PLAYLIST: March 2025

The Get In Her Ears team have put together an eclectic mix of alt-pop tunes, punk bangers, immersive electronic soundscapes, grunge & shoegaze anthems, engaging instrumentals and indie musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on their social media, sign up to their newsletters and buy their records from bandcamp if you’re able to!

 

Cowboy Hunters – ‘Mating Calls’
Having been building a reputation in the Glasgow scene for their memorable live shows, Scottish punks Cowboy Hunters create immense riotous anthems. Latest single ‘Mating Calls’ showcases the band’s scathing dry humour with a ferocious seething energy and frenzied raw power. Summing up its message, the band say: “We’re all animals and it’s all awful but it’s fun to shout about it. Basically a diss track to creeps in smoking areas everywhere.” Cowboy Hunters are currently on tour, catch them at one of our fave venues – New River Studios – on 18th April.
(Mari Lane – Managing Editor)

Slung – ‘Thinking About It’
I’ve been such a big fan of everything that Brigton rockers Slung have released over the past few months, and this new single is no exception. Taken from their debut album, In Ways, which is set for release on 2nd May via Fat Dracula, ‘Thinking About It’ is inspired by vocalist Katie Oldham’s desire to express herself in a way that feels authentic to her. She explains in more detail: “Bringing references to queerness in our songs is important to me, because myself and the majority of my friends identify as queer, despite mostly presenting femme and straight-passing. I don’t feel the need to draw attention to it specifically, and don’t feel it appropriate to represent myself as a ‘queer voice’, but I still want to create a little space in whatever I do to honour it, as it’s an important part of who I am. The theme is also pretty representative of bisexual panic, meeting a girl and realising you’re thinking about it, and wondering if she’s thinking about it too. It’s such a goofy song that hopefully offers some light-hearted relief to some of the heavier vibes of the record.”
(Kate Crudgington – Features Editor)

Witch Fever – ‘Dead To Me!’
I still remember the formidable live performance Manchester rockers Witch Fever delivered when they headlined our GIHE gig at The Finsbury Pub back in 2018 (pics here). The band have lost none of their potency or momentum since then, something which their latest single ‘Dead To Me!’ fiercely proves. This track is inspired by vocalist Amy Walpole’s traumatic experiences growing up in the Charismatic Church, confidently unleashing her anger and defying the heavily gendered social norms of remaining quiet and compliant. (KC)

Cwfen – ‘Wolfsbane’
Glasgow’s Cwfen (pronounced ‘Coven’) are a new discovery for me, but I love the heavy, shadowy sound of this single, lifted from the band’s upcoming debut album, Sorrows, which is set for release on 30th May via New Heavy Sounds. Vocalist & guitarist Agnes Alder explains more about the context of the track: “on the surface, it’s about poison. At its heart, it’s an ode to the untamed female rage that comes when the world tries to carve us into something smaller.” I can’t wait to catch the band playing live at The Black Heart in Camden supporting Faetooth on 17th June. Tickets are available here. (KC)

Blackwater Holylight – ‘Wandering Lost’
LA -based band Blackwater Holylight are new to me (despite having already released three records), but I love the way they blend heavier, doom-laden riffs with drifting, evocative vocals. This track is taken from their upcoming EP, If You Only Knew, which is set for release on 18th April via Suicide Squeeze Records. Vocalist, guitarist & bassist Sunny Faris explains that ‘Wandering Lost’ is about “feeling community in sorrow and remembering that everyone hurts, everyone changes, and that no one knows what’s next.” (KC)

Hot Wife – ‘Queen’
Described as “an anthem about empowering yourself by breaking free from toxic influence,” this is the second single from South London DIY four-piece Hot Wife. Inspired by a “cheating scumbag,” ‘Queen’ rumbles with the unrest of a ’90s grunge anthem, reminding listeners that living well is the best form of revenge. (KC)

Gender Chores – ‘Roy’
Following last single ‘January Blues’, Belfast band Gender Chores have now shared a scathing attack on those who punch down instead of looking up to see who is pulling the strings. Oozing a seething dark energy, the track builds with an impassioned raw emotion and searing sense of urgency. Reflecting on the track, Sam from the band explains: “Right now the world feels like it’s going backwards in so many ways, with bigots and fascists being platformed and marginalised voices silenced. We want to fight back against that however we can, and combat the narrative of hate and fear that got us into this place.” (ML)

NEXT TO NADA – ‘K.F.M’
Another belter of a tune from London-based fuzz-punk four piece NEXT TO NADA here! The band decribeS ‘K.F.M’ as “a scream of frustration at all the pointless, menial tasks we’re forced to waste our time on whilst working.” The track sarcastically tackles why we let “the unfeeling monster of modern employment” take over the best years of our lives, fuelled by the band’s raw and relatable punk energy. (KC)

Bridget. – ‘Hairspray’
Fuelled by her trademark angst-ridden energy, ‘Hairspray’ is the latest single from Essex grunge-rocker Bridget. She’ll be releasing a video to accompany the track on 3rd April, and she’ll be playing her biggest London headline show to date at Signature Brew in Haggerston on 24th April, with support from GIHE faves Lilith AI and Comic Sans. Grab your tickets here. (KC)

Maria Iskariot – ‘Leugenaar’
Translating as ‘Liar’, ‘Leugenaar’ is the seething new single from Dutch punks Maria Iskariot. Propelled by a fierce raw emotion and ferocious energy, its stipped-back hooks and thrashing beats build with a searing sense of urgency as the gritty power of Helena Cazaerck’s rages throughout. The band comment: “Leugenaar is an absolution, a pelvis under the chin of a drooling monster waiting to be freed from a rotten tooth. Anyone expecting further explanation can go to hell.” (ML)

Panic Shack – ‘Gok Wan’
Bursting with all the tongue-in-cheek wit and fierce energy that we’ve come to know and love, Panic Shack’s new single ‘Gok Wan’ offers a sneering reflection on the toxic culture of body ‘improvement’ that dominated the airwaves when they were growing up. A riotous post-punk anthem, showcasing the Cardiff band’s ability to critique the damaging patriarchal society that we live in with a swirling tenacity and danceable hooks. Watch the accompanying video for ‘Gok Wan’ here. (ML)

Grandmas House – ‘Haunt Me’
This new single from Bristol punks Grandmas House is a surprisingly tender offering. Taken from the band’s upcoming EP, Anything For You, set for release on 11th April via Berlin based label Duchess Box Records, ‘Haunt Me’ is a potent reflection on grief and the desire to be followed by a loved one who’s been lost. It’s a melancholy musing, but it feels just as cathartic as their previous raw punk-inspired efforts. (KC)

Scrounge – ‘Buzz/Cut’
“This song is about pleasure, self acceptance and having a good time,” explains Scrounge’s vocalist & guitarist Lucy. ‘Buzz/Cut’ is the South London duo’s most melodic offering to date and it features on their upcoming second album, Almost Like You Could, which is set for release on 18th April via Ba Da Bing! Records. The pair want listeners to experience the same cathartic release they feel when they’re playing live and that’s something that shines through instantly on this latest offering. Grab a ticket to see Scrounge headline The Lexington on 23rd April. (KC)

Dogviolet – ‘Dandelion’
The second single from ones to watch, London based band Dogviolet, ‘Dandelion’ offers an empowering ode to resilience and resistance, to the power of community – likening people to the flower, under-valued but vital to the ecosystem. Oozing a gritty immersive power and rich captivating energy, the track builds with a swirling allure as the refrain “to exist is to resist” repeats throughout with a glistening poignancy; an understated and unifying protest against capitalism. Dogviolet will be playing Cro Cro Land this Sunday, 6th April – just one of a ton of faves playing the South London festival over the weekend, including ARXX, Scrounge, Big Joanie, Berries and loads more, and I’ll also be DJing there on the Saturday, so I strongly suggest you nab your tickets now! (ML)

Fake Dad – ‘Machinery’
With their recently released new EP, Holly Wholesome and the Slut Machine, LA based band Fake Dad have created a collection of tracks reflecting on the different characters that musical artists, or “rock music posers” often play. Propelled by scuzzy ‘90s-inspired hooks and a gritty impassioned energy, the EP chronicles fictitious characters and their worlds whilst subtly reflecting on the band’s own identities and experiences. (ML)

tall child – ‘Stupid Body’
“I wanted this song to feel like you are inside my head during my lowest of lows,” tall child explains about their latest single ‘Stupid Body’. Inspired by the South East London artist’s own experiences having issues with body image and being dismissed by doctors, this track is tall child’s way of taking ownership of an uncomfortable situation, and they hope it will help listeners through them in future too. (KC)

Tamara & The Dreams – ‘Successful Bisexual’
I couldn’t really not include a track called ‘Successful Bisexual’, an energy I’m forever trying to channel. This new single from Australian artist Tamara & The Dreams glistens with a lilting jangly energy and a catchy uplifting charm, offering a heartfelt ode to self-discovery and embracing who you truly are as you get older. (ML)

Twat Union – ‘Singer Of The Band’
Having recently signed to Alcopop! Records, London ‘theatre punks’ Twat Union have now shared their wonderfully energy-filled new single ‘Singer Of The Band’. A not-so-subtle take down of the sexism they’ve encountered in the music industry and those men we’ve all come across at gigs who undermine and patronise the women in the bands that they come to watch, it’s an angst-driven yet uplifting pop-punk anthem. Having already been featured as ‘Ones To Watch’ in The Guardian, Twat Union are set to release their debut EP, Don’t Look It In The Eye, this Friday 4th April. (ML)

Strange New Places – ‘YATPYFL’
The latest single from Belfast band Strange New Places, ‘YATPYFL’ (you are the person your friends love) offers a gloriously uplifting ode to self-love. Urging the listener to trust their friends’ opinions more than their own self-deprecating feelings of anxiety, it’s a perfect slice of fizzing pop-punk celebrating queerness and neurodivergence with a catchy joyous energy. ‘YATPYFL’ is accompanied by a video featuring Belfast punk scene legend Belfast punk scene legend Dolores Vischer and the band blasting into green-screen outer space. (ML)

Annie Dressner – ‘For The Thrill Of It’
Accompanied by a video filled with loads of awesome women from the music industry, including faves like The Baby Seals and Emma from Mammoth Penguins, the new single from New York via Cambridge artist Annie Dressner shares a poignant message. Flowing with lilting folk-strewn melodies and Dressner’s honey-sweet vocals, ‘For The Thrill Of It’ reflects on the rife misogyny within the music industry, juxtaposing an underlying rage with its twinkling musicality. Speaking about the track, Dressner explains: “The message in the lyrics addresses the pervasive issue of misogyny in the music industry, where inappropriate behaviour too often goes unaddressed or overlooked.The song aims to inspire positive change in attitudes toward women in music and encourage women to feel safe in speaking out.” (ML)

Wife Patrol – ‘We Who Are About To’
Full of harmonious dual vocals and melodic riffs, this is the latest single from Indianapolis alt-rock trio Wife Patrol. The track is taken from the band’s upcoming EP, NOPLACE, which is set for release on 2nd May. They describe their new offering as “the product of three misfits maneuvering the ugliness, the uncertainty, and the joy of modern life together” – something that many listeners will be able to relate to! You can pre-order Wife Patrol’s EP from bandcamp here. (KC)

Um, Jennifer? – ‘Delancey’
I really enjoy the juxtaposition of playful melodies and anxious lyricism on this latest single from New York trans duo Um, Jennifer? ‘Delancey’ is taken from their upcoming album, Um Comma Jennifer Question Mark, which is set for release on 25th April via Final Girl Records. Speaking about the track, band member Elijah Scarpati explains: “’Delancey’ is written from two perspectives at once – your own disappointment with the one you love, and from the fear that they’re disappointed in you too. It’s speaking aloud the anxious spiral that unrequited love creates. Musically, it’s a surprisingly upbeat song. Maybe because it’s funny to be in love and to be scared about it. Or maybe it’s because if we don’t laugh about it all, we’ll cry.” (KC)

Pleaser – ‘Begging Guitars’
The riotous ‘Begging Guitars’ is the title track from Danish punks Pleaser’s new album. Set for release on 23rd May via Part Time Records, the single is an all out cacophony of crashing beats, thundering riffs and cathartic shouts, inspired by the need to “let go” and reject the need to “indulge in perfection” for yourself, or to expect it from others. (KC)

Odelia – ‘Someone I Knew’
This single from 19 year old Baltimore-born, Liverpool-based songwriter and LIPA student Odelia dropped into my inbox earlier this month and I’m so glad that it did. Her passionate vocals drift seamlessly over breezy instrumentation, as she muses about fulfilling her childhood dream of performing music and becoming the person she always wanted to be. ‘Someone I Knew’ is the second single from Odelia’s upcoming EP, I see stars I see stars why do I always see stars, a collaboration with producer notcharles which is set for release later this year. (KC)

Crystal Quartez – ‘Fall Down’
Portland-based musician and installation artist Crystal Quartez recently shared their latest album, Erospace, on which they have shifted into avant-pop territory. Crystal created the record simply because they felt that they needed a safe place exist, finding solace in their new sonic universe. Crystal blends the Caribbean beats of their childhood alongside gothic sound textures and dream pop elements to explore and celebrate the queer experimental scenes that helped them to form their sense of self. (KC)

Arooj Aftab – ‘Raat Ki Rani’ (Khruangbin remix)
Being a big fan of both Arooj Aftab and Khruangbin, I was excited to hear this new remix of ‘Raat Ki Rani’. As Aftab’s soaring rich vocals ripple with an effervescent grace alongside laid back, jazz-inspired beats, a perfectly dreamy soundscape is created. I was lucky enough to catch Arooj Aftab live at Pitchfork Music Festival at The Roundhouse last November – she delivered a truly spellbinding performance, interspersed with some refreshingly witty between-song chat! (ML)

Goddess ft. Ex:Re – ‘Shadows’
Goddess is the brand new collaborative project of drumming powerhouse Fay Milton (Savages). This first single ‘Shadows’ features vocals from Elena Tonra (Ex:Re/Daughter) and contributions from two GIHE faves – piano from Hinako Omori and bass from Ayse Hassan (Savages). Tonra’s delicate vocals and mysterious lyrics float over Milton, Omori and Hassan’s shape-shifting soundscape. I can’t wait to hear Goddess’ debut self-titled album, which is set for release on 30th May via Bella Union. (KC)

NYX – ‘Bright Tongues’
I cannot recommend listening to the NYX Drone Choir’s debut solo album enough. This track, ‘Bright Tongues’, is one of many sublime compositions that showcase the ensemble’s powerful ability to harness the beauty of the collective human voice. I had a lovely chat with NYX founder & director Sian O’Gorman all about the record, her “Tones, Bones and Drones” workshops and her altruistic approach to singing and using your voice to connect with others. Read the full interview here. (KC)

Laura Misch – ‘Alchemy’
I have afromerm to thank for introducing me to the beautiful sounds of South London-born saxophonist, songwriter and electronic producer Laura Misch. Released via One Little Independent Records, ‘Alchemy’ is a poignant reflection on the very human ability to alchemise loss into love, underscored by Laura’s tender vocals, lush saxophone sounds and and the delicate harp plucks of Marysia Osu. (KC)

WOOM – ‘Circe’
I love this tender track from South-London four-piece vocal ensemble WOOM. “‘Circe’ is a song about being lost and finding your way, echoing the Greek myth of Circe who, despite her banishment, remains a complex symbol of resilience and metamorphosis,” the group explain. Their ethereal harmonies and soft, considered instrumentation make for blissful listening. (KC)

SUMAC & Moor Mother ft. Candice Hoyes – ‘Hard Truth’
Taken from SUMAC & Moor Mother’s debut collaborative album, The Film, ‘Hard Truth’ is a captivating sonic extrapolation of displacement, land and nature. These themes permeate the new record, which is set for release on 25th April. SUMAC and Moor Mother will be performing this work live at Roadburn Festival on the 17th & 19th of April too. Grab a ticket here. (KC)

M(h)aol – ‘DM:AM’
I’m such a big fan of post punk trio M(h)aol, so I was thrilled to see that they’re back with this cutting new single. Lifted from their new album, Something Soft, which is set for release on 16th May via Merge Records, ‘DM:AM’ is a response the the inappropriate behaviour of men who DM women online, then become antagonistic or aggressive when they don’t receive what they deem to be the correct response. The band combine abrasive riffs and direct vocals to dismantle the words and actions of these men, leaving no room for sympathy in the process. I can’t wait to hear their new record in full. (KC)

Tremosphere – ‘Along The Way’
I’m a big fan of this evocative, heady track from New York darkwave, pop-drone duo Tremosphere. It’s lifted from their upcoming fourth album, saturated solace, which is set for release on 16th May via Slugg Records and only available on bandcamp. Speaking on the themes that informed the new record, vocalist and songwriter Sylvia explains: “This album is about the exhaustion of the soul, our constant struggle between darkness and light, and how to live a rich sustainable life, we have to try and find balance everyday.” (KC)

 

Tea Eater – ‘Cecelia’
Featuring members of Gustaf and Sharkmuffin, Brooklyn’s Tea Eater create wonky art-punk with a colourful energy. Taken from the band’s brand new album, latest single ‘Cecelia’ is an ode to that woman everyone loves to moan and gossip about – who without “they wouldn’t have anyone to talk about or project their own dark parts and patterns onto” -, a gloriously fuzzy, riot-grrrl tinged singalong punk anthem from definite new favourites. Watch the DIY video for ‘Cecelia here, and make sure you check out the full album, I Don’t Believe In Bad Luck, now. (ML)

Eilis Frawley – ‘Be A Lady’
Congratulations to GIHE favourite Eilis Frawley, who released her debut album, Fall Forward, earlier this month! We’re such big fans of the Australian-born, Berlin-based drummer and vocalist, so it’s wonderful to see her share an eclectic full-length piece of work on which she covers everything from personal stories, to politics, to her internal monologue. She’ll be playing live in the UK throughout May and June, including a London headline show at The Shacklewell Arms in East London on 1st June. Full tour dates & tickets here. (KC)

Perfume Genius – ‘Clean Heart’
Celebrating the release of his brand new album, long-time fave Perfume Genius has shared this beautiful new single. A poignant reflection on the concept of time being able to heal all wounds, ‘Clean Heart’ flows with a glistening sense of hope as an undercurrent of melancholy shimmers under the surface. With its sparkling musicality propelled by stripped back tribal beats, it builds with a stirring anthemic splendour rippling throughout with Mike Hadreas’ trademark raw emotion. Glory, the new album from Perfume Genius, is out now. (ML)

Neev – ‘I Put It In A Frame’
Having just released her exquisite sophomore album, Scottish artist Neev combines intricate lyrical storytelling with a subtle gritty energy to explore themes of tension, contrast and self-discovery. Latest single ‘I Put It In A Frame’ offers a glistening rumination on the connection between female pain and art; an anthemic slice of alt-folk tinged with an evocative vulnerability. How Things Tie In Knots, the new album from Neev, is out now via Trapped Animal Records. (ML)

Rival Queens – ‘Sun Don’t Shine’
Inspired by her favourite Smashing Pumpkins song, ‘Sun Don’t Shine’ is the second single from Sally-Anne Hickman (Maya Lakhani’s guitarist)’s new solo project Rival Queens. Flowing with scuzzy hooks and the raw emotion of Hickman’s vocals, it gently builds with a fizzing energy to a sparkling reflection on our darker days. A heartfelt rock anthem, created completely independently – Sally-Anne played every single instrument you can hear and even programmed the drums on Garage Band! Rival Queens’ debut EP, Crown and Conquer, is set for release on 27th June, and before that we’re looking forward to catching their first ever live show at Cro Cro Land this Sunday, 6th April. Rival Queens are just one of a ton of faves playing the South London festival over the weekend, including ARXX, Scrounge, Big Joanie, Berries and loads more – and I’ll also be DJing there on the Saturday, so I strongly suggest you nab your tickets now! (ML)

Jane Paknia – ‘Solace’
The latest single from innovative artist Jane Paknia, ‘Solace’ offers a dreamy electronic soundscape, fizzing with a sparkling energy. Inspired by the likes SOPHIE and Caroline Polachek, the track pulsates with glitchy beats alongside the delicate power of Paknia’s rich vocals and shimmering layers of instrumentation. Paknia explains: “I really intended for a crying in the club vibe in this one…to make something so sensitive and also pulsing felt like an accomplishment, an alchemizing of the discomfort I was experiencing.” (ML)

Samira Hills – ‘Romantasy’
The latest single from Shropshire based trans artist Samira Hills, ‘Romantasy’ offers a swirling synth-pop anthem. Combining sparkling melodies with a fierce gritty power, the track reflects on unrealistic romantic ideals with a bold energy. Of the track, Samira explains: “Realising I don’t need a lover to be happy was a euphoric and liberating experience. I want my fans to realise it too. So I wrote this song and unfortunately, we had to kill some Disney princesses in the process.” (ML)

 

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LISTEN: GIHE Live on Soho Radio with Decolonise Fest (11.11.24)

Tash and Kate were broadcasting LIVE from the Soho Radio studio this month, playing plenty of new music tunes from some of their favourite female, non-binary and LGBTQIA+ artists. Mari shared some of her musical musings too.

They were also joined by Ishani (Breakup Haircut) and Moni (Lip Stain) from Decolonise Fest, a DIY collective run by and for punx of colour. They spoke about the origins of the festival, the lineup that they helped to organise earlier this year for the 2024 edition at Signature Brew in East London and the teams’ plans to put on the first Decolonise Fest in Leeds in 2025. They also shared their own stories about why Decolonise Fest and First Timers Fest are both such vital initiatives in the DIY music scene and further afield.

Artists featured on the eclectic playlist include TTSSFU, Softcult, George Riley, Errunhrd, ShyGirl, Penelope Trappes, paun, Rubie, Sheherazaad, Sadie Sabella, afromerm, Queen Of Nothing, Beckon, Gay Skeleton Club, SPIDER, Slung, Buds, Agata Karczewska, Elsa Hewitt and more.

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 9th December from 12-2pm
 Make sure you tune in via www.sohoradiolondon.com

Tracklist
The Julie Ruin – Ha Ha Ha Armageddon
Amyl & The Sniffers – Big Dreams
SASAMI – Call Me Home
TTSSFU – Studio 54
Queen Of Nothing – How Does It Feel
Softcult – Heaven
Tom Rasmussen ft. Romy – Never Look Back
paun – Counterintelligence
George Riley – Sacrifice
Errunhrd – Will you?
Sheherazaad – Khatam
Penelope Trappes – Sleep
SPIDER – Object Of Desire
**Interview with Decolonise Fest**
Buds – Building Blocks
Lilith Ai – McDonald’s Money
Agata Karczewska – Go Ahead
Sadie Sabella – Made For Each Other
Rosie Frater-Taylor – In A Dream
Labyrinthe Oceans – Pinch
Slung – Fire To Burn
Gay Skeleton Club – W3t L3g
Shygirl, Cosha, Club Shy – thicc
Beckon – Skylight
afromerm – reciprocity
Elsa Hewitt – White Mirror
Rubie – To Change
Lady Gaga – Disease

Kate CrudgingtonLeave a comment

PLAYLIST: September 2024

The Get In Her Ears team have put together another mix of indie anthems, alternative & shoegaze sounds, punk bangers, alt-pop tunes and eclectic electronic soundscapes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’ is another seething offering from punks on the rise Lambrini Girls. Following raging singles ‘God’s Country’ and ‘Body Of Mine’, it’s propelled by a fierce racing energy and ferocious sense of urgency, once again cementing Lambrini Girls as a truly formidable force to be reckoned with. Lambrini Girls will be heading off on their biggest headline tour yet next Spring. Tickets and info here.
(Mari Lane – Managing Editor)

Glixen – ‘Sick Silent’
I’m fully crushing on this crushing piece of heavy shoegaze from Arizona-based band Glixen. Vocalist Aislinn Ritchie’s melancholy voice floats over spiralling, intensely distorted riffs, shrouding listeners in a chasm of intoxicating noise. I’m looking forward to hearing the EP Glixen are currently working on with producer Sonny DiPerri (My Bloody Valentine, DIIV)
(Kate Crudgington – Features Editor)

Slung – ‘Neurotic’
Having completely blown us away playing for us at the Sebright Arms earlier this year, grunge-tinged supergroup Slung (featuring members of Sit Down, The Death Of Us and InTechnicolour) have now released their debut single. Building with an ominous tension, ‘Neurotic’ ripples with a haunting energy, finally culminating in an fierce climax of raging catharsis. Of the track, front woman Katie explains: “The song is a series of small moments from my life that have been representative of this more encompassing overall fear of disempowerment and relinquishing control… A recurring dream of being born with superpowers, but then one day, when everyone’s counting on you, your power just disappears and and you have no idea how to bring it back.” (ML)

Bonnie Trash – ‘Kisses Goodbye’
Bonnie Trash – led by Canadian-Italian twin sisters Emmalia and Sarafina Bortolon-Vettor – have amplified their darkened post-punk anthems by inviting their longtime friends Emma Howarth-Withers (bass) and Dana Bellamy (drums) to join their line up. As a four piece, the band are able to double down on the intensity of their sound, which explores shadowy emotions like grief, heartache and loss. It’s these experiences that have shaped Bonnie Trash’s recent EP, My Love Remains the Same, which is out now via one of my favourite labels Hand Drawn Dracula. (KC)

dethcaps – ‘Wave Goodbye’
This track from San Francisco grunge band dethcaps is an intense reflection on depression and suicidal thoughts. By blending their raw, observational lyricism with hazy melodies and swirling riffs, the band hope to inspire connection and empathy when it comes to the complexities of these issues. “It’s not just a song,” the band explain, “it’s a conversation starter and a powerful statement on the realities of mental health.” (KC)

ARXX – ‘Swim’
Written after Hanni came out as non-binary last year, ‘Swim’ is the latest single from total faves ARXX. A song dedicated to empowering trans people with their gender journeys, it offers a swirling euphoric ode to trans joy and being able to be your true self; reminding those currently coming to terms with their gender identity that it does get better. Hanni explains: “The world currently doesn’t feel like a very safe place to be trans, and for that reason a lot of the dialogue around trans issues is really scary and saddening. Those stories are so necessary, but with ‘Swim’ I wanted to take a minute to express the joy that comes with learning yourself and feeling love from your community around you.” I’ve had this song on repeat all week, crying and smiling and just being so grateful that ARXX exist. I can’t wait for their new album, Good Boy, which is out a week today (pre-order here) and I’m super excited to see them live again at Lafayette on 6th November! (ML)

SASAMI – ‘Slugger’
I’m eternally impressed by the way SASAMI can switch between folk, metal and pop music and make it look and sound totally seamless. I had her genre-blending album, SQUEEZE, on repeat when she released it back in 2022, but her recent singles ‘Honeycrash’ and ‘Slugger’ are now becoming new favourites of mine. I’m thrilled that she’s reclaiming pop music in her own way and using it to explore her gender, sexuality and romantic relationships, developing her own sense of self within this process. ‘Slugger’ will feature on her excellently titled new album, Blood On The Silver Screen, which is set for release on 7th March 2025 via Domino. SASAMI will also be in the UK in October playing two headline shows – The Lower Third in London on the 29th and Yes in Manchester on the 30th. (KC)

CATBEAR – ‘Grow Up’
The second single of the year from London-Brighton queer duo Catbear, ‘Grow Up’ offers an ‘80s-tinged synth-pop anthem reflecting on the struggles of being an underachieving millennial. Propelled by sizzling beats and a searing gritty energy, it’s another example of the instantly infectious genre-defying creations that Catbear are able to captivate our ears with. Of the track, they explain: “Plenty of songs are written about being a teenager, even about the progression into early adulthood, but hey, we’re in our 30s now. This is life in England in 2024 for us – maybe some people can relate.” (ML)

Roller Derby – ‘Ready To Forget’
Embodying a sparkling bittersweet mix of joy and melancholy, ‘Ready To Forget’ offers an intimate reflection on coming to terms with the end of a relationship; beautifully interweaving raw textures with the stirring empowering energy of its harmonious choruses. Bringing a fresh energy to the German duo’s ever-evolving sound, I love its swirling, gritty allure. Roller Derby release their debut album on 28th February next year and will be celebrating with a little trip to the UK next May, including dates playing for us in London and Brighton. info & tickets here! (ML)

Georgia Gets By – ‘Split Lip’
‘Split Lip’ is the woozy, intoxicating title track from Georgia Gets By’s recent EP. The solo project of New Zealand artist Georgia Nott, who has spent the last decade fronting electronic pop project BROODS, under her new moniker Notts explores the diverse nature of true intimacy and the sting of rejection, all inspired by the end of her first queer relationship. (KC)

Soft As Snow – ‘Palms’
Berlin-based Soft As Snow are back with a hypnotic blend of experimental trip-hop sounds on their latest single ‘Palms’. Taken from their third album, Metal.wet, which is set for release on 8th November via Beacon Sound, it’s the first taste of what’s to come from this dynamic duo who create ethereal-yet-edgy soundscapes. (KC)

Freak Slug – ‘Spells’
The latest single from Manchester artist Xenya Genovese aka Freak Slug, ‘Spells’ fizzes with a glitchy, quirky energy and sultry allure, offering an instant earworm that’ll have you hooked on first listen. ‘Spells’ is taken from Freak Slug’s upcoming debut album, I Blow Out Big Candles, which is set for release on 8th November via Future Classic. (ML)

Pom Pom Squad – ‘Street Fighter’
Ahead of the release of their new album next month, Pom Pom Squad have now shared a fierce synth-driven new single. Oozing a sizzling energy, it offers a racing slice of pop-punk complete with an infectious tongue-in-cheek sense of fun. (ML)

Urge Surfer – ‘Glass Ceiling’
New York electro-pop duo Urge Surfer released their latest EP, Alphabet Archive, at the end of August, and this track ‘Glass Ceiling’ features on the record. Together, Jordan Smith and Chelsea O’Donnell explore gender dysphoria, their evolving identities and embracing change on their new offering, all underscored by their atmospheric synth textures. (KC)

Dogviolet – ‘Violets’
Although it may seem like Dogviolet have been around for a while now (they actually played their first ever gig for us back in 2022!) they are only now releasing their debut single. And it’s been worth the wait. Oozing a soaring celestial splendour and seething raw emotion, it offers a stirring tale of queer awakening and young love. Dogviolet will celebrating the single’s release with a night of Sapphic joy next Wednesday 2nd October. Limited tickets left on Dice! (ML)

Miya Folick – ‘La Da Da’
The latest single from LA artist Miya Folick, ‘La Da Da’ follows her 2023 album, Roach. Rippling with a raw emotion and twinkling sense of vulnerability, it delves into themes of identity and desire, as it builds with a lilting energy to a beautifully shimmering ballad. Folick reflects: “I was slowing down, saying no, responding when I actually had an answer, and asking for the things I specifically desired rather than the things I thought I was supposed to want.” (ML)

Soccer Mommy – ‘Driver’
Described as a “testament to her spaciness and indecision” this latest single from Nashville indie artist Soccer Mommy is all about embracing your flaws. ‘Driver’ is taken from her upcoming album, Evergreen, which is set for release on 25th October via Loma Vista. Soccer Mommy has mined her innately raw songwriting techniques on her new record to help her move through the lingering effects of personal loss. I’m looking forward to hearing the LP in full. (KC)

Our Girl – ‘What You Told Me’
Having fallen completely in love with their 2018 debut, Stranger Today, I am very happy to hear the news that London trio Our Girl are back and releasing their second album in November. Ahead of the album’s release, and following previous offerings ‘Relief’, ‘Something About Me Being A Woman’ and album title track ‘The Good Kind’, latest single ‘What You Told Me’ reflects on the heartbreak of seeing illness affect someone you love, and the joy that can come in the moments of respite. Propelled by a whirring energy and brit-pop inspired scuzzy hooks, it fizzes with a stirring raw emotion as Soph Nathan’s distinctive vocals ripple with an understated powerful grace, creating a deeply resonant shimmering splendour. The Good Kind, the upcoming album from Our Girl, is set for release on 8th November via Bella Union. Pre-order here. (ML)

Sassyhiya – ‘Boat Called Predator’
Having charmed us playing live for us at both the Shacklewell Arms and Matchstick Piehouse last year, London-based faves Sassyhiya have now announced that their debut album will be released in November. Propelled by a jangly energy and the band’s trademark twinkling lighthearted uplifting charisma, latest single ‘Boat Called Predator’ is named after a boat that Kathy and Helen saw being towed while they were travelling through Scotland. Take You Somewhere, Sassyhiya’s debut album, is due for release on 8th November via Skep Wax Records. (ML)

Fightmilk – ‘That Thing You Did’
The latest single from their upcoming new album No Souvenirs, ‘That Thing You Did’ showcases all there is to love about total faves Fightmilk. Exploring post break-up feelings of trying (and refusing) to forgive and forget, it’s propelled by the band’s trademark scuzzy energy, creating an instantly catchy slice of perfect punk-pop that’s angsty and uplifting in equal measure. No Souvenirs, the upcoming third album from Fightmilk, is out on 15th November via Alcopop! Records. Catch them live on tour to celebrate. I can’t wait to see them that night at Paper Dress Vintage. Tickets and info here. (ML)

NEXT TO NADA – ‘MOTHS’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their latest single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ recent EP, WHINE // MOTHS, a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Split Chain ft. Softcult – ‘(Re)-Extract’
I am obsessed with this heavy collaboration between two of my current favourite bands: Bristol noise merchants Split Chain and Canadian shoegaze duo Softcult. With it’s blistering riffs, crashing percussion, gauzy vocals and screams; it’s pure Gloomy Girl territory and I LOVE it. (KC)

A.A. Williams – ‘SPLINTER’
Currently on her debut tour of the United States, London based heavy songwriter A.A. Williams has shared this potent new lament. ‘Splinter’ masterfully blends Williams’ tentative piano keys with thundering riffs and crashing percussion to create a cathartic four and a half minutes of doom-tinged, atmospheric sound. She will be returning to the UK to appear on the main stage at Damnation, Europe’s largest indoor metal festival, at Manchester’s BEC Arena on 2nd November. (KC)

Divide and Dissolve – ‘Monolithic’
Newly signed to Bella Union, ‘Monolithic’ is the latest single from Divide and Dissolve, the heavy instrumental project of Takiaya Reed. Her haunting saxophone notes collide with a cacophony of cymbal smashes and gargantuan riffs to create a sonic prayer for “systems of liberation, freedom, Indigenous sovereignty and for a Black future.” Reed is set to release a new album in 2025, the heavily anticipated follow-up to Divide and Dissolve’s fourth LP, Systemic, out now via Invada. (KC)

Zamilska ft. husky – ‘Odyssey’
I was excited to see this track by Polish electronic artist Zamilska drop into my inbox earlier this month. Taken from her upcoming album, United Kingdom Of Anxiety, which is set for release on 4th October via Untuned Records (Zamilska’s own label), this track is an intoxicating post-apocalyptic soundscape that totally enraptures the senses. Zamilska will be supporting the inimitable Kim Gordon on her upcoming European tour. Full dates can be found here. (KC)

Bambie Thug – ‘Hex So Heavy’
Described as “a witches siren” and “a warning” to those who have crossed them, I’m hooked on this seething slice of genre-defying noise from Ireland’s Bambie Thug. The artist’s potent desire to reek havoc on those who have underestimated them is personified in the track’s accompanying visuals, which see Bambie take on the form of a foreboding arachnid creature. The artist is currently on the European leg of their ‘Crown The Witch’ tour, supported by devious duo The Darklings for the majority of their dates, with the addition of my older brother’s band – Northampton industrial/electronic project Drownd – for their show in Amsterdam on 8th October! (KC)

Toya Delazy – ‘Eazy’
I was gutted to have missed Toya Delazy’s collaborative performance with GROVE and Taliable when I was at Supersonic Festival in Birmingham last month, but I’m glad this single from the South African Zulu artist dropped into my inbox shortly afterwards. “This song is a story about someone who climbed into their own grave looking for hope,” Delazy explains. “It’s about taking a hard situation and making it work in your favour. Leaving South Africa as a Zulu girl to go to Britain to sing Zulu songs was seen as suicide, given the history we have with the British, but I really believed in the power of collaboration and diversity, even though the world today weaponises our diversity against each other.” I love Delazy’s distinctive vocals, which flow over frenzied beats and glitchy electronics here. (KC)

45AcidBabies – ‘Love Me 10der’
The return of Dutch garage pop-punks 45AcidBabies, ‘Love Me 10der’ sizzles with whirring riffs as the band offer a colourful retaliation to tax authorities and the powers curtailing our rights; an empowering ode to ‘painting the world pink’ and building community. (ML)

SOPHIE ft. Hannah Diamond – ‘Always and Forever’
Late, great producer and trans pioneer SOPHIE’s eponymous new album has been released, and what a joy it is to have it in existence. The posthumous LP showcases just how essential and innovative SOPHIE’s creations were, put together by her brother and longtime producer Benny Long. Featuring Hannah Diamond, single ‘Always and Forever’ was recorded in London during the 2020 lockdowns and turned out to be the last time that she would see her friend SOPHIE. A glistening and heartfelt offering, listening to it you can’t help but feel that SOPHIE is still with us, continuing to influence the pop landscape with her unique spirit and sound. SOPHIE, the posthumous release, is out now via Transgressive and Future Classic. (ML)

Elsa Hewitt – ‘Poiselle’
I’m such a big fan of Elsa Hewitt’s ambient electronic creations. This track is taken from her upcoming album, Dominant Heartstrings, which she will be releasing in the near future. I’m still spinning her previous LP, Chaos Emeralds – but I’m excited to hear more of her wonderful synth and vocal loops on this new record. (KC)

heka x Saint Jude – ‘Swallow’
‘Swallow’ is one serene part of a beautiful collaboration between South London left-field musicians heka and Saint Jude. Released via Slow Dance Records, the cinematic track melts heka’s atmospheric gothic-folk influences into Saint Jude’s gentle, celestial ruminations. You can listen to their equally as captivating companion piece ‘In Your Garden’ here. (KC)

Half Waif – ‘The Museum’
The new single from Nandi Rose aka Half Waif, ‘The Museum’ is taken from her upcoming new album, See You At The Maypole, a stunningly heartfelt collection, written after Rose experienced a devastating miscarriage. Flowing with an effervescent grace, this single offers a stirring reflection on climate catastrophe and the irony of the idea of museums “preserving pieces of furniture in a pristine, white-walled space when outside, everything is collapsing.” See You At The Maypole is set for release on 4th October via ANTI-. (ML)

Dawn Richard & Spencer Zahn – ‘Diets’
Lifted from their upcoming second collaborative album, Quiet In A World Full Of Noise, ‘Diets’ is a dreamy offering from New Orleans R&B singer Dawn Richard and New York composer Spencer Zahn. Throughout the track, Richard draws parallels between cutting out harmful relationships and losing weight, all underscored by Zahn’s tentative and considered keys. Their new record looks set to be a deeply emotive collection of songs, set for release on 4th October via Merge Records. (KC)

Dear Pariah – ‘KOKO’
This is an exquisitely emotional, tender offering from independent artist & former GIHE radio guest Charlie Hinchcliff aka Dear Pariah. ‘Koko’ will feature on her upcoming EP, The Weeper Takes, which is set for release in October by the excellent Trapped Animal Records. The tracks are inspired by Hinchcliff’s ongoing struggle with her chronic illness multisystem Sarcoidosis, her sobriety and the literal weeping that sometimes occurred when she was recording and writing her music. Watch the accompanying video for ‘KOKO’ here and catch Dear Pariah live at St. Pancras Old Church on 1st November. Ticket link here. (KC)

Sephine Llo – ‘Rest With Me’
An ethereal lament for her late husband Robert, this single from multi-instrumentalist Sephine Llo is a remarkably poignant, shape-shifting piece of work. Taken from her upcoming album, Diamond Fall, which is set for release on 25th October – the date of the couples 10th wedding anniversary – the track features samples from a song Robert wrote as a teenager, seamlessly woven into Sephine Llo’s gentle instrumentation and guided by her yearning vocals. (KC)

Gazelle Twin – ‘Two Worlds’ (Keeley Forsyth Ghost Version)
A glitchy, haunting form of musical possession; Keeley Forsyth’s remix of Gazelle Twin’s track ‘Two Worlds’ enhances the shudder inducing atmosphere cultivated by the original offering. Forsyth’s “Ghost” version features on Shadow Dogs, a brand new album of reworkings and reinterpretations of songs from Gazelle Twin’s acclaimed fourth album, Black Dog. The new LP will be released on 18th October via Invada, and features contributions from Gary Numan, Penelope Trappes, BEAK>, Marta Salogni and more of Gazelle Twin’s talented collaborators. (KC)

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PLAYLIST: April 2024

The Get In Her Ears team have put together another eclectic mix of alternative & shoegaze anthems, unusual electronic sounds, indie-folk musings, and alt pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Fraulein – ‘Pruning’
Taken from their upcoming mini album, Sink Or Swim, which is due on the 14th June, ‘Pruning’ is one of my favourite Fräulein tracks to date. It’s a seamless blend of their brooding grunge riffs, bittersweet vocals and bristling beats. The GIHE team are consistently impressed by all that Joni and Karston create, and I especially love the accompanying video to this song, which features Joni dressed as an angel wandering around the streets of London. Watch it here. (Kate Crudgington – Features Editor)

King Hannah – ‘Davey Says’
The latest single from Liverpool duo King Hannah, ‘Davey Says’ flows with a lilting energy as a beautifully fuzzy raw emotion oozes from delicate harmonies. The band poignantly describe the track as “… our attempt at that classic American ‘90s imagery, of coming-of-age nostalgia and romance, of late warm summer nights when the future is draped in front of you.” I first fell in love with King Hannah on hearing their stirring debut ‘Creme Brulee’ back in 2019, and it’s been really wonderful to see all their well-deserved success over the last few years, with second album Big Swimmer set for release on 31st May via City Slang. (Mari Lane – Managing Editor)

Human Interest – ‘Shapeshifting’
With more of a reflective tone than the grunge-fuelled groove of previous singles, the new one from Human Interest showcases the East London band’s impressive songwriting range, as they appear unafraid to share a moment of vulnerability. Reflecting on the different sides of us that we may or may not feel comfortable with from day to day, ‘Shapeshifting’ is propelled by an anthemic raw emotion as Cat and Tyler’s vocals interweave with an exquisite grace. Speaking about the track, they say: “I think it’s hard, when you’re queer, to feel like you’re being truly authentic to yourself. There are so many experiences that happen while growing up that make you hide who you really are. When you spend your formative years doing this, I think it becomes so ingrained in you that you end up as an adult not really knowing where your true self begins and the person you felt you had to be ends.” (ML)

Kynsy – ‘Money’
Having been a fan of Dublin’s Kynsy since she released ‘Cold Blue Light’ back in 2020, I’m chuffed to see her back with this excellent new single. Newly signed to Nice Swan Recordings, ‘Money’ is a gritty indie-infused reflection on “the depths of love, nostalgia…and a mixture of conflicting emotions.” (KC)

Maya Lakhani – ‘Walk Alone’
Having had the honour of having rock powerhouse Maya Lakhani play her first ever gig with us back in 2022, we’re incredibly excited to be hosting her first ever headline show on 17th May at Sebright Arms. Joined by queer grungers Comic Sans and exciting new project of Sit Down’s Katie, Slung, it’s going to be a pretty special night. We saw Maya again recently with an incredible set at Cro Cro Land, and recommend not missing out on this one – nab tickets here (they’re cheaper in advance, and wouldn’t it be wonderful for Maya to sell-out her first headline show!). (ML)

Softcult – ‘One Of The Pack’
Lifted from their upcoming EP, Heaven, which is set for release on 24th May, this track from Canadian sibling duo Softcult is a heady, swirling “inclusionary anthem”. Mercedes and Phoenix Arn-Horn want their fans to know that ‘One Of The Pack’ is their way of saying “that POC, trans women, and non-binary people will always be a welcome and crucial part of our grrrl gang” – it’s a heartening and necessary message, set to their trademark heavy riffs and emotive lyrics. (KC)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen are new to me, but I was instantly hooked on ‘Lust’ – an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. The band are preparing to share their second EP, which will be the follow up to their 2023 debut offering, She Only Said. I can’t wait to hear more from them in the near future. (KC)

Lambrini Girls – ‘Body Of Mine’
Continuing to unapologetically speak their minds and stand up for what they believe in, whilst gaining legendary fans like Sleater Kinney and Iggy Pop along the way, Brighton’s Lambrini Girls have now shared another fierce anthem. Touching on a slightly more personal, but no less important, issue than previous releases, ‘Body Of Mine’ reflects on connecting with your gender identity, as it races with the band’s trademark seething sense of urgency. Of the track, they expand: “Gender is a complex experience… It’s tough to feel that nobody really gets you and it’s also truly quite shit when you don’t really know how to understand yourself either.” Another truly necessary offering, marking Phoebe and Lilly out as a truly formidable force that we need now more than ever. (ML)

Queen Cult – ‘Stop Calling’
Having been truly blown away by Macclesfield-based Queen Cult when they played live for us a couple of years back, it’s great to see the band going from strength to strength with each new release. Born out of the frustration of getting unwanted attention and the way in which people feel entitled to cross boundaries, ‘Stop Calling’ exudes the band’s raging energy and angst-fuelled drive, as they continue to share their queer, politically-charged anthems with a sparkling defiance. Catch Queen Cult live in London at Oslo as part of Luck Juice Festival on 18th May – tickets here. (ML)

Julie Christmas – ‘Supernatural’
Seamlessly switching from a bittersweet yearning vocal in verses, to a cord-ripping scream in the chorus; this visceral new offering from Julie Christmas (Made Out of Babies, Battle of Mice) is as melodic as it is metal. ‘Supernatural’ is lifted from her eagerly anticipated second solo album, the excellently titled Ridiculous and Full of Blood, which is set for release on 14th June via Cult Of Luna’s Red Crk label. (KC)

Charley Stone – ‘Better With You’
With a musical CV too long to list, having played with multiple bands over the years and currently a gigging guitarist with the likes of Sleeper and Desperate Journalist, scene queen Charley Stone is now set to release her own debut solo album next month. Ahead of the album’s release, new single ‘Better With You’ depicts a messy couple on an ill-advised trip to a wedding, and the chaotic energy that ensues; showcasing Stone’s ability to perfectly capture snapshots of the anxiety and disorder of everyday life, it’s a perfectly catchy indie anthem. Here Comes The Actual Band, Charley Stone’s debut album, is set for release on 29th May – keep an eye on bandcamp for its pre-sale this coming Friday (3rd May)! (ML)

BCOS RSNS – ‘Turn It Off’
London’s own trans queer post-punk legends BCOS RSNS will be releasing their self-titled debut album on 22nd May; after years being a key face of the city’s DIY scene, hanging out with all the best bands, front woman Abi has now made her dream of being in one of her own a reality. Showcasing all of BCOS RSNS’ unique wonky charm, latest single ‘Turn It Off’ offers a scuzzy reflection on conspiracy theories and the dire consequences of capitalism. Catch BCOS RSNS live at The Cavendish Arms on 25th May celebrating the album’s release. (ML)

Me Rex – ‘Goodbye Forever’
Total faves Me Rex with their poignant new single ‘Goodbye Forever’. Reflecting on themes of loss and separation, it oozes all the swirling emotion and impassioned cathartic energy that I love so much. I’m such a huge fan of this band, and still think about how wonderful it was having them headline a sold out gig for us last year, and feel very grateful to Phoebe for being a fantastic teacher to me and Kate at the First Timers drum workshop a couple of month’s back – it was so inspiring that I just received some drum sticks for my 38th birthday, and plan on doing a lot more hitting things in future! Needless to say, I can’t wait for the band’s new EP, Smilodon, which is out this Wednesday 1st May. (ML)

MOTHERCANYOUHEARME – ‘Come Round’
The new single from London DIY queer duo MOTHERCANYOUHEARME, ‘Come Round’ reflects on confronting suppressed feelings around sexuality, whilst fizzing with a gloriously woozy musicality. Having first been charmed by the jangly scuzz of their 2020 single ‘Knowing You’, I’m super excited to hear more from Rosie and Georgia with the relatable sentiment and sparkling energy of this new release. (ML)

Wife Patrol – ‘Equinox’
This uplifting single from Indianapolis-based alt-rock trio Wife Patrol is a melodic guitar ode to Spring, and a reminder that change is always on the horizon, even when it may not feel like it at the time. (KC)

Bnny – ‘Something Blue’
Having released their new album, One Million Love Songs, earlier this month, Chicago band Bnny have previously received acclaim from the likes of Rolling Stone and New York Times. Taken from the album, ‘Something Blue’ reflects on the struggle of escaping your past, whilst shimmering with a fuzzy lilting energy and the deep gritty resonance of front person Jessica Viscius’ vocals. (ML)

Our Girl – ‘Relief’
Having fallen completely in love with their 2018 debut, Stranger Today, I am very happy to hear the news that London trio Our Girl are back and releasing their second album later this year on Bella Union. Ahead of the album, new single ‘Relief’ exudes a heartfelt twinkling emotion as scuzzy hooks and the raw emotive splendour of Soph Nathan’s distinctive vocals create a beautifully moving and deeply resonant ode to the queer community. Of the track, Nathan explains: “This is a love song to queer people having a hard time of it. It takes time to unlearn the things we were taught to believe, and to feel wholly proud in the face of people and expectations that are often working against you. This song is about my experience of moving through that, and celebrating how I feel now.” (ML)

Lazy Day – ‘Bright Yellow’
With fans including the likes of Lauren Laverne and Huw Stephens, London based artist Tilly Scantlebury – aka Lazy Day – has now shared a stirring new single to celebrate signing to Brace Yourself Records. Inspired by their studies into Queer American Art for their PhD, ‘Bright Yellow’ oozes a searing emotion as rich vocals ripple alongside a shimmering musicality. Of the meaning behind the track, Scantlebury explains: “At its very best, art can change the way that we see and think and live, acting like a window into another world — which is how I want my music and this song to feel as well.” (ML)

Noga Erez – ‘Vandalist’
GIHE fave Noga Erez is back with ‘Vandalist’, a “musical middle finger” to the hypocrites who have formed incorrect opinions of her, based on false information. The razor-sharp production skills of ROUSSO, Justin Raisen & Erez spotlight her distinctive vocal on the track, as she vents her frustrations with visceral flair. (KC)

Meg Elsier – ‘oldnews’
Lifted from her upcoming debut album, spittake, which is set for release later this year, I love this new track from Nashville-based artist Meg Elsier. Seamlessly blending her clear vocals, potent alt-pop elements and bruising guitar riffs, ‘old news’ is about “the feeling you get when you realize you’ve been telling the same stories over and over to the point that strangers know the punch lines and you’re too scared to risk anything to make new ones.” (KC)

HALIMA – ‘Ways’
Raised between Lagos and London and now based in Brooklyn, HALIMA’s sound is eclectic as the cities she’s resided in. Blending pop, jazz and R&B sensibilities together to create her intoxicating sounds, ‘Ways’ features on her upcoming EP, EXU, which is due on 24th May via Drink Sum Wtr. (KC)

ghost piss – ‘See Ya!!!!!’
A candid, catchy slice of electro-pop from excellently named Portland-based artist ghost piss. This track is lifted from their upcoming album, Dream Girl, which is set for release on 3rd May via Sockhead Records. ‘See Ya!!!!!’ is a potent blend of their bittersweet vocals and playful production, reflecting on their previous unhealthy romantic encounters. (KC)

DEBBY FRIDAY – ‘To The Dancefloor’
Sub Pop signee DEBBY FRIDAY has shared this commanding, genre-blending dance anthem. Accompanied by a SIMS inspired music video, DEBBY’s sultry vocals glide over slick beats and evocative synths on this new offering that will lead you straight to the dancefloor. (KC)

Pride Month Barbie – ‘Effulgent’
This industrial banger from LA-based duo Pride Month Barbie dropped into my inbox and commanded my attention. Formed of solo artists Tyler Holmes and Josephine Shetty, it’s rammed full of chaotic synths and propulsive beats, which the band say are designed to leave you “feeling insecure, horny, and annoyed.” ‘Effulgent’ is lifted the the band’s upcoming debut album, All The Girls In The Room Say ‘Sorry’, which is set for release on 14th June via LA queer/trans label, Get Better Records. (KC)

Venus In Noise – ‘What I Want’
Noise-pop duo Venus In Noise met at a gig in East London in 2019, and formed the band after they went on to see Bikini Kill’s first UK comeback gig a few years later. There’s some strong Le Tigre influences to their buoyant-yet-glitchy sounds, and this single ‘What I Want’ is a perfect example of that. (KC)

Or:la – ‘A Howl’s A Howl’
I love this genre-blending soundscape from Irish producer and DJ Or:la. Inspired by the now-extinct native wolves that used to roam the UK and Ireland, her primal beats and bristling synth textures propel the track forward. ‘A Howl’s A Howl’ is taken from Or:la’s recent EP, Moonlight Crush, out now via fabric’s eponymous label. (KC)

Elsa Hewitt – ‘Legend’
‘Legend’ is the evocative opening track to Chaos Emeralds, the eighth album from electronic artist Elsa Hewitt, which she released earlier this month. The record is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark hypnotic synthetic sounds. The album is equal parts euphoric as it is melancholic, and I have found it to be a soothing tonic for my tired ears recently. (KC)

Seraphina Simone – ‘Blue Eyes’
“‘Blue Eyes’ is about being full-throttle chest-deep in a crush,” explains Seraphina Simone. Much like her recent releases, ‘Better Days’ and ‘Liverpool’, Seraphina has crafted another distinctive alt-pop gem that aches with bittersweet longing. I love it when songwriters transform their BIG feelings into blissful pop sounds, and Seraphina is a real pro at doing just that. (KC)

PostLast – ‘Connect 4’
This is the charming debut single from Irish indie-pop duo PostLast, who are formed of Stephen McHale (BARQ) and GIHE fave Julie Hough (HAVVK). Released via VETA Records, ‘Connect 4’ is a playful extrapolation on the joy that comes from making new friends when you’re an adult, and relishing the early days of this connection. (KC)

La Sécurité – ‘Waiting For Kenny’
Coming over to the UK as part of the annual Québec Spring Showcase, Montreal-based art punks La Sécurité will be performing at The Shacklewell Arms in East London on 8th May. Their off-kilter charm will appeal to fans of The B-52s, E.S.G, Le Tigre and Wet Leg, so grab a (free) ticket if you like the sound of ‘Waiting For Kenny’. (KC)

Das Birthday Girl – ‘Whiskey Sour’
Inspired by the sounds of The Cure and Siouxsie and The Banshees, as well as the immersive synths of John Maus and Gary War, Maltese-born, Berlin-based artist Das Birthday Girl creates emotive electro-pop that’s shrouded in melancholy. This track ‘Whiskey Sour’ is taken from her debut album, Soft and Clear, which she composed and co-produced with a Maltese producer, Jimmy Bartolo. (KC)

Birthday Problem ft. Runah – ‘Daylight’
Another excellent collaboration from Birthday Problem here, featuring guest vocalist Runah. Together, Irish multi-instrumentalists and producers Matt Harris and Rocky O’Reilly have created another slow-building, evocative soundscape on ‘Daylight’, aided by Runah’s beguiling vocals. Released via VETA Records, the track is accompanied by a set of visuals which explore the “essence of fleeting existence”. Watch it here. (KC)

Kee Avil – ‘Gelatin’
Another visceral, eerie blend of brittle synth textures, aching vocals and erratic beats from Montréal-based experimental artist and producer Kee Avil here. ‘Gelatin’ is taken from her upcoming second album, Spine, which is set for release on 3rd May via Constellation. The track is accompanied by a haunting set of visuals which you can watch here. (KC)

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