Darlington Music Collective Tracks Presents: Noisy Daughters Event

Following on from their successful Womenfolk event in October 2017, Darlington music collective Tracks have organised a FREE workshop & panel discussion on 3rd March – followed by a ticketed gig! – to celebrate females in music. The event aims to teach and inspire the next generation of girls and lead the way to equality in music. The showcase will take place at the new Theatre Hullabaloo space that’s recently opened in Darlington.

Tracks are a non-profit organisation and any money raised from ticket sales will go back into funding future Noisy Daughters events. The workshop is open to females only, but all are welcome at either the panel or the gig.

The free songwriting workshop for women runs from 1-3pm, and will be delivered by Liz Corney (The Cornshed Sisters, Field Music). Participants are encouraged to bring their instruments and are offered guidance in all things musical composition (places are limited; so booking is advised). This will be followed by a panel discussion from 3.30pm-4.30pm, which will centre around the issues facing women in the music industry today, and what can be done to change them.

Panelists include Rianne Thompson from BBC Tees, Hannah Van Thompson of The Van Ts, Claire Dupree from Narc Magazine, and Liz Corney of The Cornshed Sisters/Field Music. Sarah Wilson from Tracks/BIG Little Gigs will be chairing, and there will be an opportunity for the audience to ask questions at the end.

The day will conclude with a headline gig from The Van Ts, with support coming from the likes of BBC 6 Radio play-listed singer-songwriter Eve Conway, the much hyped hip-hop act Leddie MC, and energetic electro-pop pioneers Twist Helix.

(Pic: The Van Ts)

Sarah Wilson from Tracks said: “It’s vital to give women in music credible, female-led music events nationally, and it’s brilliant that we can do this in our hometown of Darlington. We’re hoping to inspire the next generation of female musicians, whilst giving a platform to the current batch of female artists that are leading the way”.

BBC statistics showed that last year, 84% of headliners at music festivals were men. Ents24.com demonstrated that this trend occurs not only at festivals but takes place on a daily basis at regular shows. On a randomly selected day(12th October 2017), they found that out of the 370 gigs listed on their website, 69% of the acts (255) were made up entirely of men, while just 9% (33) were female-only (half of these being solo artists).

Outside of the performance arena, a recent study by Georgina Born and Kyle Devine – titled ‘Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain’ – highlighted the “highly (male) gendered digital music field” in which approximately 90% of music technology students are currently white males. The outcome is that the creative field becomes dominated by male practitioners, male lecturers and male authors.

With all these negative headlines and a male dominated industry it’s easy to see why women are underrepresented in the world of modern music. Thankfully, organisations like Tracks are tackling the issue head on with their brilliant Noisy Daughters event.

Tickets for the gig are available online here. Physical tickets can be purchased from The Pennyweight in Darlington.

FYI – this is a 12 + event (under 16s must be accompanied by an adult).

RSVP to the free song-writing workshop & panel here.

Follow Tracks on Facebook and check out their website for updates & future events.

Kate Crudgington
@KCBobCut

EP: EMA – ‘Outtakes from Exile’

Sitting comfortably in what she calls “The Outer Ring” of society – the zone between the country and the city, both literally and figuratively – EMA’s dark electronic sounds ooze with an unease and intensity inspired by “material that speaks truth to power.” Rather than agonise, Erika M. Anderson (aka EMA) organises synths and vocals to express her resistance against poverty and inequality, and her recent EP Outtakes From Exile is another impressive example of these determined efforts.

Lead single ‘Dark Shadows’ ia a blend of hazy vocals, sharply produced beats and opulent electronics, inspired by the film 20th Century Women. Anderson says she was inspired by the premise – “badass women living in 1970s Santa Barbara getting into punk” – and ‘Dark Shadows’ emerged as “a survivor song”, detailing someone who’s “leaving a dark past behind, emerging again into the world”. It’s a world in which second track ‘MopTops (Twist While The World Stops)’ plays out confidently, with EMA’s hushed, croaky vocals sitting atop steady synths that loop for three and a half minutes.

‘I Don’t Treat Anything Good’ is similar in its understated style and tempo, but it culminates in EMA’s plea-like vocals to be saved from this casual apathy. The emotional exposure on penultimate track ‘From The Love That We Made’ will have listeners caught up in a sultry, synth-heavy haze before an unexpected switch from electronics to acoustic guitars mid-way through the song clears the figurative smoke screen.

It’s the defiant power of closing track ‘Breathalyzer Instrumental’ however, that truly displays EMA’s ominous, shadowy skills. It’s twenty minutes of intriguing noise which broods somewhere between intense awareness and a need to be aurally anesthetised. Whilst her vocals on previous tracks are quietly hypnotic, the lack of them here is not to be lamented. Ten minutes in, her almost inaudible whisperings appear over persistent synths, offering a brief distraction from this epic, intoxicating sonic assault.

Make sure you set aside the time to explore EMA’s intriguing soundscapes on Outtakes From Exile – you won’t be disappointed.

EMA’s Outtakes From Exile (released via City Slang) is available to stream/download now.

Kate Crudgington
@KCBobCut

EP: Tina Boonstra – ‘My Concrete Heart (Will Beat Again)’

Inspired by the likes of Wolf Alice and Arcade Fire, London-based artist Tina Boonstra writes in a vulnerable yet determined vein. Her debut EP My Concrete Heart (Will Beat Again), released on 2nd February via 7Core Music, is a collection of moving, honest songs that will school listeners in empathy and introspection.

The understated ‘Prodigal’ opens the record, quietly showcasing Tina’s measured but powerful vocals. It leads into the soothing ‘I Think I See You Now’ which plays out “as steady as my heart beats / as certain as the sunrise.” Tina’s musical style may have been intended for the halls of churches (she was raised in a Christian missionary family), but it’s clear from these tracks that her sound was meant to echo further.

It’s easy to surrender “skin and bone” to the sound of ‘Occupy Me’ as it gently builds into another three minutes of hymn-like escapism. Following track ‘Concrete Heart’ is a complete change of pace, with pounding drums, heavier guitar riffs and a melodic chorus that breaks through like the “perfect love” Tina sings of. It feels like an aural emotional release, ringing with the relief you experience when you find someone worth opening up to again.

‘Only A Human’ changes the EP’s direction once more, as Tina explores the isolation of another character: a teenage boy with a suicide bomb strapped to his chest. It’s an unexpected turn and a thought provoking exploration of empathy, culminating in the honest lyric “you’re not to blame now / you’re only a human.” The gentle ‘Castle’ closes the record. It’s a carefully curated piano-led ode to a fortress of love and support and a calm ending to this soft but tempestuous debut.

Speaking of her EP, Tina admits: “I wanted to sing about faith and doubt and the very real struggle to feel anything apart from completely numb.” We’re sure listening to My Concrete Heart (Will Beat Again) will make others feel more again too.

Listen to Tina’s EP on Spotify here, and follow her on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: La Lune – ‘He Breathes Colour When I Feel So Grey’

Let the sweeping electronic soundscapes of Brighton-based song-writer La Lune melt your ears this Saturday. The elusive 19 year old has shared her debut EP Bliss with us recently, and we’ve been playing the opening track ‘He Breathes Colour When I Feel So Grey’ on repeat.

Inspired by the likes of The Japanese House, Lorde, James Blake & Bon Iver, La Lune has been creating her own music for just over a year. Her understated, gentle, cleanly produced sounds are a soothing balm for ears conditioned to the sound of chaos and we can’t wait to hear more from this exciting newcomer.

Listen to ‘He Breathes Colour When I Feel So Grey’ below, and follow La Lune on Facebook & Spotify for more music updates.

Kate Crudgington
@KCBobCut