FIVE FAVOURITES: HAVVK

One of the first ever guests on our radio show, and the first headliner of a GIHE live night, Ireland based trio HAVVK have been wowing us over the years with their distinctive-yet-eclectic array of spellbinding-yet-gritty soundscapes. With activism at the heart of all they create – with a focus on speaking out against gender equality – they’ve received acclaim from the likes of The Guardian and BBC 6Music for previous releases such as Cause & Effect and Levelling, and have now shared a poignant new single. Channelling a seething raging energy, ‘Expiry’ reflects on society’s expectations of women to ‘age gracefully’, whilst giving a middle finger to these restrictions on how you should dress or behave. Exuding a fierce sense of urgency, it’s propelled by the raw power of lead singer Julie Hough’s distinctive celestial vocals as the band’s trademark politically-charged rage emanates throughout.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of ‘Expiry’, we caught up with Julie and Matt from HAVVK to ask about the music that has inspired them the most recently. So, read about their five favourite songs and watch the new video for ‘Expiry‘ below!

Julie’s Choices:

Cherym – ‘Abigail’
We were dead set on having fun with this record and making obnoxiously fun hooks that people could sing along to. So I went down a rabbit-hole of listening to much poppier rock than I usually draw influence from. Cherym are masters of this kind of writing, with their poppy hooks and clever, sassy delivery. You can hear this on all their songs, but I especially love ‘Abigail’ and ‘Take It Back’.

Yeah Yeah Yeahs – ‘Maps’
Okay, so I have always been a massive Yeah Yeah Yeahs fan so this maybe doesn’t belong specifically on this list. I draw a lot of inspiration from Karen O’s witting and performance style. But there was a particular vibe we were trying to nail down for one of our songs while we were in the studio. We couldn’t quite put our fingers on this until one of us put ‘Maps’ on, which obviously we’ve all heard a hundred times. But something clicked in that moment – the stripped back instrumentation, the loneliness of the vocal, and the slow build throughout. We were about to have a ‘sad indie prom night’ moment. 

Matt’s Choices:

Dirty Dishes – ‘Thank You, Come Again’
Before we started recording, we spent a whole day with our producer Rocky O’Reilly talking about what we wanted to make and listening to influences. Rocky mentioned a band called Dirty Dishes who I’d never heard of. We listened to them a huge amount before and after the recording sessions. They become a staple in the car on the journey up and down from Belfast where Rocky’s studio is. Their album Guilty is mega. ‘Thank You, Come Again’ is just a really great song and the use of feedback and distortion had a big impact on how the guitars and bass on our recordings ended up sounding.

Bachelor – ‘Sand Angel’
Another band we talked about during our  preproduction chat. The guitar hook for ‘Sand Angel’ is really great. The space in the track, use of reverbs and unusual structure of the song was a starting point for quite a few of our tracks. There’s a lot of harmonies on that song as well. As a 3 piece we wanted to try and make more use of harmonies on the album to fill space and add more layers to the live show.

Matt and Julie:

Two Inch Astronaut – ‘Snitch Jacket’
This was actually slightly after the recordings were finished but I bumped into this band via Spotify algorithms suggesting I should. I can’t stop telling everyone how good this band is. So here I am doing it again. They are good.’Snitch Jacket’, and ‘Can You Please Not Help’ are just great pieces of music that I keep coming back to. (Julie chiming in here to tell you that Matt is correct, listen to this band.)

Massive thanks to Julie and Matt for sharing their Five Favourites!

‘Expiry’ is out now via Veta Records. Watch the new video here:

NEW TRACK: Coolgirl – ‘High Altar’

Following on from her previous single ‘Silverlight‘ – a synth-soaked exploration of the intense, transitory nature of infatuation – Dublin-based artist and producer Lizzie Fitzpatrick aka Coolgirl has shared her latest single ‘High Altar’. Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records (HAVVK, Sive, DYVR, Maria Kelly, St. Bishop), the track is a hypnotic blend of magnetic synths, intriguing samples and atmospheric beats.

GIHE fans will recognise Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her new solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. After releasing a handful of singles over the past few years and performing live alongside the likes of HAVVK, Alyxis and Plus One, Coolgirl is preparing to share her new EP, with ‘High Altar’ offering further insight into what listeners can expect from the upcoming release.

Created in her bedroom studio, on ‘High Altar’ Coolgirl creates a mesmeric blend of analogue synths, modellers and samples – including the sound of knocking on a radiator – to showcase the “emotional aspect of dance music”. By using an upturned bass melody and rolling cutoffs to evoke an “intense sadness”, Fitzpatrick takes listeners on a bittersweet, euphoric journey into her thrilling, experimental world.

Coolgirl’s upcoming EP Failed Reboot will be released on digital platforms and on cassette tape too.

Watch the visualiser for ‘High Altar’ below.

 

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Kate Crudgington
@KCBobCut

NEW TRACK: O Hell – ‘hard times’

Following on from their previous single ‘It Heals So Quick‘ – a compelling extrapolation on sexuality, ritual and sacrifice – Brighton-based artist and producer Lucy Sheehan aka O Hell has shared their latest offering, ‘hard times’.

Influenced by a love of the eclectic sounds of PJ Harvey, Massive Attack and Mark Lanegan, O Hell’s music sees them explore and deconstruct themselves over brooding electronics, twitchy beats and crystalline vocals. On ‘hard times’ they continue this dismantling, taking cues from the often restricting views we have about love and the way in which it evolves over time.

“I have a hard time forgiving you sometimes / and a hard time loving you less” confesses Sheehan in the chorus, their simplistic words made more potent by their clear, emotive vocals. Underscored by atmospheric beats, evocative synths and idiosyncratic samples, O Hell tenderly navigates the uncertain territory between romantic and platonic love, dismissing the idea that we need to burn bridges, whilst also acknowledging that we need time to recover from the end of a relationship in order to remain close to someone.

“I wrote the chorus in about five minutes, but then George and I kicked it around for weeks before he moved to San Diego,” O Hell explains about the conception of ‘hard times’. “Ben and I visited him there in North Park a few months later, and maybe it needed a bit of that Californian sunshine, ‘cus we finished it as soon as we got back. We started adding on little samples and field recordings that started to provide the verses’ glazed fairground atmosphere. One is a phone recording of when my friend and stylist Abi were being accosted by some council bloke trying to fine us. That’s on there…the sound of Brighton in the summer. That adult fairground atmosphere is definitely there lyrically too, maybe in response to San Diego itself, all the gas station watermelon and donuts.

“The whole thing is a bit of a collage,” Sheehan ultimately reflects. “What I wanted to say in the chorus is: get back to what love really is, ‘cus it’s way bigger and better than the bullshit possessiveness we’re told it needs to centre around. It might change state, it might morph between romantic and platonic, or everything in between – but fuck all the drama off, if you love someone, let that love take its course. It was always bigger than the first label you smacked on it anyway.’

O Hell’s poignant message is enhanced by the accompanying DIY road trip video for ‘hard times’, which Sheehan, filmed, directed and edited by themselves. Watch it below.

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Kate Crudgington
@KCBobCut

LISTEN: Reverend Kristin Michael Hayter – ‘All Of My Friends Are Going To Hell’

A different character with a commanding rhetoric, but fuelled by the same raw, passionate voice; interdisciplinary artist Kristin Hayter has returned with new music under an updated moniker. Formerly known as Lingua Ignota, she has now re-branded to Reverend Kristin Michael Hayter and shared the cathartic, startling track ‘All Of My Friends Are Going To Hell’.

Lifted from her upcoming album, SAVED!, which is set for release on 20th October via her own imprint Perpetual Flame Ministries, the song is an auspicious-yet-ominous offering that sees Rev. Hayter “rise” triumphantly from the place where they fell. Moving away from the trauma that underscored her previous works, including her acclaimed second album Sinner Get Ready (2021), Hayter’s new work focuses on healing. This emotional exorcism is at the core of SAVED!, which she worked on with long-time collaborator Seth Manchester.

Once again taking inspiration from Christian values – specifically the Pentecostal-Holiness Movement which dictates that one’s closeness to God is demonstrated through transcendental personal experience – Hayter uses her voice as a vessel for redemption, with ‘All Of My Friends Are Going To Hell’ forming her first potent sermon. Her sparse instrumentation allows her idiosyncratic vocal to remain the the centering force as she seeks salvation in direct, unrelenting fashion: “I’m getting up from the place where I fell / Lord please forgive me / I don’t want to be like my friends who are going to hell”.

Described as “an apocalyptic revelation on the complex, sometimes ugly, always nonlinear process of healing,” SAVED! looks set to be Hayter’s most unflinching, raw record to date. High-fidelity recordings of each song were committed to a 4-track recorder, then degraded in a series of small half-broken cassette players. This achieved the atmosphere of timeless decay that Hayter wanted, enhancing the power of her unusual pilgrimage further. ‘All Of My Friends Are Going To Hell’ is accompanied by a video that follows Hayter into a riverside baptism, and was filmed, directed & edited entirely by Hayter herself. Watch it below.

On Friday 13th and Saturday 14th October, Hayter will perform her final shows as Lingua Ignota in London as part of “Perpetual Flame v.2” with some very special guests across each show. Find out more and buy tickets here.

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Photo Credit: Rev. Herschel B. Rutherford

Kate Crudgington
@KCBobCut