EP: EMA – ‘Outtakes from Exile’

Sitting comfortably in what she calls “The Outer Ring” of society – the zone between the country and the city, both literally and figuratively – EMA’s dark electronic sounds ooze with an unease and intensity inspired by “material that speaks truth to power.” Rather than agonise, Erika M. Anderson (aka EMA) organises synths and vocals to express her resistance against poverty and inequality, and her recent EP Outtakes From Exile is another impressive example of these determined efforts.

Lead single ‘Dark Shadows’ ia a blend of hazy vocals, sharply produced beats and opulent electronics, inspired by the film 20th Century Women. Anderson says she was inspired by the premise – “badass women living in 1970s Santa Barbara getting into punk” – and ‘Dark Shadows’ emerged as “a survivor song”, detailing someone who’s “leaving a dark past behind, emerging again into the world”. It’s a world in which second track ‘MopTops (Twist While The World Stops)’ plays out confidently, with EMA’s hushed, croaky vocals sitting atop steady synths that loop for three and a half minutes.

‘I Don’t Treat Anything Good’ is similar in its understated style and tempo, but it culminates in EMA’s plea-like vocals to be saved from this casual apathy. The emotional exposure on penultimate track ‘From The Love That We Made’ will have listeners caught up in a sultry, synth-heavy haze before an unexpected switch from electronics to acoustic guitars mid-way through the song clears the figurative smoke screen.

It’s the defiant power of closing track ‘Breathalyzer Instrumental’ however, that truly displays EMA’s ominous, shadowy skills. It’s twenty minutes of intriguing noise which broods somewhere between intense awareness and a need to be aurally anesthetised. Whilst her vocals on previous tracks are quietly hypnotic, the lack of them here is not to be lamented. Ten minutes in, her almost inaudible whisperings appear over persistent synths, offering a brief distraction from this epic, intoxicating sonic assault.

Make sure you set aside the time to explore EMA’s intriguing soundscapes on Outtakes From Exile – you won’t be disappointed.

EMA’s Outtakes From Exile (released via City Slang) is available to stream/download now.

Kate Crudgington
@KCBobCut

EP: Tina Boonstra – ‘My Concrete Heart (Will Beat Again)’

Inspired by the likes of Wolf Alice and Arcade Fire, London-based artist Tina Boonstra writes in a vulnerable yet determined vein. Her debut EP My Concrete Heart (Will Beat Again), released on 2nd February via 7Core Music, is a collection of moving, honest songs that will school listeners in empathy and introspection.

The understated ‘Prodigal’ opens the record, quietly showcasing Tina’s measured but powerful vocals. It leads into the soothing ‘I Think I See You Now’ which plays out “as steady as my heart beats / as certain as the sunrise.” Tina’s musical style may have been intended for the halls of churches (she was raised in a Christian missionary family), but it’s clear from these tracks that her sound was meant to echo further.

It’s easy to surrender “skin and bone” to the sound of ‘Occupy Me’ as it gently builds into another three minutes of hymn-like escapism. Following track ‘Concrete Heart’ is a complete change of pace, with pounding drums, heavier guitar riffs and a melodic chorus that breaks through like the “perfect love” Tina sings of. It feels like an aural emotional release, ringing with the relief you experience when you find someone worth opening up to again.

‘Only A Human’ changes the EP’s direction once more, as Tina explores the isolation of another character: a teenage boy with a suicide bomb strapped to his chest. It’s an unexpected turn and a thought provoking exploration of empathy, culminating in the honest lyric “you’re not to blame now / you’re only a human.” The gentle ‘Castle’ closes the record. It’s a carefully curated piano-led ode to a fortress of love and support and a calm ending to this soft but tempestuous debut.

Speaking of her EP, Tina admits: “I wanted to sing about faith and doubt and the very real struggle to feel anything apart from completely numb.” We’re sure listening to My Concrete Heart (Will Beat Again) will make others feel more again too.

Listen to Tina’s EP on Spotify here, and follow her on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: La Lune – ‘He Breathes Colour When I Feel So Grey’

Let the sweeping electronic soundscapes of Brighton-based song-writer La Lune melt your ears this Saturday. The elusive 19 year old has shared her debut EP Bliss with us recently, and we’ve been playing the opening track ‘He Breathes Colour When I Feel So Grey’ on repeat.

Inspired by the likes of The Japanese House, Lorde, James Blake & Bon Iver, La Lune has been creating her own music for just over a year. Her understated, gentle, cleanly produced sounds are a soothing balm for ears conditioned to the sound of chaos and we can’t wait to hear more from this exciting newcomer.

Listen to ‘He Breathes Colour When I Feel So Grey’ below, and follow La Lune on Facebook & Spotify for more music updates.

Kate Crudgington
@KCBobCut

LISTEN: DIDI – ‘Fast And Furious’

Following GIHE favourites ‘Sorry’ and ‘Back Off’, ‘Fast And Furious’ is the fourth single from DIDI, aka producer Lauren Deakin Davies. Having received acclaim from the likes of BBC 6Music and Amazing Radio, DIDI has only been writing her own music since March last year, but is already making plenty of waves! 

Having wowed us with her sparkling, uptempo pop-punk live at one of our nights at The Finsbury last year, DIDI is an accomplished songwriter and producer, who showcases her impressive vocal range with this new offering. With its twinkling alt-pop melodies and soaring, emotion-strewn splendour, ‘Fast And Furious’ is an utterly infectious sonic delight.

Find out more about DIDI and her new single in this exclusive video:

And listen to the brand new single here:

 

‘Fast and Furious’ is being self released on 9th February. And catch DIDI live headlining The Finsbury in London on 6th February for Zoe Konez͛’s ‘Stop Look Listen’ event, and with her full band at The Workshop in Shoreditch on 15th March.

 

Mari Lane
@marimindles