people will be being lured to the band’s fierce colossal spirit and instantly catchy musicality very soon. 
(ML)


Brimheim
I have Mari to thank for bringing Danish artist Brimheim to my attention this year, after she played her shadowy, sublime single ‘poison fizzing on a tongue’ on our radio show. Brimheim’s buoyant second single ‘hey amanda’ is a gentler, but equally as emotive track that showcases her talent for capturing a moment in its purest form. I’m so excited to hear her new album, the magnificently titled can’t hate myself into a different shape, when it’s released in January 2022.
(KC)


45ACIDBABIES
Dutch garage-pop punks 45ACIDBABIES have been providing a welcome quirky, fizzing soundtrack throughout 2021. Having previously shared stages with the likes of Sleigh Bells and Blood Red Shoes, with singles such as ‘Mommy’s Favourite 1’ and ‘Only Class6 From Now On’, they have showcased their ability to create perfectly catchy, danceable anthems. With each single offering a wonderfully obscure cacophony propelled by a swirling energy and vibrant honey-sweet allure, the band have already gathered a huge fan-base in their native Holland (with over 685k streams of their music on Spotify this year), but I predict that 2022 sees them headed for world domination… Watch this space! 
(ML)

Lilith Ai
Self-described as “a singer-songwriter who performs poignant tales of modern city life,” Lilith Ai writes relatable guitar tunes exploring turbulent emotions in a humble and engaging way. She was modest, self-deprecating but incredibly warm and open to talking about all aspects of her life and art when I spoke to her about her album, Folk You Hard, earlier in the year. Loud Women also awarded her their prestigious Hercury Prize Award for the record, which is further proof she’s definitely one to watch in 2022.
(KC)


The Menstrual Cramps
Having been massive fans of raging queer punks The Menstrual Cramps since 2017’s debut album We’re Not Ovaryacting, and had the honour of hosting an epic night of them playing live for us at The Finsbury back in 2018 as well as having them as guests on our radio show, we have been wallowing in a Menstrual Cramps-less void for the last couple of years as the band were on a little hiatus. But, at the beginning of this week, just when we thought all was lost and we’d given up any hope of 2022 being better than the last two years… The Menstrual Cramps announced their return! Joining front person Emilia and drummer AJ, the band introduced two new members, Abi and Zam, and have promised new music for us. I cannot wait for more of their politically-charged, immensely empowering anthems! 
(ML)

Check out our Tracks Of 2021, Albums & EPs of 2021 and Personal Highlights now. Massive thanks to all who’ve supported GIHE this year, it really means the world. And huge thanks too to all the amazing bands and artists who’ve soundtracked it, and who will continue to soundtrack 2022!