toronto bands – Get In Her Ears

Comic Review: Bad Waitress – ‘Rabbit Hole’

The latest in our ‘Comic Reviews’ feature – where illustrator Sally-Anne responds to a new release with her wonderfully unique drawings – we check out the raging latest single from Toronto’s Bad Waitress. Following the riotous power of ‘Strawberry Milkshake‘, the band have now shared a playful new video for ‘Rabbit Hole‘, ahead of the release of their debut album later this week.

Of ‘Rabbit Hole’, the band explain:

“Rabbit Hole’ plunges you headfirst into an airless spiral. You’re unreachable, growing comfortable in the bleak nest you’ve found yourself in, knowing those you love will tire of trying to dig you out. The song begins with rising tension that, with a rough shove, gives way to a deep sludgy conclusion. Dissonant guitars and jarring vocals bring you to that dark place and swallow you whole.”

No Taste, the upcoming debut album from Bad Waitress, is set for release 3rd September via Royal Mountain.

Sally-Anne Hickman
@sallyshinystars

August 31, 2021

Get In Her Ears1 Comment

Track Of The Day: Bad Waitress – ‘Strawberry Milkshake’

Following 2018’s EP Party Bangers, Toronto-based Bad Waitress have now announced their debut album. Ahead of the album’s release this autumn, the band have now shared a fiery new single.

An eerily raging anthem, ‘Strawberry Milkshake‘ blasts into the ears with its scuzzy, pulsating hooks and thrashing beats, as Kali-Ann Butala’s raw, seething vocals soar with a swirling, riotous power, reminiscent of the legendary Brody Dalle. Propelled by a gritty energy and frenzied, empowering drive, it’s a wonderfully sinister – hell-raisingly raucous yet fuzzily catchy – punk-fuelled anthem. Of the track, the band comment:

“‘Strawberry Milkshake’ is saccharine sweet, milky pink terror. On the surface it’s sexy and enticing – but there’s a poisonous sludge bubbling just beneath. It paints the picture of an all-American beauty pageant with buckets of blood as the cherry on top.“

Watch the zombie-filled new video for ‘Strawberry Milkshake’ now:

No Taste, the debut album from Bad Waitress, is set for release 3rd September via Royal Mountain.

Mari Lane
@marimindles

Photo Credit: Kate Dockeray

June 18, 2021

mariangelicalane1 Comment

FIVE FAVOURITES: Tallies

Toronto-based four piece Tallies have announced their self-titled debut album will be released on January 11th 2019 via Fear Of Missing Out Records. The band have shared the lead single from the record ‘Beat the Heart’ online – and it’s a dreamy slice of catchy indie-pop.

We caught up with band members Sarah & Dylan to ask about their “Five Favourites” – five artists or albums that have influenced their songwriting technique. Check out their responses below…

1. The Smiths – The Queen is Dead
I heard The Smith’s a few years ago, for the first time at this cafe that I used to work at. It was a sound that was very new to me, and I can only describe it as “the sound that I was looking for”. When I heard Jonny Marr’s guitar playing, I knew that was the sound I wanted to play. There is a 60’s influence in their songwriting which I really appreciate and love the humourous lyrics. The Queen is Dead has a great contrast between harsh lyrics & beautiful melodies. The sample at the beginning of the album sets this odd mood followed by a eerie whistle before the floor tom starts the rhythm. The build up gets me really pumped up. (Dylan)

2. Cocteau Twins – Heaven or Las Vegas
When listening to Cocteau Twins, they make you feel like you’re spinning in a room full of dancing light and feeling light-shadows on your skin, without getting dizzy. They have mastered a sound of constant motion that stands still. The production on this record has incredible depth, while having complete focus. It’s surprising how little synths are used on this record that’s so full of dreamy textures. The reverb delays, and chorus used on the guitars makes them sound like completely different instruments and is so intriguing. We first heard Heaven or Las Vegas from friends of ours a couple years ago and haven’t stopped playing it since. (Sarah & Dylan)

3. Aztec Camera – High Land, Hard Rain
When I came across this album, it sounded so familiar, like it was already a great influence on me. Realizing after talking to my dad, that he used to play this album around the house all the time when I was growing up. That explains the familiarity. He gave me his vinyl form the 80’s to add to my collection which I listen to all the time. I play “Oblivious” at every party I go to. There is no one else that can pull off holding one note for that long in a guitar solo, making for the best air-guitar performance. The instrumentation on this record has a Latin vibe that I really like and is mainly acoustic-guitar driven. (Dylan)

4. The Sundays – Reading, Writing & Arithmetic
The sounds created on this album are just heavenly and so easy to listen to. The melodies are unique and graceful. I first heard The Sundays while watching the 90’s flick, “Fear” with young Mark Wahlberg and Reese Witherspoon. I fell in-love with the crystal sounding jangly guitars and Harriet Wheeler’s voice instantly. The songwriting reminds me of the soft essence and the fragilty of a butterfly. Wheeler’s heartfelt sharing of personal feelings makes me feel like she’s in the room reading from her diary. Reminding us that we’re not alone in sinking emotions. (Sarah)

5. Air – Moon Safari
I have this album on repeat constantly. It’s the perfect background music to any setting. Each song has so much depth and the lyrics are always stunning. I am quite the late-bloomer on this band. I just heard them for the first time this year after Stephen (bass) bought a bundle of thrift store CD’s to play in our new van. I’ll never forget the first time listening, how each song shocked me, “Woah, there’s so many instruments on this track.” “How did they do that?” I knew that this record was going to be inspiring just 30 seconds in. I want to make music like Air, music that makes your emotions tingle and spiral in so many directions, yet sounding so chill and simple at the same time. (Sarah)