PLAYLIST: August 2025

We’re publishing our August Playlist slightly later than planned, but we hope our eclectic mix of punk anthems; indie and alt-folk gems, evocative beats, emotive electronic soundscapes & instrumentals will still provide the perfect soundtrack for your eager ears! Make sure you take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform, so we have included YouTube and/or bandcamp links for all of the tracks on this playlist. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on their social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

 

Breakup Haircut – ‘The Algorithm’s Trying To Kill Me’
We’re so so excited to see the return of DIY faves and First Timers alumni Breakup Haircut! Following 2022’s fantastic debut, Punk Dancing For Self Defence, they’ve now released the first in a string of new singles ahead of a second album – due for release this autumn via INH Records. A deeply relatable anti-capitalist anthem, ‘The Algorithm’s Trying To Kill Me’ showcases the band’s trademark playful sardonic wit and scuzzy punk-pop energy whilst angst-driven undercurrents and fierce hooks indicate a more honed, sharper sound for Breakup Haircut. I’m very much looking forward to hearing more from them soon, which we all can when they join us at New River Studios on 10th October, supporting Strange New Places with Junk Whale. Nab tickets on DICE now! (Mari Lane – Managing Editor)


Problem Patterns – ‘Classic Rock Has Become My Prison’
Ahead of their upcoming new EP, Boring Songs For Boring People, due via Alcopop! Records on 12th September, and following recent release ‘I’m Fine and I’m Doing Great’ (which was on the BBC 6Music playlist for four weeks!) Belfast queer punk pals Problem Patterns have now shared this immense new single. Offering a wonderful parody on the sexist ideals of many classic rock heroes, ‘Classic Rock Has Become My Prison’ was initially inspired by Bev feeling imprisoned by her neighbour’s daily blasting out of certain bands at an obnoxiously loud volume, and has developed into a fiercely raging ‘cock-rock’ anthem.

Of the track, Bev explains: “the more I thought about classic rock tunes, the more I thought about the sexism and misogyny rampant in the lyrics of even the most popular songs. Musically, we took on classic rock alter-egos, ripping solos, chugging riffs, hitting the drum fills just right, before letting loose that patented PP anger.” Prizes for anyone who can identify any of the twenty five cocky lyrical references patchworked into the song – I think I can name a few, which I might run by the band when THEY HEADLINE OUR 10TH BIRTHDAY ALL DAYER ON 27TH SEPTEMBER! We cannot wait. Tickets are now officially sold out, but feel free to join the waiting list on DICE in case anyone has to return theirs. If you have a ticket, we’ll see you at The Cavendish Arms on the 27th, along with so many other faves like Fightmilk, The Baby Seals, Ray Aggs, Jemma Freeman and The Cosmic Something and more!
(ML)

Madame So – ‘Sick Of It All’
Indie art-punk artist Madame So is back with an aptly named new single ‘Sick Of It All’, a cathartic anthem inspired by the need to stand in solidarity with oppressed nations and victims of war crimes. It was originally written in 2024, but Madame So’s anger and lyricism remain just as relevant a year on. She wants to be clear that the song is not about exploiting suffering, but about “using music as a tool to open eyes and spark conversations that matter.” (Kate Crudgington – Features Editor)

CARNE – ‘VAST’
This is the second single from Brighton-based grunge four-piece CARNE, who are fronted by vocalist and guitarist Carmen Mellino. ‘VAST’ is both a “tribute” to a niche band of the same name that Carmen admires, as well as an exploration of the complexities of human connection and how this can be affected by the intensity of touring as a band. It’s full of crushing riffs and lush melodic vocals, inspired by iconic ’90s grunge icons like The Smashing Pumpkins and Hole. (KC)

Yuppie Supper – ‘Neocanine’
A new favourite band for sure, Leeds based DIY trio Yuppie Supper are set to release their second EP, The Mondegreen, on 10th October, and our first taste of that comes in the form of recent single ‘Neocanine’. Voicing their frustration at being forced to choose between the far right and more of the neoliberalism of the last 40 years, the band offer trans-lead, grunge-fuelled anthems, and I can’t get enough of their fiercely angst-driven energy. (ML)

Vanelle – ‘Blue Curls’
‘Blue Curls’ is an angst-ridden reflection on adolescence from Berlin-based trio Vanelle. Released via Beans On Toast Records, the newly launched sub-label of Duchess Box Records, the track is taken from the band’s upcoming self-titled EP, which is set for release on 3rd October. Through heartfelt lyrics and brooding guitar riffs, the band explore what it’s like to feel left out and like you don’t fit in when you’re growing up. (KC)

steel. – ‘DFTTM’
I was lucky enough to attend a day of Decolonise Fest at Signature Brew – a fantastic event promoting punks of colour and their community. Starting off with an incredibly inspiring and informative panel from YWMP, Good Night Out Campaign, Spark The Noise and Off Shoot Tours about creating safer spaces for marginalised groups to enjoy live music, the day and evening was filled with so much incredible live music, including the playful, jazz-tinged energy of Coventry’s The Genes, post-punk legends Bona Rays and the driving frenzied indie anthems of Liverpool’s ones to watch, steel. (ML)

adults – ‘patterns’
Set to release their second full-length album next month, South London indie-punks adults have now shared the first taste of what to expect. A nostalgic ode to London’s DIY scene, offering a wistful reflection on how the city’s changed and the deep sense of loss that has come with this, ‘patterns’ flows with the band’s trademark jangly energy and fuzzy hooks. As twinkling harmonies ripple with a gentle raw emotion, it builds with an anthemic sense of hope as sparkling synths conjure memories of dancing into the night at beloved venues like Moth Club and Power Lunches. I can’t wait to hear more of the band’s beautifully heartstring-tugging, head-bopping creations when they play the Divine Schism all-dayer at New River Studios next Saturday 13th September. the seeds we sow are sprouting buds nonetheless, the upcoming new album from adults, is set for release on 31st October via Fika Records. (ML)

Jessie Mac – ‘Trans Is Beautiful’
This is a powerful (and incredibly catchy) “sonic statement” from South East London trans DJ, producer and label owner Jessie Mac. By sampling the words of American actress and LGBTQ advocate Laverne Cox and combining them with her own shape-shifting club beats and electronics, Jessie has created an LGBTQIA anthem that is equal parts poignant, political and playful. (KC)

Tusks – ‘Adore’ remix by I.JORDAN
I loved the evocative, original version of ‘Adore’ by London-based artist Tusks (released back in 2024), lifted from her third album, Gold. This re-imagining by Doncaster-born, London-based DJ I.JORDAN is completely different – fueled by an infectious dance beat – but it still retains the emotive pull of Tusks’ original release. This track will feature on Tusks’ upcoming EP, Gold – The Remixes, due on 1st October via One Little Independent Records. (KC)

Stealing Sheep – ‘Take Me Back’
The latest single from Liverpool’s Stealing Sheep, ‘Take Me Back’ is propelled by glitchy immersive beats as euphoric, swirling synth-driven hooks create a “rave-drenched fever dream”. A playful, ‘80s-inspired ode to surrealist art-pop and the joyous glow of nights spent on dancefloors into the early hours. ‘Take Me Back’ is our first taste of GLO, the band’s upcoming new album. (ML)

Ho99o9 ft. Nova Twins, Pink Siifu, Yung Skrrt – ‘Incline’
A DREAM collaboration here from two personal favourites: rap-punk duo Ho99o9 and alt-heavy icons Nova Twins. The girls’ incendiary riffs perfectly underscore Ho99o9’s visceral verses. The track features on the Ho99o9’s upcoming album, Tomorrow We Escape, which is set for release on 9th September. The record will also feature a contribution from Chelsea Wolfe – I can’t wait to listen to it in full. (KC)

Pets and Doom and Gloom – ‘Mina’
This track from London-based dark electronic duo Pets and Doom and Gloom is peak “Gloomy Grrrl” territory. ‘Mina’ is lifted from the band’s debut EP, Lone and Level, which was released on 5th August to coincide with oil giant BP’s quarterly earnings announcement. The band’s apocalyptic sounds and haunting vocals are their way of pushing back against a damaged world; something that’s epitomised on ‘Mina’ which they describe as “a trip hop tale of vengeance.” (KC)

Tyler Holmes – ‘Copy’
Having first fallen in love with innovative artist Tyler Holmes’ poignant electronic soundscapes back in 2021 when they released their album, Nightmare In Paradise, I was excited to see their name crop up in my inbox again last week. Set to release an experimental new album at the end of the month, over the last few years Holmes has experienced a great deal of change in their life – including the death of a parent and heartbreak – though the new record focuses more on the theme of the natural world and how we accept our place in it. Beautifully interweaving stark reflections into textured soundscapes that evoke both the serene and brutal side of nature, the album is built on the bones of ‘The Southern Reach Trilogy’ by Jeff Vandermeer and ‘No.44, The Mysterious Stranger’ by Mark Twain. Patience, the upcoming new album from Tyler Holmes, is set for release on 26th September via Ratskin Records. (ML)

Sijya – ‘I Only Want To Crash’
Another idiosyncratic, atmospheric soundscape here from South Asian composer, producer and graphic artist Sijya. ‘I Only Want To Crash’ is lifted from Sijya’s upcoming EP, Leather & Brass, which is set for release via One Little Independent Records on 12th September. The track evolved from an instrumental to include her ambiguous lyrical motifs, affording Sijya the emotional release she craves. (KC)

feeo – ‘The Mountain’
London experimental artist feeo is new to me, but I was transfixed by her calm voice and ambient drone sounds on this single ‘The Mountain’. Released via label AD 93, the track is inspired by the “dualities of the natural world” and how it can be both brutal and beautiful. (KC)

VERA SACRA – ‘Burning’
I found listening to this soundscape from experimental cellist, vocalist and producer VERA SACRA strangely soothing. Lifted from her debut EP, sacred spring, released via EMI North & Launchpad+, ‘Burning’ is a beautiful reflection on the artist’s “fractured yet vivid inner world.” She wrote and recorded her EP whilst travelling between Latvia, Estonia, London, & Sheffield, whilst also struggling with psychosis at the time. The result is a glitchy but captivating collection of tracks that showcase her immense talent. (KC)

The New Eves – ‘Astrolabe’
Congratulations to Brighton-based four-piece The New Eves who released their debut album, The New Eve Is Rising, earlier this month! The band blew us away with their unique live performance of what they have coined as “Hagstone Rock” when we saw them at The Great Escape Festival earlier this year and we can’t wait to catch them again at their headline show at London’s Hoxton Hall on 7th October. (KC)

Daffo – ‘Dagger Song’
Set to release their debut album later this month, Gabi Gamberg – aka Daffo – has shared stirring new single ‘Dagger Song’. I’m such a big fan of the LA based artist and the sparkling, heartfelt emotion that seeps through all they create; even more so since seeing them live at The Great Escape this year. Watching them alongside Hanni and Clara from ARXX and Rach from Comic Sans was a big highlight of the weekend for me! Their debut album, Where The Earth Bends, is out on 26th September via Concord Records, and they will be playing a few dates in the UK in October, including The Lower Third in London on 31st October – a nice Halloween gig. (ML)

The Cords – ‘I’m Not Sad’
The latest single from Scottish duo The Cords, ‘I’m Not Sad’ offers a perfectly upbeat, short and sweet blast of joyous energy. Propelled by a lilting surf-pop energy and singalong refrains, it’s a gloriously glistening slice of indie-pop with shades of the likes of fellow Scots Camera Obscura or Belle and Sebastian. I can’t wait for the release of their debut album on 26th September via Skep Wax Records. (ML)

The Schla La Las – ‘1234’
A supergroup of sorts, lead by Piney Gir, The Schla La Las built up a reputation for their joyous live shows within the indie-rock scene of the early noughties. Now, after being away from our ears for eighteen years, they have returned with a wonderfully uplifting new single. Showcasing their punky, poppy energy and sugar-sweet allure perfectly, ‘1234’ is accompanied by a super cute, strangely empowering, lego-stop motion video for the song. Find out more on our premiere feature here. You can witness the sparkling allure of The Schla La Las live at Dream Bags Jaguar Shows on 15th November. (ML)

jasmine.4.t – ‘Woman’
GIHE favourite jasmine.4.t has recently shared a heartfelt fan film to accompany her song ‘Woman’. Of the song and video, she explains: “We wanted to show the world this queer love and solidarity, to show the world that trans people are loved, to show the world all of the beautiful responses we have to trans art. So we put out a call for video clips from fans of them responding to ‘Woman’, singing, playing, dancing. We edited the clips into this, a fan video for the song and I can’t believe how beautifully it has turned out.”

Watch the incredibly beautiful video and please have a look at the information shared by Not A Phase about the recent EHRC proposals for the mandatory exclusion of trans people from gendered spaces, the terrifying consequences this could have and next steps that we can take to stop it being put into effect. You could also donate to The Good Law Project who run loads of great campaigns and are challenging the Supreme Court’s ruling to overturn the Equality Act, as it seeks to take away further rights of trans people – breaking actual Human Rights Laws. (ML)

Ailsa Tully – ‘Choosing’
Following recent releases ‘Self Soothing’ and ‘Womb Room’, Welsh artist Ailsa Tully has now shared stirring new single ‘Choosing’. Written shortly after her father passed away, it offers a poignant reflection on moving and feeling unsettled; a plea for some stability. As a dark ethereal splendour shimmers alongside its lilting folk-strewn musicality, the heartfelt grace and twinkling delicate emotion of Ailsa’s celestial vocals shines throughout. A truly beautiful new offering, that I’m pleased to say is being shared with the world at a time when Ailsa is feeling more settled and has found somewhere – with someone she loves – that she feels able to call home. (ML)

Madison Cunningham – ‘My Full Name’
Ahead of the release of her new album next month, LA songwriter Madison Cunningham has shared ‘My Full Name’. A vulnerable reflection on heartbreak and loss, her sweeping crystalline vocals float alongside twinkling keys with a soaring delicate emotion. Ace, the upcoming album from Madison Cunningham, is set for release on 10th October. (ML)

Hand Habits – ‘Bluebird Of Happiness’
Having recently released their poignant new album, Meg Duffy – aka Hand Habits’ – latest single ‘Bluebird Of Happiness’ interweaves their distinctive rich vocals with fuzzy layers of sound amidst a shimmering subtle optimism. Of the track, they comment: “One day my partner asked what birdsong we were hearing through the window and I was like, ‘well that’s the bluebird of happiness obviously,’ and it became a joke song I would sing around the house, but then it grew wings… I also got curious about the history of the bluebird of happiness, and found that it has mythological significance.” Blue Reminder, the new album from Hand Habits, is out now via Fat Possum. (ML)

Kate Stables, Jesca Hoop, Lail Arad – ‘Raised On Robbery’
Having been lucky enough to attend a special Songs Of Joni Mitchell event at The Roundhouse last year, I was excited to hear that organiser Lail Arad, along with fellow artists Kate Stables (This Is The Kit) and Jesca Hoop, are set to release an EP of Joni covers this week to accompany their tour this autumn, continuing their heartwarming ode to the music of one of the world’s most inspirational artists. As a life-long fan of Joni, and a many-years-fan of these three artists, it’s such a joy to hear them celebrating her work, and creating their own sparkling renditions of some of my most favourite songs. They will be playing Shepherd’s Bush Empire on 13th November, along with a big run of UK dates throughout the autumn. The Songs Of Joni Mitchell Vol 1, the upcoming EP, is out on Friday 12th September. (ML)

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PLAYLIST: June 2025

The Get In Her Ears team have put together another eclectic mix of indie musings, alt-folk tunes, punk bangers, immersive electronics and some grunge & shoegaze anthems for your listening pleasure. Take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we will be moving away from using Spotify as a streaming platform in the near future. You’ll see that we’ve included YouTube or bandcamp links for all of the tracks in this feature. We have included the link to our GIHE profile on Spotify this time too – but next month, we’ll be using a different platform to share new music with you.

As always, we encourage you to follow the artists below on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

Whitelands – ‘Heat Of The Summer’
Despite its buoyant, dream-pop sound, this single from London-based shoegazers & GIHE faves Whitelands is inspired by a range of unsettling pieces of media that vocalist Etienne was affected by last year; including Trump coming back into power, the shooting of a CEO by Luigi Mangione and Spike Lee’s film, Do The Right Thing. ‘Heat Of The Summer’ is his reflection on rising tensions and how community and coming together can help to overthrow tyrants. Whitelands will be playing a headline show at London’s Corsica Studios on 20th November – tickets are on sale now.
(Kate Crudgington – Features Editor)

Starling – ‘I Can Be Convinced’
Having recently released their new EP, Forgive Me, Los Angeles based Starling’s latest single offers a fizzing ode to all-consuming love. As Kasha Souter Willett’s sugar-sweet sumptuous vocals flow alongside fuzzy hook, ‘I Can Be Convinced’ builds with an anthemic energy and twinkling allure. Watch the ballerina-filled new video for ‘I Can Be Convinced’ here and make sure you treat your ears to a listen of the full EP.
(Mari Lane – Managing Editor)

Daffo – ‘Habit’
I’ve been a fan of Daffo since their 2023 EP Pest, and was so pleased to be able to catch the beautiful energy of their live set at The Great Escape last month – standing in the crowd alongside faves like ARXX and Comic Sans was a definite highlight of the festival. Now, I’m super excited to hear that the LA based artist will be releasing their debut album in September, and has released a new single to celebrate. Propelled by scuzzy reverb-soaked hooks, ‘Habit’ reflects on songwriter Gabi Gamberg’s struggle with Obsessive Compulsive Disorder with a sparkling heartfelt emotion. Where The Earth Bends, the upcoming debut album from Daffo, is set for release on 26th September via Concord Records.
(ML)

Lipstick Teef – ‘Sink Or Swim’
Not only do I love the name of Liverpool-bred, London-based alt-rock band Lipstick Teef, I also love the angst-ridden sound of their debut single ‘Sink Or Swim’. Formed in 2021 by vocalist Lucy Pengelly and guitarist Jennifer Hall, Lipstick Teef are “on a mission to deliver surf inspired grunge from across the cosmos, straight to your eardrums.” Inspired by the Riot Grrrl movement and their love of psych-punk, the band have now fleshed out their own fuzz-fuelled sound on their debut offering. (KC)

The Dead Zoo – ‘Bruise’
Ahead of releasing their debut album next month, post-punk faves (and guests on our latest radio show) have shared a blistering new single. Reflecting on both the pain and triumph of transformation, ‘Bruise’ combines swirling atmospherics with ‘80s-inspired dark basslines to create the sonic equivalent of a nocturnal drive through a Lynchian landscape. As the resonant fierce power of front woman Kaoru Sato’s vocals glistens throughout, it showcases The Dead Zoo’s ability to create pulsating, multi-layered soundscapes that will immerse your senses on first listen. We’re super excited to be hosting The Dead Zoo’s album launch this Friday, 4th July, at New River Studios with support from shoegaze supergroup Water Deer and mother-daughter punk duo (coming all the way from Texas!), The Mothermold – tickets on Dice now and cheaper in advance. (ML)


SPRINTS – ‘Descartes’
Dublin four-piece SPRINTS are back with a BANG with new single ‘Descartes’. Along with this incendiary new track, the band have shared the news that they’ll be releasing their second album, All That Is Over, on 26th September via City Slang and Sub Pop – the first Irish band to be signed to the iconic American label! ‘Descartes’ is inspired by the ideas of the French philosopher of the same name. I was lucky enough to attend SPRINTS’ album-listening party a few weeks ago, where I heard this track and others from their upcoming record for the first time. No spoilers – but you’re in for an absolute treat. (KC)

Problem Patterns – ‘I’m Fine and I’m Doing Great’
It’s always an exciting time for us here at GIHE when Belfast punks and total faves Problem Patterns release new music. So, to hear that a new EP is on the way later this year, is very welcome news, and a angst-driven new single is just what we need right now. A seething reflection on burnout, ‘I’m Fine and I’m Doing Great’ races with a fierce, fizzing energy, oozing the band’s trademark perfect fusion of righteous impassioned energy with a searing tongue-in-cheek wit. Of the track, bassist Ciara King explains: “This song is an ode to every single burnout episode that any creative has ever had… I wanted to contrast that with how grateful we are for all of our achievements. I do feel like I’m well and truly living the dream… This song is addressing that feeling of the love/hate relationship involved in doing music full time and still working full time. This one goes out to all our burnt out pals. Keep going.”

Boring Songs For Boring People, the upcoming new EP from Problem Patterns, is set for release on 12th September via Alcopop! Records and we CANNOT WAIT to celebrate the new release with them when they headline our special 10th birthday all-dayer event at The Cavendish Arms on 27th September, along with other faves Fightmilk, The Baby Seals, Ray Aggs, Jemma Freeman and The Cosmic Something and more! Very limited tickets left here.
(ML)

Shallow Honey – ‘What You Made Me Do’
Having been lucky enough to catch Brighton-based Shallow Honey’s immersive set at Cro Cro Land earlier this year, I was very happy to hear that they’ve been releasing new music. Reflecting on the frustration around not being heard, ‘What You Made Me Do’ seethes with a fierce energy as the impassioned vocals of front woman Rai blast out alongside gritty, grunge-inspired hooks. (ML)

Porcelain Doll – ‘Self Destruct’
Another Brighton-based band, Porcelain Doll blew us away playing live for us at The Cavendish Arms earlier this year, and since been busy releasing new music. Recent single ‘Self Destruct’ showcases the band’s ability to create swirling rock anthems with a raw emotion. Speaking about the track, front woman Freja explains: “I wrote the song while struggling with chronic pain and depression, it’s about feeling as if my body and mind are both working against me.” (ML)

STRANGE WOMAN – ‘FAKE VALENTINE’
‘FAKE VALENTINE’ is the raucous debut single from Scottish-born, Manchester-based queer hard rock artist STRANGE WOMAN. Described as “an ode to failed love” and “an expression of frustration in trying to navigate romance as a queer, gender non-conforming, young person,” STRANGE WOMAN’s sound is inspired by the fiery sounds of Måneskin, Yungblud and Cassyette. (KC)

Your Heterosexual Violence – ‘House Outside The World’
‘80s cult punks Your Heterosexual Violence are back – after imploding in 1988, they reformed just before the pandemic, with the addition of GIHE fave, Jemma Freeman, on bass and vocals. Marking their re-entry into the world, they’ve announced a new album and have shared a catchy new single. Propelled by a driving punk energy, ‘House Outside The World’ reflects on themes of loneliness, alienation alongside the sparkling power-chords and a singalong chorus; an instant earworm set to cement this established band as firm favourites once more. Some People Have Too Much To Say, the upcoming new album from Your Heterosexual Violence, is set for release on 26th September via Trapped Animal / Ferocious Doge records. (ML)

Twin Rains – ‘Magic Mountain’
I was thrilled to see another email from Toronto dream-pop duo Twin Rains in my GIHE inbox earlier this month. I’ve really enjoyed listening to the band’s heady electronic creations and this new single is no exception. Described as “their most pop and dance orientated song yet” ‘Magic Mountain’ is full of intoxicating riffs, dreamy vocals and driving beats. (KC)

Tiiva – ‘you and i’
‘you and i’ is the title track from Tiiva’s debut album, which they released via Moth Day Records last month. We’re big fans of Tiiva’s idiosyncratic electronica here at GIHE and this track showcases Tiiva’s talent for seamlessly blending pulsing beats, soft vocals and ambient electronics to create their immersive and emotive sonics. Congratulations on crafting such a superb album Tiiva! (KC)

Aether Speaker – ‘That’s For The Nosebleed’
This is the dreamy second single from London-based four piece Aether Speaker. Recorded on the Summer Solstice last year at Strongroom Studios – where the Spice Girls recorded their iconic single ‘Wannabe’ – ‘That’s For The Nosebleed’ is about “going after what you want, even if it’s bad for you”. I love the band’s blend of lush vocals, ambient riffs and gentle percussion on this track. (KC)

Bleach Lab – ‘Close To The Flame’
“I was heavily inspired by bands like slowdive and my bloody valentine when writing the lyrics and melody for ‘Close To The Flame’,” shares Bleach Lab’s vocalist Jenna Kyle. “I wanted it to feel like the end scene of a coming-of-age romance film…it’s about an all consuming relationship, where you’re so obsessed with someone you almost want to merge into one and become them.” Full of Kyle’s lush vocals and the band’s fuzzy, dream-pop riffs, ‘Close To The Flame’ is the title track from Bleach Lab’s upcoming EP, which is set for release on Friday 18th July. (KC)

Midwife – ‘Signs’
Another gauzy piece of ambient shoegaze here from GIHE fave Colorado-based multi-instrumentalist & producer Midwife. ‘Signs’ was a b-side from her album No Depression In Heaven, which I’ve had on repeat since it was released in 2024. (KC)

SOFIA ISELLA – ‘DOG’S DINNER’
The music of 20-year-old violinist, songwriter, producer and poet Sofia Isella is inspired by a myriad of dystopian influences. The L.A-based artist cites Trent Reznor, Ethel Cain and Beck, as well as Sylvia Plath, Margaret Atwood, Mona Awad and Anne Sexton as her inspirations. The result is an eclectic, beguiling sound steeped in theatricality. This track ‘DOG’S DINNER’ is lifted from her recent EP, I’m camera., which she released in May. SOFIA will be playing live in the UK this summer, including a show at Camden’s Electric Ballroom on 26th August, as well as slots at Reading and Leeds Festivals. (KC)

Lydia Night – ‘Gutter’
Having founded LA punk-rockers The Regrettes at the age of fifteen, Lydia Night is now branching out on her own. Ahead of the release of her debut solo album in August, she has now shared a brand new single. Fizzing with a sultry allure with shades of the electro-clash energy of Peaches, ‘Gutter’ offers a playful, synth-driven slice of art-pop reflecting on feelings of lust and longing. Parody Of Pleasure, the debut solo album from Lydia Night, is set for release on 8th August via Warner Records. (ML)

The Noisy – ‘Twos’
Founded by award-winning poet Sara Mae, Philadelphia-based synth-poppers The Noisy have shared a sparkling new single. Flowing with a glistening, cinematic soundscape, ‘Twos’ offers a perfect fusion of honey-sweet pop sentiment with scuzzy grunge-inspired hooks. The track is accompanied by a wonderfully queer, silent movie-esque new video – Sara Mae explains: “The music video literalizes the too much-ness of the story, Buffy the Vampire Slayer meets Grey Gardens meets two dates to the prom.” (ML)

Automatic – ‘Is It Now?’
Returning to our ears after forming nine years ago, LA trio Automatic have announced the release of a brand new album, which is due for release this autumn, and have now shared the lead title track. Shimmering with synth-driven hooks and a glitchy energy, the playful call-and-response refrains ooze shades of the party-punk vibes of Le Tigre whilst maintaining a unique celestial splendour. Drawing on the conflict between being rebellious and engaging in mass culture, the track raises the question: “how do you have a sense of joy while the world seems to be collapsing, and you feel so powerless?” (ML)

Little Simz – ‘Venom’
I was lucky enough to catch the legend Little Simz live at Royal Festival Hall last week in the closing performance of the annual Meltdown Festival that she had curated. Accompanied by the Chineke Orchestra, it seemed to be a beautiful culmination of not only the past week’s events, but of her career’s achievements so far. With the orchestra’s sweeping majestic splendour accompanying the innovative artist’s gritty energy and stirring narrative, it was a pretty epic experience to be a part of. And a particular highlight of the set was the immense introduction of ‘Venom’ – Little Simz conducting the orchestra before turning to the crowd as she rapped with stoic conviction: “Never givin’ credit where it’s due ’cause you don’t like pussy in power. Venom.” Read our full review of the night here. (ML)

Blue Loop – ‘The Knife’
I’m so pleased that I unearthed this shape-shifting gem of a track from London-based electronic producer Emma Hall aka Blue Loop in my GIHE inbox. Emma has recently recovered from breast cancer (and is now thankfully in remission) and she’s ready to share new music with her loyal followers. She describes her shadowy single ‘The Knife’ as “an imagined letter to my surgeon written in the lead-up to my mastectomy. It’s a visceral scream from an impossible situation and has a darkness to it in the vein of Massive Attack/Warpaint.” The track is lifted from her upcoming debut album, Cycles, which she describes as “a miniature-epic song cycle about resilience, grief and defiant joy, weaving together unflinching, intimate vocals, analogue synth-scapes and diverse musical collaborations” including guitarist Karin Grönkvist (Junodef), bassist Alex Malseed (About Bunny) and strings composer Amy Chalmers (Bill Ryder-Jones). (KC)

Sontag Shogun x Lau Nau – ‘Tropic Movements’ (Amulets Rework)
I’m so glad I found this collaboration between Finnish musician Lau Nau and Brooklyn-based trio Sontag Shogun buried in my GIHE inbox! It’s taken from their recent album, Päiväkahvit, which is a follow-up to their critically-acclaimed record, Valo Siroutuu (2022). The new project includes 9 tracks that the artists worked on during their sessions together in Finland back in 2019, as well as four interpretive reworks including this one by Amulets – who I am a big fan of! Incorporating field recordings, tape, as well as acoustic and electronic instruments, ‘Tropic Movements’ is just one captivating example of the immersive body of work these talented collaborators have managed to create. (KC)

The New Eves – ‘Cow Song’
The GIHE team have been waxing lyrical about Brighton folk-punk four piece The New Eves since we caught them at The Great Escape Festival in May. Their dynamic blend of classical instrumentation and punk spirit is a fascinating live phenomenon. This track ‘Cow Song’ features on their debut album, The New Eve Is Rising, which is set for release on 1st August via Transgressive Records. We’ll definitely be at their London headline show at Hoxton Hall on 7th October. (KC)

Goat Girl – ‘Sleep Talk’ (chamber ensemble)
Another band I was lucky enough to catch at this year’s Cro Cro Land, longtime South London faves Goat Girl are now sharing something quite different from what we may be used to. A year on from the release of their latest album, Below The Waste, they are now sharing four reimagined renditions of its tracks. Scored and arranged by the band, these classical compositions were played live in the room with a DIY chamber ensemble made up of rising young musicians and artists in their own right, Aga Ujma & Slow Cooked. Flowing with sweeping strings, ‘Sleep Talk (chamber ensemble)’ showcases Goat Girl’s beautifully resplendent harmonies in a newly majestic light. (ML)

Jacob Alon – ‘Fairy In A Bottle’
I’ve actually been pretty late to discover Jacob Alon, or ‘Cob’ as I think they prefer to be known. I’d been hearing the name for a while, but recently listened to an episode of the Sidetracked podcast with Annie Macmanus and Nick Grimshaw where they spoke to them, and Cob just seemed like such a thoughtful, sensitive soul and wonderful creator. So, I immediately listened to their album In Limerence and was completely spellbound. And since then I’ve not stopped listening, the whole collection is just exquisite – really beautiful. Having recently supported Yeah Yeah Yeahs at Royal Albert Hall, and played Glasto this weekend, I  can’t wait to finally see them live at Deer Shed festival next month! (ML)

Kathryn Williams – ‘Personal Paradise’
Set to release her fifteenth (!) album in September, Kathryn Williams has now shared the first taste from the collection. Inspired by a poet-led writing session, ‘Personal Paradise’ twinkles with delicate, folk-strewn melodies and Williams’ distinctive luscious vocals, offering a heartfelt reflection on her old dog and its perceptions of what might constitute heaven. A beautiful insight into the vulnerability and personal reflection that shimmers throughout the upcoming album, Mystery Park, which is set for release on 26th September via One Little Independent Records. (ML)

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LISTEN: GIHE on Soho Radio with The Dead Zoo (26.06.25)

Tash, Kate and Mari were live in the Soho Radio studio once again, bringing listeners an eclectic mix of new music tunes from some of their favourite female, non-binary and LGBTQIA+ artists.

They reflected on their time at The Great Escape Festival curating their GIHE showcase on The Beach Soundwaves Stage (featuring Scrounge, Comic Sans, Rubie, Maria Uzor and afromerm), and The Dead Zoo vocalist Kaoru joined the team in the studio to talk about the post-punk band’s upcoming debut album, Suspects, which is set for release on 25th July.

Kaoru also shared her own experiences of being a trans woman and how this has inspired the music that she writes with her band and she shared her anticipations for The Dead Zoo’s upcoming headline gig with GIHE at New River Studios on Friday 4th July – tickets are on DICE now!

Listen back to the show below:

 

We’ll be back on Soho Radio on Thursday 24th July from 4-6pm (GMT)
 Make sure you tune in via DAB or listen at www.sohoradiolondon.com

Tracklist
GOSSIP – Standing In The Way Of Control
ANOHNI – It Must Change
HAAi, Jon Hopkins, Obi Franky, ILÁ, Trans Voices – Satellite
Saya Gray – ..Thus Is Why (I Don’t Spring 4 Love)
**The Great Escape audio highlights reel & interview clip with afromerm**
Whitelands – Heat Of The Summer
Maria Somerville – Spring
Ailsa Tully – Self Soothing
Jacob Alon – Fairy In A Bottle
Smerz – You Got Time and I Got Money
Nastazia Bazil – Call Me Habibi
Jasmine 4.t – Elephant
The Dead Zoo – Bruise
**Interview with Kaoru from The Dead Zoo**
iri – harunone
Cole Pulice – In A Hidden Nook Between Worlds III (Tash’s Track Of The Show)
Lōwli – Ground Above You (Kate’s Track Of The Show)
CATBEAR – Who Cares (Mari’s Track Of The Show)
Junk Whale – Grief Song
Strange New Places – Lonely Today
Craven – The Humpback Whale
The New Eves – Cow Song
Errunhrd – Don’t Drink Chemicals
Twin Rains – Magic Mountain
Midwife – Signs
Yeah Yeah Yeahs – Maps
Jackie Shane – Any Other Way

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PLAYLIST: May 2025

We know our May playlist is a little delayed…(we were at The Great Escape Festival hosting our showcase on The Beach Soundwaves Stage!) but it’s still stacked full of new music from some of our favourite female, LGBTQ+ and non-binary artists.

We’ve put together another eclectic mix of indie musings, alt-folk tunes, punk bangers, immersive electronic sounds and some grunge & shoegaze anthems for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp if you’re able to.

 

Jasmine.4.t – ‘Elephant’
I’ve made no secret of my love of Jasmine.4.t over the last year or so, and it was so wonderful to see her live for the second time, playing an exquisite set to a sold out Lexington last week. Following the success of her debut album, You Are The Morning, a jam-packed UK tour and a tour supporting Lucy Dacus across the US, the Manchester-based artist has now shared a special acoustic EP to raise money for AKT, a charity supporting young LGBTQIA+ people through housing emergencies.

Having been homeless and sleeping on the floors and sofas of queer friends herself when she wrote her album, it’s an organisation close to her heart: “The people who supported me during that time became my family and the muses for my album. This is such a beautiful full circle moment for me, to be in the privileged position of being able to pay that debt forward. Thank you all so much for your support. I love you.”

The EP features beautifully stripped back versions of three songs from her album, showcasing the heartfelt raw emotion and vulnerability that went into writing them: “We were originally gonna use the actual demos that got me signed by Phoebe, but my voice has changed a lot since then and I wanted to redo them, but in exactly the same way: with two vocal tracks and two guitar tracks, recorded in my bedroom on tape. You Are The Morning is an album about queer love and hope and solidarity, and so I wanted to share these tracks in that spirit.” Listen to the EP and donate on bandcamp now.
(Mari Lane – Managing Editor)

Ghostwoman – ‘Alive’
Set to release their new album in September, Belgium/Canada based duo Evan Uschenko and Ille van Dessel aka Ghostwoman have shared this anthemic new single. Propelled by Uschenko’s fuzzy hooks which he played on a 12 string guitar, along with van Dessel’s fierce caustic beats, it offers an impassioned ode to continuing to find joy in the art of creation in spite of the dark times we’re living in. Welcome To The Civilized World, the upcoming album from Ghostwoman, is set for release on 5th September via Full Time Hobby. (ML)

Slung – ‘Limassol’
Congratulations to Brighton rockers Slung on the release of their excellent debut album, In Ways. Released via Fat Dracula, the record showcases the band’s instinctive ability to blend raging riffs, powerhouse percussion and compelling vocals into songs about inequality, generational trauma and ruminations on what could have been. This track ‘Limassol’ is a shining example of the latter, inspired by fading memories of lost love. Check out the accompanying video here. (Kate Crudgington – Features Editor)

Anna Younger – ‘Girl Guts’
This is the latest single from Scottish independent musician Anna Younger and it simmers with relatable angst. Her grungy guitars and potent vocals combine to create a foreboding soundscape, as she uses the lyrical metaphor of fruit “to explore the challenges, transitions and pain of the female existence.” (KC)

M(h)aol – ‘I Miss My Dog’
I’ve been following Irish post-punks M(h)aol since they released their powerful single ‘Laundries’ back in 2020. Their lineup has changed and their sound has developed significantly since then, which has culminated in the trio’s excellent new album, Something Soft. ‘I Miss My Dog’ is lifted from the record, released via Merge Records & TULLE. It’s an ode to drummer & vocalist Constance Keane’s late canine companion Poppy, who passed away in July 2024. (KC)

Problem Patterns ft. Matt Korvette (Pissed Jeans) – ‘Sad Old Woman’
Everyone here at GIHE loves Belfast DIY punks Problem Patterns, so it’s no surprise that we’re including their latest anthem on our playlist! Featuring vocals from Pissed Jeans’ vocalist Matt Korvette, ‘Sad Old Woman’ is the band’s riotous new effort that tackles ageist & sexist stereotypes and encourages listeners to dismiss these damaging anti-ageing narratives. The track is accompanied by a music video too, which you can watch here. We can’t wait to have Problem Patterns headline for us again at our GIHE 10th Birthday All-Dayer gig at The Cavendish Arms on Saturday 27th September. There are only a few tickets left – grab yours here! (KC)

Fortitude Valley – ‘Sunshine State’
Set to release their new album this summer, Fortitude Valley have been big faves of mine since their 2021 debut, and they continue to charm my ears with their glistening new single. Complete with jangly guitars and heartfelt sugar-sweet vocals, ‘Sunshine State’ offers a sparkling reflection on the mixed feelings of front person Laura Kovic’s about leaving her home country of Australia – interweaving a nostalgic sentimentality with a driving punk-pop energy. Of the track, she explains: “I was so keen to get away! From such a beautiful place! So the song is like: I’m going back to the Sunshine State to find my younger, more melodramatic self and catch-up with her.” Part Of The Problem, Baby, the upcoming new album from Fortitude Valley, is out 1st August via Specialist Subject Records. (ML)

Rival Queens – ‘Right Now’
Following her riotous, grunge-infused debut ‘Not Your Enemy’ and the more heartfelt ‘Sun Don’t Shine’, esteemed session guitarist and songwriter Sally-Anne Hickman aka Rival Queens has now shared a sparkling new single. Reflecting on feelings of burnout and workplace apathy, ‘Right Now’ oozes shades of the sparkling indie-pop of bands such as Best Coast as its swirling musicality and shimmering singalong refrains offer an insight into Sally-Anne’s ability to create heartfelt instant earworms of any genre. (ML)

Junk Whale – ‘Grief Song’
Over the last couple of weeks since the new self-released EP from Junk Whale came out, I’ve been pretty much listening to it non-stop, unable to get enough of its scuzzy raw emotion and lilting indie-pop energy. Despite covering poignant themes such as grief and mental illness, the EP as a whole oozes an uplifting effervescent spirit, each track offering an instantly catchy jangly earworm (and not a repeating chorus in sight!). The band expand: “Lyrically, this might be our darkest release yet, written under the cloud of lockdown malaise and personal setbacks. But musically, it’s probably our most upbeat and energetic.” (ML)

Strange New Places – ‘Sleep For Dinner’
The third in a series of singles released ahead of their new album, ‘Sleep For Dinner’ is the latest offering from Belfast’s Strange New Places. Juxtaposing reflections on feelings of fatigue and depression with an uptempo scuzzy energy, and the band’s trademark fiercely impassioned emotion, they’re keen for us to keep in mind that – despite its resonant subject matter, “…the track is also funny and a bop.” Another instant fave from this queer, neurodiverse band of “right on radicals with low self-esteem.” (ML)

Maya Lakhani – ‘Fall For Me’
Someone who’s wowed us with her energy-fuelled live shows on more than one occasion, and with acclaim from the likes of Radio 1’s Jodie Bryant and BBC Introducing Melita Dennett, rising star Maya Lakhani is a firm fave here at GIHE. Inspired by ‘00s teen movie prom scenes, latest single ‘Fall For Me’ flows with a soaring shimmering emotion, as jangling hooks provide the backdrop for Lakhani’s rich vocals, creating a heartfelt alt-rock anthem. (ML)

ettie – ‘The Song I Scream In The Shower’
The new single from queer pop-punk artist ettie, ‘The Song I Scream In The Shower’ offers a perfect nostalgia-tinged ‘revenge-bop’. Propelled by a fierce fun-filled energy and catchy angst-driven refrains, it reflects on the “age-old coping mechanism of getting all your feelings out in the shower.” I can’t wait to hear more catchy anthems from ettie! (ML)

Catbear – ‘Who Cares?’
Having been part of the dreamiest of weekends with us last month, supporting Roller Derby at two consecutive sold out shows in London and Brighton, Brighton-based duo CATBEAR have now shared a catchy new single. Propelled by an uplifting fizzing energy and fierce driving beats, a raw emotion shines through the lush vocals, offering a glistening slice of empowering electro-pop; a shimmering ode to the draining emotions that come with social anxiety (a sentiment I can very much relate to!). Of the track, singer/guitarist Zoe explains: “The song sounds upbeat, but underneath it’s me trying to stay grounded – reminding myself it’s okay to show up, be a bit awkward, and not care so much what anyone thinks.” ‘Who Cares’ will feature on Catbear’s upcoming second album, due for release later this year. (ML)

Beauty Sleep – ‘Radical Happiness’
Recently signed to Alcopop! Records with the announcement of the upcoming release of their second album, Derry faves Beauty Sleep have now shared a colourful new single to celebrate. Fizzing with a glitchy energy and swirling uplifting emotion, album “theme song” ‘Radical Happiness’ offers a twinkling, empowering ode to self care and embracing doing things that bring you joy. Of the inspiration behind the track, the duo explain: “Our mental health was so low and we were such people pleasers to a fault that prioritising our emotions and desires felt radical. So we embarked on figuring out how to find Radical Happiness by living it—we did all the things we thought we weren’t good enough for, things we thought we would do ‘when we were successful,’ or ‘when we had more money,’ or when the perfect conditions were just so…” The Whole Damn Cake, the upcoming second album from Beauty Sleep, is set for release in October this year. (ML)

ZAND – ‘TOES!’
I’ve been following the well deserved rise of “sewerstar” ZAND since we interviewed them on our GIHE radio show back in 2020 (listen back here) – so I was chuffed to see this gritty single ‘TOES!’ in my inbox. It’s their first piece of new music since November 2024, equally as inspired by Eminem as it is Nine Inch Nails. ZAND is currently working on their debut album, which I can’t wait to hear in full. (KC)

Twin Rains – ‘The Evil That You Know (Let It Go)’
Toronto dream-pop duo Twin Rains released one of my favourite tracks of 2023 (‘You’re The Only One’) so I was thrilled to see an email from the band (buried in my GIHE inbox) sharing new music with me! Described as “My Bloody Valentine meets Oasis in the dystopian present” this new track ‘The Evil That You Know (Let It Go)’ is full of their trademark intoxicating riffs, dreamy vocals and driving beats. (KC)

Errunhrd – ‘Don’t Drink Chemicals’
Canadian songwriter and producer Shirin Ghoujalou aka Errunhrd has shifted from dream-pop to dark electronica on her latest album, Everything I’ve Ever Known, and I am here for it! This change in musical direction was inspired by a need to explore parts of her psyche that she had previously ignored, experimenting with MIDI string orchestration, vocoders, granular synthesis and syncopated melodies to help her carve a path towards self-love and acceptance. (KC)

Venus In Noise – ‘In The Sun’
A jagged ray of sonic sunshine from London-based duo Venus In Noise here! This new single is full of the pair’s trademark dark electronics and infectious rhythms, which they’ve been sharing with crowds through their live performances – including a show at East London’s Sebright Arms – earlier this month. (KC)

Elaine Mai ft. Faye O’Rourke – ‘AIM’
Irish electronic artist Elaine Mai is gearing up to release her second album, For Us, on 19th September. This collaborative track ‘AIM’ – featuring Soda Blonde vocalist Faye O’Rourke – is an exciting taste of what we can expect from the talented producer. Inspired by “generational trauma and its lingering effects,” O’Rourke’s heartfelt vocals soar above Mai’s potent dance beats and shape-shifting electronics, showcasing her instinct for crafting melodic and surprisingly emotive dance anthems. (KC)

Nastazia Bazil – ‘Call Me Habibi’
Having released her debut album this week, Lebanese artist Nastazia Bazil never believed that she would be able be able to play music that other people would want to hear, but since forming a band at First Timers Fest a few years back she has been proved wrong; a familiar face on the London DIY live circuit, she has been frequently charming audiences across the city with their unique, immersive sounds. Taken from the album, ‘Call Me Habibi’ offers a truly stirring anthem, reflecting on feelings of being torn – knowing that she can’t move back to Lebanon due to political unrest, but feeling homesick and missing simple things such as her mum’s cooking. From Beirut To Anywhere, the debut album from Nastazia Bazil, is out now. Listen/download on bandcamp. (ML)

Lōwli – ‘Ground Above You’
“‘Ground Above You’ explores feeling lost in your sense of self, while struggling to find purpose and understanding in an often unsettling and disjointed world,” explains Irish composer and songwriter Lōwli about her latest single. A beguiling blend of lilting keys, disarming vocals and ethereal string sounds, the track beautifully showcases Lōwli’s ability to transport listeners to another realm – making her one of my favourite new music discoveries this year. (KC)

Maria Somerville – ‘Spring’
Lifted from her captivating new album, Luster, this lush track by Irish musician Maria Somerville is a tonic for tired ears. Released via 4AD, Somerville’s latest full length was written and recorded in Connemara in the artist’s home county of Galway. Energised by the fondness and familiarity of her surroundings, she created twelve tracks that shimmer with sensitivity and a serene sense of self-confidence, with this single ‘Spring’ being a perfect example of both. (KC)

The New Eves – ‘Rivers Run Red’
Team GIHE caught Brighton four-piece The New Eves live for the first time at The Great Escape Festival in May, and we were captivated by their incendiary blend of classical instrumentation and punk spirit. This track features on their debut album, The New Eve Is Rising, set for release on 1st August via Transgressive Records. ‘Rivers Run Red’ is an amalgamation of the band’s beginnings – from guitarist/violinist Violet pouring blood on to herself during early performances, to drummer, flutist & vocalist Ella’s heartfelt teenage poetry – showcasing the power and originality of the ensemble’s musical vision. We’ll definitely be at their London show at Hoxton Hall on 7th October. (KC)

Nadah El Shazly – ‘Laini Tani’
Egyptian, Montreal-based producer, vocalist, composer and actor Nadah El Shazly has released her highly anticipated second album, showcasing her immersive, genre-defying sounds and ability to fuse traditional Arabic influences with a more avant-garde improvisational instrumentation. Title track ‘Laini Tani’ offers a mesmerising insight into the sounds El Shazly is able to create; flowing with a delicate, twinkling musicality, it builds with a subtle soaring power and glitchy energy into a truly spellbinding ballad. Laini Tani, the new album from Nadah El Shazly, is out now via One Little Independent Records. (ML)

Lightheaded – ‘The View From Your Room’
Formed back in 2017, New Jersey’s Lightheaded are set to release their second album later this month, and to celebrate, they’ve shared this shimmering new single. ‘The View From Your Room’ ripples with a cinematic musicality and lilting energy, as gorgeous sunny vibes emanate with shades of the likes of indie-pop faves Camera Obscura or Best Coast.
Thinking, Dreaming, Scheming, the upcoming new album from Lightheaded, is out on 27th June via Skep Wax. (ML)

Ailsa Tully – ‘Self Soothing’
The first single taken from her upcoming debut album, ‘Self Soothing’ offers a welcome return from Welsh artist and GIHE fave Ailsa Tully. Offering a vulnerable sentimentality, a delicate musicality glistens as Tully’s distinctive crystalline vocals flow seamlessly with a stirring raw emotion throughout. With its added immersive synth-driven layers and subtle sense of angst that ripples under its surface, a gritty edge is added to this innovative artist’s trademark heartfelt splendour. (ML)

Rats-Tails – ‘Public Domain’
Having blown us away with their unique eclectic sounds and immersive energy playing for us last year at The Shacklewell Arms, South East London faves Rats-Tails have now released their first single of 2025. Flowing with a lilting folk-strewn musicality and mystical allure, ‘Public Domain’ reflects on feelings of burn-out, the intrusive thoughts that accompany it and the tension between art and commodification. As front-person Courtney McMahon’s ethereal vocals shimmer throughout, a dreamily psychedelic soundscape is created, cementing Rats-Tails as an innovative band impossible to pigeon hole into any one genre. (ML)

Kate Nash – ‘Germ’
Amidst all the terrifying regression of policies and ridiculous attempts by those in power to curtail the rights of trans folk, being an ally is more important than ever before. So, it’s been great to hear Kate Nash use her platform to spread the word and speak out against so-called feminists who are set on excluding trans women from public spaces and inciting fear and hatred with new single ‘GERM’. With its direct lyricism taking aim at these ‘Exclusionary Regressive Misogynists’, Nash explains: “I am left uneasy as I see behaviours we would otherwise or previously label as intolerance or bullying become normalised & even celebrated by the media & in society. Dismantling systems of oppression lies at the very core of feminism. If you are transphobic, therefore, you are not a feminist. Welcome to your rebrand, GERM.” Just to clarify, as Nash states in the song, “I’ve never felt threatened by a trans person” and will continue to stand by my trans siblings today and every day. Watch the full lyric video here. (ML)

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