Track Of The Day: Francis of Delirium – ‘The Funhouse’

“This is a call to arms” sings Jana Bahrich aka Francis Of Delirium in the opening to her latest single ‘The Funhouse’, instantly commanding listeners with her grungy riffs and clear vocals. A reflection on the manic and disorientating mindset that’s been accepted as “the new normal” over the past few years, Bahrich’s track is a cathartic rush of angst that questions what’s “left to believe” in such an overwhelming world.

“’The Funhouse’ is largely about how we are adapting to the chaos that is present in our everyday lives,” Bahrich explains about her new single. “The way it can feel that the world is crashing down around us and in order to protect ourselves, we become numb to the sheer terror of it all. Sort of like walking through a funhouse and attempting to remain un-phased by the mayhem that surrounds you.”

Through her frantic riffs, urgent vocals and conflicted lyrics, Bahrich explores the strange mix of apathy, adrenaline and dread that we’ve all been ricocheting between since the Covid-19 pandemic hit in 2020. The track is accompanied by a self-directed video, with its fast-paced editing and flashing lights reflecting the chaos she sings of. Despite its uneasy context, ‘The Funhouse’ is a powerful dose of riotous guitar music that breaks down the remnants of underlying anxiety that originally fuelled it.

Watch the video for ‘The Funhouse’ below.

Follow Francis Of Delirium on bandcamp, Spotify, Facebook, Twitter & Instagram

Francis of Delirium will play their first-ever North American tour supporting The Districts this spring.

Photo Credit: Pit Reding
 
Kate Crudgington
@KCBobCut

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Track Of The Day: Maria BC – ‘Good Before’

An atmospheric rumination inspired by the joy you can find in a moment of spontaneity, Maria BC has shared their latest single ‘Good Before’. Taken from their debut album Hyaline, which is set for release on 27th May via Fear Of Missing Out records in the UK, the track is an uplifting, ambient offering that sees the songwriter embrace a sudden influx of new inspiration.

Following on from their dreamy debut EP Devil’s Rain (2021), on Hylaine, Maria BC has created another tender collection of songs that “Let the world wash over you…rather than trying to pin it to one single thing.” This immersive quality was captured beautifully on previous single ‘The Only Thing’ but ‘Good Before’ filters these tendencies through a slightly poppier lens, whilst retaining their soothing vocals and tentative guitar picks.

“I wrote ‘Good Before’ in 2019, before any of the other songs on Hyaline — and before any of the songs on Devil’s Rain, for that matter,” Maria explains. “I put it away for a while because I thought it was too poppy, but eventually I got over that. Now it holds a special place in my heart. Some of the lyrics came to me on the highway, when the sun was starting to rise, and I was running on no sleep, just Dunkin’. It’s unusual for lyrics to come to me ~in the wild~ like this. I like to block out time to sit in a spot and write. That’s just my style. When inspiration comes to me out of nowhere, I’m immensely grateful.”

Listen to ‘Good Before’ below.

Follow Maria BC on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Ulysses Ortega

Kate Crudgington
@KCBobCut

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LIVE: A.A. Williams – Lafayette, London 04.03.22

After two years of re-scheduling show dates and a tentative return to live music across the UK, London-based songwriter A.A. Williams delivered a stunning performance that showcased her heavy sound in all its glory at Lafayette last night.

A classically trained multi-instrumentalist, Williams’ blending of post-rock and post-classical elements has a hypnotising quality, one that was clearly appreciated by her silent crowd. It’s rare to hear a venue so quiet between songs, but Williams congregation remained devotedly still throughout her set.

Performing songs from her debut album Forever Blue, which she released in 2020, Williams opened the show with an exquisite rendition of ‘All I Asked For (Was To End It All)’. Her soft vocals floated above beguiling keys before heavy riffs and percussion broke the spell and dominated the track’s closing minute. What’s obvious throughout the set is Williams’ and her bandmate’s impressive instinct for volume fluctuation. Her balancing between loud and quiet is the lifeblood of Forever Blue, and it’s something that translates beautifully into a live setting.

Suited in black and playing her guitar in the spotlight, Williams cut a calm and captivating figure, enhanced by her ability to switch from a fragile-sounding exhale of words to a powerful extended vocal. Her voice was occasionally lost in the flood of heavy, feverish sound, but in the moments where it did cut through, it made for intense and cathartic listening, effortlessly elevating the rapturous mood.

It’s hard to pick standout tracks from the set, as Williams’ performance had a whole, defined, cinematic quality to it. Her poignant renditions of ‘Dirt’, ‘Fearless’ and the emotionally raw ‘I’m Fine’ made listeners hold their collective breath, but closing her set with ‘Melt’ was undoubtedly a highlight. The smouldering, brooding track was stripped of its more melancholic feel once the blitz-like volume change kicked in, once again displaying Williams’ and her bandmate’s instincts for intricately cauterizing the ear drums.

Taking time to thank her fans between songs and genuinely appreciative of their applause at the end of the show, A.A. Williams provided an aural tonic of intense, beautifully executed sound at Lafayette, proving that the two year wait to hear her poetic ruminations on Forever Blue was well and truly worth it.

Follow A.A. Williams on bandcamp, Spotify, Instagram, Twitter & Facebook

Kate Crudgington
@KCBobCut

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Track Of The Day: Prima Queen – ‘Invisible Hand’

A melancholy, but cathartic indie tune that gently explores the raw and un-nerving nature of depression, London-based band Prima Queen have shared their latest single ‘Invisible Hand’. Released via Nice Swan Recordings and produced by The Big Moon, best friends Louise Macphail and Kristin McFadden tenderly muse about the metaphorical hands that feel as if they’re dragging you down during periods of poor mental health via their swirling guitar sounds, candid lyrics and soft vocals.

Following on from their previous single ‘Chew My Cheeks‘, also produced by The Big Moon, on ‘Invisible Hand’ Prima Queen articulate a difficult but relatable emotional state with grace and humility. “The song was written at a time when I was struggling with my mental health,” the band explain. “It’s about the experience of blaming yourself for your lows and the exhaustion that comes with trying everything in your power to feel better. Depression is never your fault or your choice – it’s this outside force that isn’t you”

Moving through the motions with impressive elegance and composure, despite the sensitive nature of the track’s lyrics, Prima Queen have crafted a comforting tune that’s both poignant and easy on the ears. They allow listener’s a moment to acknowledge the difficulties of living with depression, without draining their energy or clawing at their mental health, like the ‘Invisible Hands’ the duo sing of throughout the track.

You can catch Prima Queen live supporting Wet Leg and Dream Wife on a handful of their upcoming UK tour dates, and at The Great Escape Festival in Brighton in May.

Listen to ‘Invisible Hand’ below.

Follow Prima Queen on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

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