Track Of The Day: Fightmilk – ‘Overbite’

Following last year’s ‘If You Had A Sister’ and ‘I’m Starting To Think You Don’t Even Want To Go To Space’, GIHE faves Fightmilk have now announced the release of their second album, out next month via Reckless Yes.

Taken from the album, ‘Overbite’ marks a maturing in sound for the band whilst maintaining their trademark anthemic power-pop energy. Propelled by jangling melodies and the endearing, refreshing honesty of its lyricism, the track oozes a subtle romanticism and tongue-in-cheek wit. As the raw emotion and distinctive smooth-yet-husky charm of front-person Lily’s vocals deliver a heartwarming sentiment (“You don’t have to smile if you don’t want to darling, you’re perfect as you are”) alongside scuzzed-out riffs and an infectious, shimmering energy, Fightmilk have created the perfect, alternative fuzzy love-song, complete with their distinctive, quirky charisma and a comforting warmth. A gently uplifting, twinkling slice of blissful indie-pop showcasing a band that are continuously refining their sound and, in the process, consistently continuing to win my heart.

Of the track, the band explain:

We decided to double down: synths, gang vocals and pick scrapes, oh my! This is one of the most uplifting, happy songs we’ve written, and by bookending the album with big joyful explosions, maybe it’ll do something to soothe the collective woe we’ve all been living through.”

‘Overbite’ is accompanied by a super cute animated video created by Jono Ganz, portraying a narrative about perceptions of beauty. Watch it now:

‘Overbite’ is out now. Contender, the upcoming new album from Fightmilk, is set for release on 14th May via Reckless Yes. Pre-order via bandcamp now.

Mari Lane
@marimindles

Track Of The Day: Milly Blue – ‘Dancer Teleports into Thames Mud’

A tender, sparse soundscape inspired by the lost relics of ancient shipwrecks resting at the bottom of the river Thames, Mancunian vocalist, songwriter & composer Milly Blue has shared her debut solo single ‘Dancer Teleports into Thames Mud (Kisses Fragmented Self with Tongues)’. Originally written to provide a soundtrack for London-based photographer Holly Birtles’ exhibition ‘Up to your Neck in Mud’ at xxijrahii gallery in Deptford, the track is a beguiling offering that softly spotlights Milly’s intuitive song-writing talent.

Although this is her first solo offering, Milly has been collaborating with an eclectic range of musicians since her teenage years. She provided vocals for Basement Jaxx, toured and collaborated with Andrew Hung (Fuck Buttons), and has performed alongside Beck, Kae Tempest and the Guillemots. Now, she’s applying her multi-talented approach to her own music and is preparing to release her new album, elephant, Baby, later this year. Latest single ‘Dancer Teleports into Thames Mud’ will be featured on the record.

Full of Milly’s lush vocal layers, the track soothes and unsettles in the same breath. “Holly approached me to compose a piece to accompany the end of her exhibition,” Milly explains about ‘Dancer Teleports into Thames Mud’. “Her images were abstract and disjointed, exploring the sheer number of shipwrecks in the Thames and the objects, animals and even towns that have been lost into mud, both along that river and on the coast of the North Sea.

With the track, I wanted to make something haunting and bare. Something that could be ancient and lost. The layers intermittently jar and tesselate and there is a real sense of melancholy in the music. But in a comforting sense. Like loving spirits, visiting you from the mud. Holly, after hearing the track, created a beautiful video to accompany it. I’m really happy and excited about the results.”

Watch the video for ‘Dancer Teleports into Thames Mud’ below.

Follow Milly Blue on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Andre Russell

Kate Crudgington
@KCBobCut

Track Of The Day: Deux Furieuses – ‘She’s Not Coming Home Tonight’

Following 2019’s immense album My War Is Your War, Ros Cairney and Vas Antoniadou – aka deux furieuses – have now blasted into our ears with a poignant new single.

Triggered by the recent murder of Sarah Everard, ‘She’s Not Coming Home Tonight’ offers a stirring response to gender-based violence and police brutality. Driven by a gritty, angst-driven power to deliver its poignant message, the track flows with a swirling majestic grace and Vas’ immense thrashing beats accompanying the raging catharsis of Ros’ swooning vocals. Propelled by a seething, blazing energy, it oozes a fervid sense of urgency; a riotous rallying cry to “reclaim these streets”. Of the meaning behind the track, the duo explain:

We have been sickened and angered by the murder of Sarah Everard at the suspected hand of a police officer during a national lockdown, the aftermath from the police at her vigil, the murders of Nicole Smallman and Bibaa Henry and the rest of the 118 women murdered in the last year. How many more generations of women have to protest to reclaim these streets?” 

‘She’s Not Coming Home Tonight’ is out now via bandcamp, with all proceeds to #ReclaimTheseStreets in support of a diverse range of women’s charitable causes across the country. #ReclaimTheseStreets affirm that “Women means all women, femmes, non-binary people and gender non-conforming people who deserve to be safe” and that they will put in place transparent and rigorous governance arrangements for the funds raised.

Mari Lane
@marimindles

Photo Credit: Glenn Morrison

Track Of The Day: Noha Saré – ‘Lost’

An evocative alt-pop tune that embraces vulnerability and smoulders with assertiveness, Amsterdam-based songwriter Noha Saré has shared her latest single ‘Lost’. Taken from her upcoming EP which is set for release later this year, the track fuses elements of R&B and electro-pop alongside Noha’s soulful vocals to reflect the way in which our moods shift when we’re contemplating our future.

“Everybody has their own demons and it’s okay to talk about it,” Noha explains. “Almost everyone has struggled with not knowing who they are, what they really want in life or where they’re headed. I got better in finding peace with who I am, including all the ups and downs, by accepting that it is okay to be scared and insecure and it’s okay to not know where you’re heading”. Through her atmospheric beats and smooth vocals, Noha makes a musical truce with her inner turmoil and leans into the unknown with impressive flair.

‘Lost’ is also accompanied by a striking set of visuals, directed by Noha’s best friend and visual artist Izak Berman. “My internal fight is embodied by 8 female performers,” she explains. “Two of them engage in a game of attraction and repulsion. The video shows an enchanting oscillation between pleasure and pain, past and future, hope and disbelief. Within a surreal composition, which seems to be somewhere between a dream and reality, showing the obscure side of my world.”

Watch the video for ‘Lost’ below.

Follow Noha Saré on Spotify, Instagram & Facebook

Photo: Kick van Doorn

Kate Crudgington
@KCBobCut