Since the release of her debut single ‘Cars & Catacombs’ via Cool Thing Records in 2017, Essex songwriter Beckie Margaret has been working hard crafting cinematic, reflective soundscapes about her experiences as a young woman. With her latest single ‘Divine Feminine’ she’s reaching new heights in terms of artistic confidence, and strengthening our belief that she’s one of the most naturally gifted songwriters we’ve had the pleasure of listening to. We had a quick catch up with Beckie to talk about her latest single, her upcoming debut album, her memories of the Sofar Sounds & GIHE gig she played just before the first lockdown in March, and whether there might be a seasonal single on the horizon…
Hello Beckie, how have you been coping and staying creative during the on-going Covid-19 pandemic?
It’s definitely been difficult to stay creative during Covid. I’ve really had to remind myself to unlock that child-like mind set so I can then sit down and write or create. I definitely have to work in short, quick bursts now though, otherwise the stresses of the world seep into my work.
You’ve just released your new single ‘Divine Feminine’. Talk us through what inspired you to write it.
The main thing that inspired ‘Divine Feminine’ was the observation of people that drain your energy and keep you from reaching your highest self. I think in your 20’s you realise that not everyone has your best interests at heart, so it’s a semi diss track I suppose. I like to think it reflects the aggression of this year in many ways.
You’ve been busy recording your debut album this year. Talk us through some of the highlights of the process, and what your anticipations are for the record once it’s complete.
I’m very much a studio girl so making an album was very special, especially at SS2 with Rees Broomfield who is absolutely incredible and completely understood my creative vision. Having Rees as well as my band to help with hybrid tracking on some of the more organic tunes really made the whole experience perfect. I already can’t wait to record another, everyday was a highlight to be honest.
You played live for GIHE & Sofar Sounds in March about a week before the first lockdown was put into place. What are your main memories from this night?
That was my first Sofar Sounds, so for it to be a GIHE event too was lovely. A really tender night full of honest acts and a respectful audience. As well as the hosting being amazing by Kate and Tash/ I’m glad it was the last gig I played before lockdown, it for sure kept me going thinking about how wholesome the evening was.
Any artists or bands you can recommend we listen to at the moment?
Arlo Parks’ writing is amazing, I’ve been listening to her a lot. I have had slowthai on repeat as well.
Finally, Christmas is coming up…have you ever been tempted to work your magic on a festive classic?
I literally say this every year, I WILL write a Christmas song! I’m so up for it. I would so channel a Coldplay Christmas song vibe, on my list of things to do…
Photo Credit: Antonio Milevcic