Having been wowing crowds playing guitar live with the legendary Shania Twain in the UK over the last couple of months, singer-songwriter Lindsay Ell is also a renowned artist in her own right. Not only did she win ‘Single Of The Year’ at the Canadian Country Music Awards last year for the twinkling emotion of last year’s catchy ‘Right On Time’, but – following playing with Shania’s band at BST Hyde Park a couple of weeks ago – she also sold out Omeara in London the following day for her own show.
We caught up with Lindsay to find out more about the experience of playing with her hero, what inspires her, being a woman in the music industry today, and more. Have a read and then listen to the awesome playlist that Lindsay has put together for us, of some of her favourite contemporary country artists!
Are you able to tell us a little bit about what initially got you into music, and playing the guitar?
I grew up in a really musical family – my parents and grandparents all played instruments, and my brother and I started playing piano when we were six years old. By the time I was eight years old, I thought the guitar was a lot cooler, so I asked my dad to start showing me a few things on it. The first guitar riff he taught me was ‘Stairway to Heaven’. After that, I never looked back!
I just saw you playing with the legendary Shania Twain at BST Hyde Park on Sunday – you were incredible! And it was so lovely to see all the band members so in sync with each other and having such a great time on stage! It must have been such an amazing experience – how was it for you?
BST Hyde Park was one of the most memorable shows I’ve ever played, and also my favourite with Shania so far; Hyde Park seemed like the perfect ending to such a legendary run (getting to play Glastonbury as well!). There is something about that stage that makes a show feel larger than life and the energy in the heart of London is something that’s hard to describe in words. Shania has been the most wonderful human, welcoming me so brilliantly on her stage each night. I’m honoured to have been a part of her world this year.
And how did the opportunity to play with Shania come up for you? Had you previously been a fan?
To say I’ve been a fan of Shania would probably be the understatement of the century. Shania is the reason I started singing when I was a little girl. It’s crazy to think the song that made me fall in love with Shania, ‘No One Needs To Know’, is now a song I get to play on stage with her every night. Life is truly wild and surprising in those full circle moments. I toured with Shania last year on the Queen Of Me tour, which was so incredible! Then, at the beginning of this year, when I got the call to see if I wanted to come out and play guitar for her, the offer was one I couldn’t resist!
As well as playing with legends like Shania Twain and artists like Maren Morris, you’re also a solo artist in your own right and write fantastic country-pop anthems – I love the catchy hooks and emotion-strewn power of songs like ‘How Good’! What are the main things you tend to draw inspiration from when writing songs?
I want to write songs from an honest place, because I think the more honest a song is, the better chance it has to connecting with someone else. I feel that we’re all fighting similar battles on opposites sides of the same war sometimes, so usually I tend to pull inspiration from my own life, or from stories I’ve heard friends tell me. As long as I can connect to it in some way, I can write a song about it.
And you’ve also just played a sold-out show at London’s Omeara, which I was sorry to miss! How was that for you? Was it the first time you’ve played in London?
My sold out show at the Omeara was so incredible. This is probably the tenth time I’ve played London, but I’m always so happy to be back and see the best fans on the planet! I felt so loved as they sang all the words to b-sides off my last couple records, and I was able to preview some brand new songs for them. Overall, it was such a great night.
You won ‘single of the year’ at the CCMAs last year for your song ‘Right On Time’, which is so fantastic – big congratulations! How does it feel being classed as a ‘country’ artist, and how much would you say you’re influenced by and fit into the genre generally?
Winning ‘single of the year’ at the CCMAs for ‘Right On Time’ was such an incredible night. Most of the time I don’t really see myself as country, and to be honest have been told so many times that I’m “not country enough” for the genre. I grew up loving songwriters like Joni Mitchell, Carole King and Shania, and since I started writing music, my goal has been to create the most honest songs I can. When I moved to Nashville fifteen years ago, and got offered a deal from a country record label, I just figured that my music could cross over to many genres, and – because of the messages in my songs – I felt like country fans could relate. I’m so grateful for all of the amazing fans that I’ve met through country music, but if I were being honest, I don’t know if I’ve ever truly ‘fit’ into the genre. At the end of the day though, I don’t think fans care if they’re listening to a “country” song or a “pop” song, or a “rock” song, I think people just like to listen to the music they like to listen to. So at this point in my career, I see myself as more of a singer-songwriter than classified as a country artist, and truly, I just hope that I can keep making music that feels honest; that people want to listen to.
Are there any other contemporary country artists that you’d recommend we check out?
I am very excited for the genre of country music, and the wider tent it’s casting with artists like Noah Kahan and Zach Bryan. It’s really inspiring to see artists like Kacey Musgraves being true to herself and her sound, and letting it evolve compared to letting a genre tell her where she needs to go. I’m a huge fan of her latest record, Deeper Well.
As we’re an organisation that focuses on promoting women and queer folk in new music, how would you say the industry is for them at the moment? And how has your experience been in what can often seem like a male dominated environment?
Thank you so much for all you do for women and the queer community! I will say that I think the industry is better now than it’s ever been in supporting these minorities. However, we still have a long way to go. The ratios are still very uneven, and although there doesn’t seem to be a linear solution to the problem, I think the best thing that women and queer artists can do is keep releasing great music.
And do you have any advice for young women who might want to get into making music right now?
If you’re wanting to make music right now, I think the most important thing to figure out is who you are and what you want to say: why now? Anyone can sit in their bedroom today, write a song, and release it hours later… But you have to think, why should anyone care? When you can distill what you want to do down to a few sentences, I think the path on what you need to do and where you need to focus becomes really clear. It should all revert back to your reasons why.
Massive thanks to Lindsay for answering our questions! Have a listen the awesome playlist that she put together of some of her favourite contemporary country artists here.
Get In Her Ears 
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