New Track: t l k – ‘Serenia’

A beautiful, soothing electronic lamentation about the nature of childhood grief and memory, Bristol-based artist t l k has shared their latest single ‘Serenia’. Brimming with emotive vocals, tender lyrics and blissful synths, the track is a poignant exploration of the timeless power of maternal love.

“Deep in a palace of the mind / held by the mother for the last time” muses t l k in the opening line of the track, inviting listeners into a deeply personal space via clear vocals and ambient electronics. Described as a “self-soothing metaphysical landscape”, the artist created ‘Serenia’ by manipulating an improvised vocal take and blending it with analogue synths, before adding percussive textures that were built from the spines of a cactus. The result is an emotive “sound bath” that evokes a sense of solace and serenity each time it’s listened to.

Using music to gently unfold themes of identity, self-hood, and the often incomprehensible depth of human emotion, t l k blends introspection, melancholy and euphoria within their sound, sometimes within the same track. Their debut EP, Strength In Tenderness (2022), was an evocative, rapturous collection of songs that seamlessly fused these two emotional states together, an accomplishment that meant the record made the cut for our Albums & EPs of 2022 feature last year.

t l k’s new single ‘Serenia’ is accompanied by an animated artwork created by graphics pro and visual artist Alfie Dwyer (Adult Swim, Eric Andre, Sad Night Dynamite, Thundercat and Flying Lotus). Dwyer’s work enhances the dreamlike, all encompassing warmth of t l k’s sound.

Watch the video for ‘Serenia’ below.

Follow t l k on bandcamp, Spotify, Instagram, Facebook or via their Website

 

Photo Credit: Giulia Spadafora

Kate Crudgington
@kcbobcut

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Track Of The Day: VISCERENE – ‘Zeros and Ones’

An ominous reflection on the way that technology influences our behaviour, industrial/electronic duo VISCERENE have shared their debut single ‘Zeros and Ones’. With a sound reminiscent of Pretty Hate Machine-era Nine Inch Nails, the track is a brooding cacophony of chaotic synth textures and glitchy beats, exploring what happens to our thought processes when we spend too much time online.

Formed of Charlie Beddoes and John Briginshaw, VISCERENE is the sound of two experienced musicians navigating new sonic territory on their own terms. Briginshaw is a session drummer, who wanted to create music instead of just playing songs by other people. Beddoes is a bassist and vocalist who has played in many bands, including Rub Ultra, No Santa, and most recently fronted Rock In Your Pocket and Nasty Little Lonely. Now, the pair have combined their many talents to create visceral electronic noise under their new moniker.

“‘Zeros and Ones’ is about technological determinism,” Beddoes explains about their debut offering. “The lyrics refer to how human behaviour changes because of technology, and not always for the better!” The duo explore this element of the human psyche through Beddoes’ cutting lyrics and Briginshaw’s ordered yet erratic percussion.

As well as forming this new project, Beddoes has recently released her memoir, Overdriven, which is described as “the true story of a girl with a dirty bass sound and more ambition than sense”. Her book is full of fascinating anecdotes about the 80s and 90s rock scenes, as well as her own experiences of being a women in rock and alternative music spheres. You can buy a copy here.

Listen to ‘Zeros and Ones’ below.

Follow VISCERENE on bandcamp, Spotify, Facebook and Youtube

Kate Crudgington
@kcbobcut

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Track Of The Day: DEBBY FRIDAY – ‘So Hard To Tell’

An altruistic mix of bittersweet vocals, glitchy beats and evocative electronics, DEBBY FRIDAY has shared her latest single ‘So Hard To Tell’. Taken from her upcoming debut album, GOOD LUCK, which is set for release on 24th March via Sub Pop, the Nigerian-born, Toronto-based artist’s track is a candid reflection on growth and the indecision encountered along the way, explored through her magnetic vocals and candid lyrics.

“I have a lower register and speak with vocal fry, so I don’t know what came over me when I made this track,” Friday explains about ‘So Hard To Tell’. “I have never in my life sung like this before and I had no idea I could even make these kinds of sounds with my voice. There’s no pitch effects, it’s all me.” Differing dramatically from her previous sounds on EPs BITCH PUNK and DEATH DRIVE, this single further showcases Friday’s talent for traversing unknown territory and totally acing it.

The track is accompanied by a video, co-directed by Kevan Funk and featuring Friday in many magnificent forms, effortlessly commanding attention wherever she goes. Her upcoming album, which was co-produced and mixed by Graham Walsh (METZ, Holy Fuck) at Candle Recording Studio in Toronto, and mastered by Heba Kadry in New York, documents Friday’s fascinating journey from being a self-proclaimed “club rat” to a multi-disciplinary artist. The record will be co-released with a short film of the same name, co-directed by Friday and Nathan De Paz Habib. Friday will also be playing a UK show on 3rd May at Corsica Studios, with support from GROVE.

Watch the video for ‘So Hard To Tell’ below.

Follow DEBBY FRIDAY on bandcamp, Spotify, Twitter, Instagram & Facebook

Debby Friday Tour Dates 2023
Sat. Jan. 21 – Montreal, QC – La Sala Rossa w/ Pelada
Fri. Feb. 17 – Toronto, ON – Boiler Room
Wed. Mar. 15-18 – Austin, TX – SXSW
Fri, Mar. 24 – Montreal, QC – Phi Centre
Sat. Mar 25 – Toronto, ON – Garrison
Wed. Apr. 12 – Portland, OR – Mississippi Studios
Thu. Apr. 13 – Seattle, WA – Barboza
Fri. Apr. 14 – Los Angeles – Zebulon
Sat. Apr. 15 – Vancouver – Cobalt
Wed. Apr. 19 – Brooklyn, NY – Babys Alright
Thurs. Apr. 20 – Chicago, IL – Empty Bottle
Wed. May 03 – London, UK – Corsica Studios w/ Grove

Photo credit: Katrin Braga

Kate Crudgington
@kcbobcut

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Five Favourites: Ghost Car

Having released their epic debut album, Truly Trash, towards the end of last year, London band Ghost Car have previously received acclaim from the likes of Skunk Anansie’s Skin and DIY Magazine, as well as sharing stages with legends such as Beth Ditto and Amyl and The Sniffers. Showcasing their quirky, retro energy and trademark whirring soundscapes and honey-sweet vocals, the album is a pure post-punk delight; a whimsical, yet gritty, insight into the world of Ghost Car.

Originally due to be released by Burger Records, the band then pulled out of the planned album release as accounts of sexual assault and exploitation of women by associates of the label came to light. As activists for feminism and members of the LGBTQ+ community, Ghost Car practice what they preach, and aim to spread their mantra of inclusivity and equal rights as loud as possible.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of Truly Trash, we caught up with Ghost Car to ask about the music that has inspired them the most. See below for their choice of five favourite albums!

Sweeping Promises – Hunger For A Way Out

Cece: This masterpiece came out during lockdown and I immediately became obsessed with it. I always thought that a good lo-fi sound can cut through you way better than overly produced music and this album is proof of it. I haven’t heard something so genuine, direct, and beautiful in a long time. It has all been recorded live, using the “single-mic” technique which creates a perfectly unique and nostalgic sound. Lira’s vocals are incredible and a big inspiration for me, I always keep her style as a reference when I need to push my singing to something less obvious and it’s a good reminder to not detach myself and sing with the heart, not just using my voice.


Du Blonde – Homecoming

Clara: We’ve been asked to play with Du Blonde and we didn’t know much about her. When we checked out one of her video clips to check the vibes, I got super excited, and what an album this is! I could feel that same crazy excitement as when you were in your teens and you got a new record. She’s fun, she’s so talented, she’s so sincere! And she wrote, recorded, produced and released this album herself – how amazing. Loving the ‘90s vibes, but also the romantic chords of ‘Take Me Away’ sending me back to a love song from the ‘50s.


Stiff Little Fingers – Inflammable Material

Maeve: This is one of the greatest albums ever written in my opinion. I got a lot of my musical understanding from my mum – she was in her 20s during the troubles and told me stories of going to see SLF in Belfast and having punk music as a release for all the political chaos happening around them. The start of ‘Johnny Was’ gives me chills and there’s nothing better than screaming ‘Suspect Device’ with my mum really loud.


Deerhoof – The Magic

Laura: I’ve been a fan of this band for a long time, but only bought this album quite recently at the independent label fair – tempted by the white vinyl and the fact it’s released on Upset! The rhythm… It’s brilliant! I really enjoy how it switches tempo and mood often, and you can see the band’s many influences worn on their sleeves! Recorded in 2015, it’s raw and full of experiments – I love the way it takes your hand and leads you through their world. Plus, Satomi’s voice is iconic.


X – Los Angeles

Maeve: I only found out about this album from Cece recently when she said “you need to listen to this album, you’re gonna love it” and she was right. One of the great things about Ghost Car is that we all have such varying different music tastes – we know each other so well, and are constantly discovering new music together. I love the intensity and grit of this album and it got me really excited to write some new bangers with the girls.

Cece: X was a late discovery for me too and I knew it would quickly escalate to my top 10 after listening to ‘Your Phone’s Off the Hook, But You’re Not’ – a brilliant song where you can see a great example of perfect harmony between male and female vocals. I was also quite amazed to find out that was produced by ex-Doors keyboardist Ray Manzarek. X had a huge impact on the ‘80s punk scene and without them we wouldn’t have loads of the great bands that we have today. For example, would Kathy Valentine ever have joined The Go-Go’s if she hadn’t met Charlotte Caffey at the X gig at the Whisky at Go Go in 1980…?

Massive thanks to Ghost Car for sharing their Five Favourites with us! Their debut album Truly Trash is out now via One Little Independent Records. Watch the video for album track ‘Conch Pearl’ below:

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