FIVE FAVOURITES: Francis Of Delirium

Formed of 18 year old songwriter Jana Bahrich and collaborator Chris Hewett, Francis of Delirium create swirling guitar tunes that centre around Bahrich’s personal experiences. The Canadian-American duo recently released their new EP, All Change, via Dalliance Recordings and it’s full of fuzzed up, cathartic guitar sounds.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jana to ask about her “Five Favourites” – five albums that inspired her song-writing techniques. Check out her choices below, and scroll down to listen to Francis Of Delirium’s new EP at the end of this post.

 

1. Nick Drake – Five Leaves Left
I can pinpoint the exact moment I heard ‘River Man’ for the first time. That song is so special, everything about Nick Drake is really special. It legitimately made me feel like my soul was lifting out of my body. His voice, the chord progressions, the string arrangements, everything adds so much. It might’ve affected me so much because it’s this singer-songwriter but it feels presented in a way that is completely new and so grounded in the earth. Both Chris and I have a special love for Nick Drake. We played this kind of brutal show and then came into the studio the next day and watched a Nick Drake documentary so there’s something comforting about him and his music, in particular this whole album.

2. Caroline Polachek – Pang
I think this is just an excellent pop record. The vocal melodies she’s choosing are so angular and unexpected but accompanied with really emotional and lush production. She has such control of her voice. There’s a KEXP session she did that was just her and a piano and I had to keep pausing the video every few seconds because I was so overwhelmed by how insane her voice is. It sounds out of this world.

3. Solange – When I Get Home
As a listener it feels like there’s so much intent with everything Solange does, maybe I’m cheating because there is literally an interlude on the album that says “do nothing without intention”. Both visually and in an auditory sense. She did a performance that was a medley of songs from When I Get Home on Jimmy Fallon and that was really important to me. I love choreography and shows that are big and planned but have a way of maintaining intimacy. I think that’s really hard to pull off. It’s something I think about a lot for our live shows. Obviously venues we play are pretty small, so it feels important to keep a closeness between the performer and the audience but I would like to incorporate something theatrical without alienating the audience so it doesn’t feel like I’m not there with them anymore. To me, Solange achieved that with her performance on Jimmy Fallon and the album is great.

4. The Microphones – The Glow pt.2
Phil Elverum’s music always centres me. It reminds me why I like Chris and I figuring out how to record music on our own and how getting it wrong but it still feeling right and ultimately that being what matters the most is really important. Phil always creates such a wonderful sense of space which makes me feel like I belong in the album he’s making, in particular this one, there’s this sense of home. Whenever I listen to him I want to go and try new recording techniques and try new things, listening to his music is like instant inspiration for me.

5. James Taylor – Greatest Hits
We grew up with a lot of “best of” albums around the house, which I never really realized until a bit recently. We had the R.E.M CD with the hand on it, the Nirvana black album, the wings best of, The Beatles one album so I really grew up on bangers only. Sometimes I want to do these huge ambitious orchestral albums and I still want to make a musical but James Taylor always reminds me, if you have something simple and pure and honest it can be just as arresting as anything else. He makes it seem a lot easier than it is and always reminds me to really check and double check if what I’m adding is serving the song.

Thanks to Jana for sharing her favourites with us! Listen to Francis Of Delirium’s EP below.

Photo Credit: Patricia Marets

Track Of The Day: Aphty Khéa – ‘Pengvibe’

A captivating blend of glitchy beats and hypnotic synth samples, Aphty Khéa has shared her latest single ‘Pengvibe’. Released via her own label Midnite Kanni, the track is an energetic offering inspired by the producer’s activism.

Currently based in Kreuzberg in Berlin, Aphty Khéa is a half Greek, half British artist who combines sonic and visual elements to create her stimulating, exciting electronic music. ‘Pengvibe’ and its accompanying video are a shining example of this. Khéa’s fast-paced editing matches the vivid beats of the track, designed to empower listeners and spread good vibes – or “pengvibes” as she’s accurately dubbed them.

The single initially came to life in a refugee squat in Athens, and the visuals take fans on an intimate journey through the shared experiences of multiple individuals and intertwined friend groups, many of whom met at the squat. It offers a deeply personal perspective on “an ordinary life”, from London house parties and walks through Berlin, to Lahore markets and Kaohsiung dragon boat races.

Watch the nostalgic video for ‘Pengvibe’ below and follow Aphty Khéa on Facebook & Spotify for more updates.

Kate Crudgington
@KCBobCut

Guest Playlist: Sink Ya Teeth

Covid 19 and the necessary restrictions surrounding it have brought about a number of cancellations of music events, including what would have been Get In Her Ears’ very first festival. Taking place this Saturday 18th July, it was set to be a pretty special day, filled with some of our favourite female and non binary artists. Fingers crossed we can finally make it happen next year…

One of the bands set to play was Norwich duo, Maria Uzor and Gemma Cullingford – aka Sink Ya Teeth. Creating their own unique dance-punk soundscapes, they’ve become firm favourites of ours over the last few years, having blown us away with their soaring, sparkling majesty at one of our earliest gigs at The Finsbury.

In the absence of our festival, and any gigs, at the moment, Gemma and Maria have put together a playlist of the songs that have been getting them through lockdown… Have a listen, and make sure you check out their latest album Two now!

Gemma’s Choices:
My song selections are songs by new (to me) bands, or songs that I’ve discovered during lockdown (mainly via playing Scrabble while listening to music!) or RE- discovered – songs that I’d forgotten how good they are.

Automatic – ‘Too Much Money’
Really enjoyed this album!

U-Bahn – ‘Turbulent Love’
Devo-esque greatness. The whole album is great!

Public Practice –  ‘Extra-Ordinary’
My favourite new band discovery via Lockdown. 

Le Tigre – ‘Friendship Station’
Listened to the whole album again for the first time in a long time and it was like “this song is my favourite, no THIS song is my favourite, no THIS song is my favourite…” – you get the jist!

French Vanilla – ‘Suddenly’
Love a bit of post-punk and sax.

This Human Condition – ‘God Kills Another Kitten’ 
A Bristol band that we were introduced to when doing a short interview for Punka/Wig in A Box All Out and Loud programme on Twitch. 

Spandau Ballet – Glow’ (12″ Version)
I’ll let this speak for itself. 

Eddy Grant – ‘Electric Avenue’
Was reminded of this great song by some American friends. Then became a massive ear worm for days on end!

The Bangles – ‘Walk Like an Egyptian’
As soon as I hear this, I wanna dance!

Juniore – ‘Adolescent’
ADORE this song! Perfect.  

A Certain Ratio –  ‘Always in Love’
Their new single from their upcoming album, which we’ve heard and can confirm is amazing!!! And we’re also proudly doing some vocals on a couple of songs on it.

Maria’s Choices:
Just feeling kinda mellow and summery. Enjoying the sunshine, wild flowers, and the slow pace of life. My choices are just a backdrop to that vibe…

Rare Silk – ‘Storm’
Falle Nioke/Ghost Culture – ‘BARKé’
The Style Council – ‘Long Hot Summer’
The Rah Band – ‘Messages From The Stars’
Sylvester – ‘I Need Somebody To Love Tonight’
Carly Simon – ‘Why’
Yasuaki Shimizu – Kakashi’
Jan Hammer Group – ‘Don’t You Know’
Virna Lindt – ‘Underwater Boy’
Lonnie Liston Smith and the Cosmic Echoes – ‘Summer Nights’ 

Listen to the full playlist on Spotify now!

Five Favourites: Bugeye

Having just released their explosive debut album, Ready Steady Bang, GIHE faves Bugeye have fast been building a reputation for their wonderfully unique colourful pizazz, with recent acclaim from the likes of John Kennedy, Amazing Radio and God Is In The TV Zine. And rightly so, the album is like nothing you’ve heard before; a vibrant fusion of disco, punk and everything in-between, all fused together with magnificent energy into a relentlessly riotous and utterly uplifting collection.

We think one of the best ways to get to know a band is by asking what music inspires them or influences their writing. So, we caught up with Angela from Bugeye to find out her “Five Favourites” – five albums that have influenced her writing and Bugeye’s current sound. Check out her choices below, and make sure you listen to the new album asap!

Altered Images – Happy Birthday
I can’t quite remember when I discovered the Scottish band Altered Images. It may have been on one of those punk comp albums, but it was a band that would be one of my main influences for Bugeye’s music. I love the way they blend new wave punk tones with disco, cover dark themes but with upbeat musical accompaniments. It’s certainly what we try to do with Bugeye and although we don’t sound like Altered Images, their album Happy Birthday has been a big influence on my writing style.

Blondie – Parallel Lines
Another incredible band that merges disco and new wave punk in such a
seamless way. I have always been a huge Blondie fan from an early age, and this was one of my dads’ favourite albums. It’s spiky pop in its finest moments and is one of those albums that made me want to pick up a guitar and play. Whenever I need inspiration to write, I listen to Blondie.

Blur – Modern Life Is Rubbish
Probably an unexpected choice but I was rediscovering the beginnings of Brit-Pop before it all went south and this was an album I played a lot. It’s lyrically witty, wise, catchy, dark, light and everything in between. The music is simplistic but smart, and I think it was a great album that perfectly captured a mood, social change and the political climate. We wanted to write something that looked at the world today so surrounding ourselves with important records to inspire us to take a long hard look at the world was key. This was one of those albums.

Kraftwerk – The Man-Machine
Exciting synths and exploring the impact of technology upon humanity,
this album was the perfect atmospheric inspiration for our own writing on this subject. Synths have become such an important part of Bugeye’s sound and what better place to explore possibilities than with the work of Kraftwerk?!

Donna Summer – Best Of
Queen of the dance floor and a big influencer on dance music, Donna Summers’ music is pop, disco, soul and funk. It has a brutal futurism to it with icy electronics pulsing in a dark but fun way. We loved the way she mixed styles and sounds and we wanted to capture some of this with our album. You’ll hear arpeggiators and big disco sounds across our album as a salute to Donna Summer.

Massive thanks to Angela for sharing her Five Favourites!

Ready, Steady, Bang, the new album from Bugeye, is out now via Reckless Yes. Download or buy the CD on Bandcamp, or find one of the few remaining vinyl copies at selected independent record shops.