Track Of The Day: Zahra Haji Fath Ali Tehrani – ‘They Say’

An intuitive wish for peace of mind for her self and for her son, musician & producer Zahra Haji Fath Ali Tehrani has shared her new single ‘They Say’. Full of hypnotic steel pan drums and body percussion inspired by a type of Persian prayer, the track is a meditative reflection on connecting maternal instincts to protect with the universal energies of love and survival.

Informed by her recovery from trauma and her hard won emotional resilience, ‘They Say’ is Zahra’s way of coming to terms with her difficult past and finding light in the darkness. Repeating the reassuring mantra of ““It’ll pass they say / time heals they say” in her lyrics, she gives the sentiment space to reverberate gently within listener’s heads, helping them to slow down and become present too.

The track is accompanied by a celestial set of visuals featuring Zahra and directed by Nia Fekri. Inspired by Celtic folkore, the power of the moon and the ebb and flow of water, the video shows Zahra moving amongst these elements, mirroring the unexpected depth of emotions, both positive and negative, that she encountered on her journey to recovery. Flowing with good intentions, ‘They Say’ is a tender, positive affirmation of personal strength.

Watch the video for ‘They Say’ below.

Follow Zahra Haji Fath Ali Tehrani on Spotify, Twitter, Instagram & Facebook

Photo Credit: Dawn Parsonage

Kate Crudgington
@KCBobCut

Introducing Interview: O Hell

After years spent touring and recording music in alternative bands around the UK, Lucy Sheehan is venturing into fresh sonic territory under their new moniker O Hell. Influenced by a love of eclectic, brooding soundscapes and aspirations for pure self-autonomy, their debut single ‘Down’ is an “exercise in refusing compromise” brimming with Sheehan’s distinctive vocals and jagged electronics.

We caught up with O Hell to talk about what inspired their new sound, the context behind the accompanying video for ‘Down’ and the music that initially inspired the project…

Hello Lucy! We’re big fans of your new single ‘Down’. You said you were inspired by the sounds of early 00s albums by Mark Lanegan, PJ Harvey & Radiohead when you started your new project O Hell. What is it about these artists that helped you to shape your sound?

I’d been thinking of doing an electronic project for a few years, because the idea of stripping writing back to a beat and a melody really appealed – that’s mostly what I care about in a song anyway – but I couldn’t really see my way into it sonically; how to get the things I love about sound, the kind of looseness and grit you get from humans playing and singing together, into it. I couldn’t hear what it would sound like.

I think when I heard ‘Methamphetamine Blues’ by Mark Lanegan and ‘My Beautiful Leah’ by PJ Harvey, where the arrangements are kind of as loose around the drum machines as they would be with a band, it felt like a way in. I also just hadn’t heard voices like PJ and Lanegan’s, two people with the most fucking raw, real voices on the planet, singing in that context before.

At the same time I got really inspired by Christine & the Queens’ recent EP, La Vita Nuova. it’s all bass, pads, doubled vocals and harmonies – no filling, just the strength of the beat and melody. That sound really informed how I wrote for a long time.

Talk to us about your debut single ‘Down’. What inspired the lyrics, how did you put the track together?

I wrote ‘Down’ a couple of years ago, it was the first song I wrote for the project and it came out almost fully formed, start to finish, in one session on my computer. I kind of thought, I’m gonna kick this around the studio ’til it sounds like something I want to release. Which is what I did basically, I kicked it around with a bunch of mates – all brilliant musicians, engineers and producers – until it was everything I wanted.

Lyrically, ‘Down’ is a reminder for me that as bad as things get, I’m still going where I want to, even if it feels like I’m running with a broken leg. In that sense it’s a song for me. That’s something I really care about for this project, that the music is totally for me first. I love collaborating and I love being in a band and moving something forward together in a big evolving mass, where everyone get’s to go “that’s awesome” or “that’s awful kill it,” that’s exciting. But this is about not questioning what comes out and letting the music be what it is, I want to be a bit punk about it and be like “that’s what came up today, take it or leave it.”

That’s a great way to approach things. Talk me through the concept behind the accompanying video for ‘Down’ which were shot by Avacado Baby.

I wanted to veer between bare monochrome and total excess, between that feeling of disengaging, of slipping into yourself and looking less and less at the world and that ecstatic adoration for life and survival. ‘Down’ is about experiencing both and trying to hold on to the latter. The video had to echo that I think.

Are you planning to play any O Hell live shows in the future?

Yes, but I want them to be an experience, sonically and visually. I want the project to inhabit a particular reality for as long as possible – so, don’t expect to see it down the pub basically!

I’ve got an amazing crew of mates – brilliant musicians and artists – who are helping me create the live spectacle. Very lucky to be surrounded by such talented folk.

Finally, are there any bands or artists who you recommend we listen to?

I am one of those terrible people that will get into one album and not surface for two months – I’ve never been one for the New Music Friday thing sadly. I wish I was.

At the moment I’m circling The Breeders album Title TK, PJ Harvey’s Stories from the City, a really cool band called KLAMP, St Vincent, Mark Lanegan (listen to ‘Lexington Slow Down’), Megan Thee Stallion, John Frusciante’s Niandras Lades and this sick band called Demonstrations who are from Brighton. I listen to their song ‘Evening Run’ most days, the bassist has worked absolute magic all over it and I am hoping she’ll join me on stage one day. I also live with Annie from CLT DRP, so I’ve also been privy to their new stuff which is incredible, I can’t describe how exciting it is, there’s nothing else like it.

Thanks to Lucy for answering our questions. Watch the video for ‘Down’ below.

Follow O Hell on Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

Track Of The Day: Bad Idea – ‘Crash’

A hazy, melodic musing on the familiar feeling of burning out, Leeds-based band Bad Idea have shared their latest single ‘Crash’. Released via Leeds label Come Play With Me, the track meshes the band’s shoegaze and dream pop sensibilities with relatable lyrics to create a swirling distraction from the overwhelming desire to crash out of your many commitments.

Formed in 2016 on a drunken night out dancing to Madonna’s ‘Like A Prayer’, Bad Idea’s Sarah Sefton and Daniel Johnson chose the band’s name after entering into a new creative project and a new romantic relationship together simultaneously. They put aside their concerns about how this might affect their musical dynamics and enlisted the help of new bandmates Charlie Peacock and Liam Lambert in 2019 to flesh out their sounds. On new single ‘Crash’, the band embrace the idea of “putting yourself in front of a slow moving car, or acquiring a minor injury of some sort to get out of your commitments, because you’re too tired and want to go home” with atmospheric flair.

“It’s a sad song about exhaustion and anxiety, but also camaraderie,” vocalist Sarah explains further. “It describes an anxiety that I share with most of my colleagues and friends..the song mirrors this feeling in the music with slow, drifting and overlapping vocals and sudden hard choruses.”

Listen to ‘Crash’ below.

 

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Kate Crudgington
@KCBobCut

WATCH: DEBBY FRIDAY – ‘FOCUS’

Inspired by her decision to fully embrace her creativity and push her talents to the limit, Nigeria-born, Vancouver-based audio-visual artist DEBBY FRIDAY has shared her latest single ‘FOCUS’. Full of jagged electronics and sultry, commanding vocals, the track is accompanied by a striking set of visuals featuring and co-directed by Friday and Ryan Ermacora.

“I wrote this song in 2019, when I first started thinking about writing an album and the possibility of pursuing my creative passions as my career was making itself known to me,” Friday explains about ‘FOCUS’. “I kept debating with myself, ‘do I want this? or do I not want this?’ It’s a heavy question. The video also speaks to this. The whole process was like undergoing some sort of fire baptism. It was difficult and chaotic and supernatural. I felt like I was the mountain, cracking open and spilling forth.”

Cauterizing her conflicting thoughts with impressive flair, Friday’s efforts have resulted in a distinctive sound and aesthetic. She elaborates on how the accompanying video was created: “Getting the logistics of everything together was the most stressful part. It’s not everyday that you have to figure out how to make an avalanche and take fire bullwhip cracking lessons. Thankfully, I had a really supportive crew the whole way through. It took a lot but I feel like this song and video marks a turning point for me that I can’t exactly name yet.”

Watch the video for ‘FOCUS’ below.

Follow DEBBY FRIDAY on bandcampSpotifyTwitterInstagram & Facebook

Photo credit: Laura Baldwinson

Kate Crudgington
@KCBobCut