Track Of The Day: 45ACIDBABIES – ‘Mommy’s Favourite 1’

Following the success of last year’s ‘3 (Walk With Me)’, and having shared a stage with the likes of Sleigh Bells and Blood Red Shoes, Dutch garage punks 45ACIDBABIES have now returned with a buoyant new single.

Propelled by a vibrant, playful energy, ‘Mommy’s Favourite 1′ races with swirling layers of sound creating an instantly infectious, danceable cacophony. As scuzzy, electro-driven hooks race alongside the soaring sultry power of Sophia De Geus’ vocals, a psychedelic haze ripples, creating an anthemic slice of indie-pop reminiscent of the likes of PINS. Futuristic, yet with hints of ’80s-infused nostalgia, it’s an uplifting sonic fusion, injecting a much needed colourful groove into our ears. Of the track, the band explain:

“… (it’s) about an Odysee sirene island like situation that refers to the situation we’re all in right now. The COVID-19 life we’re living. It’s sang by ‘the mother’ who kidnaps lost people in the streets and takes them home to submerge them into a hypnotising party that will make you feel like you’ve escaped the real depressing life for a moment. Everything seems all fun and games. The perfect night. But then you find out you can never leave.”

 

Mommy’s Favourite 1‘ is out now.

Mari Lane
@marimindles

Track Of The Day: Penelope Trappes – ‘Nervous’

A graceful, evocative soundscape that tentatively traverses the inner thoughts of an anxious woman, Australian-born Brighton-based artist Penelope Trappes has shared her latest single ‘Nervous’. Taken from her new album Penelope Three, which is set to be released on 28th May via Houndstooth, the track ripples with a sense of mystery and disquiet, both of which are beautifully reflected in the accompanying video.

Forming the final part of her musical trilogy, Trappes’ upcoming album reflects on healing from grief while harnessing the unique power of her voice to tell tales of resilience and the restorative power of love. Utilizing her lived experiences as a mother and swiftly defying the limiting ageist and sexist industry ideas about women’s creativity, on ‘Nervous’ she masterfully layers her clear vocals over sparse beats and atmospheric electronics to hypnotic effect. “I’m digging up the underworld with visual motifs, and a mystical, gothic darkness that symbolises my struggles,” Trappes says of her new music, exhuming her feelings and finding joy and liberation in expressing the darker aspects of the emotional spectrum.

“In mid 2020 I began renting a strange and unique house in Brighton…I used the odd space and time to film the video for ‘Nervous’,” Trappes explains. “It delves inside the mind of a nervous smoking woman, which takes the form of an oppressive strange house. Inside, she is confronting the balance between the masculine and feminine within her, which take the form of two spirit characters. Outside there are expansive but liminal moments of reprieve from the claustrophobia, but she invariably gets drawn back into the anxious loop of her own mental entrapment.”

Watch the video for ‘Nervous’ below.

Penelope Trappes UK 2021 Live Dates
13 May The Great Escape, Brighton *Live Stream*
23 Sept The White Hotel, Manchester
24 Sept The Alchemy Experiment
25 Sept Future Yard, Birkenhead
26 Sept Attenborough Arts Centre, Leicester
30 Sept The Rose Hill, Brighton
21 Nov St Pancras Church, London
24 Jul SNNTG Festival, Hannover
*supporting Leifur James

Follow Penelope Trappes on bandcampSpotifyInstagram and Facebook

Press Credit: Agnes Haus

Kate Crudgington
@KCBobCut

Track Of The Day: daze – ‘yourself’

According to daze, the writing of ‘yourself’ only began towards the end of last year. Mind you, even by the standards of most DIY artists, their recent output verges on the prolific, with this single following two self-released EPs and a single, all since July 2020. Having met in college in 2017, their later releases reflect a second stage for the pair; a shift into dreamy indie-pop, and away from singer-songwriter fare. It’s possible that this recent prolific spree is due in part to lockdown, which probably suits the creative process of a self-described “bedroom pop” act, and daze – who are comprised of duo Daisy and Scott – seem to have mastered the sub-genre even by this early stage of their career.

For starters, ‘yourself’ comes packaged in what, judging by their Bandcamp, is something of a signature style for the duo, with its kawaii-leanings in coloured pencil evoking ’90s tech and kids’ cartoons. That return into youth typifies the best of indie-pop, right back to the Sarah Records days, although the piano loop that whirls through ‘yourself’ arguably has more in common with a house record. Between the piano and the drum machine hits, there’s a little of the pop-dance that dominated the charts some fifteen years ago in the track, but intermixed here is dream-pop guitar that shimmers in layers and layers, gently building with emotion amidst flecks of picked out notes, and echoing around Daisy’s impressively honeyed voice.

With a neat line in richly emotional lyrics, ‘yourself’ tells the story of a friend of Daisy’s, and their struggles with their mental health. “Do you know what I’m on about?”, Daisy sings, “I haven’t seen your colour lately” – a neat nod to the near dayglo imagery of the single’s cover sleeve, with the percussive nature of each line dangled delicately around the lilt of the track’s melody. Loosely structured, the song’s lyrics repeat whilst building with subtle changes, drawing the listener in, before, at the song’s close, they drape over each other and then fade out.

Featuring the pair running in slo-mo towards the camera, in a colour-saturated version of the woods, the self-directed video is oddly reminiscent of Pixies’ ‘Velouria’, although with a somewhat less demented bent and slightly more vintage sportswear. That said, the video shows a couple of people who are creatively in-sync, and happy to deal in an aesthetic that prizes honesty and expression over cool, sleek production values.  And the truth is, that what the band lack in budget, they more than make up for in musical ability. ‘yourself’ belies both the duo’s age, and their origin story, and suggests that while they might soon make it out of the bedroom, staying in has helped them show their colours.

‘yourself’ is out now. Download via bandcamp and listen on Spotify.

John McGovern
@etinsuburbiaego

Track Of The Day: Riotmiloo – ‘Vile Butterflies’

Abrasive beats, pulverizing electronics and seething vocals mesh together on ‘Vile Butterflies’, the latest single from London-based industrial riot grrrl Riotmiloo. Released as part of Chaos Theory’s fundraising compilation album 11 Years Of Chaos, the track bristles with intense unease, mimicking the nervous twitches of the wings of the titular insect.

“The idea behind this song is to not to let negative thoughts suppress your potential. Don’t listen to your vile butterflies,” Riotmiloo explains. Due to the on-going Covid-19 pandemic, Riotmiloo and London-based music promoters Chaos Theory have been unable to perform live shows at one of their favourite venues, The Black Heart in Camden, for over a year. ‘Vile Butterflies’ is one of twenty-six tracks on 11 Years Of Chaos, a compilation album that aims to raise much-needed funds for the venue, as well as promoting many of the artists Chaos Theory have worked with too.

Currently available on bandcamp, 10% of the profits made before 22nd March will be donated to the #SaveTheBlackHeart campaign, with other profits being shared fairly between artists and Chaos Theory so they can invest in more livestreaming equipment. The alternative, genre-defying collection features tracks from heavy rockers Vodun, a beguiling Cocteau Twins cover by Maud The Moth, as well as contributions from Brigitte Handley, Kate Arnold, Prisa Mata, Årabrot, Black Orchids and more.

The album is a fierce, cathartic soundtrack for escapism, but it’s also a heartening reminder that the DIY music community provides a crucial support network for artists, venues and promoters during this unpredictable and difficult time.

Listen to Riotmiloo’s ‘Vile Butterflies’ below.

Download your copy of 11 Years Of Chaos from bandcamp.

 

Follow Riotmiloo on bandcamp, Spotify, Twitter, Facebook & Instagram

Follow Chaos Theory on bandcampTwitter, Facebook & Instagram

Kate Crudgington
@KCBobCut