Track Of The Day: Forever Honey – ‘Singing To Let England Shake’

A bittersweet guitar tune about the uncertainty of not knowing where you stand with someone you’re close to, Brooklyn indie band Forever Honey have shared their latest single ‘Singing To Let England Shake’. Taken from their upcoming EP, Could I Come Here Alone, which is set for release on 30th August, the track is a gentle, hazy lament to the frustrated hours spent wondering what went wrong, and the more hopeful moments that follow these sometimes uncomfortable realisations.

Formed of longtime friends Liv Price, Aida Mekonnen, Steve Vannelli and Jack McLoughlin, Forever Honey have been working on their catchy brand of “sob-rock” over the past few years, in between “filming Trailer Park Boys-esque skits and fostering dogs.” Over the next few months, the band will be sharing tracks from their self-recorded, produced, and engineered new EP, with single ‘Singing To Let England Shake’ being the first offering form the record.

“‘Singing To Let England Shake'” is about feeling profoundly misunderstood by someone important to you, the isolation that comes from this realization, and the desire to feel a lightness again after something so painful,” guitarist Aida Mekonnen explains. “There’s something uniquely frustrating about being misinterpreted, and I think it creates an instant distance between you and the person you used to connect with.” Informed by the band’s own experiences, this single and the tracks that form Could I Come Here Alone will strike a cord with anyone who needs reassurance after a period of loneliness of disconnection.

Listen to ‘Singing To Let England Shake’ below.

Follow Forever Honey on YouTube, Spotify, Twitter, Instagram & Facebook

Photo Credit: Rita Iovine

Kate Crudgington
@KCBobCut

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Introducing Interview: Raindear

Having previously charmed our ears with the ethereal grace of 2019’s album Skies To My Name, Swedish artist Raindear has returned with an emotive new single. Reflecting on the theme of self-renewal, ‘Howl’ flows with a swirling majestic splendour, as Raindear’s rich, soulful vocals soar alongside glitchy hooks with a driving, impassioned energy.

To celebrate the release of the new single, we caught up with Raindear to find out what inspires her, her honest opinion on the music industry today and her plans for the next few months. Have a read, and the watch the beautiful new live video for ‘Howl’ at the bottom of this feature!

Hi Raindear! Welcome to Get In Her Ears! Can you tell us a bit about yourself? 
I’m a Swedish artist and producer mostly known for making monumental and majestic art pop. I’m a sucker for beautiful and unique melodies, and I also love tasty things and to take a little swim. 

Are you able to tell us a bit about how and why you initially started creating music? 
I have always created things. I guess it’s just a natural instinct for people like me. Some people need to create or else they will not feel that anything is meaningful at all. I was also born in a family of professional musicians, so making music was just a normal thing that everyone did. I never had to “discover” it on my own and for that I’m very grateful. 

I love your glitchy, soulful sounds, but who would you say are your main musical influences?
Thank you! That’s a tricky one. I guess Kate Bush would be one of my main ones through the years. I’ve always listened to her, long before she went viral recently. I’ve also grown up with jazz and impressionism (classical music), so I love that too. Other than that I think influences work in mysterious ways. I get influenced by pretty much everything around me – everything I experience goes through my filter and some things stick with me better than other things. I think when music is your whole life it’s hard to pick specific influences since you get influenced every day by just staying alive; you interpret everything you experience through your musical lens and it’s always possible to make something out of it because art is life and life is art. 

You’ve recently released your latest single ‘Howl’. Are you able to tell us a bit about the single? Are there any particular themes running throughout it?
It’s about massive subconscious feelings that every now and then explode out of my chest. I’ve struggled with many kinds of emotions the last couple of years – ‘Howl’ came out of that and made me feel better briefly. 

How do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of female and queer/LGBTQ+  artists?
I’ve tried to stay positive for so long but I don’t want to fake it anymore, now I want to be real for once. This industry is just incredibly unreasonable, I actually wouldn’t recommend it to anyone. And don’t even get me started on how the industry looks specifically for female and queer/LGBTQ+ artists. Sometimes labels etc pretend that they care about equality, but they definitely don’t. At least not the ones that sit on the money. They care about money and nothing else. Sorry for not bringing too much hope to the table…!

You’re now based in Stockholm – how is the music scene there? Do you feel that the live music community there has fully recovered since the pandemic? 
I think the Stockholm scene is very boring and mostly focused on mainstream pop. I don’t know if the live music scene is fully recovered. In some ways I feel like it is recovered – at least people are excited and out to gigs again. At the same time, the whole system is so broken and the noise is insane. It’s probably harder for the independent ones to get back into some some kind of normality right now. 

And what can fans expect from a Raindear live show? 
Heavy and colourful stuff in every possible way!

As we’re a new music focused site, are there any other upcoming artists or bands you’re loving right now that you’d recommend we check out?
My friend Bonander is insanely talented and makes very cool music. 

What does the rest of the year have in store for Raindear?
I’m performing at Rough Trade East on August 31st – come!! I’m also releasing a second single in August. And performing in Montreal in Canada October.

Massive thanks to Raindear for answering our questions! Watch the beautiful new live video for ‘Howl’ here:

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Track Of The Day: Maria Uzor – ‘Winner’ (feat. Emily Winng)

Following last year’s epic debut EP, Innocence and Worldliness, and having captivated us with the euphoric energy of her live show, Maria Uzor (of Sink Ya Teeth) has now shared another taster of her innovative solo material.

Originally released as a vinyl only B-side to ‘Permission’ on Heaven’s Lathe in March this year, ‘Winner‘ was written by Uzor in little more than 24 hours and features her good friend Emily Winng on vocal duties. Building with propulsive, immersive beats and a frenzied, whirring splendour, a swirling, glitchy soundscape is created oozing a dark, deep house allure and thumping techno energy. Racing with a frantic delirium, the track climaxes with the addition of Winng’s rich, soulful vocals, soaring with shades of the danceable drive of Moloko as gritty undertones swell beneath the surface. A majestic summer anthem for all those who like a bit of electro scuzz with their sunshine.

‘Winner’ is accompanied by an entertaining home-made video. With the concept conceived by Winng, and shot by Joel Benjamin, it plays on the meaning of the song title – depicting a mysterious bloody brawl between two friends. Of the video, Winng explains:

“Because of the song title, I thought a fight that continues to different locations throughout the duration could work. Maria and I have been friends for years so it felt totally comfortable getting down and dirty. She’s tough though!”

Uzor adds:

“It was so much fun filming the video… Inspiration came from all over the place; old kung fu flicks, Zombie B-movies, Street-fighter, Adam & The Ants, and definitely a bit of Prison Cell Block H in there too…”


‘Winner’ is out now. And you can get your hands on a limited edition 7″ lathe cut vinyl here.

Mari Lane
@marimindles

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Music Production For Women – Free Networking Event and Masterclasses in London on 16th July

If you are a woman, non-binary or gender non-conforming musician who is keen to learn more about how to produce your own music and meet other people who can share their skills with you, then you should register for a free ticket for Music Production For Women’s upcoming event on 16th July at the University of Westminster in London.

The event, titled “Master Your Music – Live”, will feature sessions with MPG award-winning producer Charlie Deakin-Davies, Ableton Certified trainer and Youtuber LNA, MPW’s award-winning founder and CEO Xylo Aria and more. The day will run from 10am to 4:30pm and will feature 7 in-person workshops on a variety of topics that many independent artists today need to know such as the basics of music production, sound-design and mixing, as well as music marketing, PR and songwriting workflow.

“I’m hoping we can inspire any attendees who may have wanted to produce but felt intimidated by it, to take their first steps in the field”, explains Music Production For Women’s founder Xylo. “I know having an event like this available when I first started would have made production feel a lot more accessible to me!”

Backed by Sonnox, Distrokid, Ableton, Session and Songtrust, the event will be free for anyone who register for a ticket in advance – which you can do by clicking the link below.

Register for your FREE ticket here: http://musicproductionforwomen.com/master-your-music

 

Follow Music Production For Women on:
Twitter, Instagram, Facebook, YouTube and their Official Website

 

More information about Music Production For Women (MPW)
Music Production For Women is an organisation that began three and a half years ago, and has since been included on the Top 50 Innovators of East London list in 2020 and earned founder Xylo Aria a place on the She Said So Alt Power List. It has run workshops and courses to over 6,000 musicians from over 120 countries and continues to grow steadily.

The organisation was created with the aim of empowering women in music technology and prides itself on not only providing practical and actionable educational content, but also on harbouring a safe and encouraging space to learn in.

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