WATCH: HAWXX – ‘Hologram’

Anthemic choruses collide with dystopian wonderings in this high-energy latest single by London-based metal quartet HAWXX. 

A perfect musical introduction to their upcoming EP You’re Only As Loud As You Shout Right Now, ‘Hologram’ kicks off with a dose of mystical reverb before crashing into hard-hitting drums and spiralling electric riffs. HAWXX’s high-adrenaline vocals veer between classic metal exhilaration and eerie whispers, as the energy builds and builds to plunge back into perfect breakdowns that dance between hazy riffs and punishing bass. Accompanied by a futuristic video drenched in sci-fi glam, the lyrics speak of the menacing future of social media – the dark side to our late-night scrolling habits in search of likes and dopamine hits.

HAWXX explain: “’Hologram’ is a song about the looming dystopia of social media. We curate and self-edit to create well packaged yet hollow versions of ourselves. The entire meaning of identity has shifted. Our relevance and worth depend on numbers and branding. When we are anxious or lonely, we rely on this digital pacifier, this hit of dopamine that has overpowered our human nature. We are the hologram generation.”

At least we have the delights of HAWXX to drag us firmly back into the real world with this electrifying slice of metal.



Leonie Bellini
@teenpeachmovie

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WATCH: Wet Leg – ‘Oh No’

A playful take on the relatable desire to doom-scroll on social media when you find yourself alone with your thoughts, Isle Of Wight duo Wet Leg have shared a new video for their latest single ‘Oh No’. Taken from their upcoming self-titled debut album, which is set for release on 8th April via Domino Records, the video gives fans an opportunity to sing-along to the catchy lyrics as the duo dance around in a uniquely Wet Leg costume.

Formed by Rhian Teasdale and Hester Chambers, Wet Leg began making music together in the summer of 2019 and in the space of two short years, the pair have garnered a loyal and excited following. Their refreshingly laid back attitude, dead-pan humourous lyrics and memorable guitar licks provide their listeners with instant gratification and new single ‘Oh No’ is no exception. The accompanying video, like all Wet Leg videos, was self-directed by the band.

“The footage was shot on the Isle of Wight at the bottom of a chairlift that you can take from the top of the cliff,” Teasdale explains. “The rope costume – made by costume designer Kate Tabor – weighed an absolute tonne and it took three of us to carry it down the cliff to shoot. We’d each grab onto a limb, and after 20 minutes of heavy lifting managed to get it down the steep steps leading to the beach. We’re thinking of starting it up as a work-out class for alternative types.”

“It’s been a pretty wild ride for us these past few months, we never really thought much past actually making music and playing gigs,” Teasdale continues. “It’s quite an odd thing to suddenly open yourself to so much criticism and praise alike. The comments that complete strangers will leave on our videos are so funny and range wildly in sentiment. Although we know it is bad for us to read them and we try to avoid it, sometimes it’s irresistible when you’re on your own; the 3am doom scroll really gets you. For this video, we have obsessively selected our favourite bits from the comments sections across our socials, the good, the bad, the ugly and have repurposed them to make something new – it has been quite cathartic actually.”

Watch the video for ‘Oh No’ below.

Wet Leg UK 2022 In Store Tour Dates
Thursday 7th April – Banquet @ PRYZM
Friday 8th April – Rough Trade East
Saturday 9th April – Resident, Brighton
Sunday 10th April – Rough Trade, Bristol
Monday 11th April – Rough Trade, Nottingham
Tuesday 12th April – HMV, Birmingham

Follow Wet Leg on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Hollie Fernando

Kate Crudgington
@KCBobCut

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FIVE FAVOURITES: Sea Change

Equally as inspired by the club music of LA and Berlin as she is by her quieter coastal surroundings in Kristiansand in Norway, Ellen Sunde aka SEA CHANGE’s sounds ebb and flow with a tranquil, yet deeply primal desire to move through a feeling that sometimes escapes written articulation. Her electronica ripples with emotion, but without every feeling weighty or over-thought, reflecting the way she feels about music in general. She’s set to release her new album, Mutual Dreaming, on 11th February via Shapes Recordings.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with SEA CHANGE to ask about her “Five Favourites” – five songs that have inspired her song-writing techniques and informed her new album. Check out her choices below and scroll down to watch her video for her latest single ‘I Put My Hand Into A Fist’ at the end of this post.

 

1. Aurora Halal – ‘Death Of Real’
Aurora Halal is an amazing techno producer, I’m just totally mesmerized by her productions. This particular track is more mellow, but it’s one of my favorites. I’ve recently been re-watching some videos of her hardware live sets. Wow! A total inspiration. Her music is super sensual and dreamy and has this dark psychedelic and shadowy vibe, and at the same time it’s also danceable. This combination was also something I tried to achieve on my album. She releases on her own label called Mutual Dreaming and, well, guess where I took my album name from? Just a little homage from me there.

2. Lövgren – ‘Power Surge’
Around the time I was producing Mutual Dreaming in my home studio, my friend Lövgren was finishing up his debut album, and his Burial inspired ambient made me realize I wanted to do more ambient textures in my music. I think his combination of hard hitting beats with manipulated vocal samples and textures is amazing. This was the first time I heard his music and I was totally blown away. It’s always really cool to be inspired by friends, it makes you try to reach even higher yourself. This track and the whole album is an amazing hidden gem that more people should listen to.

3. Julee Cruise – ‘Mysteries Of Love’
I was late to the party to watch the last Twin Peaks season, but when I finally did I got this total new fascination for Julee Cruise and her floaty voice over dreamy ambient. So then I had to re-watch Blue Velvet where this song is featured as well. Julee Cruise gives me a very strange and weird vibe – it’s almost too dreamy – I don’t even know how to explain it, but I guess that’s why it works so well cinematically in these films. This song was a very direct inspiration for the tracks ‘Mirages’ and ‘Mutual Dreaming’. I guess I sometimes can be a little afraid of singing too prettily over a beautiful instrumental track. Always a bit afraid of seeming too cute. But on ‘Mirages’ I tried to channel my inner Julee Cruise, and I kind of loved it.

4. Sassy 009 – ‘Okay’
The first time I heard Sassy 009 I was totally compelled by the ethereal feel, combined with her danceable beats. Sunniva who is the producer of Sassy 009 has a really stunning way of making her productions dreamy and experimental, but at the same time there’s several super catchy phrases in each song. It’s like all of them could be the main hook in a completely new track, but instead she spices up her song-writing with it and makes this beautiful forward thinking alternative pop of out of it. When I was looking for a mixer and co-producer for my last album INSIDE I looked everywhere for a person to work with. I tried different things out but didn’t really feel it worked. At that time Sassy 009 was a trio and released their debut EP, and I absolutely loved their vibe. I reached out to their mixer and co-producer and BAM – I found the right person to work with on INSIDE – BAYA and I also worked together on my new album Mutual Dreaming.

5. Haxan Cloak – ‘Excavation (Part 1)’
One thing that I loved about the process of producing my new album was that I felt I had the time to really go deep into learning new production styles. One thing I tried was reproducing tracks that I’m fascinated by, just to learn some new things in the process. This Haxan Cloak song was one of the tracks I tried to reproduce. Since this record came out I’ve been super fascinated by this album and especially this track. How it shifts and turns in the intensity of the production. The combination of the reverb heavy beats together with the heavy side chain makes you feel on edge the whole time. And it’s so dark and compelling that it makes me want to go into the woods and do some witchy rituals. My little copy of this track developed into its own thing and I split in two and it was actually planned to be the first and the last track on my album, but in the end I felt the first one didn’t belong there. But I kept the last part – which is called ‘Rituals’.

Thanks to Sea Change for sharing her favourites with us.

Watch the video for her latest single ‘I Put My Hand Into A Fist’ below.

Follow Sea Change on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo credit: Simen Løvgren

Kate CrudgingtonLeave a comment

Track Of The Day: Maya Lakhani – ‘Nightfall’

An invigorating haunt makes for a sonic thunderstorm in the latest from British-Indian artist, Maya Lakhani. In her highly anticipated third single, ‘Nightfall‘, Maya leads us through a forest of dark sounds at the guidance of her dynamic voice. Displaying an explosive level of capability in bedroom studio production, Lakhani makes her impressive mark.

With instrumentals reminiscent of PJ Harvey and Garbage, ‘Nightfall’ pairs grunge influences with Maya’s captivating and bewitching vocals, channelling inspiration from modern rock vocalists like Evanescence’s Amy Lee or Spiritbox’s Courtney LaPlante. Guitar tracks topped with modest layers of reverb elongate the soundscape and foster a thick, overdriven mix felt in the chest. Energetic yet washy drums perpetuate the urgency of the track and support Maya’s guitar leads in just the right way.

Inspired by bad habits and unexpected dark thoughts, Maya captures her vulnerability by embodying emotional experiences in her lyrics – “I am holding on when night falls, for my life.” With a commitment to endure even the darkest of ventures, ‘Nightfall’ creates its own city of hopeful lights, all from a single bedroom.

Jill Goyeau
@jillybxxn

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