GIHE: Tracks Of 2025

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2025.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2025’ ahead of features on our Favourite Albums & EPs, Personal Highlights and Ones To Watch 2026… Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying Tidal playlist to hear just how fantastic they all are! Please do follow the artists you love on all platforms; download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are!

(A little caveat that if we had lots more time, we’d include many more songs on this list…If you’re a band we love and not included here, you’re still fantastic and we have so much admiration for you creating wonderful music to keep us going!)

The Baby Seals – ‘Tamoo Trance’
Having been super mega fans of Cambridgeshire feminist punks The Baby Seals since they first played live for us back in 2017, and having recently had them back to play at our joyous 10th birthday celebrations, we were very excited to have new music from them in the latter part of this year. A fierce take-down of consumer capitalism, combining the band’s trademark playful tongue-in-cheek wit with a gritty raging energy, ‘Tamoo Trance’ offers a seething anthem about getting stuck in a trance-like state in an (obviously completely fictitious) online shop. So, throughout 2026, instead of spending money on stuff that “will go directly in the bin”, perhaps consider supporting your fave DIY artists on bandcamp, or going along to a nice local gig. Rumour has it that The Baby Seals have a new album coming next year… We can’t wait!
(Mari Lane – Managing Editor)

Whitelands – ‘Glance’
London-based shoegaze band Whitelands are firm favourites here at GIHE, and the release of this track ‘Glance’ has only cemented that further. Lifted from their upcoming second album, Sunlight Echoes, due on 30th January 2026 via Sonic Cathedral, ‘Glance’ shimmers with the band’s trademark sensitivity, whilst simultaneously showcasing a lusher dream-pop influence on their songwriting. Vocalist and guitarist Etienne penned this track after moving through a period of both heartbreak and writer’s block. These frustrations and elations are mirrored in the romantic lyrics and the band’s blissful, captivating melodies.
(Kate Crudgington – Features Editor)

Sister Ghost – ‘Drain You’
Sister Ghost’s ‘Drain You’ leans hard into a ’90s grunge sound, channelling the spirit of Garbage and Hole with a gritty, playful edge. The video, shot dancing around Joshua Tree, worlds away from the band’s native Derry, adds to its sense of freedom. It’s driven by a big, instantly catchy chorus, wrapped in a thick wall of sound that hits with Shannon’s confident vocals.
(Ella Patenall – Contributor)

HAVVK – ‘Happening Again’
Having played our first ever GIHE gig back in 2016, we’ve been such huge fans of Irish duo HAVVK ever since and I was so excited to have them back in our ears with this swirling single. A gritty and cathartic reflection on destructive patterns of behaviour, ‘Happening Again’ showcases the band’s ability to combine a fierce seething energy with the soaring, captivating allure of Julie’s raw vocals. I can’t wait to hear more new music from them very soon. (ML)

PostLast – ‘Scavenge’ (Birthday Problem remix)
Irish indie label VETA Records have provided me with some of my favourite new music this year, including this superb collaboration from alt-pop duo Post Last and electronic duo Birthday Problem. I’ve been following both bands for a while, so I was thrilled to see them working together here on this eclectic remix. Soft vocals and intriguing electronic textures combine to make this version of ‘Scavenge’ a real sonic gem. (KC)

Jouska – ‘Season Of Dread’
Taken from her album, How Did I Wind Up Here?, which she released in October, Norwegian artist Jouska has a talent for transforming feelings of vulnerability into graceful musical ruminations. ‘Season Of Dread’ was inspired by a time when she felt like she was “stuck inside a winter that wouldn’t end – both emotionally and physically.” I always admire artists who are able to work through heavy emotions in their music and I feel like Jouska manages that adroitly here.
(KC)

Dogviolet – ‘Dandelion’ 
The first of two singles released this year by ones to watch, and long time faves, Dogviolet, ‘Dandelion’ offers an empowering ode to resilience and resistance, to the power of community – likening people to the flower, under-valued but vital to the ecosystem. I just love the understated power of the repeated refrain “to exist is to resist”, and feel like this song perfectly encapsulates the captivating, gritty grunge-fuelled power of the band. I’ve loved the band a lot since they played their first ever gig for us a few years back, and was super happy that they were able to be a part of our 10th birthday celebrations in September. I’m really excited about what they have in store for us next year! (ML)

The Dead Zoo – ‘Bruise’
Having released their debut album back in July, and wowing us all with their fiercely joyous energy headlining a packed out launch show at New River Studios back in June, this year has been a big one for long-term faves The Dead Zoo. With the album’s release, they showcased their ability to create immersive, brooding soundscapes, reflecting on both the pain and triumph of transformation. Combining swirling atmospherics with ’80s-inspired dark basslines, and with the gritty power of front woman Kaoru Sato’s vocals resonating throughout, ‘Bruise’ offers a pulsating, multi-layered soundscape that will captivate the senses on first listen. (ML)

BACKXWASH – ‘Wake Up’
I love the raw power behind this shape-shifting offering from Zambian-Canadian rapper and producer BACKXWASH. ‘Wake Up’ is taken from her album, Only Dust Remains, which she released via her own label Ugly Hag (great name!) in March. ‘Wake Up’ permeated my consciousness, thanks to its direct lyricism and BACKWASH’s uncompromising vocal delivery. (KC)

After London – ‘Alive’
The track opens with an urgent, ravey synth line before dropping into pounding drums that drive it forward. Punchy spoken-word vocals ooze attitude, keeping the verses sparse and tense. When fat, fuzzy guitars hit, the energy lifts again. Sharp wordplay ties together spoken word, rave textures and a badass punk attitude. (EP)

Tiiva – ‘you and i’
‘you and i’ is the title track from electronic artist & producer Tiiva’s debut album, which they released via Moth Day Records in June this year. It deftly showcases Tiiva’s talent for blending euphoric pulsing beats with their soft vocals and ambient electronics to create a listening experience that’s joyful and all-encompassing. (KC)

Jessie Mac – ‘Trans Is Beautiful’
A powerful and incredibly catchy “sonic statement” from South East London trans DJ, producer and label owner Jessie Mac here. By sampling the words of American actress & LGBTQ activist Laverne Cox and combining them with her own shape-shifting club-inspired beats, Jessie has created an LGBTQIA anthem that is equal parts poignant, political and playful. She’s a firm new favourite here at GIHE and we’re looking forward to hearing more from her in the future. (KC)

Beauty Sleep – ‘Radical Happiness’
Having signed to Alcopop! Records for their second album The Whole Damn Cake back in October, Derry faves Beauty Sleep came over to London to celebrate its release last month, and we were lucky enough to have them headline for us at The Cavendish Arms. It was such a joyous night oozing all the colourful, queer energy we so need right now (and some very tasty actual vegan cake!); it felt really special to have them here with us, and with support from Dream Phone and Lein Sangster. Fizzing with a glitchy energy and swirling uplifting emotion, album “theme song” ‘Radical Happiness’ offers a twinkling, empowering ode to self care and embracing doing things that bring you joy. (ML)

Sacred Paws – ‘Turn Me Down’
After a five year hiatus, the return of Scottish duo Ray and Eidlih – aka Sacred Paws – this year was a big highlight for me. Taken from the latest album, Jump Into Life, ‘Turn Me Down’  reflects on the rawness of rejection; juxtaposing this poignant sentiment with the duo’s trademark jangly energy and colourful musicality. Ray Aggs from the band was actually due to play our 10th Birthday all-dayer in September, but sadly couldn’t make it due to illness, so we really hope to see them back in London again sometime in 2026 – their gig for us at The Shacklewell Arms last year was one of the most joyous and fun! (ML)

Cheerbleederz – ‘I deserved better’
With the release of their gorgeous EP (prove me wrong) via Alcopop! Recordsin September, indie-pop supergroup and long-time faves cheerbleederz have continued to cement themselves as one of my most favourite bands. An uplifting ode to knowing your self-worth, ‘i deserved better’ offers all the sparkling, jangly melodies and scuzzy emotion you could ever need, plus a perfect singalong chorus – as Kathryn from the band says, “The chorus doesn’t even have any real words, but sometimes you don’t need em!”. (ML)

Gay Skeleton Club – ‘Summertime (Free Palestine)’
We’ve made no secret of our love of Gay Skeleton Club since they formed at First Timers Fest a couple of years ago, and we feel super lucky to have had them play live for us numerous times – each time bringing such a cute queer joy, and unifying sparkling charm. Following wonderfully catchy singles like ‘2 cats’ and ‘w3t l3g’, the release of ‘Summertime (Free Palestine)’ this year showcased how the band have honed and developed their sound into something fuller both musically and lyrically, whilst still maintaining their playful witty charm that we’ve come to know and love so much. I’m really looking forward to seeing what Gay Skeleton Club have coming up in 2026! (ML)

Tamara & The Dreams – ‘Successful Bisexual’
When I received an email back in March about a track called ‘Successful Bisexual’, I had to open it immediately… It’s an energy I’m forever trying to channel, and this single from Australian artist Tamara & The Dreams offers a perfectly heartfelt ode to self-discovery and embracing who you truly are as you get older. I was lucky enough to catch her when she was over in the UK back in the summer, and their lilting jangly energy and catchy uplifting charm was everything I needed and affirmed her place as one of my favourite artists of the last year. (ML)

nazire – ‘junebug’
A woozy guitar tune from Istanbul-based shoegaze artist nazire here. I was immediately hooked on her lullaby-like vocals and all-encompassing use of reverb on ‘junebug’. She’s currently working on her debut album, Glitchfolk, which she will release at some point in the near future. I will be keeping my eyes and ears peeled for that. (KC)

Better Joy – ‘steamroller’
Taken from October’s EP, dusk, ‘steamroller’ offers a defiant anthem about reclaiming strength in the face of loss from Manchester-based Bria Keely, aka Better Joy. Whirring with fuzzy hooks as Keely’s sugar-sweet vocals flow with a sparkling emotion, it’s an instant, completely dreamy, earworm and has been one of my most-listened to tracks of the last year. (ML)

Marina Yozora – ‘Touché’
Described as a “love letter” to her friends and fans, ‘Touché’ is a gorgeous offering from Japanese-born, London-based songwriter Marina Yozora. It’s a tender dream-pop tune full of her delicate vocals, emotive lyrics and atmospheric guitar tones. (KC)

Ailsa Tully – ‘Self Soothing’
The first taste of her upcoming debut album, ‘Self Soothing’ marked a welcome return for Welsh artist and GIHE fave Ailsa Tully earlier this year. Offering a vulnerable sentimentality, a delicate musicality glistens as Tully’s distinctive crystalline vocals flow seamlessly. With its added immersive synth-driven layers and subtle sense of angst that ripples under its surface, a gritty edge is added to this innovative artist’s trademark heartfelt splendour. (ML)

False Idah – ‘Gaslight’
Having been big fans of the sultry beats and genre-defying heartfelt offerings of London-based songwriter and producer Jay Brown, under her previous guise as Amaroun, we’re now excited to hear that she’s back with a new project. False Idah takes all that we loved about Amaroun, but develops it into something more as Brown immerses herself in the vulnerability of stripped-back songwriting and the inspiration that can come with the freedom to express yourself in a true and honest way. I was lucky enough to catch an intimate live performance at Servant Jazz Quarters back in September, ahead of the release of this beautifully raw new single and an upcoming album next year. (ML)

Amulets ft. Midwife – ‘Lifelike’
This is a really beautiful collaboration from two of my favourite American musicians – electronic/drone artist & tape wizard Amulets and “heaven metal” pioneer & producer Midwife. ‘Lifelike’ is lifted from Amulets’ poignant second album, Not Around But Through, which was released in February via Beacon Sound. This track seamlessly blends together Midwife’s transient, hazy vocals and Amulets’ mesmeric digital and analogue synth textures to create a sound that is totally disarming and deeply soothing. (KC)

Grandmas House – ‘Slaughterhouse‘
Ebow, minor chords, harmonies – what’s not to love? This song, about pain, loss and obsessive devotion, grabbed me from the first listen with its creepiness and dark, blunt lyrics like “I’ll be the funeral home, I’ll be the family morgue”. The striking video, featuring the band in suits covered in black paint around a dinner table, only heightens its impact. It’s an absolute earworm. (EP)

THWACK! – ‘Three Angels’
Another band who celebrated the release of their debut album, Buried But Blooming, with us at a sold-out show at New River Studios back in February, THWACK! are one of my favourite discoveries of 2025, and offer a necessary and empowering energy with each of their unique punk-folk anthems. Emanating a radiant celebration of trans joy, the sparkling charisma and fierce immersive power of their live shows (plus the giant Margaret Thatcher head) consistently mark them as a stand out part of the London DIY scene. (ML)

Hadda Be – ‘New To The Office’
A gloriously scuzzy new single from south London band Hadda Be, ‘New To The Office’ offers an all-too relatable reflection on the anxious hallucinations of a Sunday night fever dream. It was recorded by Andy Ramsay of Stereolab and offers a gritty taste of what to expect from their upcoming second album next year. We can’t wait for them to headline our first gig of 2026 on 16th January at The Waiting Room – tickets on Dice now, with support from Shallow Honey and Mannequin Flowers. 

Witch Fever – ‘The Garden’
For fans of grunge-soaked, doomy, gothic music, Witch Fever deliver. This track from their latest album takes a more melodic, delicate approach while keeping its dark, doomy edge. Captivating melodies, a wall-of-sound chorus and strong, clear vocals dominate, leading into an atmospheric breakdown that creates striking contrast before the final chorus pulls you back under. (EP)

Klein – ‘rich dad poor dad’
I was glad to unearth this experimental gem from UK rapper Klein back in September. ‘rich dad poor dad’ is taken from her intriguing rap-inspired “ambient folklore mixtape” titled sleep with a cane, which she released via Roc Nation Distribution. I love her hypnotic layering of sounds and her mesmeric vocals. This track is also accompanied by a self-directed music video, featuring Klein in different locations in South London, including the iconic Windrush Square in Brixton. (KC)

Tusks – ‘adore’ (I. JORDAN remix)
I loved the evocative, melancholic original version of ‘Adore’ by London-based artist Tusks (featured on her 2024 album, Gold), but this re-imagining by London-based DJ I.JORDAN is something else! Fuelled by infectious dance-inspired beats, it retains the magnetic pull of Tusks’ original release, but it’s impossible not to move your feet to it. This track features on Tusks’ EP, Gold – The Remixes, which was released in October via One Little Independent Records. (KC)

Heartworms – ‘Smugglers Adventure’
Built around a killer guitar riff, this nearly six-and-a-half-minute epic takes its time, unfolding through a slow, confident build that pulls the listener in. Atmospheric and finely produced, subtle noises weave through the mix, adding a sultry edge. The vocals rise and fall with swelling dynamics, and the track culminates in a standout breakdown that makes the journey feel well-earned. (EP)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2025 playlist now, and please be sure to check them out and support their work (download/buy/listen in places other than Spotify)!

And keep an eye out for our Albums & EPs Of 2025, Personal Highlights Of 2025 & Ones To Watch for 2026…

Get In Her EarsLeave a comment

LISTEN: GIHE on Soho Radio – Tracks of 2025 (12.12.25)

Tash, Kate and Mari were back in the Soho Radio studio for their final GIHE show of 2025, playing highlights from some of their favourite female, non-binary and LGBTQIA+ artists who released new music this year. They spoke about their top tracks and albums, reflected on GIHE 10th birthday celebrations and shared memorable live music moments from the past 12 months too.

Huge thanks to everyone who has tuned in to listen to us this year!

If you’re in the mood for some more festive fun, you can still grab a ticket to our next gig on Tuesday 16th December at The Ivy House in South London – a Flinchmas extravaganza! To celebrate the most wonderful time of the year, we’re hosting Glasgow’s indie-emo pioneers Flinch, alongside London-based DIY pop-punk faves Fightmilk and grunge-tinged band Dogviolet. Tickets are available here.

Listen back to the show below:

 

We’ll be back on Soho Radio on Thursday 8th January 2026 from 16:00-18:00
Make sure you tune in via DAB or download the Soho Radio app.
You can also listen at www.sohoradio.com

Tracklist
The Big Moon – Carol Of The Bells
Scrounge – Buzz/Cut
Baby Rose – That’s All
Amulets ft. Midwife – Lifelike
Breakup Haircut – The Algorithm Is Trying To Kill Me
Problem Patterns – I’m Fine and I’m Doing Great
Tiiva – you and i
HAAi – Can’t Stand To Lose
Kae Tempest – Statue In The Square
james K – idea.2
Whitelands – Glance
nazire – junebug
Blonde Maze ft. Lizzy Land – To Love Again
Jessie Mac – Trans is Beautiful
Sijya – Do I Know
Smerz – You Got Time and I Got Money
Strange New Places – YATPYFL
Fightmilk – No Souvenirs
TRACEY – Sleazy
Tusks x I. JORDAN – adore (remix)
jasmine.4.t – Woman
otta – FULL OF YOU
Marina Yozora – Touché
Jouska – Season Of Dread
Dogviolet – Now
Poly Styrene & Celeste Bell – Black Christmas
Dream Phone – s***e xmas

Kate CrudgingtonLeave a comment

GIHE: Tracks Of 2024

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2024.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2024’ ahead of features on our favourite albums, ‘Personal Highlights’ and ‘Ones To Watch 2025’. Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! Then, please do follow the artists you love on all platforms – download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are!

ARXX – ‘Crying In The Carwash’
Here at GIHE we make no secret of our immense adoration for the Brighton duo. And this year has been a pretty wonderful one for Hanni and Clara – we could not be happier for them doing so well and living their dreams. They’ve released an incredible album, played Glasto, been on tour with Fletcher and sold out a load of dates on their own headline tour of Europe. Kate and I were lucky enough to catch them at Lafayette last month, and it was such an uplifting and emotional night – they put on a fantastic show, and just seem to get more and more incredible every time we see them. We can’t wait to see what 2025 brings for these faves. Good Boy, the latest album from ARXX, is out now via Submarine Cat Records.
(Mari Lane – Managing Editor)

Circe – ‘Blue Love’
I have been OBSESSED with this song from dark-pop artist and GIHE fave Circe since she released it in March. ‘Blue Love’ is intense, candid and sultry – a BIG FEELINGS anthem that sets my cells alight every time I hear it. Circe described this offering as “Karen O produced by The Cure during their Disintegration era” and I wholeheartedly agree. ‘Blue Love’ is all about being love bombed and dealing with fuckboys, swirling in the ashes of disappointment and rising from them in defiance. I can’t get enough of it and it was a pleasure to hear it live when Circe played it at Camden’s Electric Ballroom when she supported The Midnight. Full review of the show here. 
(Kate Crudgington – Features Editor)

Tom Rasmussen ft. Romy – Never Look Back
A definite highlight of 2024 for me was seeing Tom Rasmussen finish their UK tour at KOKO, it was an incredible show and you really felt it. I also got to see Romy play at Drumsheds for the False Idols event in November, and my knees are still not back to normal. I just could not stop dancing.
(Tash Walker – Digital Editor)

Freak Slug – ‘Spells’
Freak Slug, aka Manchester artist Xenya Genovese, has definitely been one of my favourite new discoveries of 2024. Having released her debut album, I Blow Out Big Candles, in November, her music combines her glistening sultry allure with a fizzing quirky energy, and this track is an instant earworm that had me hooked on Freak Slug the first time I heard it. I’m hoping to finally catch this exciting new artist live at Moth Club on 22nd May next year. You can nab your own tickets for her Spring tour here. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her third album, Gold, which she released in April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the record is a dynamic, intricate musing on the shifting nature of love, time and change. (KC)

Blonde Maze – ‘Beside You’
I’m not sure a year goes by that I don’t include New York artist Blonde Maze on my highlights of the year, and there’s a reason for that. She continues to make truly exquisite soundscapes that never fail to soothe and captivate, and this single from March this year is no exception. There is just something about the twinkling grace, swirling energy and blissful uplifting energy that I find completely immersive and utterly cathartic. Having been a mega fan since she was one of the first guests on our radio show nearly ten years ago, I’m so grateful to all that Blonde Maze creates; euphoric sonic journeys to ease the stresses of every day life. (ML)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this single from indie band Ideal Host is their poppiest offering to date. I love the way Heather’s soft vocals blend seamlessly with the band’s buoyant riffs, lilting electronics and catchy beats. (KC)

Fears – ‘4th of the 1st’
This single from Dublin-born, London-based interdisciplinary artist Fears is a poignant reflection on emotional resilience and self-soothing. Taken from her second album, affinity, which she released in March via her own label TULLE, ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. I’m a big fan of everything that Fears does and it was lovely to have her back in the studio as a guest on our Soho Radio show again this year. Listen back to our chat here. (KC)

Roller Derby – ‘Dreams’
Hamburg duo Roller Derby are set to release their debut album next year, and this year they’ve shared four gorgeous singles as a taster of the exquisite atmospheric dream-pop that they’re able to create, including the glistening splendour of ‘Dreams’. They headlined for us at the beginning of the year, selling out the Shacklewell Arms with such a beautifully immersive set. And we can’t wait to have them play for us again next May – at The Lexington on the 9th and at The Rossi Bar in Brighton on the 10th. Tickets here. When The Night Comes, the upcoming debut album from Roller Derby, is set for release on 28th February 2025. Pre-order here. (ML)

afromerm – ‘reciprocity’
This single from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more from her. (KC)

Breymer – ‘When I Get Through’
Having released their latest album When I Get Through in October, Minnesota born artist Sarah Walk – aka Breymer – creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality, it reflects on a personal journey of self-discovery with a stark honesty. A truly exquisite collection. (ML)

Dogviolet – ‘Violets’
Having played their first ever gig for us back in 2022!, this year’s ‘Violets’ was the first proper single from Dogviolet. And it was worth the wait. I love the soaring celestial splendour they are able to create and felt honoured to help them promote their special single launch show at The Victoria in October – a night of beautiful music, and beautiful scents, as they’d decorated the venue with purple flowers! I’ve been lucky enough to see them live numerous times this year – as well as their single launch show, they kindly stepped in and played at our gig at New River Studios supporting Kara Delik, I saw them at The Lexington supporting other faves Berries, and they played Croydon festival Cro Cro Land -, and I’m excited to see them many more times in 2025. (ML)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen have been one of my favourite new music discoveries this year. They’ve released a string of excellent singles throughout 2024, but ‘Lust’ is the standout one for me. It’s an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. I’m really looking forward to hearing their new EP, Quiet Pleasures, when it’s released in February next year. (KC)

Pink Milk – ‘You Will Follow Me to Hell’
A gorgeous piece of goth-rock-electronica from Swedish act Pink Milk here. It’s taken from their excellent album, Night On Earth, which is inspired by dystopian science fiction fantasies and marks a heavier, darker new era in sound for the band. Their gloomy, cinematic soundscapes are a real sonic delight. (KC)

Slung – ‘Fire To Burn’
I was gutted to miss Brighton four-piece Slung when they played a GIHE gig in May at Sebright Arms. They’ve released a handful of heavy, brooding singles this year and ‘Fire To Burn’ is my favourite. It’s inspired by witchcraft and more specifically, bassist Vlad’s own ancestor who was regarded as a ‘superwitch’ in her village. She was initially perceived as a healer, but eventually she faced persecution from those who once sought solace in her remedies. I Love Katie Oldham’s vocals on this track, they’re the perfect mix of gritty and theatrical. (KC)

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’, from punks on the rise Lambrini Girls, was one of a string of equally raging singles this year. Showcasing the Brighton band’s fierce racing energy and ferocious sense of urgency, it cements them as a true formidable force to be reckoned with. Having seen them take the music world by storm in 2024, I can’t wait to FINALLY catch Lambrini Girls live at Brixton Electric next April. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps shared this raging, honest and utterly necessary pro-choice anthem at the beginning of the year. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, it showcases the band’s ability to create a perfect balance of unifying joy and rage that has never felt more urgent. (ML)

NEXT TO NADA – ‘Moths’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ debut EP, WHINE // MOTHS – a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Pigeon Dog – ‘Jumpy Cow’
Combining the brooding intensity of grunge with the infectious groove of post-punk, Pigeon Dog’s ‘Jumpy Cow’ is anchored by a funky, driving guitar riff, compelling you to move while immersing you in its shadowy atmosphere. The low, raspy vocals deliver a hauntingly melancholic melody that lingers long after the song ends, leaving you craving another listen. (We caught Pigeon Dog supporting Dogviolet at their single launch show in October – a new favourite for sure!) (Ella Patenall – Contributor)

Hello Mary – ‘0%’
It took me about 10 seconds of listening to ‘0%’ for me to decide that I loved New York trio Hello Mary. This track captures their dynamic blend of grungy riffs, unpredictable beats and defiant vocals perfectly. It features on the band’s second album, Emita Ox, which they released in September. I caught Hello Mary’s set at The Windmill in Brixton and I was equally as impressed by their live rendition of this track. (KC)

adults – ‘Trouble’
South London’s adults have been one of my faves for a few years now and so I was super excited about the return of their trademark jangly melodies and scuzzy energy this year, showcased perfectly in this stirring track. I was lucky enough to catch adults live supporting Fightmilk (more on them later) with Tugboat Captain at Paper Dress Vintage last month – a pretty dreamy night of live music. ‘Trouble’ is taken from …In The Big League, a split EP from adults and Oxford band Spank Hair, which is out now via Fika Recordings. And I’ve heard that there will be plenty of new music to come in 2025 – I can’t wait. (ML)

Sacred Paws – ‘Another Day’
After a five year hiatus, we were excited that London / Glasgow duo Sacred Paws returned to our ears last month. We love everything that Ray Aggs does; we were honoured to have them headline one of our gigs earlier this year, and the revival of this project with Eilidh Rogers came as a very welcome surprise. Flowing with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, ‘Another Day’ introduces a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait! (ML)

Dream Phone – ‘Fogo’
Having been utterly brilliant supporting Ray Aggs for us back in April, Oxford duo Dream Phone are one of my favourite new discoveries of the last couple of years. With its playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about them; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here and make sure you catch Dream Phone live as soon as possible! (ML)

Zamilska ft. huskie – ‘Odyssey’
I’ve been following Polish electronic artist Zamilska through GIHE for a while now, and she never fails to impress me with her eclectic soundscapes. This track ‘Odyssey’ features on her album, United Kingdom Of Anxiety, which she released in October via Untuned Records (her own label). It’s an intoxicating post-apocalyptic tinged record that totally enraptures the senses. Zamilska also supported Kim Gordon on her European tour this year. I hope 2025 is just as prosperous for her. (KC)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s album, Ireti, which she released in May via Accidental Records. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2024 playlist now, and please be sure to check them out and support their work (listen/download/buy in places other than Spotify)!

And keep an eye out for our Albums & EPs Of The Year, 2024 Highlights & Ones To Watch for 2025…

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GIHE: Tracks Of 2023

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times, and generally saw us through 2023.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2023’ ahead of features on our favourite albums, ‘Highlights’ and ‘Ones To Watch 2024’… Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! (In addition to listening to the playlist, if you particularly love any of the tracks, please do follow the artists on social media and, if you can, buy their music and merch via Bandcamp or their websites).

pink suits – ‘Refuse The Rules’
Margate queer punk duo pink suits have been big faves of mine for a couple of years now, and have blown us away playing live for us at Shacklewell Arms a couple of times. ‘Refuse The Rules’ is the first taster of their upcoming (and perfectly named) second album, Dystopian Hellscape, which is set for release in Spring next year. The track offers a scream for space; a refusal of the rules that have been historically created to limit people’s lives and freedoms. A short and sharp rallying cry inciting us to stand up and make our voices heard in the face of suppression and aggression. Something we need now more than ever. Also, while I’m talking about my love of pink suits, I think one of the most fun events of the year for me was attending their first London Queer Cuntry with fellow GIHE writer and door person extraordinaire Kirstie. They’ve been hosting them regularly in Margate for some time, but are now building on its success and this was hopefully the first of many more in London… It really was such a joyous night; performances ranging from acoustic country ballads, to drag and cabaret, all with an unapologetically queer energy and unifying spirit.
Find out more about pink suits here.
(Mari Lane – GIHE Co-Founder)

Jock – ‘Spoilsport’
I love this driving, potent anthem from Belfast-based queer band Jock – new GIHE favourites for sure! Orla from the band explains: “’Spoilsport’ is a punk song written in reaction to the ‘culture of silence’ surrounding sexual assault cases in Belfast” – we’re all about protest songs here at GIHE so we fully support Jock’s message. Newly signed to one of our favourite labels VETA Records, I’m looking forward to hearing more from the band in 2024.
Find out more about Jock here.
(Kate Crudgington – GIHE Co-Founder)

Scrounge – ‘Starve’
I got to see long time GIHE faves Scrounge in the tiny but intimately delightful basement of Third Man Records last month. The sound in there is fantastic, what a venue to hear Scrounge banging out their tunes – as expected Lucy and Luke were brilliant. We love them.
Find out more about Scrounge here.
(Tash Walker – GIHE Co-Founder)

Gender Chores – ‘Dysphurious’
Having shared stages with the likes of Problem Patterns, Strange New Places and Sister Ghost, Belfast punks Gender Chores create empowering anthems defending reproductive rights, resisting the patriarchy and documenting the human cost of late-stage capitalism. A reflection on coming out as non-binary – a subject that’s very close to the band’s hearts – ‘Dysphurious’ offers an energising boost of confidence to be your true self in the face of adversity. The track was recorded at Belfast’s Start Together studios with GIHE fave Rocky O’Reilly. Find out more about Gender Chores here. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room.
Find out more about Touch Excellent here. (KC)

Panic Pocket – ‘Get Me’
Natalie and Sophie – aka Panic Pocket – released their debut album Mad Half Hour this year via Skep Wax records, and it’s been a definite highlight. I’ve been a huge fan of these two since they first played live for us back in 2019, and just can’t get enough of their uplifting indie-pop and tongue-in-cheek wit that fizzes throughout each release. ‘Get Me’ offers a sassy take on the “claustrophobic questions about settling down”, and showcases the duo’s new-found rockier sound, with the addition of ‘back pocket’ band members Healey Becks (Fightmilk) and Laura Ankles (Colour Me Wednesday). I’m super excited that Panic Pocket will be playing for us again at our next gig at Shacklewell Arms on 2nd Dec, supporting German band Roller Derby – nab tickets on Dice now. Find out more about Panic Pocket here. (ML)

Small Crush – ‘Rumblin’ Tummy’
Having released their second album, Penelope, this year, Bay area band Small Crush have been one of my favourite new discoveries. With their own distinct brand of dreamy surf-pop, I can’t get enough of their shimmering energy and whimsical nostalgic charm. They just seem to be able to perfectly balance vulnerable a raw emotion with blissful, carefree vibes and glistening allure. Find out more about Small Crush here. (ML)

Softcult – ‘Haunt You Still’
I’m a big fan of Toronto-based sibling duo Softcult. This track is a shimmering reflection on the mark we leave on others in the extended aftermath of a breakup, whether that’s platonic or romantic. Full of their trademark shadowy, swirling riffs and soft dual vocals, they explore accountability and atonement on this bittersweet offering. Haunting in all the right ways. Find out more about Softcult here. (KC)

O Hell – ‘hard times’
The chorus to this O Hell track hit me right in sternum the first time I heard it. The solo project of Projector’s Lucy Sheehan, O Hell tenderly navigates the uncertain territory between romantic and platonic love on this track; dismissing the idea that we always need to burn bridges in the aftermath of a relationship. Over atmospheric beats, cinematic synths and idiosyncratic samples, Sheehan acknowledges that we need time to recover, but true closure comes from accepting change, and moving forward with optimism, even if that goes against the grain. Find out more about O Hell here. (KC)

Hand Habits – ‘The Bust Of Nefertiti’
LA based artist Meg Duffy – aka Hand Habits – released their EP Sugar The Bruise earlier this year; a collection of songs focused on being in the moment. The EP was written after Duffy had taught a month long songwriting class last summer, in which they discovered a newfound clarity in embracing the unknown. I just really love this track’s driving emotion and cinematic soundscape – it’s been one of my most-listened to songs of 2023 for sure.
Find out more about Hand Habits here. (ML)

girl with dream – ‘H.R.T’ (Heart Replacement Theory)
One of my favourite songs of this year, from girl with dream who I first heard almost a year ago when they reached out to me via email. Girl with dream is the project of trans singer-songwriter Chris Lawson and Rhy Climenhage. And this song is all about the sacred power found in embracing yourself and participating in the an act of healing, guided by self-love and harnessing agency. Something that we can all lean into a bit more I think, and a lovely note to take us from 2023 to 2024. Find out more about girl with dream here. (TW)

Becca Mancari (ft. Julien Baker) – ‘Over and Over’
Having collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari released latest album, Left Hand, this year. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. I was lucky enough to chat to Becca back in September, have a read! Find out more about about Becca Mancari here.
(ML)

Nina Keith – ‘Blow Up Yr Life (U Need To)’
A comforting reminder to let go of negativity and doubt, ‘Blow Up Yr Life (U Need To)’ is a gentle offering from LA-based trans artist, producer and composer Nina Keith. Featuring the vocals of indie pop artist Barrie and composer and musician Qur’an Shaheed, the track is a considered, delicate blend of lilting electronics, fragmented voices and crisp production, all of which melt together to create an exquisite, emotive listening experience.
Find out more about Nina Keith here. (KC)

Sheherazaad – ‘Mashoor’
One of my most-listened to songs of the year comes from New York based artist Sheherazaad with her debut single, ‘Mashoor’. Reflecting on her South Asian sonic lineage, it draws on themes of displacement and nostalgia with a contemporary, genre-defying spirit. Exuding an exquisite rippling allure, Sherherazaad’s sumptuous vocals flow throughout, allowing ‘Mashoor’ to immerse you in its soaring, spellbinding beauty on first listen. It’s just exquisite and I can’t wait to hear more from Sheherazaad in 2024.
Find out more about Sheherazaad here. (ML)

Twin Rains – ‘You’re The Only One’
This apocalyptic reflection on love from Toronto-based Twin Rains has been swirling around my skull all year. Full of intoxicating riffs and smooth vocals, it’s a potent blend of dream pop and psych rock with an electronic edge, and I can’t stop listening to it.
Find out more about Twin Rains here. (KC)

Brenda – ‘Microscopic Babe’
Glaswegian band Brenda joined us on the radio show earlier this year. I love their self-titled album, each song is like a different fairground ride, chaotic bangers! We’ve had some amazing guests joining us here in the studio at Soho Radio throughout 2023. So, remember you can always listen back to our past shows here! Find out more about Brenda here. (TW)

Girl Ray – ‘Everybody’s Saying That’
I think ‘Everybody’s Saying That’ showcases all there is to love about Girl Ray. It’s taken from this year’s album Prestige, which is inspired by the ballroom scene of the 1980s, and oozes bucketfuls of queer joy throughout. Being one of my total faves, it was a real honour to interview Girl Ray this year – they were even lovelier than expected! I also was lucky enough to catch them live (an experience that always leaves me feeling super happy and nourished) for about the fifth time a couple of weeks back at Village Underground – a night filled with blissful vibes, celebrating the new album and all the band has achieved. I continue to love everything that Poppy, Sophie and Iris do – and can’t wait to see what they do next. Find out more about Girl Ray here. (ML)

Say She She – ‘Astral Plane’
I caught Say She She in all their glory at Village Underground earlier this year and they were honestly exceptional. If you get the change to catch Say She She live, grab it with all your fingers! I had the best night bopping along in the crowd.
Find out more about Say She She here. (TW)

Bas Jan – ‘No More Swamp’
London collective, and long time faves, Bas Jan, released their new album Back To The Swamp this year, and this fellow swamp-themed track ‘No More Swamp’ perfectly showcases the band’s trademark quirky energy and perceptive songwriting ability. Reflecting on how the band’s lives have changed over the years, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. Find out more about Bas Jan here. (ML)

Sylvan Esso – ‘Echo Party’
This track by Sylvan Esso came out at the beginning of 2023. What an epic tune, the production is just sublime, and it has not stopped me dancing since I first played it on our February radio show at the beginning of the year. How good is that!! 
Find out more about Sylvan Esso here. (TW)

jellyskin – ‘Bringer of Brine’
Leeds-based electronic duo jellyskin were one of my favourite new music discoveries this year. ‘Bringer of Brine’ is taken from their debut album, In Brine, which they released via Wrong Speed Records back in June. They’ve combined throbbing beats, hypnotic vocals and industrial-techno inspired synths to create this manic and massively enjoyable anthem.
Find out more about jellyskin here. (KC)

Gabriel Gifford ft. Apthy Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, ‘Voice From The Wind’ is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well.
Find out more about Gabriel Gifford here. (KC)

Maria Uzor – ‘Ventolin’
I think it’s fair to say that Maria Uzor is one of our GIHE all time fave artists, and this has been such an amazing year for her. It’s such a joy watching an artist you support and admire receive the deserved praise and accolades they deserve. And, to round it all off with an amazing album Soft Cuts which she released this autumn, celebrating with a fantastic launch party at the Windmill in Brixton. Sublime. 10 out of 10. And this is one of my favourite tracks from the album – shout out to all my fellow ventolin users out there!
Find out more about Maria Uzor here. (TW)

Lauren Auder – ‘the ripple’
Lifted from her highly anticipated debut album, the infinite spine, ‘the ripple’ is a tenacious alt-pop gem that showcases London-based, French-born musician Lauren Auder’s distinctive artistic talent. Her album is a potent, pop-drenched exploration and celebration of her true self, and what it’s like being a trans woman in a world that increasingly tries to deny trans women the right to exist on their own terms. Described as “the monkey’s paw of having your voice heard,” ‘the ripple’ is Auder’s rallying cry “to accept, to be duped / to not grimace at the absolute”, a message that she fully delivers via racing, distorted electronics and cathartic screams that permeate the track’s chorus.
Find out more about Lauren Auder here. (KC)

Dermabrasion – ‘Halbadier’
I love this ominous cacophony of industrial-tinged post punk from Toronto-based duo Dermabrasion. Taken from their upcoming debut album, Pain Behaviour, which is set for release on 26th January 2024 via Hand Drawn Dracula, ‘Halbadier’ is a heavy, brooding gothic anthem that rumbles with discontent. Find out more about Dermabrasion here. (KC)

afromerm – ‘held’
Oram Award-winning artist and producer afromerm shared her debut single ‘held’ exclusively on bandcamp back in July. Formerly known as CIL (who we named as one of our ‘Ones To Watch‘ in 2022) under her updated moniker, afromerm is marking a “new era” of her journey into sound. ‘held’ is an eclectic rumination on the duality of emotion, flowing with afromerm’s instinctive musicality. It was a pleasure to interview her on our November Soho Radio show this year too. Listen back here. Find out more about afromerm here. (KC)

Massive thanks to all the artists and bands creating wonderful tunes this year – be sure to check them out and support their work! And keep an eye out for our Albums & EPs Of The Year, 2023 Highlights and Ones To Watch for 2024.

Listen to our Tracks Of 2023 playlist now!

 

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