Premiere: Jelena Ćirić – ‘Lines’

Set to release her debut EP later this month, Reykjavík based singer songwriter Jelena Ćirić has now shared the first single from the collection.

Reflecting on our preoccupation with finding the meaning of life, ‘Lines’ offers a captivating ethereal soundscape. With shades of the other-worldly allure of Regina Spektor, it flows with twinkling keys and the impassioned majestic splendour of Ćirić’s vocals, creating a musically rich, lyrically poignant slice of spellbinding alt-pop.

Listen to ‘Lines’, for the first time, here. And read a little interview with Jelena all about the track and her upcoming EP below!

 

Hi Jelena, can you tell us about your new single ‘Lines’?
‘Lines’ is a song about the fetish we humans have for answers to life’s big questions. Whether we admit it or not, we love the idea that a conversation with a fortune tell could reveal the purpose of our life or that we’ll meet a new lover and suddenly everything will fall into place. I don’t think that happens to most of us. Changing ourselves is gradual and hard and not very romantic.

And can you tell us a little about the inspiration behind the the song?
The song is set in Toronto, where I grew up. Like all cities it’s got many layers, and stepping into one of its neighbourhoods can feel like stepping into an alternate reality. It’s been a few years since I’ve lived there but it’s where I grew up and grappled with the sorts of questions that the song’s protagonist wonders about: who am I, what should I do with my life, who should I love?

You’re Serbian born, grown up in Canada, but have lived in Iceland for several years, how has living there influenced your songwriting?
The Icelandic music scene has been incredibly supportive and encouraging to be a part of. I studied classical singing – although it was a good foundation in many ways, it also instilled a scathing self-criticism in me that I had to unlearn. What I love about Icelandic artists is that when they have an idea, they just go for it. I’ve been learning to just act on ideas rather than criticize them to death before I begin.

And what can we expect from your upcoming debut EP?
I named the EP Shelter One because for me each of the songs is a little temporary haven that I built to process something I was going through. That’s what songwriting has always been for me – a way to explore questions I had about myself or the world or give myself a sort of solace that I couldn’t find elsewhere. Personally, I’m drawn to music that isn’t overly produced, and I’m really proud of the team behind this EP for bringing out the best in me without ironing out the authenticity of the songs. From Pétur Þór Benediktsson who recorded the vocals so beautifully and Snorri Hallgrímsson who recorded piano, to Margrét Arnardóttir (accordion) and Karl James Pestka (viola and violin) whose playing brings depth to the songs, Albert Finnbogason who produced it with such care and respect, and then Sarah Register’s mastering that polished it like a gem. It’s really important to me to acknowledge the people whose names you may not see when you check out a song on a streaming platform. This EP was a team effort and it was truly crafted with care at every step.

Huge thanks to Jelena for answering our questions!

‘Lines’ is out now, taken from Jelena Ćirić’s upcoming debut EP Shelter One, set for release 27th November via Icelandic label Paradís Sessions.

Mari Lane
@marimindles

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FIVE FAVOURITES: Ultraflex

Described as a “cocktail of contemporary disco and futuristic boogie,” Norwegian/Icelandic duo Ultraflex have a joyful sound that can be appreciated while strutting around on the tiles of a dancefloor, or during a sweaty aerobics class at the gym. The pair – formed of Farao and Special-K – recently released their debut album, Visions of Ultraflex, which showcases their ability to craft carefree but polished electronic tunes.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Ultraflex to ask about their “Five Favourites” – five songs that have inspired their song-writing techniques. Check out the band’s Soviet-themed favourite songs below, and scroll down to listen to their latest single ‘Full Of Lust’ at the end of this post.

 

1. Dimenzió – ‘Bamba’
This Hungarian jazz project released masterpiece ‘Bamba’ on their self titled debut album from 1981. The double bass melts perfectly into the rushed beat creating a constant feeling of progress and movement forwards into the synthesizer solo and playful vocoder vocals. Kari found this track on youtube years ago when she was digging for Soviet treasures and it’s been one of our favourites ever since. The track creates such a mysterious mood, as if it could have been the theme tune for a crime show.

2. Wojciech Karolak ‎– ‘Discopus Nr 1’
Although Poland was never part of the Soviet Union, they were one of the Warsaw Pact countries and I normally include Polish stuff in our Soviet themed DJ sets as it’s clearly very similar in style. Wojciech Karolak is a Polish jazz pianist who made this fusion banger in 1980, and considering the cover he clearly had great style as well. The track opens with a minute long ultra smooth intro to set the mood before the disco beat kicks in and we are good to go. Fusion like only Eastern Europeans do it.

3. Юрий Бучма – ‘Дождик’
Юрий Бучма (Yuri Buchma) used so many amazing synthesizers on his album Автопортрет (Self Portrait) from 1990, like the Roland D-50, Yamaha PSR-90, RX-5 and, an Ultraflex favourite, the DX-7. The track ‘Дождик’ (Rain) is irresistibly groovy and comes with a nice fan video showing some wild animals in the Russian countryside. The rest of the album is also worth checking out, for example the brilliantly titled ‘Чернобыль, год спустя’ (Chernobyl, one year later).

4. Adrian Enescu – ‘Cuvinte incrucisate’
Romanian composer Adrian Enescu released this record as a continuation of Funky Synthesizer 1, a very confusing and challenging release. Funky Synthesizer 2, however, is where Adrian finally found his formula, especially on ‘Cuvinte Incrucisate’ – the banger of the album.

5. Miha Kralj – ‘Computor’
Miha Kralj is a pioneer of Yugoslavian instrumental synthesiser music and he released three albums in the early ‘80s. Kind of a Giorgio Moroder of what is now Slovenia. His stuff is pretty out there. We also recommend his first album, Andromeda.

Thanks to Ultraflex for sharing their Soviet-themed five favourites with us.

Listen to ‘Full Of Lust’ below and follow Ultraflex on bandcamp, Spotify, Instagram & Facebook for more updates.

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INTERVIEW: Beckie Margaret

Since the release of her debut single ‘Cars & Catacombs’ via Cool Thing Records in 2017, Essex songwriter Beckie Margaret has been working hard crafting cinematic, reflective soundscapes about her experiences as a young woman. With her latest single ‘Divine Feminine’ she’s reaching new heights in terms of artistic confidence, and strengthening our belief that she’s one of the most naturally gifted songwriters we’ve had the pleasure of listening to. We had a quick catch up with Beckie to talk about her latest single, her upcoming debut album, her memories of the Sofar Sounds & GIHE gig she played just before the first lockdown in March, and whether there might be a seasonal single on the horizon…

Hello Beckie, how have you been coping and staying creative during the on-going Covid-19 pandemic?
It’s definitely been difficult to stay creative during Covid. I’ve really had to remind myself to unlock that child-like mind set so I can then sit down and write or create. I definitely have to work in short, quick bursts now though, otherwise the stresses of the world seep into my work.

You’ve just released your new single ‘Divine Feminine’. Talk us through what inspired you to write it.
The main thing that inspired ‘Divine Feminine’ was the observation of people that drain your energy and keep you from reaching your highest self. I think in your 20’s you realise that not everyone has your best interests at heart, so it’s a semi diss track I suppose. I like to think it reflects the aggression of this year in many ways.

You’ve been busy recording your debut album this year. Talk us through some of the highlights of the process, and what your anticipations are for the record once it’s complete.
I’m very much a studio girl so making an album was very special, especially at SS2 with Rees Broomfield who is absolutely incredible and completely understood my creative vision. Having Rees as well as my band to help with hybrid tracking on some of the more organic tunes really made the whole experience perfect. I already can’t wait to record another, everyday was a highlight to be honest.

You played live for GIHE & Sofar Sounds in March about a week before the first lockdown was put into place. What are your main memories from this night?
That was my first Sofar Sounds, so for it to be a GIHE event too was lovely. A really tender night full of honest acts and a respectful audience. As well as the hosting being amazing by Kate and Tash/ I’m glad it was the last gig I played before lockdown, it for sure kept me going thinking about how wholesome the evening was.

Any artists or bands you can recommend we listen to at the moment?
Arlo Parks’ writing is amazing, I’ve been listening to her a lot. I have had slowthai on repeat as well.

Finally, Christmas is coming up…have you ever been tempted to work your magic on a festive classic?
I literally say this every year, I WILL write a Christmas song! I’m so up for it. I would so channel a Coldplay Christmas song vibe, on my list of things to do…

Thanks to Beckie for chatting to us!
Follow her on Spotify, Instagram, Facebook & Twitter for more updates.

Photo Credit: Antonio Milevcic

Kate Crudgington
@KCBobCut

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PLAYLIST: October 2020

Whether you’re feeling apprehensive about the darker evenings after the pesky BST clock change, or you’re fed up of the ongoing Covid-restrictions that are full of contradictions, our October playlist is here to distract you. There’s an eclectic mix of dancing beats, atmospheric electronics, indie and alternative guitar tunes and some seasonal Halloween pop treats! Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of the page.

Nina Simone – ‘I Put A Spell On You’
The inimitable Nina Simone and her rendition of ‘I Put A Spell On You’ was an obvious choice for a Halloween-esque track, and it gives me goosebumps whenever I hear it. (Kate Crudgington)

Phoebe Bridgers – ‘Halloween’
Fun fact – I’m in love with Phoebe Bridgers. I more or less constantly have one of her songs running through my head, and spend a lot of time musing about how cool she is. So, for our October playlist it seemed only right to include her ode to the spooky season. Taken from her recent (perfect) album Punisher, ‘Halloween’ oozes Bridgers’ majestically haunting vocals and spellbinding splendour. And with the opening lyrics “I hate living by the hospital / The sirens go all night”, as someone who lives round the corner from Croydon hospital, I feel a deep hard relate on each listen. (Mari Lane)

Two Tribes – ‘Cruel Sensuality’
Full of commanding beats, jagged synths and soaring vocals, Two Tribes‘ latest single is a cathartic oscillation between emotional resilience and the unexpected apathy that comes with the ending of a relationship. Taken from their upcoming EP, which is set for release in 2021, the London-based trio blend vivid electronic textures with jolting rhythms to create an anthemic new sound. (KC)

CIRCE – ‘Ruined Your Sons’
A dark-pop gem that challenges toxic masculinity, ‘Ruined Your Sons’ is the latest single from London-based artist CIRCE. It’s taken from her upcoming debut EP She’s Made of Saints, which is set for release via Jazz Life on 25th November, and it’s a cinematic reflection on the apathy and disillusionment young men face while living under the thumb of patriarchal society. (KC)

Beckie Margaret – ‘Divine Feminine’
“’Divine Feminine’ is a song for people who stop you reaching your highest self,” explains Essex songwriter Beckie Margaret. “I wanted to write a sonically aggressive song that reflected this idea.” Through her commanding sounds and effortless vocal delivery, Margaret balances this aggression with elegance as she warns those trying to silence her to “stay out of my way.” I can’t wait to hear her debut album, which she’ll be releasing through Cool Thing Records at some point in the future. (KC)

Arlo Parks – ‘Green Eyes’
‘Green Eyes’ is the latest single from GIHE fave Arlo Parks. The track is taken from her debut album Collapsed In Sunbeams, which is set for release on 29th Jan via Transgressive Records. She’s yet to release something that don’t collectively adore here at GIHE, and I can’t wait to hear the full record next year. (KC)

Sans Soucis – ‘Air’ 
I have Kate to thank for sending this song my way, the latest single from the London based artist Sans Soucis and I cannot get enough of it. ‘Air’ evolves sonically under pitch perfect vocals, to put forth a message of protest against an era of human disconnection and destructive self-doubt. (Tash Walker)

Rihanna – ‘Disturbia’
Disturbia by absolute babe of babes Rihanna, taken from her 2008 album Good Girl Gone Bad: Reloaded. I think this is one of her best songs to date and I’m resurrecting it as a little Halloween treat for you all. (KC)

Eckoes – ‘The Light’
Alongside strobing synths and shimmering guitars, in ‘The Light’ the truly spellbinding power of Eckoes’ vocals soars, lulling the listener into a cathartic sense of hypnosis with its alluring grace. And we’re super excited that, having blown us away playing for us live at The Finsbury a few years back, Eckoes will be joining us for a special Instagram takeover next Wednesday 4th November – keep your eyes peeled on our socials for details! (ML)

Penelope Trappes – ‘Eel Drip’
A goose bump inducing, emotionally charged electronic soundscape, ‘Eel Drip’ is the title track from London-based, Australian-born musician Penelope Trappes’ recent EP. It’s a dark, delicate rumination on accepting the inevitability that our lives will all be touched by death at some point, and I’m a little bit obsessed with it. (KC)

Witch Prophet – ‘Tesfay’
‘Tesfay’ translated as “my hope” from queer artist Witch Prophet, inspired by the memory of Witch Prophet’s late grandfather who raised five daughters as a single father in Ethiopia after the passing of her grandmother. Instead of focusing on the traditional roles for women in his day, he pushed his daughters towards education and empowerment – a radical move for the time. The video is fantastic as well, go check it out. (TW)

LIINES – ‘On and On’
One of the latest singles from GIHE faves LIINES, ‘On and On’ reflects on not being able to express your true feelings. Oozing the band’s trademark dark, brooding power, it builds to a high-octane climax of raging riffs and throbbing bass lines, propelled by the utterly commanding vocals of Zoe McVeigh and a punk-fuelled bewitching allure. ‘On and On’ is the B-side to new single ‘Sorry’’, out on 6th November, with a limited number of black 7” vinyl editions available for direct mail order and through independent record shops, via Reckless Yes. Pre-order via LIINES’ Bandcamp now. (ML)

Bitch Falcon – ‘How Did I Know?’
Is it even a GIHE Playlist if I don’t include a Bitch Falcon track? (Long answer: no.) The Dublin alternative trio have shared this new single ahead of the release of the debut album, Staring At Clocks, on 6th November via Small Pond Records. Vocalist & guitarist Lizzie says this single is “an expression of frustration around someone I love and their problems. When someone you love is at the edge of your grasp, it can be so terrifying that your reaction is to let go.” (KC)

Total Rubbish – ‘What’s Your Damage?’
The latest single from Philadelphia-based trio Total Rubbish, whose sound reminds me a little bit of Garbage or L7 – which is never a bad thing. ‘What’s Your Damage’ is featured on their upcoming EP Triple Negative, which is set for release on 20th Nov via Born Losers Records. (KC)

Middle Kids – ‘R U 4 Me?’
With an uplifting jangly groove, Aussie band Middle Kids offer a swirling emotion and warm melodies with latest single ‘R U 4 Me?’. A perfect burst of sunny energy for this time of year, it’s a scuzzy indie pop anthem, leaving me excited to hear what this trio have in store for us next. (ML)

Landshapes – ‘Drama’
The new single from GIHE faves and one of our first guests on the radio show back in 2015, Landshapes, ‘Drama’ reflects on the imbalance of emotional labour that’s often seen between men and women. Soaring with a whirring synth-filled musicality and sweeping electro-driven hooks as the lustrous distinctive power of Luisa Gerstein’s vocals flows, it’s set to captivate on first listen with its majestic, funk-fuelled groove. ‘Drama‘ is out now, along with accompanying single ‘Let Me Be‘. Both are taken from Landshapes’ upcoming new album, Contact, set for release on 20th November via Bella Union. (ML)

Miri – ‘Just Breathe’
The latest single from London artist MIRI, ‘Just Breathe’ was released to coincide with Mental Health Awareness Day earlier this month. Reflecting on the negative impact some social media can have, whilst delivering a message of love and hope, it’s propelled by a soothing, soulful splendour and emotion-strewn majesty. As the soaring heartfelt power of Miri’s distinctive vocals flows, it’s filled with an uplifting musicality, oozing an endearing sense of hope. Of the track, MIRI explains: “Just Breathe is my message to anyone struggling mentally to please reach out for help. We are living in an incredibly stressful and intense time especially with the pandemic.” (ML)

Lande Hekt – ’80 Days Of Rain’
‘80 Days of Rain’ “is about moving away and missing someone, and how that person taught me to get angry about climate change,” songwriter Lande Hekt explains. It’s a humble, emotive guitar tune about the state of the planet, lifted from Hekt’s upcoming album Going to Hell, which is set for release on 22nd January 2021 via Get Better Records. (KC)

Swallow Cave – ‘Cold Moon’ 
‘Cold Moon’ comes from Bristolians Swallow Cave. Reflecting on mental health, I love the intonation in the vocals that resonate in those long guitar chords, reverberating right into my soul. It’s out now via Sad Club Records. (TW)

Bel Cobain & Lex Amor – ‘At The Bay’
‘At The Bay’ is a beautiful track that was made as part of a Hackney based community movement called The Silhouettes Project. They’re shining a light on artists in the shadows and protecting local spaces from gentrification. The Silhouettes Project provides an open space – a recording studio and live venue (located within the Total Refreshment Centre in Hackney, London) – where MCs, singers, musicians and producers can connect and create. (TW)

Thigh High – ‘Go Slow’ 
The latest single from queer glam-rock band Thigh High and I’m loving it. It’s a song about wanking, masturbating, about that annoying moment when your dildo’s batteries die and you have to raid the remote control. Incredible. Turn up those dials. (TW)

Spill Tab – ‘Santé’
‘Santé’ by LA-based, French Korean artist Spill Tab is intimate bedroom-pop at its best, mixing hypnotic dark-pop vocals with an urgent throbbing bass. Nice. (TW)

Tokky Horror – ‘Sleeper’
Dance-punk trio Tokky Horror have shared two new bangers just in time for Halloween. The explosive ‘Sleeper’ is one of them, with Demonoid Phenomenon – a Rob Zombie cover – being the other. You can download both from their bandcamp page now. (KC)

Lady Gaga – ‘Monster’
Taken from her 2009 album The Fame Monster, this track by Mother Monster herself is guaranteed to get me dancing at a Halloween party (even if that party consists of only me in my bedroom due to the current covid-19 restrictions.) (KC)

Pet Wife – ‘.B.L.O.O.D.O.R.A.N.G.E.’ 
PET wife, are a trans/nonbinary couple and art-pop duo from Bushwick, Brooklyn. This single, ‘.B.L.O.O.D.O.R.A.N.G.E.’ is accompanied with an incredible music video which you can watch here, that they describe as an homage to the vampire lesbian exploitation films of the 1970s with an all-trans/gender non-conforming crew and queer cast. Loving this track! (TW)

Soho Rezanejad – ‘Half The Shore’
The new single from Danish artist Soho Rezanejad, ‘Half The Shore’ is a beautifully ethereal soundscape. With Rezanejad’s work often rooted in mythological storytelling, this latest offering oozes a spellbinding majesty that’ll captivate on first listen. A much needed sea of calm. ‘Half The Shore’ is taken from Rezanejad’s upcoming album Perform And Surrender, set for release on 4th December via Silicone Records. Listen to the track here. (ML)

Sonic Youth – ‘Halloween’
The unmistakable sound of Kim Gordon’s voice over these eerie, strung out guitar sounds should be enough to create a wonderful sense of dread for you all this Halloween weekend. (KC)

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