LISTEN: Daneka – ‘She’s Never Been’

A sultry, R&B infused bedroom-pop tune exploring the mixed emotions surrounding an intense, romantic attraction, Southend-based songwriter Daneka has shared her latest single ‘She’s Never Been’. Full of smooth vocals and yearning lyrics, the track is a mellow but passionate portrait of a woman who wants to be loved and acknowledged for all that she is.

“This song is about a young woman wanting a man who is taken,” Daneka explains. “The song highlights an obsessive and impulsive behaviour of the woman, but also the determination and hunger of a woman who knows what she wants and will stop at nothing to get it.” Through her extended vocals and subtle samples of hushed exhales, Daneka reflects this hunger and longing to be with the one she loves.

“‘She’s Never Been’ also highlights the imperfections of a woman with obvious mental instability,” Daneka continues. “The underlying issue is that this woman has never been ‘the hot one’, or the ‘smart one’, or the ‘sexy one’ either, but just a woman living.” Despite this underlying insecurity, Daneka’s confident voice portrays a woman who is deeply in touch with her emotions and aware of her potential, even if her efforts are directed towards someone who may not acknowledge or deserve them.

Listen to ‘She’s Never Been’ below.

Follow Daneka on Facebook & Spotify.

Kate Crudgington
@KCBobCut

WATCH: Catgod – ‘I’m Dead’ / ‘Killer Whales’

Catgod is a folk-rock project led by Oxford-based sibling duo Robin Christensen-Marriott and Catherine Marriott. ‘I’m  Dead’ / ‘Killer Whales’ is a double A-side release, with both songs inspired by the sea, and taken from Born Again, the band’s upcoming new album.

I’m Dead’ introduces the theme of death and rebirth that is the basis for the forthcoming album. It is sung by Cat, and has an air of ’60s psychedelia, and swirling, ethereal guitars. The song is accompanied by a pastoral video made by band keyboard player Patrick Bolton, placing the band in their everyday and natural surroundings, perfectly capturing the theme –  the mystery of life and nature. An exquisite soundscape that’ll captivate both the eyes and ears with its glistening allure. 

Killer Whales’ is a dream-like, ambient piece sung by Robin, and inspired by his haunting dreams of swimming with those magnificent and terrifying creatures. With an enchanting flute intro by Cat, the strangeness and the atmospherics of the song will hook you from the start. ‘Killer Whales’ is accompanied by a live video that captures the twinkling majesty of the band perfectly. 

What I like about this band is that they are unafraid to mix genres, and the results are both surprising and mesmerising. Judging by these singles, there is much to look forward to from the upcoming album. Both tracks have a spring-time feel featuring beautiful vocal harmonies and multi-layered instrumental palettes which broaden the band’s sound, taking the listener to weird and wonderful places. 

Born Again, the new album from Catgod, is set for release this Spring.

Fi Ni Aicead
@gotnomoniker

Photo Credit: Patrick Bolton

Track Of The Day: daze – ‘yourself’

According to daze, the writing of ‘yourself’ only began towards the end of last year. Mind you, even by the standards of most DIY artists, their recent output verges on the prolific, with this single following two self-released EPs and a single, all since July 2020. Having met in college in 2017, their later releases reflect a second stage for the pair; a shift into dreamy indie-pop, and away from singer-songwriter fare. It’s possible that this recent prolific spree is due in part to lockdown, which probably suits the creative process of a self-described “bedroom pop” act, and daze – who are comprised of duo Daisy and Scott – seem to have mastered the sub-genre even by this early stage of their career.

For starters, ‘yourself’ comes packaged in what, judging by their Bandcamp, is something of a signature style for the duo, with its kawaii-leanings in coloured pencil evoking ’90s tech and kids’ cartoons. That return into youth typifies the best of indie-pop, right back to the Sarah Records days, although the piano loop that whirls through ‘yourself’ arguably has more in common with a house record. Between the piano and the drum machine hits, there’s a little of the pop-dance that dominated the charts some fifteen years ago in the track, but intermixed here is dream-pop guitar that shimmers in layers and layers, gently building with emotion amidst flecks of picked out notes, and echoing around Daisy’s impressively honeyed voice.

With a neat line in richly emotional lyrics, ‘yourself’ tells the story of a friend of Daisy’s, and their struggles with their mental health. “Do you know what I’m on about?”, Daisy sings, “I haven’t seen your colour lately” – a neat nod to the near dayglo imagery of the single’s cover sleeve, with the percussive nature of each line dangled delicately around the lilt of the track’s melody. Loosely structured, the song’s lyrics repeat whilst building with subtle changes, drawing the listener in, before, at the song’s close, they drape over each other and then fade out.

Featuring the pair running in slo-mo towards the camera, in a colour-saturated version of the woods, the self-directed video is oddly reminiscent of Pixies’ ‘Velouria’, although with a somewhat less demented bent and slightly more vintage sportswear. That said, the video shows a couple of people who are creatively in-sync, and happy to deal in an aesthetic that prizes honesty and expression over cool, sleek production values.  And the truth is, that what the band lack in budget, they more than make up for in musical ability. ‘yourself’ belies both the duo’s age, and their origin story, and suggests that while they might soon make it out of the bedroom, staying in has helped them show their colours.

‘yourself’ is out now. Download via bandcamp and listen on Spotify.

John McGovern
@etinsuburbiaego

Video Premiere: GracieSouz – ‘Before, An Apparition’

Following the sweeping sounds of ‘Brian Cox’, and having been charming our ears for sometime as front woman of GIHE faves KIN, Grace Strickland de Souza – aka GracieSouz – has been establishing her reputation over the last few months, with over 200k streams on Spotify, and has now shared a poignant new single.

Propelled by a soaring, haunting majesty, ‘Before, An Apparition’ explores themes of memory, transient moments and perseverance with a glistening, emotion-strewn splendour. As pulsating beats build with an industrial, glitchy energy to a frenzied, cinematic climax, the stirring celestial grace of the vocals create a truly captivating shimmering allure. An exquisite slice of electro-driven brooding alt-pop, this latest offering showcases GracieSouz as an innovative artist on the rise.

‘Before, An Apparition’ is accompanied by a beautifully handcrafted new video offering a stirring visual highlighting the poignancy of the track’s lyrical content and the sweeping majesty of its unique soundscape. Watch the video, for the first time, here:

‘Before, An Apparition’ is out tomorrow 5th March, ahead of the release of GracieSouz’s upcoming EP Better In Space – pre-order here. The track is produced and with additional music by experimental electronic producer Alexander Comana (Miedo Total, Casi Wyn) and mixed and mastered by Nicholas Alexander (Battles, Dead Slow Hoot).

Mari Lane
@marimindles