Track Of The Day: Bait Bag – ‘Safe Word’

A riotous drop-kick to one of the worst years in global history, US riot grrrls Bait Bag have shared their latest single ‘Safe Word’. Full of sardonic lyrics and punk-infused riffs, the track is a vigorous farewell to 2020 and more specifically, to the last four years of tyrannous American politics.

Formed in the summer of 2018 by North Haven Island-based pals Fiona Robins, Claire Donnelly and Courtney Naliboff, Bait Bag are inspired by the sounds of Sleater-Kinney, Blondie and Le Tigre. They’ve channeled their collective energies into new single ‘Safe Word’, a track that encourages listeners to dance and swirl around in the ashes of this “dumpster fire” of a year.

“This is the song to blast at midnight with a glass of champagne and all your friends on Zoom,” the band explain. With its crashing percussion, energetic guitars and relatable lyrics – “Hey man, stop the world I wanna get off!” – it’ll be hard not to bop along with the grrrls as they enthuse about the exhaustion that came with the continuous flow of bad news this year.

With songs intended to “empower and excite, or at least give other frustrated people something to flail around to,” Bait Bag’s latest single is a strong opening track for the soundtrack of 2021.

Listen to ‘Safe Word’ below.

 

Follow Bait Bag on bandcamp, Spotify, Facebook, Twitter & Instagram for more updates.

Kate Crudgington
@KCBobCut

GIHE: Ones To Watch 2021

Whilst 2021 may not be looking too promising in the grand scheme of things at the moment, the array of amazing new music to look forward to is giving us some hope. So many fantastic bands and artists over the last year have been getting us through the nightmare of 2020, and here we’ve selected just a few who’ve made a particularly lasting impression, and who we’re hoping to hear a lot more from over the next twelve months.

Following our Tracks, Albums and Highlights of 2020, here’s our Ones To Watch in 2021…

deep tan
With acclaim from the likes of The Quietus, NME, So Young and BBC 6Music already under their belts, Hackney based trio deep tan have been enchanting our ears this year with their immersive, hypnotic splendour. First capturing our attention with the swirling grace of 2019’s ‘Air’, they continued to cast their majestic spell over us with this year’s ‘deepfake’ – a poignant comment on the worryingly sexist ways the strange internet phenomenon is used in society. Fusing together the cold-wave side of post-punk with their trademark eerily captivating allure and illustrious, swooning French and English vocals, deep tan have already shown their knack for creating utterly bewitching, sonically complex, soundscapes. I expect their dreamy, effervescent charm to continue drawing in more listeners throughout 2021.
Listen to deep tan on Spotify or bandcamp now. 
(Mari Lane: Co-Founder/Managing Editor)

CMAT
I have The Irish Jam radio show to thank for introducing me to CMAT! The pop sensation released some stellar singles throughout 2020, including ‘Another Day (KFC)’ – a bop about crying your drunken heart out in a chicken shop – and ‘I Wanna Be a Cowboy, Baby!’ – a witty, melancholic anthem about struggling with urban isolation. I interviewed her via Zoom earlier this year and she was just a joy to chat with (read the full thing here.) Even though things still look shaky for the music industry in 2021, I reckon CMAT will release more singles that manage to hit the nail on the head, and I hope that she’ll continue to be a stand-up comedian via her Twitter and Instagram accounts too.
Listen to CMAT on Spotify or bandcamp now. 
(Kate Crudgington: Co-Founder/Features Editor)

Amaroun
Having already caught the attention of BBC 6Music and BBC Introducing, Jay Brown – aka Amaroun – spent the first part of 2020 releasing a new single each month. With each single touching on a different theme surrounding life as a queer woman, she has had us hooked on her scintillating alt-pop. From the poignant, swirling power of ‘Rise’ to the gentle romanticism and playful wit of love song ‘Scarlet’, and the grimey groove of latest single ‘Highest Head’ (a collaboration with Jung Mergs), Amaroun never fails to impress with her unique creations – in equal parts soulful and gritty. I can’t get enough of her stirring, effervescent power, and I’m excited to hear what she has in store for us in 2021.
Listen to Amaroun on Spotify or bandcamp now. (ML)

Divide and Dissolve
Formed of Takiaya Reed and Sylvie Nehill, Divide and Dissolve create eerie, thunderous instrumentals designed to rouse their listener’s state of awareness into questioning what it means to be truly free. I was thrilled to see the duo were back releasing new music this year and that their new album Gas Lit – the follow up to 2018’s Abomination – will be released in January 2021. With their dense and intriguing sounds, Divide and Dissolve are instrumental activists who seek to disrupt toxic white supremacy, reclaim indigenous rights and invite others to join their fight. Their elegant, doomy battle cries will be the perfect soundtrack to 2021.
Listen to Divide and Dissolve on Spotify or bandcamp now.
(KC)

Nuha Ruby Ra
With her diverse range of influences, background in art and satire, and the unique style of both her fashion choices and music videos, Nuha Ruby Ra feels at once a familiar composite of acts from the darker end of alt-pop, and something completely fresh. With two singles released earlier this year, Ra has recently dropped what looks to be a breakthrough. ‘Sparky’ is a tale of escapades in a post-punk, dark synth-pop style, the track is her first release on her new label, Brace Yourself Records, and is taken from the forthcoming EP, How to Move. Ra has been a burgeoning, if slightly less prominent artist for sometime, having appeared on stage with a number of indie favourites, including Warmduscher, but the spotlight seems to suit her perfectly. With her latest release having got radio airplay almost from the minute it was released, and a string of tour dates already planned for live return, don’t be surprised to see Nuha Ruby Ra’s name up in lights in 2021.
Listen to Nuha Ruby Ra on Spotify or bandcamp now.
(John McGovern: Contributor)

KIN
Having first charmed our ears when they played their second ever gig for us at The Finsbury back in January 2019, London trio KIN are already receiving plenty of acclaim for their euphoric alt-pop sounds. As evidenced by receiving over 70,000 streams on Spotify for recent bewitching single ‘Sharing Light’ (and nearly that many for other singles ‘L.O.V.E’ and ‘Wander & Lost’), they seem to be quickly rising to success; their alluring majesty providing a soothingly cathartic listen for fans of all genres. Consisting of Grace, Ritu and Adam, KIN have already completely stolen our hearts, both with their exquisite celestial soundscapes and their unwavering dedication to consistently championing fellow females in the industry. I cannot wait to hear more from them in 2021, and I’m quite sure I’m not alone in my excitement!
Listen to Kin on Spotify now.
(ML)

ZAND
Self-proclaimed “ugly pop” star ZAND creates delightfully wicked tunes that take down slut-shamers and whorephobes, whilst revelling in the joyful feeling of not fitting the mould. The Blackpool-based artist has cultivated a defiant sound and image for themselves, mixing their sweet vocals with savage rap verses laid across warped and wonderful electronics. They’ve got a lot to say and I’m looking forward to hearing more from them in 2021.
Listen to Zand on Spotify now.(KC)

King Hannah
Although I did feature King Hannah as One To Watch last year too, I think it’s completely necessary to include them again. Not only does 2020 not really count anyway, but I think it’s fair to say that, with the immediate success of their recently released debut EP Tell Me Your Mind And I’ll Tell You Mine and signing to City Slang Records (also home to Noga Erez, Lampchop and Laura Gibson), King Hannah are now on the cusp of something very, very exciting… I first fell in love with the Liverpool band (thanks to our writer, John!) on hearing their debut single ‘Crème Brûlée’ (which now has over 60,000 streams on Spotify) back in 2019 – its sweeping, ethereal power and majestic musicality completely casting me under its spell on first listen. And now the entirety of the EP remains utterly compelling; with shades of the likes of War On Drugs propelled by the unique melancholic splendour of Hannah Merrick’s vocals, it’s an emotion strewn listen, oozing a stirring, bewitching allure.
Listen to King Hannah on Spotify or bandcamp now. (ML)

CIRCE
London-based dark-pop artist CIRCE had me under her spell from the moment I read that her track ‘Ten Girls’ was inspired by Margaret Atwood’s novel, The Handmaid’s Tale. Her debut EP She’s Made Of Saints is a majestic blend of her bittersweet vocals, cinematic electronics, her feminist awakenings and obsession with the dark side of LA glamour, epitomised by tracks like ‘Dancer’ on which she explores the dangerous allure of Californian cult The Source Family. She’s crafted this mysterious, David Lynch inspired image that fits her sound perfectly too.
Listen to Circe on Spotify or bandcamp now.
(KC)

Ailbhe Reddy
Ireland-based artist Ailbhe Reddy made her debut appearance on the indie circuit in 2016. However, it was 2018’s beautifully poignant single ‘Shame’ which introduced me to Reddy’s sharp songwriting. Having completed the checklist of performing at various UK festivals, Ailbhe Reddy was poised to make the leap across the pond with a slot at SXSW festival before 2020 pressed pause on the live music industry. Despite the setback, Ailbhe Reddy provided the soundtrack of my lockdown 2.0 with her debut album Personal History. An introspective snapshot of everyday emotional turmoils, coupled with a polished production, Personal History is Ailbhe Reddy’s armour to march back into the live music scene in 2021.
Listen to Ailbhe Reddy on Spotify or bandcamp now.
(Nicky Lee-Delisle: Contributor)

New Pagans
Another Irish Jam find! Belfast-based New Pagans’ debut EP Glacial Erratic is an impressive collection of urgent, considered, intensely catchy songs that challenge the norms surrounding relationships, history and gender roles. The band take the best elements of post-punk, grunge and indie rock and transform them into beautifully melodic noise, and this is epitomised on ‘Yellow Room’, the single they released shortly after their EP. They’re currently working on a full length record, so fingers crossed they’ll be able to share that with us in 2021.
Listen to New Pagans on Spotify or bandcamp now.
(KC)

Fräulein
Having only come across Fräulein earlier this year, through seeing them perform a stripped back ‘live’ set for Hanni from ARXX’s Coming Out Staying In festival back in April, I’m already a big fan of the duo’s raw, visceral sound. Oozing a captivating dark energy, this year’s singles ‘Drag Behind’ and ‘Mary’ are propelled by the gritty power of Joni’s raw sweeping vocals, as abrasive, grunge-infused hooks steadily build an increasing tension with the help of Karsten’s immense beats. With shades of the mysterious allure of underrated ’90s band Slint, Fräulein offer a unique, spellbinding majesty. A new favourite, in ‘normal’ times, I’d be booking Fräulein for a gig with us at The Finsbury as soon as possible, but for now I will have to settle for listening to ‘Drag Behind’ on repeat, and dreaming of the day I can witness their dark energy live in a room full of sweaty fans.
Listen to Fräulein on bandcamp now. (ML) 

Track Preview: Chuck SJ – ‘Sink Your Teeth In’

Taken from their upcoming debut album Resist.Recharge.Revolt, set for release in 2021, DIY musician & multi-instrumentalist Chuck SJ has shared a preview of their new single ‘Sink Your Teeth In’. Full of atmospheric guitar riffs, sparse beats and glitchy electronics, the track is an industrial-tinged rumination on the forces that construct, influence and sometimes dismantle our ways of thinking.

Written whilst isolating in a cabin in the woods earlier this year, Chuck taught themselves how to use Logic Pro X and an AKAI MPK mini synth in order to create Resist.Recharge.Revolt. ‘Sink Your Teeth In’ is one of several tracks that show how Chuck’s reliance on solitude and their own musical intuition has given them the space to craft an intriguing exploration of “intimacy, dissociation and the way in which this dystopian digital era manipulates the psyche.”

You can listen to a snippet of ‘Sink Your Teeth In’ below, but make sure you’re following Chuck SJ on Spotify so you can hear the full track when it’s released next week…

 

Follow Chuck SJ on Instagram for more updates.

Artwork: Lisa Rose

Kate Crudgington
@KCBobCut

Introducing Interview: Anna Krantz

Having just released the third single from her latest series New Moon, New Tune, Dublin-based artist Anna Krantz has just released a beautiful new single.

Written on Zoom with friend and co-producer Simon Johnson, ‘The Trouble With Suzie’ flows with twinkling country-inspired melodies and Krantz’ smooth rich vocals, creating a heartfelt shimmering alt-pop gem.

We caught up with Anna to find out more…

Hi Anna, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hi! Thanks for having me. I’m a born and bred Londoner, currently living with my partner in Dublin. I’m really happy to be in Dublin as Irish music was a huge influence for me growing up. So, this is a fun adventure. Although I’ve been quite homesick through lockdown with not being able to travel home as much.

How did you initially decide to start creating music?
It wasn’t really a decision. I sat at a piano when I was eight years old and a song just kind of fell out of me. I’ve been writing ever since. 

Your beautiful new single ‘The Trouble With Suzie’ is out now – can you tell us what it’s all about?
Suzie is a fictional character who represents those unadvisable decisions we all make from time to time. She does the things she knows are bad for her over and over again because they just feel so good!

You’ve been compared to the likes of Suzanne Vega and Fleetwood Mac, but who would you say are your main musical influences?
My main influences change every time I answer because there are so many! However, they always include Carole King, Joni Mitchell, Fleetwood Mac and Van Morrison.

What music scenes are you into – offline and online?
I used to live in Nashville and it’s like a second home to me now. Many of my friends live there, including my best friend Lucie Silvas. I’m always inspired by what’s coming out of Nashville. 

How are you connecting with your audience and other musicians during the pandemic?
 Zoom. Zoom. Zoom.

And how do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
I’d say it’s very difficult until it isn’t, if that makes sense? So many people are releasing music, more than ever before, so the odds of rising to the surface are very low. However, there are also far more ways to be seen these days and sharing music is easier than ever.

As we’re a new music focused site, are there any other upcoming artists that you’d recommend we check out?
YES! How long have you got?! Fancy Hagood (a good friend of mine) has some incredible new music out. His music and his heart move me to tears of joy every time I listen. Check out Kree Harrison too. She has a voice like butter, covered in maple syrup and sprinkled with fairy dust. Really traditional country sound with modern lyrics and relatable sentiments. 

Finally, what does 2021 have in store for you?
First and foremost, a trip home to see my family! What’s more important than that? I’d like to release a full length album next year too. Meanwhile, I have more singles planned for release in the early part of the year.

Massive thanks to Anna for answering our questions! Listen to ‘The Trouble With Suzie’ below: