The debut release from transgender black metal project Daughter, ‘Arise, Daughters of Marsha’ is a battle cry summoning the global community to stand up for trans rights. The track begins with a scream that acts as Daughter’s mission statement, not just with this single but the full upcoming EP. Vocalist and songwriter “Deadname” aims to channel the trauma of the trans experience in contemporary society through the brutal, aching sound of black metal.
The lyrics are delivered in a guttural scream that feels like it has been ripped violently from her throat. Shrieking guitars and rapid drums echo the feeling in the vocals, without compromising on the absorbing quality of the beat or the melodic riffs. An almost military-sounding rhythm adds a looming sense of dread to the track, compounded by the ominous wailing stings.
In this song, Deadname allows herself to cast aside the composure with which she, as a trans woman, is expected to carry herself with at all times in public; to act as a representative of her community against the vitriol of transphobic commentators. Instead, this track is raw and honest and seethes with the pain and rage that come as an extremely understandable reaction to the treatment of trans people right now, as news stories of transphobic attacks are increasingly, tragically frequent.
Savage riffs and blasting beats ramp up to a churning storm of music, until it ends by sampling some massively poignant lines from Sylvia Rivera’s ‘Y’all Better Quiet Down‘ speech from 1973, in which she exposes the hypocrisy of trans-exclusionary queer people. She reminds the world how much abuse trans women have historically faced when standing up for queer liberation only to be shunned by other members of their own community. “You all treat me this way? What the fuck’s wrong with you all?” The fact that these words are still so powerfully relevant more than fifty years later, with “charities” claiming to support the queer community but explicitly and unashamedly excluding trans people, gives this track a sucker-punch finish that leaves you unable to ignore the importance of the conversation Daughter generates with this poignant and necessary debut.
Kirstie Summers
@ActuallyKurt
Get In Her Ears 
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